Pesquisando por: "JAN VAN EYCK" - Fotoarena - Agência de fotojornalismo

1035_06_705998 Cardinal Albergati, Eyck, Jan van

902_05_12323616HighRes Jan van Eyck, c. 1390 ? 1441. Early Netherlandish painter. From Enciclopedia Ilustrada Segui, published c. 1900

902_05_12323617HighRes Hubert van Eyck aka Huybrecht van Eyck, c. 1385/90 ? 1426. Early Netherlandish painter and older brother of Jan van Eyck. From Enciclopedia Ilustrada Segui, published c. 1900

948_05_00219966 The Singing Angels and Music making Angels. Part of an Altar piece of 12 panels. Early Flemish art work by the Flemish painter Hubert van Eyck and Jan van Eyck. He completed the panels between 1430-1432. Designed for the St. Bavo Cathedral in Ghent, Belgium. Image date: circa 1900.

akg301793 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Adoration of the Lamb", completed in. 1432. Ghent Altar, inner side, middle. On wood; overall dimensions when opened c. 350 × 450cm. Ghent, S.Bavo. Copyright: Berlin Region. London Region.

akg308540 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "The Annunciation", completed 1432. detail: view through the windows onto a city street. Ghent Altarpiece, outside, middle panel, On wood; overall dimension when open c. 350 × 450cm; Ghent, S.Bavo.

ibxsuc10093486 Jan van Eyck pseudonym Johannes de Eyck 1390?-1441 Flemish painter, Historical, digitally restored reproduction from a 19th century original, Record date not stated

akg308549 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Adoration of the Lamb" (detail: patriarchs & prophets), completed 1432. (Figure in the white coat with laurel wreath presumed to be Virgil). Ghent Altarpiece, inside, middle. On wood. Ghent, S.Bavo.

akg768922 Messina, Antonello da; ital. Maler. Messina, um 1430-ebd. 1479.-"Antonello de Messine dans l'atelier de Jean Van Eyck" (Antonello da Messina im Atelier von Jan van Eyck).-Gemälde, 1820-1829, von Joseph Ducq (1762-1829). Öl auf Leinwand, 27,5 x 39,5 cm. Inv. 991.22. Museum: Musée de Brou., BOURG-EN-BRESSE.

akg301822 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Adoration of the Lamb" (detail: group of women martyrs), completed in 1432, Ghent Altarpiece, inside, middle. On wood. Ghent, S.Bavo.

akg825300 Eyck, Jan van; um 1390-1441 (in Zusammenarbeit mit Hubert van Eyck). "Anbetung des Lammes" (Ausschnitt: Gruppe der Märtyrerinnen), 1432 voll. Genter Altar, Innenseite, Mitte. Auf Holz. Gent, S.Bavo.

akg8805301 Photo reproduction of a painting by Jan van Eyck, depicting Mary with Child between the Archangel Michael and Saint Catherine. Photo, 1875-1900, Alinari. Inv. Nr. RP-F-00-8066. Amsterdam, Rijksmuseum.

akg3882096 Eyck, Jan van c. 1390-1441. "St. Barbara", 1437. Drawing on oakwood (study for a painting), 34 × 18.5cm. Antwerp, Kgl. Museum voor Schone Kunsten. Museum: Antwerpen, Kgl. Museum voor Schone Kunsten.

akg7642343 Jan van Eyck, Netherlandish, ca. 1395-1441, Saint Jerome in His Study, ca. 1435, oil on linen paper on oak panel, Unframed: 8 1/8 × 5 1/4 inches (20.6 × 13.3 cm).

akg4566739 'Nazi plunder' refers to art theft and other items stolen as a result of the organized looting of European countries during the time of the Third Reich by agents acting on behalf of the ruling Nazi Party of Germany. Plundering occurred from 1933 until the end of World War II, although most plunder was acquired during the war. In addition to gold, silver and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures.. Although most of these items were recovered by agents of the Monuments, Fine Arts, and Archives program (MFAA), affectionately referred to as the Monuments Men, on behalf of the Allies immediately following the war, many are still missing.

akg4566741 'Nazi plunder' refers to art theft and other items stolen as a result of the organized looting of European countries during the time of the Third Reich by agents acting on behalf of the ruling Nazi Party of Germany. Plundering occurred from 1933 until the end of World War II, although most plunder was acquired during the war. In addition to gold, silver and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures.. Although most of these items were recovered by agents of the Monuments, Fine Arts, and Archives program (MFAA), affectionately referred to as the Monuments Men, on behalf of the Allies immediately following the war, many are still missing.

akg4881352 'Nazi plunder' refers to art theft and other items stolen as a result of the organized looting of European countries during the time of the Third Reich by agents acting on behalf of the ruling Nazi Party of Germany. Plundering occurred from 1933 until the end of World War II, although most plunder was acquired during the war. In addition to gold, silver and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures.Although most of these items were recovered by agents of the Monuments, Fine Arts, and Archives program (MFAA), affectionately referred to as the Monuments Men, on behalf of the Allies immediately following the war, many are still missing.

akg828251 Eyck, Jan van; c. 1390-1441. (in collaboration with Hubert van Eyck). "The Adoration of the Lamb", completed. 1432. Detail from the flower meadow on the left. Ghent Altarpiece, opened, middle panel, bottom. Ghent, S.Bavo.

alb3509146 The Holy Family, ca. 151213, Oil on wood, 16 3/4 x 12 1/2 in. (42.5 x 31.8 cm), Paintings, Joos van Cleve (Netherlandish, Cleve ca. 14851540/41 Antwerp), The motif of the Virgin and Child is quoted from Jan van Eyck's regal Lucca Madonna of about 1435 (Städelsches Kunstinstitut, Frankfurt). Reduced to a half-length image and placed in a domestic setting, the composition is further altered by the addition of Joseph.

akg308533 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Adoration of the Lamb"; completed 1432. Detail: Meadow with dandelion etc. Ghent Altarpiece, inside, middle panel. On wood. Ghent, S.Bavo.

alb3636668 Portrait of a Carthusian. Artist: Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm); painted surface 11 1/2 x 7 3/8 in. (29.2 x 18.7 cm). Date: 1446.Christus places his sitter in the corner of a warmly illuminated room and enhances the quality of his "real" presence by the fly resting momentarily on the fictive frame. The leading painter of Bruges following Jan van Eyck's death in 1441, Christus moves beyond the flat neutral backgrounds of his predecessor's portraits. The illusionistic inscription underscores the verisimilitude of the portrait, declaring: "Petrus Christus made me in the year 1446.". Museum: Metropolitan Museum of Art, New York, USA.

alb3621261 The Crucifixion. Artist: Master of the Berswordt Altar (German, Westphalian, active ca. 1400-35). Dimensions: 23 1/2 x 17 in. (59.7 x 43.2 cm). Date: ca. 1400.These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works. The artist, one of the foremost painters of the International Gothic style in northwest Germany, still adhered to the traditional gilded background, although the inclusion of a horizon and some schematic natural motifs indicate an outdoor setting for both scenes. Museum: Metropolitan Museum of Art, New York, USA.

alb3623533 Portrait of a Man. Artist: Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478-1532 Antwerp (?)). Dimensions: 18 1/2 x 13 3/4 in. (47 x 34.9 cm). Date: ca. 1520-25.This is the only independent portrait by Gossart that is signed; the scroll reads, "Joannes Malbodius pingebat." The sitter is turned to the left in a three-quarter view against a dark background, a format that derives from the earlier portraiture tradition of Jan van Eyck and Hans Memling. Like his predecessors, Gossart paid careful attention to tiny details such as the stubble of the beard and the individually painted hairs of the eyebrows, but he emphasized the sculptural form of the sitter in a new and bold way. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Gossart (called Mabuse).

alb3651723 Saint Paul. Artist: Circle of Jan van Eyck (Netherlandish, Maaseyck (?) 1390-Brussels 1441). Culture: Netherlandish. Dimensions: 5 3/4 x 3 1/8 in. (14.6 x 7.9 cm). Date: ca. 1430.Once attributed to Petrus Christus (1410-1472/73), this drawing on vellum has since been reassigned to an artist in the Circle of Jan van Eyck. It is one of two extant drawings in a series of the twelve Apostles. The vellum is so transparent that it is conceivable that the straight pen lines defining the contours and folds of the drapery were traced from a model and the hatching filled in afterward with point of brush. It is likely that the Lehman drawing and its prototype related to a painting, possibly a grisaille painting, rather than to sculpture. Museum: Metropolitan Museum of Art, New York, USA.

alb3651040 The Crucifixion; The Last Judgment. Artist: Jan van Eyck (Netherlandish, Maaseik ca. 1390-1441 Bruges) and Workshop Assistant. Dimensions: Each 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm). Date: ca. 1440-41.Philip the Good, Duke of Burgundy, considered Van Eyck (his court painter) unequalled in his "art and science." In fact, Van Eyck's expansive yet microcosmic paintings seem observed through both a microscope and a telescope. In The Crucifixion, he evokes a remarkable range of emotions among the crowds, seen against a landscape depicting an imagined Jerusalem; in 1426 he made a trip across the Alps during a diplomatic mission to Italy and the Holy Lands. He gives an equally palpable form to the horrors of the Last Judgment. The frames are original, with damaged inscriptions in Latin and Middle Dutch. Museum: Metropolitan Museum of Art, New York, USA.

alb3615197 Head of Christ. Artist: Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 5 7/8 x 4 1/4 in. (14.9 x 10.8 cm); parchment 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm). Date: ca. 1445.This intimate image of Christ's head, intended for private devotion, derives from a lost picture of the Holy Face by Jan van Eyck, now known only through copies. Following the Eyckian composition, Petrus Christus treated the head like a portrait by surrounding it with a fictive frame, thereby underscoring the physical immediacy of Christ. His depiction differs from the prototype, however, in presenting Christ with furrowed brow, the crown of thorns, and drops of blood running down his forehead and onto his chest. These details stimulated a more compassionate reflection on the crucified Christ's suffering by engaging the empathy of the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3619466 The Flagellation. Artist: Master of the Berswordt Altar (German, Westphalian, active ca. 1400-35). Dimensions: 22 3/4 x 16 7/8 in. (57.8 x 42.9 cm). Date: ca. 1400.These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works. The artist, one of the foremost painters of the International Gothic style in northwest Germany, still adhered to the traditional gilded background, although the inclusion of a horizon and some schematic natural motifs indicate an outdoor setting for both scenes. Museum: Metropolitan Museum of Art, New York, USA.

alb3643388 Virgin and Child with Four Angels. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 24 7/8 x 15 3/8 in. (63.2 x 39.1 cm). Date: ca. 1510-15.Gerard David, the leading painter in Bruges in the late fifteenth and early sixteenth centuries, followed the legacy of Jan van Eyck. In this painting he has taken the Virgin and Child from his predecessor's well-known Virgin and Child at the Fountain, but modernized the composition by placing the figures in a grand arched porch flanked by columns with Italianate capitals and against the backdrop of contemporary Bruges. A Carthusian monk is seen strolling and reading in the enclosed garden, suggesting that the painting was linked to the former monastery at Genadedael, just outside the city walls of Bruges. Museum: Metropolitan Museum of Art, New York, USA.

alb3663850 The Belles Heures of Jean de France, duc de Berry. Artist: The Limbourg Brothers (Franco-Netherlandish, active France, by 1399-1416). Culture: French. Dimensions: Single leaf, Overall: 9 3/8 x 6 11/16 in. (23.8 x 17 cm); Double leaf, Overall: 9 3/8 x 13 7/16 in. (23.8 x 34.1 cm). Date: 1405-1408/1409.Created between 1405 and 1408 or 1409, probably in Paris, the Belles Heures, or Beautiful Hours, a private devotional book, is one of the most sumptuous manuscripts to have come down to us from the Middle Ages. Commissioned by Jean de France, duc de Berry from the Limbourg brothers, the most gifted artists of their time, it is the only manuscript completed by them in its entirety. The richly illustrated text is enhanced by seven unprecedented picture cycles devoted to Christian figures or events that held special significance for the duke. Using a luminous palette, the artists blended an intimate Northern vision of nature with Italianate modes of figural articulation. The keen interest in the natural world and the naturalistic means of representing it, so striking in the 172 illuminations, foreshadow the work of Jan van Eyck and the ensuing generations of outstanding 15th-century painters in the South Netherlands. Museum: Metropolitan Museum of Art, New York, USA. Author: The Limbourg Brothers.

akg410962 Brügge, Jan-van-Eyck-Platz, Denkmal des Malers © Annet van der Voort 6 × 9 cm.

akg410951 Brügge, Jan van Eyck Platz, Zollhaus 1477 (Mitte und Poortersloge (links © Annet van der Voort 6 × 9 cm.

alb3522622 Virgin and Child in a Niche, ca. 1500, Oil on wood, 23 x 12 1/8 in. (58.4 x 30.8 cm), Paintings, Netherlandish Painter (ca. 1500), Like Davids Virgin and Child with Four Angels (displayed nearby), this picture reflects the popularity of Van Eycks Virgin and Child at the Fountain. Formerly attributed to Jan van Eyck and Petrus Christus, it is now known to have been painted about 1500, at a moment of renewed interest in Van Eycks art.

akg050483 Christus, Petrus c. 1410 - 1472/73. "The Last Judgement", 1452. (Outer wing of a triptych, originally in a church in Burgos). Free copy after Jan van Eyck. On oak-wood, 134 × 56cm. Berlin, SMB, Gemäldegalerie. Museum: Berlin, SMB, Gemäldegalerie.

les40030304 Court society in front of a Burgundian castle. Oil on wood. Author: JAN VAN EYCK. Location: Musee des Beaux-Arts, Dijon, France.

alb9871510 Hubert van Eyck, Huybrecht van Eyck, c.1385-1426. Early Netherlandish painter and older brother of Jan van Eyck. In fur hat, with paintbrush and palette. Hubertus ab Eyck Fland. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9875849 Portrait of Hubert van Eyck (c.1385-1426), Early Netherlandish painter and older brother of Jan van Eyck. Mislabeled John van Eyck, history, portraits, landscape. Tinted etching within a decorative border by John Girtin after a portrait by Edme de Boulonois from John Girtins Seventy-Five Portraits of Celebrated Painters from Authentic Originals, J. MCreery, London, 1817.

alb9870731 Jan van Eyck, Flemish painter active in Bruges, c.1390-1441. who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. Johannes ab Eyck Fland. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9880128 Portrait of Jan van Eyck, Netherlandish painter of Early Northern Renaissance art, 1390-1441, wearing a chaperon hat, fur-trimmed robe and long necklace. Joannes ab Eyck, Pictor. Copperplate engraving by Johannes Wierix published by Theodoor Galle (third state) in Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, Antwerp, 1600.

ibltsm09607268 Replica of the Ghent Altarpiece or Adoration of the Mystic Lamb, Het Lam Gods painted by Hubert and Jan van Eyck at STAM, the Ghent city museum, Belgium, Europe

alb4138469 Elisabeth of Bourbon, Queen of Spain, plate 13 from Duces Burgundiae (Dukes of Burgundy). Jacob Louys (Flemish, 1595-after 1644); after Peter Paul Rubens (Flemish, 1577-1640); border engraved, and print published, by Pieter Claesz. Soutman (Dutch, c. 1580-1657). Date: 1644. Dimensions: 405 × 281 mm (plate); 476 × 347 mm (sheet). Engraving and etching in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

alb4104541 The Ghent Altarpiece by the van Eyck Brothers in St Bavo Cathedral in Ghent. Dating: 1829. Place: Belgium. Measurements: h 101.5 cm × w 81.3 cm; d 10.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Pierre François De Noter (mentioned on object).

ado00047184 Jan van Eyck (1390-1441), Flemish painter born in Bruges (Belgium). Engraving. Author: UNKNOWN ARTIST.

alb2015908 Jan van Eyck / 'Madonna at the Fountain', 1439, Oil on panel, 19 x 12 cm. Museum: Koninklijke Museum Shone Kunsten, TORRE DEL LAGO, Belgien. CHILD JESUS. VIRGIN MARY.

alb3351042 The Three Marys at the Sepulchre. Museum: Museum Boijmans Van Beuningen, Rotterdam. Author: JAN VAN EYCK.

akg318699 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Hermits" (left), "Pilgrims" (right), completed 1432. Ghent Altarpiece, inside right wing. On wood; overall dimensions when opened c. 350 × 450 cm. Ghent, S.Bavo.

akg828250 Eyck, Jan van; um 1390-1441 (in Zusammenarbeit mit Hubert van Eyck). "Die Anbetung des Lammes. Gruppe der Einsiedler", 1432 vollendet. Genter Altar, geöffenter Zustand, rechter innerer Flügel. Auf Holz; Tafel 149 x 54 cm. Gent, S.Bavo.

akg305194 zu: Eyck, Jan van; niederl. Maler (Bruder des Hubert); Maaseyck bei Maastricht um 1390 - Brügge (begraben 9.7.). 1441. Denkmal der Brüder van Eyck. (Ausschnitt). Bronzeskulptur, 1913, von Geo Verbanck. (1881-1961), in Gent, vor dem Südportal der Kathedrale St. Bavo.

akg301799 Eyck, Jan van c. 1390-1441. (in collabration with Hubert van Eyck). "The hermits" (St. Antony leads the group of hermits), completed in 1432. Altar of Gent, inner side, right wing. On wood; panel: 149 × 54cm. Gent, S.Bavo.

akg301840 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Mary Magdalene" and "Mary Aegyptiaca". (detail from the procession of the hermits), completed 1432. Ghent Altarpiece, interior right wing; on wood. Ghent, S.Bavo.

akg392977 Martins (Marten, Martens), Jan; also known as Marten von Gent or Amsterdam. Flemish artist, fl. c. 1419; possibly a pupil of Hubert van Eyck. Crucifixion. Book illumination. NA Lat. 2661, fol. 292. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg318991 Eyck, Jan van c. 1390 - 1441, workshop. "The Crucifixion", c. 1440/50. On wood, 46 × 31 cm. Inv. CGF/d128. Venice, Ca' d'Oro, Galleria Franchetti. Museum: Venice, Ca' d'Oro, Galleria Franchetti.

akg318795 Eyck, Jan van c. 1390-1441. "Portrait of Christ". Copy, after 1635, by an unknown artist, after the painting, 1440, by Jan van Eyck. On wood, 33.4 × 26.8cm. Inv. 0206. Bruges, Groeningemuseum. Museum: Brügge, Groeningemuseum.

akg301839 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Deesis", completed 1432; (below the "Deesis" the "Adoration of the Lamb"). Ghent Altarpiece, inside, middle panel. On wood; overall dimensions when opened c. 350 × 450 cm. Ghent, S.Bavo.

akg831405 Eyck, Jan van um 1390-1441. "Maelbeke-Madonna", 15. Jahrhundert. Silberstift auf Papier, 27,8 x 18 cm. Inv.Nr. 4841. Museum: Graphische Sammlung Albertina., WIEN.

akg402305 Covarubias / Colegiata de Covarubias, Madonna nach Van Eyck Aufnahmeformat: 6 × 9 cm.

akg6533843 Jan van Eyck; around 1395 - 1441, attributed to. "Saint Francis of Assisi Receiving the Stigmata", c. 1430-32. Oil on panel, 12 × 14 cm. Philadelphia, Museum of Art.

orz142556 Flemish school. Christ Blessing. Copy of the polyptych of Van Eyck . 52x39 cm. Madrid, Prado museum. Spain. Author: JAN VAN SCOREL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

orz002670 'The Fall of Phaeton', 17th century, Oil on canvas, 197 cm x 180 cm, P01345. Author: EYCK JAN CAREL VAN SIGLO XVII. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

alb2015800 Jan van Eyck / 'The Arnolfini Portrait', 1434, Oil on panel, 82 x 60 cm. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2070620 Maestro de Hoogstraten / 'San Francisco de Asís recibiendo los estigmas', ca. 1510, Flemish School, Oil on panel, 47 cm x 36 cm, P01617. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb1984696 Left panel open, 1426-1432, detail from the Ghent Altarpiece or Adoration of the Mystic Lamb, 1432, by Jan van Eyck (1390-1441), oil on panel. Saint Bavo Cathedral, Ghent, Belgium.

alb1988280 Figure of Eve, 1426-1432, detail from the Ghent Altarpiece or Adoration of the Mystic Lamb, 1432, by Jan van Eyck (1390-1441), oil on panel. Saint Bavo Cathedral, Ghent, Belgium.

alb4022162 Jan van Eyck (1390-1441) admiring the picture of a young, sick painter, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 629, August 1, 1846. Location: Milan, Museo Nazionale della Scienza e della Tecnica 'Leonardo Da Vinci (Science and Technology Museum).

alb5288094 Portrait of Jakobäa Tochter des Wilhelm VI. von Wittelsbach (1401-1436). Dimensions: 29,7 x 22 cm. Kunsthistorisches Museum Wien, Gemäldegalerie. Author: After Jan van Eyck.

akg7237810 Jan van Eyck, c. 1390 - 1441. "Lucca Madonna", c. 1432/41. Oil on oak panel, 65.7 × 49.6 cm. Inv. No. 944. Frankfurt am Main, Städelsches Kunstinstitut.

alb1985965 The Adoration of the Mystic Lamb, 1432, by Jan van Eyck (1390-1441), oil on panel. Detail of the central compartment in the lower register of the central panel of the Ghent Altarpiece, Saint Bavo Cathedral, Ghent, Belgium.

alb1993274 The crucifixion, by Jan van Eyck (1390-1441). Location: New York, The Metropolitan Museum Of Art.

alb1996023 Saint Christopher, detail from the Ghent Altarpiece or Adoration of the Mystic Lamb, 1432, by Jan van Eyck (1390-1441), oil on panel. Saint Bavo Cathedral, Ghent, Belgium.

alb1517593 Jan van Eyck (ca. 1390-1441), Triptych with Archangel Gabriel, the Donor and Saint Catherine. Location: Dresda, Gemäldegalerie Alte Meister (Old Masters Gallery, Picture Gallery).

akg050562 Eyck, Jan van c. 1390 - 1441. "Lucca Madonna", c. 1436. Oil on wood, 65.5 × 49.5 cm. Frankfurt am Main, Städelsches Kunstinstitut. Museum: Frankfurt am Main, Städelsches Kunstinstitut.

akg050591 Eyck, Jan van, c. 1390 - 1441 (in collaboration with Hubert van Eyck). "Maria / God the Father / John the Baptist / Offering of the Paschal lamb". Ghent Altar, open, middle section. Completed 1432. On wood, overall size, c. 350 × 450cm Ghent, S.Bavo.

akg824425 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Eve", completed in 1432. Ghent Altarpiece, right wing, inner side On wood. Total dimension when opened, c. 350 × 450 cm. Gent, S.Bavo.

alb2015795 Jan van Eyck / 'Portrait of Margaret van Eyck', 1439, Oil on panel, 41.2 x 34.6 cm. Museum: Groeninge Museum, BRUJAS, Belgien.

akg828588 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Eve", completed in 1432. Detail. Ghent Altarpiece, right wing, inner sid On wood. Total dimension when opened, c. 350 x 450 cm. Gent, S.Bavo.

akg050581 Eyck, Jan van, c. 1390 - 1441 (together with Hubert van Eyck). "Eve". Ghent Altar-piece, right wing, inner side, completed 1432. On wood, total dimensions c. 350 × 450cm. Ghent, S. Bavo.

akg050558 Attributed to:. Eyck, Hubert (c. 1370-1426) and Jan (c. 1390 - 1441). "The Three Maries at the Grave of Christ". On wood, 71.5 × 89cm. Rotterdam, Museum Boymans-van Beuningen. Museum: Rotterdam, Museum Boymans-van Beuningen.

akg301732 Eyck, Jan van c. 1390-1441. (in collaboration with Hubert van Eyck). "Eve", completed 1432. Ghent Altarpiece, inner right wing. On wood, total size c. 350 × 450cm. Ghent, S.Bavo.

akg301758 Eyck, Jan van. c. 1390-1441. (In collaboration with Hubert van Eyck). "Eve", completed 1432. (On left: "Angels' Concert"). Ghent altarpiece, right panel, inner side. On wood, altarpiece 350 × 450 cm. Ghent, S. Bavon.

akg301744 Boorluut, Elisabeth (Isabella), married (Jodocus) Vijd. from a well-regarded Ghent patrician family; died 1443. - Donor portrait. (l.: John th. Evang.). Ghent Altarpiece (outside, bottom right). completed 1432, by Jan van Eyck (c. 1390-1441); on wood. Ghent, S.Bavo.

alb9519243 Portrait of an unknown painter from the fifteenth century Bust to the left The man has a large black beard In the background a triumphal arch with two putti According to the print after a painting by Jan and Hubert van Eyck This attribution is unlikely Part of a series of prints after Flemish, German and Dutch painters, Portrait of an unknown painter Le Portrait d'un Peintre du Temps Collection of prints after Flemish, German and Dutch painters Galerie des peintres flamands, hollandais et allemands de Le Brun , print maker: Louis E.F. Garreau, (mentioned on object), after: Hubert en Jan van Eyck, (mentioned on object), after: Ambrosius Holbein, (attributed to), Paris, 1791, paper, etching, engraving, h 243 mm × w 183 mm.

alb9507335 Double portrait of the painters Jan and Hubert van Eyck nrs 1 and 2 Print marked bottom left: B, Double portrait of Jan and Hubert van Eyck, print maker: Jan l'Admiral, (mentioned on object), 1764, paper, etching, h 156 mm × w 102 mm.

alb9507343 The head of Christ, with long hair and beard in a halo. With caption in French., Head of Christ in halo, print maker: Louis Bernard Coclers, (mentioned on object), Jan van Eyck, (possibly), Maastricht, (possibly), 1756, paper, engraving, h 142 mm × w 103 mm.

alb9489589 Saint Barbara, Cornelis van Noorde, after Jan van Eyck, 1769, Saint Barbara, seated, seen from the front, with palm branch in left hand and prayer book in lap. Behind her, the construction of the tower of a cathedral. Print after the painting by Jan van Eyck. The representation is mounted on a separate sheet with the etched frame. At the bottom of the frame the signature of Jan van Eyck and the year 1437., print maker: Cornelis van Noorde, (mentioned on object), after: Jan van Eyck, publisher: Johannes Enschedé (I), (mentioned on object), Haarlem, 1769, paper, etching, h 313 mm × w 181 mm, h 418 mm × w 282 mm.

alb9482708 Saint Barbara, seated, seen from the front, holding palm branch in left hand and prayer book in lap. Behind her the construction of the tower of a cathedral. Print after the painting by Jan van Eyck. The representation is mounted on a separate sheet with the etched frame. At the bottom of the frame the signature of Jan van Eyck and the year 1437, Saint Barbara, print maker: Cornelis van Noorde, (mentioned on object), after: Jan van Eyck, (mentioned on object), publisher: Johannes Enschedé (I), (mentioned on object), Haarlem, 1769, paper, etching, h 180 mm × w 314 mm, h 415 mm × w 280 mm.

alb9476337 Portrait of Anton of Burgundy, Pieter van Schuppen, after Jan van Eyck, after Anthony van Dyck, 1660 - 1669, Portrait of Anton of Burgundy with colored coat of arms. Below the portrait a short biography. Numbered 'XLI. 41'., print maker: Pieter van Schuppen, (mentioned on object), after: Jan van Eyck, (mentioned on object), intermediary draughtsman: Anthony van Dyck, (mentioned on object), Paris, 1660 - 1669, paper, brush, engraving, h 175 mm × w 118 mm.

alb9476999 The head of Christ, with long hair and beard in a halo. With caption in French. The plate was used as a practice plate for the etching needle., Head of Christ in halo, print maker: Louis Bernard Coclers, (mentioned on object), Jan van Eyck, (possibly), Maastricht, (possibly), 1756, paper, engraving, drypoint, h 142 mm × w 103 mm.

alb9459236 The Adoration of the Magi, Jan van Eyck (circle of), c. 1430 - c. 1440, draughtsman: Jan van Eyck, (circle of), c. 1430 - c. 1440, paper, h 124 mm × w 127 mm.

alb9452190 Portrait to the left of Jan van Eyck Below the portrait his name and six lines in Latin Print from part 1 of the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies Series of 72 artist portraits produced by Hendrick Hondius I, Simon Frisius, Andries Jacobsz Stock and Robert de Baudous, Portrait of Jan van Eyck Ioannes ab Eyck, Pictor Portraits of famous painters from the Low Countries Pictorum aliquot celebrium praecipuae Germaniae Inferioris effigies , print maker: Hendrick Hondius (I), publisher: Hendrick Hondius (I), (mentioned on object), The Hague, 1610, paper, etching, engraving, h 208 mm × w 121 mm.

alb9445851 Jan van Eyck as inventor of the oil paint, Aimé de Lemud, 1838, print maker: Aimé de Lemud, (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, 1838, paper, h 273 mm × w 213 mm.

alb9437324 Business card of printer Eduard Daveluy in Bruges, Framing with a bust of Alois Senefelder, two putti (one depicting the belfry of Bruges), a portrait of Jan van Eyck, a portrait of Peter Paul Rubens, a globe, an open book and the coat of arms of Belgium., print maker: Edouard-Alexis Daveluy, (possibly), printer: Edouard-Alexis Daveluy, (possibly), Bruges, c. 1835 - 1874, Material, height 115 mm × width 153 mm.

alb9368694 Photoreproduction of a painting, depicting a portrait of Margaretha van Eyck, maker: anonymous, after: Jan van Eyck, maker: Europeafter: Bruges, c. 1875 - c. 1900, paper, collotype, height 190 mm × width 150 mm.

alb9331166 Photoreproduction of a painting by Jan van Eyck, depicting Mary with Child between the Archangel Michael and St. Catherine, DRESDA - R. Pinacoteca. La Vergine col Figlio, S. Michele e S. Caterina. (title on object), Alinari (mentioned on object), after: Jan van Eyck (mentioned on object), Gemäldegalerie Alte Meisterafter: Europe, c. 1875 - c. 1900, cardboard, albumen print, height 192 mm × width 259 mm.

alb9329922 Saint Barbara of Nicomedy, Jan van Eyck, 1437, drawing / painting, 1437, Belgian Art.

akg304524 Eyck, Jan van, c. 1390-1441 (in collaboration with Hubert van Eyck). "Adam / Singing Angels / Mary / God the Father / John the Baptist / Angelic Concert / Eve / Processions / Worship of the Lamb / The Hermits and the Pilgrims. Ghent Altarpiece, open, completed 1432. On wood, total size. 350 × 461cm. Ghent, S.Bavo.

akg928138 Massys, Quentin 1466-1530. "Der Goldwäger und seine Frau", 1514. Ausschnitt: Stundenbuch und Konvexspiegel mit Selbstbildnis des Malers. (Nach einem verlorenen Bild von van Eyck). Auf Holz, 71 x 68 cm. INV. 1444. Museum: Musée du Louvre., Paris.

alb4131679 The Invention of Oil Painting. Théodoor Galle (Flemish, 1571-1633); after Joannes Stradanus (Flemish, 1523-1605). Date: 1586-1596. Dimensions: 203 × 270 mm (image/sheet, trimmed within plate mark). Engraving, with plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA. Author: Theodoor Galle.

akg824430 Eyck, Jan van; c.1390-1441 (in collaboration with Hubert van Eyck). "Annunciation", completed in 1432; detail: interior with washbasin.-Ghent altar, exterior, middle, right. On wood, overall measurements when open c.350 x 450cm. Ghent, S.Bavo.

alb3713217 The Annunciation. Dated: c. 1434/1436. Dimensions: painted surface: 90.2 x 34.1 cm (35 1/2 x 13 7/16 in.) support: 92.7 x 36.7 cm (36 1/2 x 14 7/16 in.) framed: 102.2 x 55.9 x 8.9 cm (40 1/4 x 22 x 3 1/2 in.). Medium: oil on canvas transferred from panel. Museum: National Gallery of Art, Washington DC. Author: JAN VAN EYCK.

alb2016082 Jan van Eyck / 'Portrait of a Man (Léal Souvenir)', 1432, Oil on oak, 33.3 x 18.9 cm, NG290. Museum: NATIONAL GALLERY, LONDRES, UK.

alb2015915 Jan van Eyck / 'Portrait of a Man (Self Portrait?)', 1433, Oil on panel, 25.5 x 19 cm. Museum: NATIONAL GALLERY, LONDRES, UK.