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ny060520231604 Posters announce Ghent's yearlong celebration of Jan van Eyck, at the St. Pieter train station in Belgium, May 3, 2020. As exhibitions around the world close, or cancel the next stops on their tours, logistical and emotional carnage follow. (Gael Turine/The New York Times/Fotoarena)
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ny280120001304 People at the unveiling ceremony of the ?The Adoration of the Mystic Lamb,? also known as the Ghent Altarpiece at St. Bavo?s Cathedral in Ghent, Belgium on Jan. 24, 2020. The altarpiece is made up of 20 paintings on the front and back of 12 panels. (Gael Turine/The New York Times/Fotoarena)
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ny280120001404 Hélène Dubois, who led the restoration of a panel of the altarpiece, talks to reporters at St. Bavo?s Cathedral in Ghent, Belgium on Jan. 24, 2020. After causing a stir on social media, the unveiling of a restored panel kicks off a year celebrating the late-medieval master Jan van Eyck. (Gael Turine/The New York Times/Fotoarena)
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ny280120000804 Matthias Diependaele, the finance and cultural heritage minister of Belgium?s Flemish region, cuts a ribbon to the chamber of the cathedral where the Ghent altarpiece is displayed at St. Bavo?s Cathedral in Ghent, Belgium on Jan. 24, 2020. After causing a stir on social media, the unveiling of a restored panel kicks off a year celebrating the late-medieval master Jan van Eyck. (Gael Turine/The New York Times/Fotoarena)
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ny280120001004 The Ghent Altarpiece, parts of which have been restored, at St. Bavo?s Cathedral in Ghent, Belgium, before a ceremony to unveil it on Jan. 24, 2020. After causing a stir on social media, the unveiling of a restored panel kicks off a year celebrating the late-medieval master Jan van Eyck.(Gael Turine/The New York Times/Fotoarena)
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ny280120001104 The audience at the unveiling ceremony of the ?The Adoration of the Mystic Lamb,? also known as the Ghent Altarpiece at St. Bavo?s Cathedral in Ghent, Belgium on Jan. 24, 2020. After causing a stir on social media, the unveiling of a restored panel kicks off a year celebrating the late-medieval master Jan van Eyck. (Gael Turine/The New York Times/Fotoarena)
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