Pesquisando por: "Holbein" - Fotoarena - Agência de fotojornalismo

48936092 Max Holbein, CEO of Metropolitan Museum of Art, speaks during a press preview of the exhibition 'Vertigo of Color: Matisse, Derain, and the Origins of Fauvism' at the Metropolitan Museum of Art in New York, New York, October 11, 2023. Photo Credit: Anthony Behar/ Sipa USA/ Fotoarena

48936150 Max Holbein, CEO of Metropolitan Museum of Art, speaks during a press preview of the exhibition 'Vertigo of Color: Matisse, Derain, and the Origins of Fauvism' at the Metropolitan Museum of Art in New York, New York, October 11, 2023. Photo Credit: Anthony Behar/ Sipa USA/ Fotoarena

20230726_zaf_r103_001 Germany, Freiburg - July 26, 2023.Top places in Freiburg. Holbeinpferd oder Holbeinpferdle .A horse statue which is constantly painted - colored - decorated from graffiti artists and locals in the suburb Wiehre in Freiburg im Breisgau in Baden-Württemberg . No one could seriously predict what the Holbein horse will look like tomorrow..The Holbein Horse was created by Werner Gürtner in 1936. (Credit Image: © Antonio Pisacreta/ROPI/Zuma Press/Fotoarena)

20230726_zaf_r103_002 Germany, Freiburg - July 26, 2023.Top places in Freiburg. Holbeinpferd oder Holbeinpferdle .A horse statue which is constantly painted - colored - decorated from graffiti artists and locals in the suburb Wiehre in Freiburg im Breisgau in Baden-Württemberg . No one could seriously predict what the Holbein horse will look like tomorrow..The Holbein Horse was created by Werner Gürtner in 1936. (Credit Image: © Antonio Pisacreta/ROPI/Zuma Press/Fotoarena)

20230726_zaf_r103_003 Germany, Freiburg - July 26, 2023.Top places in Freiburg. Holbeinpferd oder Holbeinpferdle .A horse statue which is constantly painted - colored - decorated from graffiti artists and locals in the suburb Wiehre in Freiburg im Breisgau in Baden-Württemberg . No one could seriously predict what the Holbein horse will look like tomorrow..The Holbein Horse was created by Werner Gürtner in 1936. (Credit Image: © Antonio Pisacreta/ROPI/Zuma Press/Fotoarena)

RC2XA2A3CYUV A man is reflected in a display case as he walks past a painting of Henry VIII by Hans Holbein the younger ahead of he opening of the ‘Renaissance Rediscovered’ exhibition at the Walker Art Gallery in Liverpool, Britain, July 26, 2023. REUTERS/Phil Noble

47321477 Max Holbein, Director of The Metropolitan Museum of Art, speaks at the opening of ?Grounded in Clay: The Spirit of Pueblo Pottery? exhibition, New York, NY, July 13, 2023. More than 100 items consisting of modern and historical items from native Americans and Pueblo Culture will be on display. Photo Credit: Anthony Behar/ Sipa USA/ Fotoarena

47321487 Max Holbein, Director of The Metropolitan Museum of Art, attends the opening of ?Grounded in Clay: The Spirit of Pueblo Pottery? exhibition, New York, NY, July 13, 2023. More than 100 items consisting of modern and historical items from native Americans and Pueblo Culture will be on display. Photo Credit: Anthony Behar/ Sipa USA/ Fotoarena

47321478 Max Holbein, Director of The Metropolitan Museum of Art, speaks at the opening of ?Grounded in Clay: The Spirit of Pueblo Pottery? exhibition, New York, NY, July 13, 2023. More than 100 items consisting of modern and historical items from native Americans and Pueblo Culture will be on display. Photo Credit: Anthony Behar/ Sipa USA/ Fotoarena

ny160323143306 Foreground: ÒEntombment, after Titian, 1559,Ó 2021, at the de Young Museum in San Francisco, Calif., on March 14, 2023. Background: ÒThe Body of the Dead Christ in the Tomb (Babacar Man?),Ó 2021, nods to Hans Holbein the Younger. (Ian C. Bates/The New York Times/Fotoarena)

ny091022204105 From ?The Tudors: Art and Majesty in the Renaissance England? at the Metropolitan Museum of Art in New York on Oct. 3, 2022. ?The Tudors? shows how the English Renaissance was the work of wily leaders and enterprising foreigners. No dynasty has better captured the modern imagination. (Vincent Tullo/The New York Times/Fotoarena)

ny091022204306 A detail of ?Saint Paul Directing the Burning of the Heathen Books,? a tapestry designed by the Flemish artist Pieter Coecke van Aelst in the 1530s at the Metropolitan Museum in New York on Oct. 3, 2022. ?The Tudors? shows how the English Renaissance was the work of wily leaders and enterprising foreigners. No dynasty has better captured the modern imagination. (Vincent Tullo/The New York Times/Fotoarena)

ny091022203906 A 1554 portrait of Mary I by Hans Eworth (foreground) and Elizabeth I by Quentin Metsys the Younger (background), from 1583, at the Metropolitan Museum of Art in New York on Oct. 3, 2022. ?The Tudors? shows how the English Renaissance was the work of wily leaders and enterprising foreigners. No dynasty has better captured the modern imagination. (Vincent Tullo/The New York Times/Fotoarena)

ny091022203605 A leg of the so-called Sea-Dog Table, loaned to the Metropolitan Museum of Art from Hardwick Hall in England, is ?tricked out with chimerical beasts? in New York on Oct. 3, 2022. ?The Tudors? shows how the English Renaissance was the work of wily leaders and enterprising foreigners. No dynasty has better captured the modern imagination. (Vincent Tullo/The New York Times/Fotoarena)

1035_06_710185 Holbein's Sons, Holbein, Hans the Elder

1035_06_706012 Duchess of Berry 1525, Holbein, Hans, the Younger

1035_06_705997 Ship with Armed Men, Holbein, Hans the Elder

902_05_12529337highres Henry VIII granting the Royal Charter to the Company of Barbers and the Guild of Surgeons on their merger in 1540. A royal charter is a formal document issued by a monarch and grants a title or status to a person or persons. Henry VIII, 1491 - 1547. King of England. After the painting by Hans Holbein. From Old England: A Pictorial Museum, published 1847.

902_05_12279994HighRes Sir Thomas Wyatt, also spelled Wiat, 1503 ?1542. 16th-century English ambassador and lyrical poet. After the work by Holbein. From The Poems of Sir Thomas Wiat, published 1913

902_05_12321108HighRes Relics associated with King Henry VIII. 1. Miniature of Anne of Cleves, painted by Holbein, 2. Lid of the ivory box containing the miniature of Anne of Cleves. 3. Lid of the ivory box containing the miniature of Henry VIII by Holbein. 4. Miniature of Henry VIII painted by Holbein. 5. Rosary, carved in boxwood. 6. Cup of silver. 7. Sword, the hilt of crystals mounted in silver. 8. Birding Piece. From Illustrations of English and Scottish History published 1882.

990_16_X-Erasmus-Desiderius_1HR Germany: 1523 An intaglio-gravure by Hans Holbein of Desiderius Erasmus, the Dutch Renaissamce humanist, also known as Erasmus of Rotterdam.

908_06_lr2015235 Portrait of William Warham

908_06_lr2013403 Oberried altarpiece : The adoration of the Magi

908_06_lr2013400 Oberried altarpiece : The birth of Christ

908_06_LR8000010 Portrait of Henri VIII

990_05_3-Rel-Fig-Cath_14HR Germany: c. 1530 A portrait of Catholic priest, theologian, and Protestant Reformation leader Martin Luther after the painting by Holbien.

948_05_01260176 And now we are in Vienna and in front of the Burgtheater, which boasts of being the first German stage. It was founded in 1776 and until 1918 Imperial. The new magnificent building stands since 1888 His most famous artistic directors were Deinhardstein, Holbein, arbor, Dingelstedt Wilbrandt, foresters, Burckhardt, Schlenther, Berger and Wild Goose. Here the exploits of German dramatic art have been beaten here have Germany's first actor cast. And always the Burgtheater has risen again to exceptional height by periods of decline.

alb4156586 Hans the Elder Holbein (Augsburg (?), 1460/65 - Augsburg, 1534). Portrait of a Man (ca. 1518 - 1520). Oil on panel. 23.7 x 17 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156587 Hans the Younger (attributed to) Holbein (Augsburg, 1497/98 - London, 1543). Portrait of Thomas Cromwell (s.f). Oil on panel. 11 cm (diameter). Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156584 Hans el Joven Holbein (Augsburg, 1497/98 - London, 1543). Portrait of Henry VIII of England (ca. 1537). Oil on panel. 28 x 20 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4156585 Hans the Elder Holbein (Augsburg (?), 1460/65 - Augsburg, 1534). Portrait of a Woman (ca. 1518 - 1520). Oil on panel. 23.6 x 17 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

ibxsuc10336076 Der Tod und der Teufel kommen zum Kartenspieler Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz, erschienen in Basel 1843, and the Devil come for the Card Player Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historic, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10336036 Der Tod kommt für die Kaiserin nach Hans Holbein d. J. Aus Der Todten Tanz, erschienen in Basel 1843, Death comes for the Empress after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

ibxsuc10336054 Der Tod kommt zum Bischof Woodcut by Georg Scharffenberg after Hans Holbein the Younger from Der Todten Tanz, published Basel 1843, Death comes to the Bishop Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historic, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10336038 Der Tod kommt für die Königin Woodcut by Georg Scharffenberg after Hans Holbein the Younger from Der Todten Tanz, published Basel 1843, Death comes for the Queen Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historic, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10336061 Der Tod kommt zum Hausierer Woodcut von Georg Scharffenberg nach Hans Holbein d. J. Aus Der Todten Tanz, erschienen Basel 1843, Death comes to the Pedlar Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

ibxsuc10336310 Catherine Parr auch Katherine genannt 1512-1548 Englische Königin Sechste Ehefrau von Heinrich VIII. von England, Catherine Parr also spelled Katherine 1512-1548 English Queen Sixth woman of England's Henry VIII Engraved by Bocquet after Holbein from the book A Catalogue of the Royal and Noble Authors published 1806, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

ibxsuc10336075 Der Tod holt den Trunkenbold Holzschnitt von Georg Scharffenberg nach Hans Holbein d. J. Aus Der Todten Tanz, Basel 1843, Death comes for the Drunkard Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

ibxsuc10336039 Der Tod kommt zum Soldaten Woodcut von Georg Scharffenberg nach Hans Holbein d. J. Aus Der Todten Tanz, erschienen Basel 1843, Death comes to the Soldier Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

ibxsuc10336079 Der Tod kommt für den Räuber Nach Hans Holbein d.J. Aus Der Todten Tanz oder Der Tanz des Todes erschienen Basel 1843, Death comes for the Robber After Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

ibxsuc10336035 Der Tod kommt für den Kaiser Woodcut by Georg Scharffenberg after Hans Holbein the Younger from Der Todten Tanz, published Basel 1843, Death comes for the Emperor Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historic, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10336060 Der Tod kommt zum Geizigen oder Wucherer Woodcut by Georg Scharffenberg after Hans Holbein the Younger from Der Todten Tanz, published in Basel 1843, Death comes to the Miser or Usurer Woodcut by Georg Scharffenberg after Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historic, digitally restored reproduction from a 19th century original, Record date not stated

ibxsuc10336033 Das Jüngste Gericht frei nach Hans Holbein dem Jüngeren aus Der Todten Tanz, Basel 1843, The Last Judgement loosely based on Hans Holbein the Younger From Der Todten Tanz or The Dance of Death published Basel 1843, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. century, Record date not stated

alb10600536 Portrait of Nicholas Kratzer. Museum: Musee du Louvre, Paris. Author: Holbein, Hans, the Younger.

alb4138754 The Doctor and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 71 × 52 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, Chicago, USA.

alb3712370 Nun. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3718402 Death's Coat of Arms. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3707938 Preacher. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3738481 Waggoner. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3744694 Doctor. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

alb3743724 Miser. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

akg2932712 Holbein, Blick auf den Basler Totentanz.

akg3826966 Holbein, Hans the Younger, 1497-1543, German artist and printmaker. Scene from 'The Dance of Death' by Hans Holbein the Younger. Woodcut. From the series: 'Les simulachres et historiees faces de la mort' ('Images of Death'), Lyon (Melchior and Gaspard Trechsel), 1547.

akg3778520 Holbein, Hans d.J. um 1497 - 1543. "Die Edelfrau", um 1524/25. Holzschnitt, ca. 65 x 49 cm. Aus den "Icones mortis" (Bilder des Todes), Basel, 1554. Inv.Nr. B 1149.-1201. Graphiksammlung "Mensch und Tod", Düsseldorf, Heinrich-Heine-Institut. Museum: Düsseldorf, Heinrich-Heine-Institut. Author: THE YOUNGER HANS HOLBEIN.

akg3778521 Military:. Weapon / Dagger. Swiss dagger, 19th Century, total length 40.5 cm. Sheath decorated with a scene from the dance of the dead, after a design by Hans Holbein the Younger, 19th Century. Cutlery knives, c.1570. Gilded brass. Inv.no. 3863. Historical Museum Bern, Switzerland. Museum: Bern, Bernisches Historisches Museum.

akg3112653 Holbein, Hans d. Ä.. 1465-1524. "Der Tod der Maria", 1508. Feder in Schwarz, grau laviert, mit. Pinsel weiß gehöht, auf rötlichbraun. getöntem Papier, 30 x 19,3 cm. (Entwurf für den rechten Flügel, Außenseite, eines Retabels). Inv.Nr.1662.215. Kupferstichkabinett, Basel, Kunstmuseum. Museum: Basel, Kunstmuseum. Author: THE ELDER HANS HOLBEIN.

akg7265223 The Dance of Death: The Preacher; The Priest. Hans Holbein (German, 1497/98-1543). Woodcut.

akg7267622 Dance of Death: The Preacher. Hans Holbein (German, 1497/98-1543). Woodcut.

akg7267633 Dance of Death: The Child, c. 1526. Hans Holbein (German, 1497/98-1543). Woodcut.

akg7691313 Decorated covers for daggers and shell, Sketch of a Roman triumphal procession, ornamented foot of a bowl and dance of death, Pl. XXI, after XLIII, Holbein, Hans (dess.); Boussod, Valadon & Cie (ed.), Eduard His: Dessins d'ornements de Hans Holbein: fac-simile en photogravure. Paris: Boussod, Valadon & Cie, Editeurs, 1886.

alb9907922 Cure through the Intercession of a Healing Saint. Facsimile of an engraving attributed to Hans Holbein, from the German translation of Boethius "Consolation of Philosophy", published in Augsburg in 1537. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Hans Holbein the Younger (c. 1497-1543). German-Swiss artist.

alb9907935 The Planetary Systems. Facsimile of an engraving attributed to Hans Holbein, from the German translation of Boethius "Consolation of Philosophy", published in Augsburg in 1537. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Hans Holbein the Younger (c. 1497-1543). German-Swiss artist.

akg206840 Johns, Jasper; American painter and printmaker, born 1930. "After Holbein", 1993. (After Holbein's portrait "Edward VI as Prince of Wales with a monkey"). Encaustic on canvas, 82.7 × 65.1cm. Private collection. Copyright: © Jasper Johns. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg1090071 Holbein, Hans the Elder, c.1465-1524. "Death of Mary", c.1501. Part of the former high altar of the Dominikanerkirche in Frankfurt am Main. Painting, source gives no indication of measurements and technique. Museum: Kunstmuseum., Basel.

akg1426556 Religion / Kirche / Pilger:-"Der Sterbende Pilger".-(Ein Pilger stirbt im Anblick der Stadt Jerusalem). Lithographie, 1835, nach Gemälde von Eduard Holbein (1807-1875). Spätere Kolorierung.

akg8835913 Photo reproduction of a preliminary study by Hans Holbein de Jonge, depicting Thomas More's family. Photo, 1875-1900. Inv. Nr. RP-F-00-3791. Amsterdam, Rijksmuseum.

akg8331775 Thomas Murner, Alsatian Franciscan, poet and satirist, humanist, December 24th, 1475 Oberehnheim - before August 23rd, 1537 ibid. Works: The geuchmat (satire 1514/15); from it the illustration: Thomas Murner as Chancellor of the Gauchmatt (meadow of the lecherous) with the cuckoo (Gauch) as the symbol of the fool. Woodcut facsimile, 1519, Basel, Ambrosius Holbein (1494-after 1519).

akg7877405 Freiburg im Breisgau, Münster Unserer Lieben Frau, Universitätskapelle, Oberriedaltar von Hans Holbein d. J. um 1526/1527.

akg7700467 Portrait of Lord Chancellor Thomas Cromwell, Workshop of Hans Holbein the younger (German, 1497-1543), about 1533, oil on panel, 20 x 17 in., European Painting and Sculpture Before 1800.

akg7642541 Hans Holbein the Younger, German, 1497-1543, Sir Henry Guildford, 16th Century, Oil on beechwood panel, Unframed (irreg.): 4 3/4 × 4 5/8 × 1/8 inches (12.1 × 11.7 × 0.3 cm).

akg206832 Johns, Jasper; American painter and printmaker, born 1930. "After Holbein", 1990. (After Holbein's portrait "Edward VI as Prince of Wales with a monkey"). Encaustic on canvas, 82.5 × 65cm. Private collection. Copyright: © Jasper Johns. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg040517 Holbein, Hans, the Younger c. 1497 - 1543. "The Merchant Georg Gisze", 1532. Oil / wood, 96 × 86cm. Berlin, SMB, Gemäldegalerie. Museum: Berlin, SMB, Gemäldegalerie.

akg7237807 Holbein, Hans the Younger, c. 1497-1543. "The merchant Georg Gisze", 1532. (The Gdansk merchant Georg Gisze, born in 1497, in his London office). Oil on oak, 97.5 × 86.2 cm. Inv. No. 586. Berlin, SMB, Gemäldegalerie.

akg7079009 after: Hans Holbein de Jonge, Portrait of Desiderius Erasmus, portrait painting footage wood oil panel, Portrait rectangular portrait of man representing Desiderius Erasmus (1467? -1536) From left seen not seen Baret gown with fur edge upper right: Image (..) Roterodam AD (false signature Alwecht Dürer) Rotterdam Erasmus humanist Hans Holbein According to old tradition (but not sustainable at the moment) as gift from the city of Basel to Rotterdam in 1532. It is certain that it is from the old town hall on the Kaasmarkt in 1849 has been transferred to Museum Boymans.

akg7075106 David Mulder (1746 - 1826), Round plaque, with portrait in relief of Desiderius Erasmus, plaque ceramic terracotta, d 1.5 mold poured baked Borstbeeld Desiderius Erasmus half-length and profile to the right. Detail: hat fur collar and Louis XVI leaf ornament on topside when attached Didier Erasme né à Rotterdam (embedded top) Rotterdam Quinten Matsijs Hans Holbein the Younger Erasmus 1519 1523 remember.

alb2068094 Francisco de Goya y Lucientes / 'Self-Portrait', 1815, Spanish School, Oil on canvas, 45,8 cm x 35,6 cm, P00723. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb4252203 Terminus, the Device of Erasmus, c. 1532. Hans Holbein (German, 1497/98-1543). Oil on wood; framed: 32.4 x 32.4 x 4.5 cm (12 3/4 x 12 3/4 x 1 3/4 in.); unframed: 21.6 x 21.6 cm (8 1/2 x 8 1/2 in.).

alb4363659 Double portrait of Jacob Meyer zum Hasen and his wife Dorothea Kannengiesser (inside pages), Coat of arms of Jacob Meyer on a red ground (outside of the male portrait), 1516, oil on lime wood, each 39.7 x 31.9 cm (right panel H 39.5 cm), monogrammed and dated in the cartouche in the frieze above Jacob Meyer: HH, 1516, Hans Holbein d. J., Augsburg um 1497/981543 London.

alb4354918 Portrait of Philipp Adler, 1513, oil on linden (?) Wood, 41.3 x 29.5 cm, Not marked but dated: In the locket medallions the year: 1 5 , 13 , on the capitals: ALS ICH WHAT 52 IAR OLD (left), DA HET I THE G (e) STALT (right), Hans Holbein d. Ä., Augsburg um 1460/651524.

alb4357561 Portrait of Erasmus of Rotterdam in the Study Room, 2nd half of the 16th and 17th Centuries, oil on oak, 36 x 25.5 cm, unmarked., Inscription on the wall in the background: D. ERAS., ROTRO, Obiit basilee Jam Septua =, genarius An °., d, ., xpo nato., M.D. ° xxxvi., iiii °, [?] Iuli., Basler Meister, 16. Jh. / 17. Jh., (?), Hans Holbein d. J., (nach / after), Augsburg um 1497/981543 London.

alb4243902 Portrait of Sir Thomas More, 17th century. Follower of Hans Holbein (German, 1497/98-1543). Oil on wood in a gilt wood frame; framed: 8.6 x 8.6 x 1.3 cm (3 3/8 x 3 3/8 x 1/2 in.); diameter: 6.5 cm (2 9/16 in.); unframed: 6.7 x 6.4 cm (2 5/8 x 2 1/2 in.); diameter of frame: 8 cm (3 1/8 in.).

alb4249416 Dance of Death: The Abbot. Hans Holbein (German, 1497/98-1543). Woodcut.

alb3680412 Benedikt von Hertenstein (born about 1495, died 1522). Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Overall 20 1/2 x 15 in. (52.4 x 38.1 cm); painted surface 20 3/8 x 14 5/8 in. (51.4 x 37.1 cm). Date: 1517.In 1517 Holbein decorated the house of the Lucerne magistrate Jacob von Hertenstein. Concurrently, he made this portrait of the magistrate's eldest son, Benedikt, who engages the viewer both with his direct glance and the inscription, which reads as if he is speaking: "When I looked like this I was twenty-two years old." Directly following these words is the declaration that "H.H." painted the work. The artist's use of paper mounted on wood is unusual but not unique. He initiated the portrait as a drawing on paper and then continued working up in oil colors to its completion. Museum: Metropolitan Museum of Art, New York, USA.

alb3655423 Hermann von Wedigh III (died 1560). Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: 16 5/8 x 12 3/4 in. (42.2 x 32.4 cm), with added strip of 1/2 in. (1.3 cm) at bottom. Date: 1532.During his second sojourn in England (1532-43) Holbein made portraits for a new clientele, the German merchants of the Hanseatic League, whose guildhall was located in the London Steelyard. The sitter, whose ring displays the arms of the Wedighs of Cologne, is probably Hermann von Wedigh III, portrayed at age twenty-nine. The Latin quotation on the sheet of paper in the foreground, reading "Truth breeds hatred," comes from the Roman comedy Andria by Terence, popular among Humanists. The inserted slip of paper could thus refer to the book's content and perhaps have served as the sitter's personal motto. Museum: Metropolitan Museum of Art, New York, USA.

alb3653770 Lady Guildford (Mary Wotton, born 1500). Artist: Copy after Hans Holbein the Younger (British, 16th century). Dimensions: 32 1/8 x 26 1/8 in. (81.6 x 66.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

alb3653567 Portrait of a Bearded Man in Black. Artist: Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533-died 1575 Lyons). Dimensions: 6 3/4 x 6 1/4 in. (17.1 x 15.9 cm).In the eighteenth century this exceptionally well-preserved panel probably belonged to Horace Walpole, who believed it to be by Holbein. Museum: Metropolitan Museum of Art, New York, USA.

alb3611791 Margaret More (1505-1544), Wife of William Roper. Artist: Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). Dimensions: Diameter 1 3/4 in. (45 mm). Date: 1535-36. Museum: Metropolitan Museum of Art, New York, USA.

alb3647711 The Sackville Children. Artist: John Hoppner (British, London 1758-1810 London). Dimensions: 60 x 49 in. (152.4 x 124.5 cm). Date: 1796.The children of the third Duke of Dorset were painted at Knole, the Sackville family seat. They are (left to right): Lady Mary Sackville (1792-1864); the Duke's only son, Lord Middlesex (1793-1815), later fourth Duke of Dorset; and Lady Elizabeth Sackville (1795-1870). The picture was exhibited in 1797 under the title "Portraits of a nobleman's children." The pose of the boy derives from a famous portrait of Henry VIII by Hans Holbein. Museum: Metropolitan Museum of Art, New York, USA.

alb3497617 Rich Man, from the Dance of Death, 1651, Etching, second state of four, Sheet: 2 5/8 × 1 7/8 in. (6.6 × 4.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/981543 London), A man wearing a fur collared coat walks to the right toward another rich man. A beggar behind him has his hand on his back. A winged devil is perched on his shoulder. Death reclines beneath him and raises up an hour-glass.

alb3529840 Death and the Bishop, from The Power of Death (Allegory of Original Sin and Death), 1541, Engraving, Sheet: 3 1/8 × 2 1/16 in. (7.9 × 5.2 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 15021555/1561 Soest), after Hans Holbein the Younger (German, Augsburg 1497/981543 London).

alb3527900 The Nun, from the Dance of Death, 1651, Etching; second state of four, Sheet: 2 15/16 × 2 3/16 in. (7.5 × 5.5 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/981543 London), A young nun is kneeling before an altar in a bedroom but she looks around at a young man seated on the bed playing a lute. Death reaches toward the altar to extinguish the candle flame.

alb3501338 Portrait of a Bearded Man in Black, Oil on wood, 6 3/4 x 6 1/4 in. (17.1 x 15.9 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533died 1575 Lyons), In the eighteenth century this exceptionally well-preserved panel probably belonged to Horace Walpole, who believed it to be by Holbein.

alb3705087 Sailor. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Hans Holbein the Younger.

alb3111556 Skeleton of Death resting his arm on the Emperor on his throne as he sits in judgment on a case. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb3117873 Condemnation to Labour: Adam and the skeleton of Death uprooting a tree, while Eve suckles a baby and holds a distaff. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb1943626 Skeleton of Death showing the hourglass to an Advocate, even as he is being paid off by a Judge in front of a wretched client. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb1945615 A parade of skeletons of Death accompany Emperors, Kings, Cardinals, Bishops and other Nobles in a Danse Macabre. Copied from an engraving by Hollar in The History of St. Paul's Cathedral in London, 1658. Handcoloured copperplate engraving from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb1947563 Skeleton of Death with mitre and crozier pulling an Abbot by his robes. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb1949199 Skeleton of Death comes for the Elector as he exits his palace with his courtiers and ignores a widow and orphan. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.

alb1948225 Two skeletons of Death interrupt an itinerant Hawker with his heavy load as he points to his destination. One skeleton plays on a trompette marine, or marine trumpet. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.