Pesquisando por: "WHITNEY" - Fotoarena - Agência de fotojornalismo

ny290324184706 Whitney Gravelle, President of the Bay Mills Indian Community, in Brimley, Mich. on March 14, 2024. Gravelle has worked to shut down the Line 5 pipeline for years, arguing that the Straits were part of the tribeÕs treaty-ceded territory, which gives the community unlimited hunting and fishing rights. (Cydni Elledge/The New York Times/Fotoarena)

ny270324200507 Whitney Gravelle, President of the Bay Mills Indian Community, in Brimley, Mich. on March 14, 2024. Gravelle has worked to shut down the Line 5 pipeline for years, arguing that the Straits were part of the tribeÕs treaty-ceded territory, which gives the community unlimited hunting and fishing rights. (Cydni Elledge/The New York Times/Fotoarena)

ny140324170007 Demian DinéYazhi?s installation titled ?we must stop imagining apocalypse/genocide + we must imagine liberation? at the Whitney Museum of American Art in New York on March 14, 2024. Museum curators said they had been unaware that the artist Demian DinéYazhi? included the message through the flickering letters of their neon installation. (Charlie Rubin/The New York Times/Fotoarena)

ny140324165906 Artwork by the Indigenous artist and activist Demian DinéYazhi? with blinking lights that slowly spelled out the phrase ?Free Palestine,? at the Whitney Museum of American Art in New York on March 14, 2024. Museum curators said they had been unaware that the artist Demian DinéYazhi? included the message through the flickering letters of their neon installation. (Charlie Rubin/The New York Times/Fotoarena)

ny290324185706 Whitney Gravelle, President of the Bay Mills Indian Community, on the northern shore of the Straits of Mackinac in St. Ignace, Mich. on March 13, 2024. Gravelle has worked to shut down the Line 5 pipeline for years, arguing that the Straits were part of the tribeÕs treaty-ceded territory, which gives the community unlimited hunting and fishing rights. (Cydni Elledge/The New York Times/Fotoarena)

ny270324200106 Whitney Gravelle, President of the Bay Mills Indian Community, on the northern shore of the Straits of Mackinac in St. Ignace, Mich. on March 13, 2024. Gravelle has worked to shut down the Line 5 pipeline for years, arguing that the Straits were part of the tribeÕs treaty-ceded territory, which gives the community unlimited hunting and fishing rights. (Cydni Elledge/The New York Times/Fotoarena)

ny130324180906 A detail of Nikita GaleÕs ÒTempo Rubato (Stolen Time),Ó 2023-24, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. The keys, stripped of ivory, jerk up and down, plonking out a jaunty rhythm you can feel when seated on a bench. (Charlie Rubin/The New York Times/Fotoarena)

ny220324191606 A silver-plated sculpture, ?Statue of Freedom (Marsha P. Johnson),? 2024, by Artist Kiyan Williams, a tribute to the trans civil rights activist based on a photograph of her by By Diana Davies, sits on a terrace at the Whitney Museum of American Art for its Biennial exhibition, in New York, March 10, 2024. The tilting re-creation of the northern facade of the White House in soil will crumble, sprout plants and birth insects over time. (Charlie Rubin/The New York Times/Fotoarena)

ny220324191406 A detail of a work of earth on a steel frame by Artist Kiyan Williams, ?Ruins of Empire II or The Earth Swallows the Master?s House,? sits on a terrace at the Whitney Museum of American Art for its Biennial exhibition, in New York, March 10, 2024. The tilting re-creation of the northern facade of the White House in soil will crumble, sprout plants and birth insects over time. (Charlie Rubin/The New York Times/Fotoarena)

ny220324191207 The work of earth on a steel frame by Artist Kiyan Williams, ?Ruins of Empire II or The Earth Swallows the Master?s House,? sits on a terrace at the Whitney Museum of American Art for its Biennial exhibition, in New York, March 10, 2024. The tilting re-creation of the northern facade of the White House in soil will crumble, sprout plants and birth insects over time. (Charlie Rubin/The New York Times/Fotoarena)

ny220324192006 A work of earth on a steel frame by Artist Kiyan Williams, ?Ruins of Empire II or The Earth Swallows the Master?s House,? sits on a terrace at the Whitney Museum of American Art for its Biennial exhibition, in New York, March 10, 2024. The tilting re-creation of the northern facade of the White House in soil will crumble, sprout plants and birth insects over time. (Charlie Rubin/The New York Times/Fotoarena)

ny130324180407 Diane Severin NguyenÕs film ÒIn Her Time (IrisÕs Version),Ó 2023-24, about a young actress struggling with her role in a (fictional) movie about the Nanjing Massacre, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. The Whitney Biennial, New YorkÕs most prominent showcase of new American (or American-ish) art, thrives on argument: in print, in comment threads, in barrooms and sometimes in the galleries themselves. (Charlie Rubin/The New York Times/Fotoarena)

ny130324180707 P. StaffÕs ÒAfferent Nerves,Ó 2023, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. A tense installation ensnares visitors beneath toxic yellow light, an orange net and a sizzling electrified strip (a safe distance above their heads). (Charlie Rubin/The New York Times/Fotoarena)

ny130324181106 Nikita GaleÕs ÒTempo Rubato (Stolen Time),Ó 2023-24, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. The modified player piano whose hammers donÕt strike the keys is a somber Òportrait of the musician or artist, conspicuous because of their absence,Ò says Travis Diehl. (Charlie Rubin/The New York Times/Fotoarena)

ny130324181307 An installation view of Suzanne JacksonÕs painterly skins, made with gel medium and suspended from the ceiling and walls, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. Foreground: Òdeepest ocean, what we do not know, we might see?Ó is from 2021. (Charlie Rubin/The New York Times/Fotoarena)

ny130324180507 Sharon HayesÕs ÒRicerche: four,Ó 2024, right, and Carolyn LazardÕs ÒToilette,Ó 2024, left, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. HayesÕs piece is a video in which elder LGBTQ Americans speak to the artist about their personal lives and political views, inspired by a 1964 documentary by Pier Paolo Pasolini. (Charlie Rubin/The New York Times/Fotoarena)

ny130324180107 Lotus L. KangÕs ÒIn Cascades,Ó 2023-24, on display in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. Long, broad sheets of exposed film, still light-sensitive, will evolve over the run of the Whitney Biennial, thanks to the glare and humidity of the museum. (Charlie Rubin/The New York Times/Fotoarena)

ny140324165807 Demian Din?YazhiÕs installation titled Òwe must stop imagining apocalypse/genocide + we must imagine liberationÓ at the Whitney Museum of American Art in New York on March 10, 2024. Museum curators said they had been unaware that the artist Demian Din?YazhiÕ included the message through the flickering letters of their neon installation. (Charlie Rubin/The New York Times/Fotoarena)

ny130324180206 An installation by Demian Din?YazhiÕ, titled Òwe must stop imagining apocalypse/genocide + we must imagine liberation,Ó faces the Hudson piers as its neon letters are mirrored in the glass, in the Whitney Biennial at the Whitney Museum of American Art in New York, March 10, 2024. The Whitney Biennial, New YorkÕs most prominent showcase of new American (or American-ish) art, thrives on argument: in print, in comment threads, in barrooms and sometimes in the galleries themselves. (Charlie Rubin/The New York Times/Fotoarena)

ny270224163407 Young Chung, left, and Kibum Kim, owners of Commonwealth and Council gallery in Los Angeles, next to work by Carmen Argote and Jesse Chun on Feb. 23, 2024. Commonwealth and Council started in a one-bedroom apartment and now, their artists are heading to the Whitney Biennial, Venice Biennale and museums during Frieze. (Alex Welsh/The New York Times/Fotoarena)

HP1EK241K1K13 Whitney Wolanin attends the 66th Annual Grammy Awards in Los Angeles, California, U.S., February 4, 2024. REUTERS/Mario Anzuoni

HP1EK241JZH10 Whitney Wolanin attends the 66th Annual Grammy Awards in Los Angeles, California, U.S., February 4, 2024. REUTERS/Mario Anzuoni

RC2OE5AENH1M Republican presidential candidate Florida Governor Ron DeSantis greets Whitney Fuller from West Des Moines during a FOX News Channel's Democracy 2024: FOX News Town Hall ahead of the caucus vote in Des Moines, Iowa, U.S., January 9, 2024. REUTERS/Scott Morgan

ny020124180906 FILE ? People order coffee at Frenchette, which has expanded its hours and menu at the Whitney Museum, in Manhattan on Dec 21, 2023. Framed by a multitiered plant and ceramic-filled construction by Rashid Johnson, the bakery sells baked goods like handsome loaves of fougasse, baguettes, and einkorn wheat miche. There is also a counter service menu of viennoiseries, pizzettes and sandwiches like jambon beurre, tuna Niçoise, and king oyster mushrooms with broccoli rabe and ricotta. (Jeenah Moon/The New York Times/Fotoarena)

ny201223231706 The mezzo-soprano Anita Rachvelishvili at the Tbilisi State Conservatory in Tbilisi, Georgia on Oct. 20, 2023. Rachvelishvili studied at the Tbilisi State Conservatory after auditioning with a Whitney Houston song. (Daro Sulakauri/The New York Times/Fotoarena)

ny061023174307 Whitney Smith, a bookkeeper and registered independent, at home in Gilbert, Ariz. on Oct. 5, 2023. American voters? broad discontent with the disarray in Washington transcends political parties, race, age and geography. ?It was just like, Oh God, what now?? Smith said of the ouster of House Speaker Kevin McCarthy at the hands of his own party. (Adriana Zehbrauskas/The New York Times/Fotoarena)

ny061023132206 The Gansevoort Peninsula Sand Bluff at Hudson River Park in Manhattan, on Oct. 4, 2023. The newly opened Gansevoort Peninsula Sand Bluff is in Hudson River Park in the Meatpacking District, where West Street meets Gansevoort Street, across from the Whitney Museum. The park purports to feature Òthe first public beachfront in Manhattan.Ó (Hiroko Masuike/The New York Times/Fotoarena)

ny171023214906 An installation view of ?Warning shots not required,? 2011, on display in ?Henry Taylor: B Side? at the Whitney Museum of American Art in New York, Sept. 28, 2023. The piece centers on Stanley Tookie Williams, co-founder of the notorious Los Angeles street gang the Crips, who later turned against gang life. (Karsten Moran/The New York Times/Fotoarena)

ny171023215606 At right, portrait drawings of patients at the Camarillo State Mental Hospital, where Henry Taylor worked from 1984 to 1995, on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. At left, an untitled, undated painting broadcasts the predicament of Black people in Los Angeles. (Karsten Moran/The New York Times/Fotoarena)

ny171023215106 An installation view of ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. From left, ÒiÕm yours, 2015Ó; ÒMan, IÕm so full of doubt, but I must Hustle Forward, as my daughter Jade would say,Ó 2020; ÒUntitled, 2022Ó; ÔÒWegrett, 2006Ó; and ÒCora, (cornbread),Ó 2008. (Karsten Moran/The New York Times/Fotoarena)

ny171023215306 An installation view of ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. At left, ÒUntitled,Ó 2016Ð22, portrays the Rev. Dr. Martin Luther King Jr. in a moment of play, with sinister details. At right, ÒSee Alice Jump,Ó 2011, a tribute to Alice Coachman, the first Black woman to win an Olympic gold medal. (Karsten Moran/The New York Times/Fotoarena)

ny171023215407 A view of the site-specific untitled mural that Henry Taylor drew on the walls of a window lounge in the days before the Whitney exhibition opened, on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. The artist brings an energy to painting that reverberates through his exuberant yet sobering survey at the Whitney Museum. (Karsten Moran/The New York Times/Fotoarena)

ny171023214606 ÒHammons meets a hyena on holiday,Ó 2016, before the Great Mosque at Djenn? in Mali, on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. The artist brings an energy to painting that reverberates through his exuberant yet sobering survey at the Whitney Museum. (Karsten Moran/The New York Times/Fotoarena)

ny171023215906 ÒUntitledÓ (2020), a double portrait of Barack and Michelle Obama, on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. The artist brings an energy to painting that reverberates through his exuberant yet sobering survey at the Whitney Museum. (Karsten Moran/The New York Times/Fotoarena)

ny071223164706 FILE Ñ From left, Henry TaylorÕs ÒUntitled, 2022,Ó ÒUntitled, 2022Ó (partial view) and ÒFatty, 2006Ó at the Whitney Museum of American Art in New York on Sept. 28, 2023. (Karsten Moran/The New York Times/Fotoarena)

ny171023214707 From left, ÒUntitled,Ó 2022; a partial view of a sculpture of a tree; and ÒFattyÓ (2006) on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. The artist brings an energy to painting that reverberates through his exuberant yet sobering survey at the Whitney Museum. (Karsten Moran/The New York Times/Fotoarena)

ny171023215806 In Òthe dress, ainÕt me,Ó 2011, a young girl seems displeased while a grandmother looks on, on display in ÒHenry Taylor: B SideÓ at the Whitney Museum of American Art in New York, Sept. 28, 2023. The artist brings an energy to painting that reverberates through his exuberant yet sobering survey at the Whitney Museum. (Karsten Moran/The New York Times/Fotoarena)

ny140923170207 Ruth AsawaÕs ÒUntitled (Blue and Black Ink Wash [water]),Ó circa early 1960s, on display at the Whitney Museum in New York, Sept. 12, 2023. The piece shows a new freedom in her brushwork following renewed study of calligraphy. (James Estrin/The New York Times/Fotoarena)

ny140923170306 Ruth AsawaÕs ÒUntitled (Mounted Paperfold with Diagonal Black and White Stripes),Ó circa 1952, on display at the Whitney Museum in New York, Sept. 12, 2023. The sculptor of sublimely coiled wire helped erase boundaries between art, craft and the decorative arts Ñ a long-awaited show of drawings at the Whitney explores her luminous connections. (James Estrin/The New York Times/Fotoarena)

ny140923170706 Ruth AsawaÕs ÒBentwood Rocker,Ó a drawing made with felt-tip pen, c. 1959-63, on display against a wallpaper based on AsawaÕs patterning, at the Whitney Museum in New York, Sept. 12, 2023. The repeated contours create a sense of a rocker in motion. (James Estrin/The New York Times/Fotoarena)

ny140923170506 Looped-wire sculpture drawings included in Ruth AsawaÕs Guggenheim Fellowship application, 1952, on display at the Whitney Museum in New York, Sept. 12, 2023. The sculptor of sublimely coiled wire helped erase boundaries between art, craft and the decorative arts Ñ a long-awaited show of drawings at the Whitney explores her luminous connections. (James Estrin/The New York Times/Fotoarena)

ny140923165907 Ruth AsawaÕs ÒUntitled (SF.045a. Potato Print-Branches, Magenta/Orange),Ó c. 1951-52, on display at the Whitney Museum in New York, Sept. 12, 2023. Asawa, who had six children, was happy to use simple materials at times, like a potato. (James Estrin/The New York Times/Fotoarena)

ny140923170007 Ruth AsawaÕs ÒUntitled (Meander in Green, Orange, and Brown),Ó c. 1946-49, on display at the Whitney Museum in New York, Sept. 12, 2023. The sculptor of sublimely coiled wire helped erase boundaries between art, craft and the decorative arts Ñ a long-awaited show of drawings at the Whitney explores her luminous connections. (James Estrin/The New York Times/Fotoarena)

ny140923165707 An installation view of ÒRuth Asawa Through Line,Ó with one of her signature suspended sculptures, a study in form, air and shadow, at the Whitney Museum in New York, Sept. 12, 2023. The sculptor of sublimely coiled wire helped erase boundaries between art, craft and the decorative arts Ñ a long-awaited show of drawings at the Whitney explores her luminous connections. (James Estrin/The New York Times/Fotoarena)

ny140923170806 An installation view of ÒRuth Asawa Through Line,Ó at the Whitney Museum in New York, Sept. 12, 2023. Drawings include an inked leaf from the 1990s on back wall; at lower right, a study of abstracted dancers, circa 1948-49. (James Estrin/The New York Times/Fotoarena)

RC2Z53AQV58N SENSITIVE MATERIAL. THIS IMAGE MAY OFFEND OR DISTURB A model presents a creation by Whitney Allysyn at Harlem Fashion Week during New York Fashion Week, in New York City, U.S., September 10, 2023. REUTERS/Caitlin Ochs.

ny180923203307 **EMBARGO: No electronic distribution, Web posting or street sales before TUESDAY 03:01 A.M. ET, SEPT. 19, 2023. No exceptions for any reasons. EMBARGO set by source.** The new Whitney Museum, designed by Renzo Piano, seen from a boardwalk on Gansevoort Peninsula at the Hudson River Park in Manhattan, on Sept. 8, 2023. Developers have poured billions of dollars into transforming neighborhoods in a former industrial area, attracting companies like IAC and Google, and legions of residents. (Lucia Vazquez/The New York Times/Fotoarena)

9234105 Apr 6, 2016; East Hartford, CT, USA; United States of America midfielder Allie Long (23) scores a goal with a header as Colombia midfielder Natalia Gaitan (3) defends during the first half at Pratt & Whitney Stadium. Mandatory Credit: Mark L. Baer-USA TODAY Sports

9234280 Apr 6, 2016; East Hartford, CT, USA; Colombia goalkeeper Catalina Perez (1) makes a save against the United States of America during the second half at Pratt & Whitney Stadium. Mandatory Credit: Mark L. Baer-USA TODAY Sports

9234108 Apr 6, 2016; East Hartford, CT, USA; United States of America midfielder Allie Long (23) celebrates her goal against the Colombia with forward Lindsey Horan (20) during the first half at Pratt & Whitney Stadium. Mandatory Credit: Mark L. Baer-USA TODAY Sports

9234276 Apr 6, 2016; East Hartford, CT, USA; United States of America midfielder Allie Long (23) celebrates a goal against Colombia during the second half at Pratt & Whitney Stadium. Mandatory Credit: Mark L. Baer-USA TODAY Sports

9234127 Apr 6, 2016; East Hartford, CT, USA; United States of America celebrates forward Crystal Dunn's (16) goal against Colombia during the first half at Pratt & Whitney Stadium. Mandatory Credit: Mark L. Baer-USA TODAY Sports

ny131023150907 Ñ PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE 12:01 A.M. ET ON SUNDAY, OCT. 15, 2023 Ñ Lucy and Mike Fitzgerald with their two daughters in St. Louis on Sept. 4, 2023. The Fitzgeralds do not post recognizable photographs of their children online and have asked relatives and friends to refrain from doing so as well. (Whitney Curtis/The New York Times/Fotoarena)

RC2BQL9FXI00 FILE PHOTO: Bumble founder and CEO Whitney Wolfe Herd sits for a portrait in the Manhattan borough of New York City, U.S., January 31, 2019. REUTERS/Caitlin Ochs/File Photo

RC2ZOL9WIVNC FILE PHOTO: Singer Mary Wilson, a founding member of the Motown female singing group The Supremes, arrives as a guest at the premiere of the new film "Sparkle" starring Jordin Sparks and the late Whitney Houston in Hollywood August 16, 2012. REUTERS/Fred Prouser/File Photo

ny191023170207 Visitors climb through the rooftop exterior maze, set amid statuary including a giant praying mantis, at City Museum in St. Louis on Aug. 18, 2023. City Museum, where visitors are invited to explore and get lost, is also home to a growing collection of contemporary art. (Whitney Curtis/The New York Times/Fotoarena)

ny191023170007 Visitors climb through a rooftop exterior maze set amid statuary at City Museum in St. Louis on Aug. 18, 2023. City Museum, where visitors are invited to explore and get lost, is also home to a growing collection of contemporary art. (Whitney Curtis/The New York Times/Fotoarena)

RC2GQ2AT9MO0 The USS Mount Whitney (LCC-20), flagship of the U.S. Navy's Sixth Fleet, is docked at the Sarayburnu pier in Istanbul, Turkey, August 18. REUTERS/Dilara Senkaya

ny191023165807 Dustin YellinÕs ÒPsychogeography 76Ó (2015) and ÒPsychogeography 92Ó (2016), at City Museum in St. Louis on Aug. 18, 2023. City Museum, where visitors are invited to explore and get lost, is also home to a growing collection of contemporary art. (Whitney Curtis/The New York Times/Fotoarena)

ny191023165706 Erwin WurmÕs ÒAbstract Sculptures (Giant big, me ideal),Ó at City Museum in St. Louis on Aug. 18, 2023. City Museum, where visitors are invited to explore and get lost, is also home to a growing collection of contemporary art. (Whitney Curtis/The New York Times/Fotoarena)

RC28Q2A33SQW The USS Mount Whitney (LCC-20), flagship of the U.S. Navy's Sixth Fleet, is seen docked at the Sarayburnu pier in Istanbul, Turkey, August 18. REUTERS/Yoruk Isik TPX IMAGES OF THE DAY

RC28Q2AFKPLT The USS Mount Whitney (LCC-20), flagship of the U.S. Navy's Sixth Fleet, arrives in Istanbul, Turkey, August 18. REUTERS/Yoruk Isik

RC28Q2A8GEUV The USS Mount Whitney (LCC-20), flagship of the U.S. Navy's Sixth Fleet, arrives in Istanbul, Turkey, August 18. REUTERS/Yoruk Isik

ny091023000807 FILE ? Hospital workers at Lincoln Medical Center gather around a sculpture as part of an arts workshop with an educator and art therapist from the Whitney Museum of American Art, in New York, Aug. 8, 2023. Over nearly a century, New York City?s public hospital system has amassed 7,452 works of art, now hiding in plain sight. (Maansi Srivastava/The New York Times/Fotoarena)

ny090424023708 The landscape seen during a hike on Mount Whitney, Calif., in July 2023. At the top of a staircase cut into the rock, the trees disappeared as the trail rose above timberline. (Peter Eavis/The New York Times/Fotoarena)

ny090424023407 Dawn over Lone Pine Lake, about two and a half miles into the hike up Mount Whitney, Calif., in July 2023. Last July, a recently divorced writer who had found solace in hiking took on a towering challenge: Mount Whitney, the highest peak in the lower 48 states. (Peter Eavis/The New York Times/Fotoarena)

ny090424023307 A hiker walks in the snow on Mount Whitney, Calif., in July 2023. Locals had warned to expect snow at high elevations, even in July, but snow covered the trail starting at a much lower altitude than expected. (Peter Eavis/The New York Times/Fotoarena)

ny090424022807 Granite cliffs seen during a hike on Mount Whitney, Calif., in July 2023. Last July, a recently divorced writer who had found solace in hiking took on a towering challenge: Mount Whitney, the highest peak in the lower 48 states. (Peter Eavis/The New York Times/Fotoarena)

ny090424023108 The mountains and the starry sky seen during a hike on Mount Whitney, Calif., in July 2023. Online sources advised starting early in order to reach the summit, a nearly 11-mile hike, before midday. (Peter Eavis/The New York Times/Fotoarena)

ny050823152406 Whitney Buehler in a photo with her grandfather, who helped with covering some repairs for the house, at their home in Atlanta on July 6, 2023. For some young people, a path to homeownership often involves a mix of diligent saving combined with assistance from family or government loans and programs. (Peyton Fulford/The New York Times/Fotoarena)

ny050823152106 Whitney Buehler and her husband Joey at their home in Atlanta on July 6, 2023. For some young people, a path to homeownership often involves a mix of diligent saving combined with assistance from family or government loans and programs. (Peyton Fulford/The New York Times/Fotoarena)

RC2MN1AZ0798 The fan drive gear system of the Pratt & Whitney GTF engine is displayed at the 54th International Paris Airshow at Le Bourget Airport near Paris, France, June 21, 2023. REUTERS/Benoit Tessier

RC2VM1AOYTLX Model of a Pratt & Whitney GTF engine is displayed at the 54th International Paris Air Show at Le Bourget Airport near Paris, France, June 20, 2023. REUTERS/Benoit Tessier

RC2VM1AESM79 Model of a Pratt & Whitney GTF engine is displayed at the 54th International Paris Air Show at Le Bourget Airport near Paris, France, June 20, 2023. REUTERS/Benoit Tessier

RC2VM1APW7D9 Model of a Pratt & Whitney GTF engine is displayed at the 54th International Paris Air Show at Le Bourget Airport near Paris, France, June 20, 2023. REUTERS/Benoit Tessier

RC2VM1AO53C7 Model of a Pratt & Whitney GTF engine is displayed at the 54th International Paris Air Show at Le Bourget Airport near Paris, France, June 20, 2023. REUTERS/Benoit Tessier

RC2VM1AHASMX Pratt & Whitney logo is pictured on the GTF engine at the 54th International Paris Air Show at Le Bourget Airport near Paris, France, June 20, 2023. REUTERS/Benoit Tessier

ny150623170105 Hanging textiles, plastic insects and a gilded spine cover one side of Ebony G. PattersonÕs ÒÉfesterÉ,Ó a free-standing 10-foot wall on display in the LuEsther T. Mertz Library at the New York Botanical Garden in the Bronx, June 13, 2023. Patterson, whose work is in the collections of the Los Angeles County Museum of Art and the Whitney, designed the vegetally-patterned wallpaper. (Karsten Moran/The New York Times/Fotoarena)

HP1EJ5203JDGV Whitney Peak poses at the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute with this year's theme "Karl Lagerfeld: A Line of Beauty", in New York City, New York, U.S., May 1, 2023. REUTERS/Andrew Kelly

HP1EJ5203CGGC Whitney Peak poses at the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute with this year's theme "Karl Lagerfeld: A Line of Beauty", in New York City, New York, U.S., May 1, 2023. REUTERS/Andrew Kelly

HP1EJ511TVZ9B Whitney Peak poses at the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute with this year's theme "Karl Lagerfeld: A Line of Beauty", in New York City, New York, U.S., May 1, 2023. REUTERS/Andrew Kelly

HP1EJ511TIO8P Whitney Peak poses at the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute with this year's theme "Karl Lagerfeld: A Line of Beauty", in New York City, New York, U.S., May 1, 2023. REUTERS/Andrew Kelly

ny020523051106 Whitney Peak at the Metropolitan Museum of Art's Costume Institute benefit gala in New York, May 1, 2023. (Jutharat Pinyodoonyachet/The New York Times/Fotoarena)

ny090523221306 Damon Davis next to his sculpture ?Pillars of the Valley? in St. Louis, April 24, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523202106 Damon Davis next to his sculpture ?Pillars of the Valley? in St. Louis, April 24, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny190723220606 FILE Ñ An installation view of ÒCrying Games,Ó 2015, at the Whitney Museum in New York on April 25, 2023. Josh Kline and the duo Komar and Melamid, in their respective museum shows, might seem to be telling you what to think Ñ but they dwell between irony and sincerity. (Karsten Moran/The New York Times/Fotoarena)

ny290423210507 An installation view of ÒCrying Games,Ó 2015, at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny190723220806 FILE Ñ An installation view of two of four modified mannequins titled, from left, ÒRespect,Ó and ÒPo-PoÓ (both 2015), currently at the Whitney Museum in New York on April 25, 2023. Josh Kline and the duo Komar and Melamid, in their respective museum shows, might seem to be telling you what to think Ñ but they dwell between irony and sincerity.(Karsten Moran/The New York Times/Fotoarena)

ny290423210107 Installation view of the immersive exhibition ÒJosh Kline: Project for a New American Century,Ó at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny290423205606 An installation view of ÒNo Sick Days (FedEx WorkerÕs Head with FedEx Cap),Ó 2014, at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny290423210306 A visitor looks at ?Aspirational Foreclosure (Matthew/Mortgage Loan Officer),? 2016, at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny290423205807 Visitors take in Josh KlineÕs video piece ÒForever 27,Ó 2013, at center, mocking our celebrity obsession, using deep-fake technology to create a mock Kurt Cobain at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny290423205507 An installation view of Josh KlineÕs ÒEnergy Drip,Ó 2013 at the Whitney Museum in New York on April 25, 2023. A jolting retrospective at the Whitney explores how climate change, emerging technologies and political deadlocks are shaping our work and life. (Karsten Moran/The New York Times/Fotoarena)

ny090523220106 Damon Davis?s ?Pillars of the Valley,? in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523201806 Damon Davis?s ?Pillars of the Valley,? in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523220406 Simiya Sudduth?s mural ?Justice,? left, based on a tarot card designed by the artist, above Jefferson Avenue in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523202906 Simiya Sudduth?s mural ?Justice,? left, based on a tarot card designed by the artist, above Jefferson Avenue in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523220506 Exterior of Torkwase Dyson?s architectural installation, ?Bird and Lava (Scott Joplin)? at St. Louis Place Park in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523202006 Exterior of Torkwase Dyson?s architectural installation, ?Bird and Lava (Scott Joplin)? at St. Louis Place Park in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)

ny090523220806 Interior of Torkwase Dyson?s architectural installation, ?Bird and Lava (Scott Joplin)? at St. Louis Place Park in St. Louis, April 23, 2023. One of the largest civic exhibitions in the United States challenges artists to help invigorate neighborhoods. (Whitney Curtis/The New York Times/Fotoarena)