Pesquisando por: "GIOVANNI BATTISTA TIEPOLO (1696-1770)" - Fotoarena - Agência de fotojornalismo

alb3636717 Magician pointing out a burning head to two youths, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 7 5/16 in. (22.8 x 18.5 cm)Sheet: 13 7/16 x 9 5/16 in. (34.2 x 23.6 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

alb4157053 Giambattista Tiepolo (Venice, 1696-Madrid, 1770). The Death of Sophonisba (ca. 1760). Oil on canvas. 48.3 x 38.2 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157052 Giambattista Tiepolo (Venice, 1696-Madrid, 1770). The Death of Hyacinthus (ca. 1752 - 1753). Oil on canvas. 287 x 232 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb4157051 Giambattista Tiepolo and Workshop (Venice, 1696-Madrid, 1770). Christ on the route to Calvary. Oil on canvas. 79 x 86 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

alb3899201 Los hebreos recogiendo el maná en el desierto (boceto). Date/Period: Ca. 1740 - ca.1740. Painting. Oil on canvas. Height: 92 mm (3.62 in); Width: 67 mm (2.63 in). Author: Giovanni Battista Tiepolo.

akg5214580 Tiepolo, Giovanni Battista (Giambattista); 1696-1770. "The Beheading of St John the Baptist". Oil on canvas, 33 x 43 cm. Inv. NM 188. Stockholm, National Museum.

akg7647166 Giovanni Battista Tiepolo, Italian, 1696-1770, Saint Joseph and the Christ Child, between 1767and 1769, oil on canvas, Unframed: 60 5/8 × 43 13/16 inches (154 × 111.3 cm).

akg7643996 possibly workshop of Giovanni Battista Tiepolo, Italian, 1696-1770, The Immaculate Conception, 1733/1736, oil on canvas, Unframed: 13 5/16 × 11 1/8 × 1/16 inches (33.8 × 28.3 × 0.1 cm).

akg7643232 Giovanni Battista Tiepolo, Italian, 1696-1770, Madonna and Child, between 1730 and 1745, oil on canvas, Unframed (irreg.): 19 3/8 × 16 1/4 inches (49.2 × 41.3 cm).

akg7640054 Allemagne, Berlin, Gemälde Galerie, Giovanni Battista Tiepolo (1696-1770), Rinaldo und Armida im Zaubergarten Armidas, von Carlo und Ubaldo belauscht (photo juin 2017).

akg5613386 Venice / Venezia (Veneto, Italy), Sestiere Dorsoduro, Santa Maria del Rosario / I Gesuati (Dominican church, built 1726-36 in place of a Jesuit church, architect: Giorgio Massari). - Interior view: view from the presbytery into the nave with ceiling frescoes, 1737/30, by Giovanni Battista Tiepolo (1696-1770). - Photo, 2011.

alb3658421 A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 24 7/8 in. (81.3 x 63.2 cm). Date: ca. 1740-50.This picture is from a series of four female allegorical figures. Two others are in the Rijksmuseum, Amsterdam. They probably served as overdoors, perhaps set into a stucco surround. Tiepolo is known to have painted a number of pictures of this type to complement his work in fresco. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA.

alb3634986 The Apotheosis of the Spanish Monarchy. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval painted surface, 33 1/8 x 27 1/8 in. (84.1 x 68.9 cm). Date: 1760s.This oil sketch for the ceiling of the saleta adjacent to the throne room of the Palacio Real, Madrid, differs from an alternative version (37.165.3) in the prominence given to Jupiter and his eagle and to Apollo, god of the sun and patron of the arts. Elements of both compositions were used in the final fresco. Museum: Metropolitan Museum of Art, New York, USA.

alb3672687 The Chariot of Aurora. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 35 1/2 x 28 5/8 in. (90.2 x 72.7 cm). Date: 1760s.Aurora, in her chariot, is accompanied by the Hours and heralded by Apollo; Time is on the right. Also recognizable are Ceres, with a sheaf of wheat, and Bacchus, wearing a crown of vine leaves. The sketch may have been presented as a proposal by Tiepolo for the decoration of a ceiling in the Palacio Real in Madrid. Tiepolo was summoned to Spain in 1762 to decorate the throne room; a ceiling on this theme was painted in the queen's bedroom in 1763 by the artist's German rival, Anton Raphael Mengs. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3623265 Grammar. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Grammar, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3626091 Metaphysics. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Metaphysics, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3620384 Saint Thecla Praying for the Plague-Stricken. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 32 x 17 5/8 in. (81.3 x 44.8 cm). Date: 1758-59.The present preliminary sketch is for one of Tiepolo's greatest religious works, the altarpiece in the apse of the cathedral at Este, near Padua. Commissioned in 1758 and installed on Christmas Day, 1759, the picture commemorates the plague of 1630 with the citizens of Este praying for the intercession of Saint Thecla. The first-century saint is shown among the victims; the town is depicted in the background. Museum: Metropolitan Museum of Art, New York, USA.

alb3653359 The Triumph of Marius. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular painted surface, 220 x 128 5/8 in. (558.8 x 326.7 cm). Date: 1729.This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca' Dolfin, Venice. The subject of this triumphal procession is identified by the Latin inscription at the top of the painting, from the Roman historian Lucius Anneus Florus: "The people of Rome behold Jugurtha laden with chains". The African king Jugurtha is shown before his captor, the Roman general Gaius Marius. The procession was held on January 1, 104 B.C. The crowds carry booty, including a bust of the mother goddess Cybele. The thirty-year-old Tiepolo included his self-portrait among the figures on the left. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3615649 The Glorification of the Barbaro Family. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm). Date: ca. 1750.This remarkable canvas was painted to decorate the ceiling in one of the rooms of the Palazzo Barbaro, on the Grand Canal, in Venice. The Barbaro were among the most illustrious Venetian families and it is to them that the main figure of Valor accompanied by a lion alludes. Behind Valor is Fame blowing the trumpet and holding an olive branch, while behind the lion is Abundance with a cornucopia. At the lower left are Prudence, with a snake, and Nobility, holding a statuette of Minerva. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3613790 Neptune and the Winds. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Round painted surface, 24 1/2 x 24 1/2 in. (62.2 x 62.2 cm).The sketch illustrates a celebrated passage from Virgil's Aeneid describing how Neptune calmed the winds to save Aeneas from shipwreck. Neptune, his arm raised, commands the winds to desist. Jupiter stands in front of the portico of a circular temple. In 1764-66 Tiepolo decorated a room in the Palacio Real, Madrid, with an apotheosis of Aeneas; the sketch may be related to this project. Museum: Metropolitan Museum of Art, New York, USA.

alb3649986 The Battle of Vercellae. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Irregular painted surface, 162 x 148 3/8 in. (411.5 x 376.9 cm). Date: 1725-29.This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca' Dolfin, Venice. The battle has been tentatively identified as the great victory of Gaius Marius over the fierce Teutonic tribes in Lombardy in 101 B.C. The tribe of the Cimbri had crossed the Alps near Trent and invaded the Veneto, whose mild climate and delicacies reputedly sapped their strength. Their defeat saved Rome from conquest. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo.

alb3667110 A Female Allegorical Figure. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Oval, 32 x 25 3/8 in. (81.3 x 64.5 cm). Date: 1740-50.This picture was painted for the same series as another picture in the Museum, also displayed in this gallery; two others from the series are in the Rijksmuseum, Amsterdam. The pictures probably served as overdoors, perhaps set into a stucco surround. The allegorical figure has not been identified. Museum: Metropolitan Museum of Art, New York, USA.

alb3661690 Geometry. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Geometry, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. A change is visible in the left arm, which was originally upright, holding a pair of dividers. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3669568 Arithmetic. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop; and Girolamo Mengozzi (called Colonna) (Italian, Venetian, 1688-ca. 1766). Dimensions: 146 x 57 7/8 in. (370.8 x 147 cm). Date: 1760.Like the other frescoes in this gallery, this allegorical figure of Arithmetic, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle-Marchesini-Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. and Girolamo Mengozzi (called Colonna).

alb3667265 Virtue and Abundance. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. Dimensions: Diameter 114 in. (289.6 cm). Date: 1760.Like the other frescoes in this room, this large roundel is from the Palazzo Valle-Marchesini-Sala in Vicenza. It simulates a sculptural relief and decorated the ceiling of a long gallery, whose lateral walls were embellished with the allegorical figures of the liberal arts. It depicts the two allegorical figures of Virtue, on the left, and Abundance, with the cornucopia, on the right. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop.

orz176416 ''The Minuet or Carnival Scene', 1754-1755, Oil on canvas, 80,5 x 110,5 cm. Author: GIOVANNI BATTISTA TIEPOLO (1696-1770). Location: LOUVRE MUSEUM-PAINTINGS. France.

orz096406 SALA DE ALABARDEROS - EL TRIUNFO DE ENEAS- 1762- PINTURA ROCOCO. Author: GIOVANNI BATTISTA TIEPOLO (1696-1770). Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

akg178244 Tiepolo, Giovanni Battista. 1696-1770. "Skizzen zu Apoll und Hyazinth", um 1752-Bister über Rötelvorzeichnung auf Hadernpapier, 32,4 × 22,2 cm. London, Victoria and Albert Museum. Museum: London, Victoria and Albert Museum.

akg178245 Tiepolo, Giovanni Battista. 1696-1770. "The Death of Hyacinth,". c. 1752. Bistre on red chalk sketch on rag paper, 36.9 × 29.2 cm. Würzburg, Martin von Wagner Museum. Museum: Würzburg, Martin von Wagner Museum.

akg319328 Tiepolo, Giovanni Battista 1696-1770. "The raising of the bronze snake", c. 1735. (Detail). Oil on canvas, 1.64 × 13.56m From the church SS.Cosma e Damiano on the Giudecca in Venice. Inv. no. 739. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg231647 Tiepolo, Giovanni Battista. 1696-1770. "Memento mori: Age and Death", c. 1715. Oil on copper, 11.5 × 9cm. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

akg231679 Tiepolo, Giovanni Battista. 1696-1770. "Intercession of St. Thekla during the plague", 1758. Section: Plague victim in the town of Este. (Plague epidemic in Veneto 1630). Oil on canvas, 675 × 390cm. Este, Cathedral.

akg065588 Würzburg, Prince Bishop's Residence. (begun in 1720; plans by J.B.Neumann and others). Interior, imperial hall with ceiling fresco "Apollo leads Barbarossas bride to him" by Giovanni Battista Tiepolo (1696-1770). Photo, 1991 (c.) AKG / Erik Bohr.

alb3714479 Three Soldiers and a Youth. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3727826 Death Giving Audience. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3624773 Three magicians burning a snake, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 9 x 7 1/16 in. (22.8 x 18 cm)Sheet: 13 1/2 x 9 1/4 in. (34.3 x 23.5 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

akg407296 Würzburg (Lower Franconia), Prince Bishop's Residence, Kaisersaal, middle ceiling fresco. - "Apollo leads Beatrice of Burgundy as bride to Emperor Frederick Barbarossa.". 1750-52, by Giovanni Battista Tiepolo. (1696-1770). Photo (Achim Bednorz).

akg231658 Tiepolo, Giovanni Battista. 1696-1770. "The banquet of Cleopatra", c. 1742/43. Oil on canvas, 50.5 × 69cm. Paris, Musée Cognacq-Jay. Museum: Paris, Musée Cognacq-Jay.

akg049649 Tiepolo, Giovanni Battista. 1696-1770. "The banquet of Cleopatra", after 1750. Fresco. Illusionist ceiling painting by Gir. Mengozzi (figure standing in the middle of left group - self-portrait of th. artist). Venice, Palazzo Labia.

akg113340 Tiepolo, Giovanni Battista. 1696-1770. "The banquet of Cleopatra", 1757. Fresco (detail). Venice, Palazzo Labia, ballroom.

akg113339 Tiepolo, Giovanni Battista 1696-1770. "The banquet of Cleopatra", 1757. Fresco. (Illusionist ceiling painting by Gir. Mengozzi). Venice, Palazzo Labia, ballroom.

akg165684 Tiepolo, Giovanni Battista. 1696-1770. "Bellerophon on the back of Pegasus kills Chimaera", c. 1750. (From the "The Power of Eloquence", a series of four depictions. Ceiling fresco. Venedig, Palazzo Sandi-Porto, Sala Grande.

alb2037629 Giovanni Battista Tiepolo / 'Throne Room: The Glory of Spain. Allegory of America', 1762-1766, Fresco. Museum: PALACIO REAL, MADRID, SPAIN.

akg560804 Scipio, Publius Cornelius, known as Scipio Africanus the Elder; Roman general; 235 - 183 BC. "The Continence of Scipio" (209 BC; Scipio returns the captured Panthea to her fiancer). Fresco, 1743, by Giovanni Battista Tiepolo (1696-1770). Montecchio Maggiore, Villa Cordellina.

orz045263 Italian school. Queen Zenobia before emperor Aurelian. Oil on canvas (250 x 500 cm). Madrid, Prado museum. Author: GIOVANNI BATTISTA TIEPOLO (1696-1770). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. AURELIANO EMPERADOR. ZENOBIA REINA DE PALMIRA SIGLO III.

alb9829119 Tiepolo, Giovanni Battista 1696-1770/ "The Adoration of the Kings", 1753. Oil on canvas, 425 × 210.5cm. Museum: ALTE PINAKOTHEK, MUNICH, GERMANY.

akg178236 Tiepolo, Giovanni Battista. 1696-1770. "The Holy Trinity appears to Saint Clemens", c. 1735. Sketch for the Nymphenburg Altar. Oil on canvas, 61.1 × 34.4cm. Prices Gate Collection, London, Courtauld Institute Galleries. Museum: London, Courtauld Institute Galleries.

akg178234 Tiepolo, Giovanni Battista, 1696-1770. - "The Adoration of the Holy Trinity by Pope Saint Clemens", c. 1737/38. - Oil on canvas, 388 × 256cm. Formerly the High Altar of the Chorfrauenkirche in the north section of Schloß Nymphenburg. Loan from the Bavarian administration of state castles, gardens and lakes, Munich, Alte Pinakothek. Museum: München, Alte Pinakothek.

akg225666 Tiepolo, Giovanni Battista 1696-1770.-"The Journey to the Hill of Calvary".c.1738/40. From the Passion Triptych. Oil on canvas, 450 x 517cm. Venice, S.Alvise.

akg226015 Tiepolo, Giovanni Battista 1696-1770.-"The Crowning with Thorns" / "The Flagellation of Christ", c.1738/40.-From the Passion Triptych. Oil on canvas, 450 x 135 & 450 x 194cm. Venice, S.Alvise.

akg232101 Tiepolo, Giovanni Battista 1696-1770. "Crucifixion". Early painting. Burano, S.Martino.

akg231476 Tiepolo, Giovanni Battista. 1696-1770. "The Journey to the Hill of Calvary". c. 1738/40. Detail: Christ collapses under the Cross. From the Passion Triptych. Oil on canvas, 450 × 517cm. Venice, S.Alvise.

akg231477 Tiepolo, Giovanni Battista. 1696-1770. "Flagellation of Christ", c. 1738/40. From the Passion Triptych. Oil on canvas, 450 × 194cm. Venice, S.Alvise.

akg231479 Tiepolo, Giovanni Battista. 1696-1770. "The Crowning with Thorns", c. 1738/40. FRom the Passion Triptych. Oil on canvas, 450 × 135cm. Venice, S.Alvise.

alb3632860 Title page, from Varj Carpiccj. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Sheet: 6 7/16 x 8 5/8 in. (16.3 x 21.9 cm)Plate: 4 1/2 x 6 1/2 in. (11.5 x 16.5 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.

alb3705294 Standing Woman and Seated Men before an Obelisk. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb3899203 Rinaldo Enchanted by Armida. Date/Period: From 1742 until 1745. Painting. Oil on canvas. Height: 1,875 mm (73.81 in); Width: 2,168 mm (85.35 in). Author: Giovanni Battista Tiepolo.

alb3721140 Scene from Ancient History. Dated: c. 1750. Dimensions: overall (oval): 140.3 x 109.3 cm (55 1/4 x 43 1/16 in.) framed: 165.7 x 134.6 cm (65 1/4 x 53 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

alb4138312 A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1740-1750. Dimensions: 138 x 176 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb4143023 Frontispiece from Capricci. Giambattista Tiepolo; Italian, 1696-1770. Date: 1785. Dimensions: 114 x 165 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

alb2179412 Kidnapping of Venus by Kronos, detail of the Course of the Sun Chariot, fresco by Giambattista Tiepolo (1696-1770), Tapestry Gallery, Palazzo Clerici, Milan, Lombardy, Italy.

alb1985257 Coronation of Mary, by Giambattista Tiepolo (1696-1770), ceiling of the Church of the Pieta or St Mary of the Visitation, Venice. Italy, 18th century.

alb1989215 The Judgement of Solomon, 1726-1739, by Giovanni Battista Tiepolo (1696-1770), fresco. Detail. Patriarchal Palace, Red Room, Udine.

alb1985480 Venus Saying Farewell to Aeneas, by Giambattista Tiepolo (1696-1770), fresco. Room of the Aeneid, Villa Valmarana 'Ai Nani', Vicenza.

alb1989716 The angel comforts Hagar in the wilderness, 1726-1739, by Giovanni Battista Tiepolo (1696-1770), fresco. Patriarchal Palace, Guest Hall, Udine.

alb1991901 Wedding Allegory, by Giambattista Tiepolo (1696-1770), fresco. Detail. Ceiling of the Nuptial Allegory Room , Ca' Rezzonico (Rezzonico Palace), Venice.

alb1994732 Olympus, 1752-1753, by Giovanni Battista Tiepolo (1696-1770), (1696-1770), fresco. Detail. Vault of the grand staircase of the Wuerzburg Residence, Germany (UNESCO World Heritage, 1981).

alb1972060 Neptune offering gifts to Venice, 1748-1750, by Giovanni Battista Tiepolo (1696-1770), oil on canvas, 135x275 cm. Detail. Palazzo Ducale, Hall of the Four Doors, Venice. Location: Venice, Palazzo Ducale (Doges' Palace).

alb1973066 The beheading of John the Baptist, 1733, by Giovanni Battista Tiepolo (1696-1770), fresco. Colleoni Chapel, Bergamo.

alb1976108 Capriccio, by Giambattista Tiepolo (1696-1770), engraving. Location: Florence, Galleria Degli Uffizi (Uffizi Gallery) Gabinetto Disegni E Stampe Degli Uffizi (Drawings And Engravings).

alb4522853 Giovanni Battista Tiepolo, Italian, 1696-1770, Woman with a Mandolin, ca. between 1755 and 1760, oil on canvas, Unframed: 36 7/8 × 29 1/2 inches (93.7 × 75 cm).

alb1982116 Alexander the Great with Darius' family, detail from Glories of Scipio Africanus and Alexander the Great, 1743, by Giambattista Tiepolo (1696-1770), fresco. Hall of Honour, Cordellina Villa Lombardi, Montecchio Maggiore, Vicenza.

alb1983150 The sacrifice of Iphigenia, by Giambattista Tiepolo (1696-1770), fresco. Detail. Hall of Iphigenia, Villa Valmarana 'Ai Nani', Vicenza.

alb1988612 The Judgement of Solomon, 1726-1729, by Giovanni Battista Tiepolo (1696-1770), fresco. Patriarchal Palace, Red Room, Udine.

alb1981495 Our Lady of Mount Carmel and the Souls in Purgatory, 1721-1727, by Giovanni Battista Tiepolo (1696-1770), oil on canvas, 210x650 cm. Detail. Location: Milan, Pinacoteca Di Brera (Art Gallery, Paintings).

alb1982758 St John the Baptist preaching to a crowd, 1733, by Giovanni Battista Tiepolo (1696-1770), fresco. Colleoni Chapel, Bergamo.

alb1985823 The Darius family, detail from Glories of Scipio Africanus and Alexander the Great, 1743, by Giambattista Tiepolo (1696-1770), fresco. Hall of Honour, Cordellina Villa Lombardi, Montecchio Maggiore, Vicenza.

alb1982399 Figures of peasant women, by Giambattista Tiepolo (1696-1770), fresco. The Countryside Room, Guest Quarters of Villa Valmarana ai Nani, Vicenza.

alb1982491 Frescoes in the gallery of the Archbishop's Palace in Udine, by Giambattista Tiepolo (1696-1770). Detail.

alb1519457 Italy - Veneto Region - Villa Valmarana ai Nani - Room of the Frenzy of Orlando. Giambattista Tiepolo (1696-1770), Angelica and medoro taking leave of the peasants, fresco.

alb1519244 Italy - Veneto Region - Villa Valmarana ai Nani - Room of the Frenzy of Orlando. Giambattista Tiepolo (1696-1770), Angelica Taking Care of Medoro, fresco.

alb1966450 Briseis led to Agamemnon, by Giambattista Tiepolo (1696-1770), fresco. The Iliad Room, Villa Valmarana 'Ai Nani', Vicenza.

alb1993678 The Magnanimity of Scipio, by Giambattista Tiepolo (1696-1770), fresco. Detail. Villa Lombardi Cordellina, Montecchio Maggiore, Vicenza.

alb1991963 Rachel hiding the idols, 1726-1739, by Giovanni Battista Tiepolo (1696-1770), fresco. Patriarchal Palace, Guest Hall. Udine.

alb1993434 Assumption, 1759, by Giovanni Battista Tiepolo (1696-1770), fresco. Oratory of Purity, Udine.

alb1990343 Wedding Allegory, by Giambattista Tiepolo (1696-1770), fresco. Detail. Ceiling of the Nuptial Allegory Room , Ca' Rezzonico (Rezzonico Palace), Venice.

alb1994604 The Banquet of Cleopatra, by Giambattista Tiepolo (1696-1770), fresco. Palazzo Labia, Venice.

alb1977113 Landscape with Cupid, 1757, by Giambattista Tiepolo (1696-1770), fresco. Detail. Iliad Room, Villa Valmarana 'Ai Nani', Vicenza.

alb1971587 The meeting of Anthony and Cleopatra, by Giambattista Tiepolo (1696-1770), fresco. Detail. Palazzo Labia, Venice.

alb1978161 Rachel hiding the idols, by Giambattista Tiepolo (1696-1770), fresco. Detail. Archbishop's Palace in Udine.

alb1978246 Rachel hiding the idols, by Giambattista Tiepolo (1696-1770), fresco. Detail. Archbishop's Palace in Udine.

alb1972911 Lunette showing the Baptism of Christ, by Giambattista Tiepolo (1696-1770). Colleoni Chapel, Bergamo.

alb1974008 Virgin Appearing to St Catherine of Siena, Rosa of Lima and Agnes of Montepulciano, by Giambattista Tiepolo (1696-1770), fresco. Side altar in Gesuati Church (Santa Maria del Rosario), Venice.

alb2942744 The Banquet of Cleopatra, 1742-1743, by Giambattista Tiepolo (1696-1770), oil on canvas, 51x69 cm. Italy, 17th century. Location: Parigi, Musee Cognacq-Jay.

alb2169299 The Virgin appearing to Saint John of Nepomuk, 1754, by Giambattista Tiepolo (1696-1770), oil on canvas, 346x145 cm, Church of San Polo, Venice, Veneto, Italy.

alb2285840 The Tragedy of Antony and Cleopatra, the Banquet, 1746, by Giovanni Battista Tiepolo (1696-1770), oil on canvas, 67x41 cm. 18th century. Location: Stoccolma, Stockholms Universitets Konstsamling.

alb1973413 Consilium in Arena, 1750, by Giovanni Battista Tiepolo (1696-1770), oil on canvas, 125x193 cm. Location: Udine, Musei Civici E Galleria Di Storia E Arte Antica (Art Museum).

akg231532 Tiepolo, Giovanni Battista. 1696-1770. "Diana and Actaeon", early work, (Diana transforms the hunter Actaeon into a deer; - Ovid, Met. III, 138-253). Oil on canvas, 100 × 135cm. From a series of four mythological scenes. Inv. Nr. 754. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.

alb3497573 Woman and infant satyr in a landscape, the woman twisting to look over her left shoulder, a horned goat striding toward the background, from the series 'The Capricci', ca. 174042, Etching, sheet: 6 7/8 x 8 1/8 in. (17.5 x 20.7 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 16961770 Madrid).

akg231473 Tiepolo, Giovanni Battista 1696-1770. "Danae", 1736. (Danae, on her bed, receives Jupiter who appears in disguise of a golden rain). Oil on canvas, 41 × 53cm. Stockholm, University Collection. Museum: Stockholm, University Collection.