Pesquisando por: "GERARD DAVID" - Fotoarena - Agência de fotojornalismo

00882198 Geography / travel, New Zealand, Oriental Bay, Wellington, North Island,

00882040 Geography / travel, New Zealand, View of Wellington at Dusk from Mount Victoria, North Island,

908_06_LR9000001 The Crucifixion

alb4156424 Gerard David (Oudewater, ca. 1455-Bruges, 1523). The Crucifixion (ca. 1475). Oil on panel. 88 x 56 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

akg7642691 Gerard David, Netherlandish, 1450-1523, The Annunciation, ca. 1490, Oil on oak panel, Unframed: 13 11/16 × 9 3/16 × 1 inches (34.8 × 23.3 × 2.5 cm).

akg1108810 Gera (Thüringen), Salvatorkirche (eraut 1717-20 nach Plänen von David Schatz; Turm 1775/78 von Gerardo Hofmann. Nach Brand 1780, Wiederaufbau von 1781/83. Umgestaltung des Kircheninneren im Jugendstil 1903 durch Adolf Marsch). Innenansicht nach Nordosten. Foto, 2010.

akg4219022 Publizistik / Zeitungen:. Marianne. Grand hebdomadaire politique et littéraire illustré (franz. Wochenzeitschrift, 26.10.1932 - 28.8.1940; publ. in Paris, letzte Ausgaben (Nr. 400-406) in Lyon). Titelseite mit Fotomontage von Marinus Jacob Kjeldgaard (1884-1964):. "Psyché et Oedipe XXe Siécle. Greta Garbo, la divine, et son fiancé, Leopold Stokowski, dans une délicieuse et romanesque resurrection de deux tableaux immortels?" (Psyche und Ödipus des 20. Jahrhunderts. Die göttliche Greta Garbo und ihr Verlobter, Stokowski, in einer hinreißenden und romatischen Wiederbelebung zweier unsterblicher Gemälde?). Zwei Karikaturen auf die Liebesbeziehung zwischen Greta Garbo und dem Dirigenten Leopold Stokowski; unter Verwendung der Gemälde und "Ödipus und die Sphinx" von Jean-Auguste-Dominique Ingres (links) und "Amor und Psyche" von Francois Gérard). Nr. 282 vom 16.3.1938. Copyright: Marinus Kjeldgaard's artistic copyright cleared via akg-images. This artwork is not in the public domain. akg-images represents the artistic copyright of this artist, please contact us from more information and to clear the necessary permissions.

akg6516086 Fine Art museum, Lyon, France. Gerard David, St Ann's family tree, c.1490/1500. Detail.

alb4230485 DAVID, GERARDO PINTOR FLAMENCO.1460-1523 "ECCE HOMO"( PRESENTACION DE JESUS AL PUEBLO POR PONCIO PILATOS. JESUCRISTO MUSEO ACADEMIA BELLAS ARTES DE SAN FERNANDO. Author: DAVID GERARD (1460-1543).

alb3632514 General Étienne-Maurice Gérard (1773-1852). Artist: Jacques Louis David (French, Paris 1748-1825 Brussels). Dimensions: 77 5/8 x 53 5/8 in. (197.2 x 136.2 cm). Date: 1816.Following Napoleon's defeat at the battle of Waterloo in 1815, Jacques Louis David, a leading figure in the French revolution and first painter to the Emperor, went into exile in Brussels. There he painted General Gérard, a commander in the French army and a member of the imperial aristocracy who had also settled temporarily in the Belgian capital. This portrait is among the first David painted abroad and it is remarkable for its clear, bright color and sharp realism. Museum: Metropolitan Museum of Art, New York, USA.

alb3678141 The Rest on the Flight into Egypt. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 20 x 17 in. (50.8 x 43.2 cm). Date: ca. 1512-15.This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures. Museum: Metropolitan Museum of Art, New York, USA.

alb3622603 The Crucifixion. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Overall 21 x 15 in. (53.3 x 38.1 cm); painted surface 20 5/8 x 14 3/4 in. (52.5 x 37.5 cm). Date: ca. 1495.In this poignant image, the Crucifixion is presented as an enactment of the written word due to the inclusion of Saint Jerome. The Church Father is shown as somewhat detached from the event at hand, apparently reading about it from his translation of the Bible. True to the account of the Gospels, David has provided an appropriate sense of time and space. The sky is darkened at the moment of Christ's death on Golgotha (literally, "the place of the skull"), and the holy city of Jerusalem with its prominent Church of the Dome of the Rock forms the backdrop. Museum: Metropolitan Museum of Art, New York, USA.

alb3626534 The Annunciation. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Angel, overall 31 1/8 x 25 in. (79.1 x 63.5 cm), painted surface 30 1/4 x 24 3/8 in. (76.8 x 61.9 cm); Virgin, overall 31 1/8 x 25 1/4 in. (79.1 x 64.1 cm), painted surface 30 1/2 x 24 3/4 in. (77.5 x61.9 cm). Date: 1506.These panels were part of a spectacular multi-storied polyptych commissioned by Vincenzo Sauli, a wealthy Italian banker and diplomat with connections to Bruges, for the high altar of the Benedictine abbey church of San Gerolamo della Cervara, near Genoa. Taking the placement of the Annunciation within the altarpiece into account, David has altered the perspective and the scale of the figures, since both panels were meant to be viewed from below. In style, the ensemble reveals a synthesis of northern and Italian artistic modes that perhaps reflect the patron's ties to both regions. Museum: Metropolitan Museum of Art, New York, USA.

alb3627944 Daphnis Running toward Chloe. Artist: baron François Gérard (French, Rome 1770-1837 Paris). Dimensions: Sheet: 10 13/16 x 8 15/16 in. (27.5 x 22.7 cm). Date: ca. 1798.In 1798 Gérard contributed six illustrations to the 1800 reprint of Longus's Les Amours pastorales de Daphnis et de Chloé (1559). This composition, which was not ultimately engraved in the publication, is a première pensée for the climax of the novel when the two lovers finally reunite. On the sheet, Daphnis emerges from the lower left corner and reaches for Chloe. Bold black chalk outlines delineate the figures from the chaotic background. Gérard's animated blending of wash and white gouache gives the impression of a billowing dress that both covers and reveals Chloe's lissome figure. This emphasis on the figure, much akin to that of antique sculpted drapery, reflects Gérard's earlier education in the studio of Jacques Louis David (French, 1748-1825). Museum: Metropolitan Museum of Art, New York, USA.

alb3603901 Archangel Gabriel; The Virgin Annunciate. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Left wing: 34 1/2 x 11 5/8 in. (87.7 x 29.5 cm), painted surface 34 x 11 in. (86.4 x 27.9 cm); right wing: 34 1/2 x 11 3/4 in. (87.6 x 30 cm), painted surface 34 x 11 1/8 in. (86.4 x 28.3 cm). Date: ca. 1510.Gerard David painted in Bruges all his life. Where he trained is unknown, though his early works show the influence of his northern Netherlandish roots, and of the art of Hugo van der Goes and Dieric Bouts. These two Annunciation panels, along with the depictions of the Passion that decorated their reverses (1975.1.119), originally formed the movable wings of an altarpiece. When the wings were closed, the Archangel Gabriel and the Virgin Annunciate were shown. When opened, on certain feast days, the Christ Carrying the Cross and the Resurrection would have been displayed, flanking a central image, perhaps the Lamentation. Characteristic of David's mature style are the deep, translucent colors and the sensitive integration of figures and space in the Passion scenes. The Annunciation is executed in grisaille to emulate sculpture, yet the flesh tones and hair of the figures depart from the monochromatic gray, in keeping with the softer, naturalistic vein prevalent in Bruges painting at the turn of the century. Museum: Metropolitan Museum of Art, New York, USA.

alb3604340 The Adoration of the Magi. Artist: Workshop of Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Overall 27 3/4 x 28 7/8 in. (70.5 x 73.3 cm); painted surface 27 1/2 x 28 3/8 in. (69.2 x 72.1 cm). Date: ca. 1520.First established in Bruges, Gerard David also joined the painter's guild in Antwerp in 1515, where his compositions and motifs soon began to circulate. This excellently preserved panel is strongly indebted to David's work. The extravagantly dressed onlookers, however, are a pure invention of Antwerp art, as is the landscape view with travelers carrying goods for trade. Due to Antwerp's status as the mercantile center for northern Europe, scenes of the Adoration of the Magi were particularly popular in the city. They served not only a devotional use, but could also be associated with the travel of foreign goods. Museum: Metropolitan Museum of Art, New York, USA. Author: Workshop of Gerard David.

alb3599949 Christ Taking Leave of His Mother. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Arched top, 6 1/8 x 4 3/4 in. (15.6 x 12.1 cm). Date: ca. 1500.David also worked as a manuscript illuminator, a skill reflected in this picture's delicacy of execution. The panel--now in a modern frame--originally formed the right wing of a devotional diptych that would close like a book and thus could easily be used by a traveler during a journey. While its pendant (Bearsted collection, Upton House, Warwickshire) emphasized the loving relationship between the Virgin and Child, this painting depicts the drama of Christ's departure for Jerusalem and his ultimate sacrifice. Mary, accompanied by the weeping Mary Magdalen and Martha, serves as a model of compassion for the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3619147 The Nativity. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Overall 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), painted surface 18 1/2 x 13 3/8 in. (47 x 34 cm). Date: early 1480s.This painting, which most likely was intended as a single, private devotional panel, combines the depiction of the Nativity and the Adoration of the Shepherds as described in both biblical and mystical literature. It probably dates from the early 1480s, before David established himself in Bruges. The homely and naive figure types and the geometric simplification of the heads of the Virgin and angels reflect models the artist knew from his early training in the northern Netherlands. Already present is the characteristic combination of serene landscape, simple architectural setting, and meditative figures that would contribute to the painter's popularity. Museum: Metropolitan Museum of Art, New York, USA.

alb3617612 François Gérard (1770-1837), later Baron Gérard. Artist: baron Antoine Jean Gros (French, Paris 1771-1835 Meudon). Dimensions: 22 1/8 x 18 5/8 in. (56.2 x 47.3 cm). Date: ca. 1790.Both Gros and Gérard were favored students in the rough and tumble fraternity that was the atelier of Jacques Louis David. Intense friendships and rivalries developed there. Gros probably made this sensitive and delicate portrait in Paris before Gérard departed for study in Rome in 1790. Despite the subsequent rift in their friendship, Gérard kept his portrait for the rest of his life, and it remained with his descendants until recently. Museum: Metropolitan Museum of Art, New York, USA.

alb3643388 Virgin and Child with Four Angels. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: 24 7/8 x 15 3/8 in. (63.2 x 39.1 cm). Date: ca. 1510-15.Gerard David, the leading painter in Bruges in the late fifteenth and early sixteenth centuries, followed the legacy of Jan van Eyck. In this painting he has taken the Virgin and Child from his predecessor's well-known Virgin and Child at the Fountain, but modernized the composition by placing the figures in a grand arched porch flanked by columns with Italianate capitals and against the backdrop of contemporary Bruges. A Carthusian monk is seen strolling and reading in the enclosed garden, suggesting that the painting was linked to the former monastery at Genadedael, just outside the city walls of Bruges. Museum: Metropolitan Museum of Art, New York, USA.

alb3648315 Virgin and Child with Saint Joseph. Artist: Netherlandish Painter, second half of 16th century. Dimensions: 8 3/4 x 8 11/16 in. (22.3 x 22 cm). Former Attribution: Workshop of Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Date: second half 16th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3664106 The Nativity with Donors and Saints Jerome and Leonard. Artist: Gerard David (Netherlandish, Oudewater ca. 1455-1523 Bruges). Dimensions: Central panel 35 1/2 x 28 in. (90.2 x 71.1 cm); each wing 35 1/2 x 12 3/8 in. (90.2 x 31.4 cm). Date: ca. 1510-15.David focuses attention on the mystery of the Incarnation--that is, Christ's birth and sacrifice for the redemption of mankind. Despite the joyful moment depicted, the figures all wear somber expressions, foreshadowing Christ's eventual suffering and death. The sheaf of grain parallel to the manger refers to John 6:41: "I am the bread which came down from Heaven." The two donors, who are presented by Saints Jerome and Leonard, have remained unidentified. They could have been called Catherine and Anthony, since they are painted with the attributes of saints with these names. Museum: Metropolitan Museum of Art, New York, USA.

akg452970 David, Gerard. c. 1460 - 1523. "Portrait of a goldsmith", c. 1505/10. Oil on oakwood, 28 × 22.5 cm. Inv. no. 970. Vienna, Kunsthistorisches Museum. Museum: Wien, Kunsthistorisches Museum.

alb3512197 Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, ca. 1510, Oil on oak panel, Left wing: 34 1/2 x 11 5/8 in. (87.7 x 29.5 cm), painted surface 34 x 11 in. (86.4 x 27.9 cm); right wing: 34 1/2 x 11 3/4 in. (87.6 x 30 cm), painted surface 34 x 11 1/8 in. (86.4 x 28.2 cm), Paintings, Gerard David (Netherlandish, Oudewater ca. 14551523 Bruges), Gerard David painted in Bruges all his life. Where he trained is unknown, though his early works show the influence of his northern Netherlandish roots. The Annunciation panels, which were painted in grisaille to emulate sculpture, originally decorated the reverses of the two Passion scenes and together formed the movable wings of an altarpiece.

alb3526751 Virgin and Child, 14601523, Netherlandish, Oil on oak panel, Overall: 6 1/8 x 4 1/2 in. (15.6 x 11.4 cm); Painted Surface: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm), Paintings, Workshop of Gerard David (Netherlandish, Oudewater ca. 14551523 Bruges), In the last half of the fifteenth and well into the sixteenth century in the Netherlands, individual pictures of the Virgin and Child were much in demand. Often they were hung on the walls of bedchambers or placed on sideboards to provide inspiration for private moments of prayer.

alb3477217 Christ Blessing, ca. 15001505, Oil on wood, Overall, including engaged frame, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm); painted surface 3 5/8 x 2 3/8 in. (9.2 x 6 cm), Paintings, Gerard David (Netherlandish, Oudewater ca. 14551523 Bruges), This highly spiritual and exquisitely rendered Christ Blessing was adapted from Byzantine icons brought to the Low Countries in the fifteenth century. The panel differs from the Byzantine models in the freshness of observation evident in Christs face and in the delicate articulation of the hands, the latter based on Gerard Davids drawings made from life.

alb3506311 Saint John the Baptist; Saint Francis Receiving the Stigmata, ca. 148590, Oil on wood, Left wing, overall 18 x 6 5/8 in. (45.7 x 16.8 cm), original painted surface 17 5/8 x 5 7/8 in. (44.8 x 14.9 cm); right wing, overall 17 7/8 x 6 1/2 in. (45.4 x 16.5 cm), original painted surface 17 5/8 x 5 3/4 in. (44.8 x 14.6 cm), Paintings, Gerard David (Netherlandish, Oudewater ca. 14551523 Bruges), While John the Baptist was frequently represented in Netherlandish art, his pairing with Saint Francis is rare in the North. The latter was venerated especially in southern Europe, suggesting that these paintings could have been commissioned by an Italian merchant in Bruges.

alb3509089 Holy Face, ca. 148590, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut, 3 9/16 x 2 1/8 in. (9 x 5.4 cm), Manuscripts and Illuminations, Gerard David (Netherlandish, Oudewater ca. 14551523 Bruges), This tiny manuscript illumination, a sympathetic portrait of Christ, belongs to the tradition of religious images known as acheiropoita, images believed to have been created miraculously. It is one of a group of representations of the head of Christ, called the Holy Face, that have their roots in Byzantine legend and in the legend of Saint Veronica.

akg1108814 Gera (Thüringen), Salvatorkirche (eraut 1717-20 nach Plänen von David Schatz; Turm 1775/78 von Gerardo Hofmann. Nach rand 1780, Wiederaufbau von 1781/83. Umgestaltung des Kircheninneren im Jugendstil 1903 durch Adolf Marsch).--Innenansicht nach Osten.-Foto, 2010.

akg2428146 Frankreich / Erstes Kaiserreich 1804-15. "L'EMPIRE (1804-1814) / I. HISTOIRE INTÉRIEURE". (Pius VII.; Joséphine de Beauharnais, Napoleon I. Bonaparte als Kaiser im Krönungsornat; Marie Louise von Österreich; Jérome Bonaparte; Bekanntgabe der Trennung von Joséphine; Napoleon I. und Pius VII. in Fontainebleau; Krönung Joséphines durch Napoleon I. in der Kathedrale von Notre Dame in Paris, 2.12.1804). Farbdruck nach Zeichnung von Jos. Girard. Aus: Gustave Gautherot, Histoire de France, Tome II, Paris (Maison de la Bonne Presse), 1934. Author: J. GIRARD.

alb9853751 Gérard David / La Virgen con el Niño y dos ángeles que la coronan, hacia 1520, Óleo sobre tabla. Colección privada.

alb9170038 Christ Nailed to the Cross (Pilate's Dispute with the High Priest). Museum: Royal Museum of Fine Arts, Antwerp. Author: GERARD DAVID.

alb2079292 Gerard David (c. 1460 Ð 1523). Early Netherlandish painter. Gothic style. Adoration of the Magi, 1512. Alte Pinakothek, Munich, Germany.

alb244133 GERALDINE CHAPLIN in DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.

akg8703086 Gerard David (1460-1523). "Virgin and Child", 1484/1523. Oil on panel, 44 × 31 cm. Madrid, Museo Lazaro Galdiano.

akg291273 David, Gerard. c. 1450/60 - 1523. "Mary's Farewell", undated. Tempera on oak, (right panel of a diptych), 11.5 × 9cm. Collection Max Geldner, Inv. G 1958.16. Basel, Kunstmuseum. Museum: Basel, Kunstmuseum.

akg3917875 David, Gerard. um 1460 - 1523. "Die drei Marien, heiliger Johannes Evangelist und Maria Magdalena", nach 1501/07. Wohl rechter Flügel eines Triptychons, dessen Mittelteil die. Kreuzigung Christi darstellt. Öl auf Holz, 45 x 42,5 cm. Inv. 180. Antwerpen, Kgl. Museum voor Schone Kunsten. Museum: Antwerpen, Kgl. Museum voor Schone Kunsten.

akg1999214 David, Gérard. um 1450/60 - 1523. /. "Pietà". Tempera auf Holz, 80 × 50 cm. Winterthur, Sammlung Oskar Reinhart. Museum: Winterthur, Oskar Reinhart Collection.

alb3731123 The Rest on the Flight into Egypt. Dated: c. 1510. Dimensions: painted surface: 41.9 x 42.2 cm (16 1/2 x 16 5/8 in.) overall (panel): 44.3 x 44.9 cm (17 7/16 x 17 11/16 in.) framed: 69.2 x 54.6 cm (27 1/4 x 21 1/2 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Gerard David.

alb4103600 View in a Forest, Outer Left Wing of a Triptych. Dating: c. 1505 - c. 1515. Measurements: support: h 89.8 cm × w 30.8 cm; sight size: h 88.2 cm × w 29.2 cm; frame: h 98 cm × w 39 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard David.

alb4103601 View in a Forest, outer right wing of a triptych. Dating: c. 1505 - c. 1515. Measurements: support: h 89.8 cm × w 30.8 cm; sight size: h 88.5 cm × w 29.2 cm; frame: h 98 cm × w 39 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard David.

alb9643425 The Wedding Feast at Cana. Museum: Musee du Louvre, Paris. Author: GERARD DAVID.

alb1987382 Nativity, ca 1495, by Gerard David (ca 1460-1523), oil on oak panel, 57x41 cm. Location: Vienna, Kunsthistorisches Museum (Museum Of Fine Arts).

alb1516918 Gerard David (ca. 1460-1523), The Genealogy of the Virgin. Location: Lyon, Musée Des Beaux-Arts (Picture Gallery).

alb2064020 Triptych known as Clement III, attributed to Gerard David (ca 1460-1523). Location: Cagliari, Museo Capitolare (Art Museum).

alb3397338 Gerard David (1460-1523). Calvary. Crucifixion with the Virgin Mary, St. John, St. Mary Magdalene and Salome. From Church of st. Mary, Cuenca. Diocesan Museum. Cuenca. Spain.

alb3265296 Attributed to Gerard David (1460-1523). Flemish painter. Madonna and Child, ca.1500. National Gallery. Oslo. Norway.

alb4131117 Lamentation over the Body of Christ. Gerard David; Netherlandish, c. 1460-1523. Date: 1490-1510. Dimensions: 55.1 × 62.8 cm (21 1/2 × 24 1/2 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

alb4114321 David with the head of Goliath. Draughtsman: Leendert van der Cooghen. Draughtsman: Gerard ter Borch (II) (rejected attribution). Dating: 1642 - 1681. Measurements: h 250 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

alb9517106 David's servants come to Nabal, who in the background is shearing his sheep, and ask him for food. Nabal refuses to give the men and David food. Below the image a reference in Latin to the Bible text in 1 Sam. 25. David's men ask Nabal for food History of David and Abigail Thesaurus sacrarum historiarum veteris testamenti , Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 201 mm × w 262 mm.

alb9516443 Abigail, the wife of Nabal, has donkeys loaded with loaves of bread and jugs of wine. She will bring the food to David. Abigail is speaking to one of her servants, who is a shepherd. Below the image a reference in Latin to the Bible text in 1 Sam. 25, Abigail gathers food History of David and Abigail Thesaurus sacrarum historiarum veteris testamenti , Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 198 mm × w 256 mm.

alb9524127 Bileam utters his oracle, Balthasar Bernards, after Gerard Hoet (I), 1720 - 1728, Bileam looks out into the desert and sees the tribes of the people of Israel encamped there. He is pronouncing an oracle over the people of Israel. Next to him is Balak. In the background are the seven altars of sacrifice. On each, Balak has just sacrificed a bull and a ram., print maker: Balthasar Bernards, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), Amsterdam, 1720 - 1728, paper, engraving, h 352 mm × w 215 mm.

alb9511646 In the background, Saul and his armorbearer flee from the Philistine army. In the foreground, both have committed suicide by plunging into their swords. The print has a Latin caption and is part of a series on the story of David and Saul, Saul commits suicide David and Saul , print maker: Hans Collaert (I), Ambrosius Francken (I), publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 210 mm × w 295 mm.

alb9498920 Book illustration accompanying the story of David's punishment (2 Samuel 12: 1-14). King David is visited by the prophet Natan. The latter tells him a parable to point out his faults. He then tells David that God will punish him by killing his firstborn. The print includes a caption with a reference to the accompanying Bible passage, David's punishment Scenes from the Bible Biblia sacra , print maker: Abraham de Bruyn, Gerard van Groeningen, Antwerp, 1583, paper, engraving, h 164 mm × w 113 mm.

alb9482891 Gerard van Nevers and Euryant Gérard de Nevers et la belle Euriant, Famous love couples (title series) Les amants célèbres (title series on object), print maker: Jules David (1808-1892), (mentioned on object), Jules David (1808-1892), (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), Paris, 1841 - 1843, paper, h 525 mm × w 363 mm.

alb9478449 Abigail kneels before David, offers him the food and asks his forgiveness for the behavior of her husband Nabal, who refused David food. Behind David are his fellow warriors. Behind Abigail her servants with the pack mules with food. Below the image a reference in Latin to the Bible text in 1 Sam. 25. Abigail asks David for forgiveness History of David and Abigail Thesaurus sacrarum historiarum veteris testamenti , Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 197 mm × w 257 mm.

alb9475564 Simi curses King David and throws stones at him. David's soldiers want to defend him but the king stops them. Below the image a reference in Latin to the Bible text in 2 Sam. 16. Simi curses King David History of David and Absalom Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 193 mm × w 258 mm.

alb9469785 David defeats Goliath, Pieter Sluyter, after Gerard Hoet (I), 1720 - 1728, David felling Goliath with a stone from his sling. In the background a tent camp with soldiers. In the foreground a group of soldiers looking back at the falling Goliath. Illustration of the Bible text 1 Sam. 17: 49. Below the illustration the title in Hebrew, English, German, Latin, French and Dutch., print maker: Pieter Sluyter, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Bernard Picart, (possibly), print maker: Amsterdam, publisher: Amsterdam, publisher: The Hague, 1705 - 1720 and/or 1720 - 1728, paper, etching, engraving, h 350 mm × w 217 mm.

alb9447030 Nabal and Abigail are seated at Nabal's banquet and Nabal is having another pour. In the background on the right, Nabal and Abigail's bed. After Nabal had slept off his intoxication Abigail told him what she had done. At that announcement, Nabal died. On the left in the background the funeral procession, carrying away Nabal's body. Below the image a reference in Latin to the Bible text in 1 Sam. 25, Feast of Nabal History of David and Abigail Thesaurus sacrarum historiarum veteris testamenti , Maerten de Vos, print maker: anonymous, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 194 mm × w 256 mm.

alb9448257 Joab thrusts his lance into the chest of Absalom, who is still alive hanging from the tree in which he has become entangled with his hair. Below the representation a reference in Latin to the Bible text in 2 Sam. 18. Death of Absalom History of David and Absalom Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 198 mm × w 259 mm.

alb9449536 David retrieves his two wives and the booty from the Amalekites, Abraham de Blois, after Gerard Hoet (I), 1720 - 1728, David with his men invades the camp of the Amalekites. The Amalekites are eating and drinking from the loot taken from the Philistines and in Judah. David repossesses everything, including his two wives. Below the scene is the title in six languages., print maker: Abraham de Blois, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Pieter de Hondt, print maker: Amsterdam, publisher: The Hague, 1720 - 1728, paper, engraving, h 350 mm × w 219 mm.

alb9446668 Portrait of Etienne-Maurice, Count Gérard (1773-1852), Marshal of France, David d'Angers, Pierre-Jean, Sculptor, Richard, Louis, Founder, Array, Sculpture, Medallion (sculpture), Dimensions - Work: Diameter: 14 cm.

alb9452991 Portrait of Gerard Thibault, bust on pedestal in oval between columns in triumphal architecture. The monument is decorated with garlands of oak leaves. Above a broken pediment with rearing horse held in check by two female personifications of virtues. Beneath the portrait two seated virtues with coat of arms, Portrait of Gerard Thibault in architectural frame., print maker: Willem Jacobsz. Delff, after: David Bailly, Delft, 1590 - 1638, paper, engraving, h 485 mm × w 346 mm.

alb9444734 Portrait of Gerard Thibault, bust on pedestal in oval between columns in triumphal architecture. The monument is decorated with garlands of oak leaves. Above a broken pediment with rearing horse held in check by two female personifications of virtues. Beneath the portrait two seated virtues with coat of arms, Portrait of Gerard Thibault in architectural frame., print maker: Willem Jacobsz. Delff, after: David Bailly, (mentioned on object), Delft, 1628 - 1630, paper, engraving, h 483 mm × w 343 mm.

alb9444575 Battle of Israel against the Amalekites, Abraham de Blois, after Gerard Hoet (I), 1720 - 1728, In the battle of Israel against the Amalekites, Joshua defeats Amalek. Moses sits on the mountain and holds up his arms with the help of Aaron and Chur. Below the image is the title in six languages., print maker: Abraham de Blois, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Pieter de Hondt, print maker: Amsterdam, publisher: The Hague, 1720 - 1728, paper, engraving, h 357 mm × w 219 mm.

alb9428617 Achitofel and the Arkite Chusai advise Absalom on the plan of battle against King David. In the background, Jonatan and Achimaeus - who were to deliver the news of the plan to King David - are hiding in a well in the yard of the house of a man from Bachurim. His wife places a shutter over the opening of the well so that nothing can be seen. Below the scene a reference in Latin to the Bible text in 2 Sam. 17. Achitofel and Chusai at Absalom History of David and Absalom Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, Maerten de Vos, publisher: Gerard de Jode, Antwerp, 1585, paper, engraving, h 196 mm × w 260 mm.

alb9418016 Portrait of François, Baron Gérard (1770-1837), Painter, David d'Angers, Pierre-Jean, Sculptor, Circa 1837, 1st half 19th century, Sculpture, Medallion (sculpture), Dimensions - Work: Diameter: 18 cm.

alb9414297 Virgin Robbery of the Benjamites, Pieter Sluyter, after Gerard Hoet (I), 1720 - 1728, In a vineyard, the virgins of Israel are desperately trying to escape from the Benjamites. On the ground are musical instruments and a scroll. Illustration of the Bible text Ri. 21: 19-23. Below the illustration the title in Hebrew, English, German, Latin, French and Dutch., print maker: Pieter Sluyter, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Bernard Picart, (possibly), print maker: Amsterdam, publisher: Amsterdam, publisher: The Hague, 1705 - 1720 and/or 1720 - 1728, paper, etching, engraving, h 361 mm × w 220 mm.

alb9398920 Portrait of Etienne-Maurice, Count Gérard (1773-1852), Marshal of France, David d'Angers, Pierre-Jean, Sculptor, Richard, Louis, Founder, Array, Sculpture, Medallion (sculpture), Dimensions - Work: Diameter: 14 cm.

alb9396754 David anointed king, Pieter Sluyter, after Gerard Hoet (I), 1720 - 1728, Under the watchful eye of his father and brothers, Samuel anoints David, who kneels before him. His shepherd's crook lies beside him on the ground. In the background, an offering burns on a high altar. Illustration of the Bible text 1 Sam. 16: 13. Below the image the title in Hebrew, English, German, Latin, French and Dutch., print maker: Pieter Sluyter, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Bernard Picart, (possibly), print maker: Amsterdam, publisher: Amsterdam, publisher: The Hague, 1705 - 1720 and/or 1720 - 1728, paper, etching, engraving, h 354 mm × w 218 mm.

alb9398181 Covenant of Joshua and Israel with God, Gilliam van der Gouwen, after Gerard Hoet (I), 1728, Joshua renews the covenant between God and Israel. He places a memorial stone near the temple and has the laws and rules of the Israelites recorded (Josh. 24:25, 27). In the background, a sacrifice. The print has a Hebrew, Latin, French, English, German and Dutch caption., print maker: Gilliam van der Gouwen, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Pieter de Hondt, print maker: Amsterdam, publisher: The Hague, 1728, paper, engraving, etching, w 218 mm × h 355 mm.

alb9399320 The Israelites and the Moabite Women, Pieter Sluyter, after Gerard Hoet (I), 1720 - 1728, Around a richly set table, the Israelites make love to the Moabite women, each holding an idol in her hand. Behind them, Israelites bow before an idol in a temple, prompted by the pagan women. In a tent camp in the background, Pinechas, the son of Eleazar, is seen killing an Israelite and a Moabite woman with a spear. Before that, the men of Israel are shown being strung up on poles. Illustration of the Bible text Num. 25:1-8. Below the illustration the title in Hebrew, English, German, Latin, French and Dutch., print maker: Pieter Sluyter, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Bernard Picart, (possibly), print maker: Amsterdam, publisher: Amsterdam, publisher: The Hague, 1705 - 1720 and/or 1720 - 1728, paper, etching, h 353 mm × w 211 mm.

alb9405742 Dance around the golden calf, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728, The idolatry of Israel with the dance around the golden calf. In the foreground there is dancing and music being made around a pillar with the golden calf. In the foreground a banquet is being eaten. In the background Moses on the mountain with the stone tablets of the law. Illustration of the Bible text Ex. 32: 6-19. Below the illustration the title in Hebrew, English, German, Latin, French and Dutch., print maker: Jan van Vianen, (mentioned on object), intermediary draughtsman: Gerard Hoet (I), (mentioned on object), publisher: Bernard Picart, (possibly), publisher: Amsterdam, publisher: The Hague, 1705 - 1720 and/or 1720 - 1728, paper, etching, engraving, h 357 mm × w 219 mm.

alb9407959 At the city gates of Jerusalem Absalom embraces an Israelite. In this way he approached everyone from Israel who came to ask for a verdict from the king, and in this way he palmed the people of Israel. Below the image a reference in Latin to the Bible text in 2 Sam. 15. Absalom seizes power History of David and Absalom Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, (mentioned on object), Maerten de Vos, (mentioned on object), publisher: Gerard de Jode, (mentioned on object), Antwerp, 1585, paper, engraving, h 197 mm × w 258 mm.

alb9351713 Annunciation, Gerard David, Netherlandish, c.14601523, c.1515, Oil on panel, Made in Bruges, Belgium, Europe, Paintings, image only: 12 x 10 5/8 in. (30.5 x 27 cm).

alb9334280 The Lamentation, Gerard David, after, c. 1540 - 1545.

alb9329876 Rest on the flight to Egypt, Gerard David, painting, 16th century, Belgian Art.

alb9329972 Rest on the flight to Egypt, Gerard David, 16th century, painting, 16th century, Belgian Art.

alb244134 GERALDINE CHAPLIN in DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.

orz086163 BODAS DE CANAA CON LOS REYES CATOLICOS - SIGLO XVI - PINTURA GOTICA FLAMENCA. Author: GERARD DAVID (1460-1523). Location: CATEDRAL VIEJA. Plasencia. CACERES. SPAIN. JESUS. Catholic Monarchs. FERDINAND II OF ARAGON. FERNANDO EL CATOLICO. ISABELLA I OF CASTILE.

alb9169486 Christ Nailed to the Cross (The Holy Women and Saint John at Golgotha). Museum: Royal Museum of Fine Arts, Antwerp. Author: GERARD DAVID.

alb9169153 The Rest on the Flight into Egypt. Museum: Royal Museum of Fine Arts, Antwerp. Author: GERARD DAVID.

orz022108 LA VIRGEN DE LA SOPA DE LECHE. Author: GERARD DAVID (1460-1523). Location: MUSEOS REALES DE BELLAS ARTES. Brüssel. Belgien.

orz142563 The Crucifixion. 16th century. 45x33 cm. Madrid, Prado museum. Spain. Author: GERARD DAVID (1460-1523). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. VIRGIN MARY. SAN JUAN EVANGELISTA Y APOSTOL. MAGDALENA PENITENTE.

orz002149 'Rest on the Flight from Egypt', ca. 1515, Flemish School, Oil on panel, 60 cm x 39 cm, P02643. Author: GERARD DAVID (1460-1523). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. CHILD JESUS. VIRGIN MARY.

orz062635 LA VIRGEN CON NIÑO - SIGLO XV - GOTICO FLAMENCO. Author: GERARD DAVID (1460-1523). Location: CATEDRAL-INTERIOR. Toledo. SPAIN. CHILD JESUS. VIRGIN MARY.

alb2163022 DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.

alb3898951 The Virgin and Child with Saints and Donor. Date/Period: Probably 1510. Painting. Oil on oak. Height: 105.8 cm (41.6 in); Width: 144.4 cm (56.8 in). Author: Gerard David.

alb2069484 Gérard David / 'Virgin and Child with Angels', ca. 1520, Flemish School, Oil on panel, 34 cm x 27 cm, P01512. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb360140 OMAR SHARIF in DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.

alb358977 JULIE CHRISTIE and OMAR SHARIF in DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.

akg8553918 David, Gerard ca. 1460 - 1523. "The Deposition", ca. 1495-1500. Oil on linen (mounted on mahogany panel), 142.6 x 112.4 cm. Acc.No.: 1915.1.33. Henry Clay Frick Bequest. New York, Frick Collection.

akg050503 David, Gerard c. 1450/60 - 1523. "Adoration of the Kings". Oil on wood, 83 × 66cm. Brussels, Royal Museums of Art and History. Museum: Brüssel, Musées royaux d'Art et d'Histoire.

akg1011700 David, Gerard; c. 1460-1520. "The Adoration of the Kings", 1490. Oil on canvas, 95 x 80 cm. Inv.Nr. 1029. Museum: Galleria degli Uffizi., Florenz.

orz063040 ADORACION DE LOS MAGOS. Author: DAVID GERARD TALLER. Location: PRIVATE COLLECTION. MADRID. SPAIN. CHILD JESUS. VIRGIN MARY.

alb949754 GERARD BUTLER in 300 (2006), directed by ZACK SNYDER. English title: 300.

alb956529 RODRIGO SANTORO in 300 (2006), directed by ZACK SNYDER. English title: 300.

alb3898947 The Adoration of the Magi. Painting. Oil on oak. Height: 60 cm (23.6 in); Width: 59.2 cm (23.3 in). Author: Gerard David.

alb4219054 'The Virgin Mary Embracing the Dead Christ'. Netherlands, Between 1460 and 1523. Dimensions: 11,4x16,2 cm. Museum: State Hermitage, St. Petersburg. Author: GERARD DAVID.

alb8873043 JULIE CHRISTIE in DOCTOR ZHIVAGO (1965), directed by DAVID LEAN. English title: DOCTOR ZHIVAGO. Portuguese title: DOUTOR JIVAGO.