Pesquisando por: "CABRIER" - Fotoarena - Agência de fotojornalismo

akg5214036 Savery, Roleant; 1576-1639. "Orpheus Charming the Beasts". Oil on wood, 73 x 105 cm. Inv. NM 365. Stockholm, National Museum. Museum: Stockholm, National Museum. Author: Roelandt Savery.

iblebo10433772 White Ford Mustang convertible at a classic car rally with spectators in the background, SOLITUDE REVIVAL 2011, Stuttgart, Baden-Württemberg, Germany, Europe

iblebo10433773 Beige Ford Mustang convertible driving at a classic car event, surrounded by spectators, SOLITUDE REVIVAL 2011, Stuttgart, Baden-Württemberg, Germany, Europe

akg925767 Brauer, Arik; geb. 1929. "Die Hexe auf dem Ziegenbock", um 1985. Gouache, 30 x 40 cm. Wien, Peter-Infeld-Privatstiftung.

alb3647167 The Witches. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 14 7/16 × 10 3/16 in. (36.6 × 25.9 cm). Date: 1510. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Baldung (called Hans Baldung Grien).

akg8702712 Anonymous artist, 20th century. "Welshmen! Join Your Country's Regiment", 1930. Poster. Printing: Gale and Polden Limited. London, National Army Museum.

akg4897037 Geschichte / Erster Weltkrieg 1914-1918 / Großbritannien. - "1914... / Troupes Anglaises. - La Mascotte du Régiment / Pet Goat of the Regiment". - (Ziegenbock als Maskottchen der britischen Truppen in Frankreich). Fotopostkarte, Paris (E. L. D. / Ernest-Louis-Désiré Le Deley) um 1915. Privatsammlung.

akg3675656 Siewert, Clara, 1862-1944, German painter. "Märchen" (Fairy tale), 1905. Oil on canvas, 102.5 x 74.5 cm. Inv.55. Lentos Kunstmuseum, Linz, Austria. Museum: Linz, Lentos Kunstmuseum. Copyright: Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA and Spain. Please contact us for additional information.

akg6488776 Polen (Poland), Stadt Poznan (German: Posen), Stary Rynek (Alter Markt, Old Market Place): Uhr am Alten Rathaus um 12 Uhr mittags mit Start des Kampfes der Ziegenböcke (billy goats) über der Rathausuhr.

akg6488777 Polen (Poland), Stadt Poznan (German: Posen), Stary Rynek (Alter Markt, Old Market Place): Uhr am Alten Rathaus um 12 Uhr mittags mit Kampf der Ziegenböcke (billy goats) über der Rathausuhr.

akg6488778 Polen (Poland), Stadt Poznan (German: Posen), Stary Rynek (Alter Markt, Old Market Place): Uhr am Alten Rathaus um 12 Uhr mittags mit Kampf der Ziegenböcke (billy goats) über der Rathausuhr.

akg6488779 Polen (Poland), Stadt Poznan (German: Posen), Stary Rynek (Alter Markt, Old Market Place): Uhr am Alten Rathaus um 12 Uhr mittags mit Kampf der Ziegenböcke (billy goats) über der Rathausuhr.

akg6488786 Polen (Poland), Stadt Poznan (German: Posen), Stary Rynek (Alter Markt, Old Market Place): geschlosseens Fenster der kämpfenden Ziegenböcke (billy goats) über der Uhr am Alten Rathaus um 16 Uhr 55.

akg987716 Larsson, Carl 1853-1919. "Kersti sledging", 1901. (The artist's daughter Kersti riding on Santa's sleigh pulled by Yule goats; the church of Sundborn in the background). Watercolour, 61 × 48cm. Private Collection.

akg830445 Wtewael (Uytewael), Joachim 1566-1638. "Die Vermählung von Peleus und Thetis". (Hochzeit des Königs Peleus mit der Nymphe Thetis, zu der alle Götter außer der Göttin der Zwietracht eingeladen sind). Auf Kupfer, 14 × 22 cm. Nancy, Musée des Beaux-Arts. Museum: Nancy, Musée des Beaux-Arts.

akg640521 Modersohn-Becker, Paula; 1867-1907. "Elsbeth avec des chèvres", v. 1902. Carton, 40 × 55 cm. WV 290 Prêt de coll. privée, Courtesy vente publique Wolfgang Werner Brême /. Berlin.

akg4043501 Frühe Jungsteinzeit. - Bock mit zwei Köpfen und Rückenloch. - Ton, gebrannt, Höhe 12,7 cm. Fundort: Kromeriz (Kremsier), Mähren. Brno (Brünn), Moravske Museum. Museum: Brno (Brünn), Moravske Museum.

akg901885 Mosaik.

akg1524206 Cabrières (Dép. Gard, Languedoc-Roussillon, Frankreich).-Teilansicht.-/ Foto, September 2010.

akg1524208 Cabrières (Dép. Gard, Languedoc-Roussillon, Frankreich).-Teilansicht.-/ Foto, September 2010.

akg1559257 Vallée des Merveilles / Valley of Marvels (part of Parc national du Mercantour in the Maritime Alps, Dép. Alpes Maritimes, France).-Goat herder milking his goats out on the pasture.-Photo, August 1956.

akg1559252 Vallée des Merveilles / Valley of Marvels (part of Parc national du Mercantour in the Maritime Alps, Dép. Alpes Maritimes, France).-Herder with his flock of goats.-Photo, August 1956.

akg370723 Italy, Art Deco, 20th century. Head of a goat buck. Design: Nino Strada, undat. Ceramics. Faenza, Ceramics Museum. Museum: Faenza, Ceramics Museum.

akg1524204 Cabrières (Dép. Gard, Languedoc-Roussillon, Frankreich).-Teilansicht.-/ Foto, September 2010.

akg1028383 Cabrières (Compeyre, Dép.Aveyron, Midi-Pyrénées, France), Castle / Château de Cabrières (12th-15th centuries).-Overall view.-Photo, 1998.

akg869988 Literatur / Sagen: Rübezahl.-"Das ungetreue Schneiderlein".-Farblithographie nach Zeichnung von Robert Engels (1866-1926). Aus: Rübezahl, ausgewählte Sagen und Schwänke, erzählt von Siegfried Beck, Mainz (Verlag Jos.Scholz), 1907, S.11.

orz128683 A Scene from 'El Hechizado por Fuerza' (The Forcibly Bewitched) c.1797-1798 - 42,5x30,8 cm - oil on canvas. Author: FRANCISCO DE GOYA. Location: NATIONAL GALLERY. LONDON. ENGLAND. DON CLAUDIO.

akg044041 Thoma, Hans. 1839-1924. "Bacchischer Zug", 1905. Farblithographie, 26,7 × 32,5 cm. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

orz011453 'Aquelarre or The Witches' Sabbath (detail)', 1820-1823, Oil on wall, P00761. Author: FRANCISCO DE GOYA (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

alb3899719 Witches Sabbath. Date/Period: 1797 - 1798. Painting. Oil on canvas. Height: 43 mm (1.69 in); Width: 30 mm (1.18 in). Author: FRANCISCO DE GOYA.

alb3900011 Two Witches. Date/Period: 1523. Width: 45.6 cm. Height: 65.3 cm (Complete). Author: Hans Baldung called Grien.

akg3001392 Beckmann, Max 1884-1950. "THE BUCK" (Der Bock), 1946. Lithographie, 40 × 30 cm. Blatt IX der Mappe "Day and Dream", 15 Lithografien auf Velin, aquarelliert, Hrsg. Curt Valentin, New York, 1946. Inv.Nr.1963/428-442. Der Kunstverein in Bremen. Kupferstichkabinett. Bremen, Kunsthalle. Museum: Bremen, Kunsthalle.

akg195755 Langbein, August Friedrich Ernst. Schriftsteller; 1757-1835. Werke: Die Belagerung (Gedicht). Illustration. Holzstich, koloriert, nach Zeichnung von Eugen Klimsch (1839-1896). Aus: Heinrich Oswalt (Hg.), Der Pegasus, Klassisches Bilderbuch (..), 3. Aufl. Frankfurt/M. (Rütten u. Loening) 1888, fol. 25. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg221716 La Fontaine, Jean de ; 1621-1695. Oeuvre : Le renard et le bouc" (Fables III, 5). "Le renard et le bouc". Gravure sur bois d'ap. dessin de Grandville, Jean Ignace Isidore Gerard, dit (1803-1849). In : Fables de Lafontaine, Paris (Fournier et Perrotin) 1838. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg371733 La Fontaine, Jean de French writer. 1621-1695. Work: "Le renard et le bouc" (The Fox and the Goat; - Fables III, 5). "LE RENARD ET LE BOUC (...) ". Col. lithograph after drawaing by A. Chauffour. From: "Fables de La Fontaine, Imagerie d'Épinal (Pellerin & Cie.), no date. Paris, Private Collection. Museum: Paris, Private Collection.

akg371773 La Fontaine, Jean de ; 1621-1695. Oeuvre : Le renard et le bouc" (Fables III, 5). "Le renard et le bouc". Lithographie de Benjamin Rabier (1869-1939). In : Fables de La Fontaine, illustrées par Benjamin Rabier, Paris (Jules Tallandier) 1906, vol. 1, p. 55. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg1567253 La Fontaine, Jean de. franz. Dichter. 1621-1695. Werke: "Le renard et le bouc" (Der Fuchs und der Ziegenbock; - Fabeln III, 5). "Le Renard et le Bouc". Kupferstich nach Zeichnung, vor 1752 (1729-34), von Jean-Baptiste Oudry (1686-1755). Aus der Ausgabe "Fables choisies mises en vers par Jean de la Fontaine, ornées de 56 gravures d'après Oudry", Paris 1822. Privatsammlung. Museum: PRIVATE COLLECTION.

akg1195339 Indische Miniatur, Schule von Mewar, Rajasthan, 19. Jahrhundert. /-Eine Frau lässt sich mit Hilfe einer zweiten Frau von einem Ziegenbock bespringen.-/ Illustration zum Kamasutra (Kamasutra, "Leitfaden der Erotik"; altindisches Lehrbuch der Liebeskunst des Brahmanen Mallanaga Vatsyayana, 4. Jahrhundert n.Chr., mit Beschreibungen der ...

akg1427871 Indische Miniatur, Schule von Mewar, Rajasthan, 19. Jahrhundert. /-Eine Frau lässt sich mit Hilfe einer zweiten Frau von einem Ziegenbock bespringen.-/ Illustration zum Kamasutra (Kamasutra, "Leitfaden der Erotik"; altindisches Lehrbuch der Liebeskunst des Brahmanen Mallanaga Vatsyayana, 4. Jahrhundert n.Chr., mit Beschreibungen der ...

akg4194016 Hans Watzlik. German-Bohemian writer. Unterhaid (Dolní Dvoriste) 16.12.1879 - Tremmelhausen 24.11.1948. Works: Stilzel, the goblin of the Bohemian Forest (narrative, 1926). "Stilzel rides". Drawing, around 1928/30, by Alfred Kubin (1877-1959). Design for the book "Stilzel, the Goblin des Böhmerwaldes", published in 1930. Feather in black, 33.6 × 23.5 cm. Inv. 19726. Regensburg, Kunstforum Ostdeutsche Galerie. Museum: Regensburg, Kunstforum Ostdeutsche Galerie. Copyright: © Alfred Kubin. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg328702 Illumination, mozarabic, monast. S. Salvador de Tábara, Emeretrius (monk) and Ende (nun), 975. / Daniel's vision of the ram and the billy goat (Daniel 8). From the Beatus of Gerona (Beato de Liébana, In apocalypsin commentarius - commentary on apocalypse and on Book Daniel, 786). On parchment, 400 × 260 mm. Ms. 7 (11), fol. 262 r, Gerona, Museo Capitular de la Catedral. Museum: Gerona, Museo Capitular de la Catedral. Author: EMERETRIUS (ILLUMINATOR). ENDE (ILLUMINATORIN).

akg3704921 Verkehr / Eisenbahn. - "Auf de schwäbische Eisebahne / Wollt amol a Bäuerle fahre; / Geht an d'Kass ond lupft de Hut: A Billetle! Sind so gut! / Einen Bock hot er gekauft, / Ond damit er net verlauft; / Bindet ihn der guta Ma / Hinte an de Wage na!". - (Illustration zu dem Volkslied aus Württemberg "Auf de Schwäb'sche Eisebahne": Szene im Tal der Echaz in der Schwäbischen Alb mit Schloss Lichtenstein im Hintergrund). - Bildpostkarte (Farblithographie, anonym), o. O., undatiert (um 1910). Aus einer Serie mit Illustrationen zu dem Volkslied "Auf de Schwäb'sche Eisebahne". Privatsammlung. Museum: PRIVATE COLLECTION.

akg3704920 Verkehr / Eisenbahn. - "Als des Zügle wieder staut, / s'Bäuerle nach seim Böckle schat: / Findet er bloß Kopf ond Seil, / Hinte an dem Wageteil (...)". - t. (Illustration zu dem Volkslied aus Württemberg "Auf de Schwäb'sche Eisebahne": Szene auf dem Endbahnhof Friedrichshafen am Bodensee). Bildpostkarte (Farblithographie, anonym), o. O., undatiert (um 1910). Aus einer Serie mit Illustrationen zu dem Volkslied "Auf de Schwäb'sche Eisebahne". Privatsammlung. Museum: PRIVATE COLLECTION.

akg3704919 Verkehr / Eisenbahn. - "Auf de schwäbische Eisebahne / Dürfet Küh und Öchsle fahre, / Büeble, Mädle, Weib und Ma, / Ond der wo's au zahle ka!" - (Illustration zu dem Volkslied aus Württemberg "Auf de Schwäb'sche Eisebahne": Szene auf dem Bahnhof in Ulm; im Hintergrund das Münster. Rechts der Bauer, der seinen Bock an den hintersten Wagen anbinden wird). Bildpostkarte (Farblithographie, anonym), o. O., undatiert (um 1910). Aus einer Serie mit Illustrationen zu dem Volkslied "Auf de Schwäb'sche Eisebahne". Privatsammlung. Museum: PRIVATE COLLECTION.

akg207659 Campendonk, Heinrich. 1889-1957. "Ziegenbock mit weidenden Tieren", 1916. Holzschnitt. (Bildquelle ohne Maßangaben). Saarbrücken, Saarland-Museum. Museum: Saarbrücken, Saarland-Museum. Copyright: © Heinrich Campendonk. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg994616 Aquileia (Friaul, Italien), Dom S.Maria (11.Jh., über frühchristlichen Kultanlagen).-Bock, Schildkröte mit Hahn.-Mosaik, frühchristlich, 2.Jahrzehnt des 4.Jahrhunderts. Ausschnitt aus dem Fußbodenmosaik der ehem. Nordkirche.

akg901886 Mosaik.

akg000201 Arndt, Ernst Moritz Writer, 1769-1860. Works: Mährchen und Jugenderinnerungen. Illustration. Pen and ink lithograph by Theodor Hosemann (1807-1875). From: E.M.Arndt, Mähren und Jugenderinnerungen, 2nd part, Berlin (G.Reimer), 1843. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg1577652 Gontscharowa, Natalija Sergejewna 1881-1962. "Das Leben von Floros und Lauros", 1912/13. Gouache auf Papier, 86 × 77,5 cm. Privatsammlung. Copyright: This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. © Natalia Goncharova.

alb2019438 Francisco de Goya / 'Aquelarre or The Witches' Sabbath', 1820-1823, Oil on wall, 140.5 x 435.7 cm, P00761. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

alb3638585 Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 7/8 in. (21.4 x 14.9 cm)Sheet: 11 5/8 × 8 5/16 in. (29.5 × 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3667427 Pllate 60 from 'Los Caprichos': Trials (Ensayos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 1/8 x 6 7/16 in. (20.6 x 16.4 cm)Sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb4102656 A Satyr. Dating: 1630 - 1635. Measurements: h 135 cm × w 176 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jacob Jordaens (I).

akg8324029 Abraham Bloemaert; 1564-1651. "Aetas aurea - The Golden Age", 1603. Black chalk, brown brush, brown washed, heightened with white, 44.3 × 69.3 cm. Frankfurt am Main, Städelsches Kunstinstitut.

dpa12772810 Feet are dangling out of a convertible.

akg7949491 Children / childhood. - A carriage drawn by a goat for children in the Tuileries. - Photo, between 1900 and 1906 (Louis Vert). PH1114, Paris, Musée Carnavalet.

akg5213749 Loutherbourg II, Philip James de; 1740-1812. "Landscape with Resting Cattle", 1767. Oil on canvas, 58 x 81 cm. Inv. NM 851. Stockholm, National Museum. Author: PHILIPP JAKOB LOUTHERBOURG DER JÜNGERE.

akg5214053 Dujardin, Karel; 1626-1678. "Peasant Girl Milking a Cow", probably 1657. Oil on canvas, 66 x 59 cm. Inv. NM 485. Stockholm, National Museum. Museum: Stockholm, National Museum.

akg942384 Wtewael, Joachim 1566-1638. "Das Parisurteil", nach 1605. Öl auf Kupfer, 22,1 × 28,4 cm. Inv. Nr. 4281. Budapest, Szepmüveszeti Muzeum. Museum: Budapest, Szepmüveszeti Muzeum.

akg871432 Bissière, Roger 1888-1964. "Bucolique" (Bucolic), 1945. Tapestry, 221 x 132 cm. Paris, Collection Jäger.

akg1823273 Ayrer, Susanna (auch Susanna Ayrerin, geborene Diether); Patrizierin aus Nürnberg; 1599-1657.-Porträt.-Kupferstich von Johann Friedrich Leonart (1633-1680)? 17 x 12,2 cm. Museum: Coll. Archiv f. Kunst Geschichte., BERLIN.

akg608277 Liebermann, Max. 1847-1935. "Young Dutch Herdess (Knitting Herdess), c. 1887. Pastel, charcoal and opaque paint on paper, mounted on cardboard, 92 × 68 cm. Munich Art Trade, Hampel Art Auctions, 22 September 2005 (The Karg Collection, Max Liebermann Auction).

akg986472 Verkehr / Automobil: Champion (dt. Kleinwagenhersteller).-Vorstellung der zweisitzigen Cabrio-Limousine Champion 400 in Paris (Frankreich).-Foto, 05.03.1953.

akg986473 Verkehr / Automobil: Champion (dt. Kleinwagenhersteller).-Vorstellung der zweisitzigen Cabrio-Limousine Champion 400 in Paris (Frankreich).-Foto, 05.03.1953.

akg995561 Völkerkunde / Türkei:-Kleidung, in der die Frauen in Konstantinopel unerkannt auf die Straße gehen.-Aquarell von Jacopo Ligozzi (um 1546-1626). Auf Papier. Inv. 2948 f. Museum: Gabinetto Disegni e Stampe., Florenz.

orz008100 Whim 56: To lift up and to let down. Capricho 56 - Subir y bajar. Inset engraving. Madrid, Prado museum. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. MANUEL GODOY Y ALVAREZ DE FARIA (1767-1851). PRINCIPE DE LA PAZ-MANUEL GODOY (1767-1851).

alb3627543 Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 12 9/16 x 8 9/16 in. (31.9 x 21.8 cm)Plate: 8 1/8 x 6 1/2 in. (20.6 x 16.5 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

alb3787013 Francisco de Goya y Lucientes / 'Devout profession'. 1797 - 1799. Etching, Aquatint, Drypoint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

alb2266845 Infographic about the technical features of the Porsche Carrera Cabrio 911. [Adobe Illustrator (.ai); 5196x3248].

alb2268146 Infographic about the technical features of the Porsche Carrera Cabrio 911. [Adobe Illustrator (.ai); 5196x3248].

alb2268179 Infographic of the Volkswagen Beetle Cabrio model from 1959 to 1965. [Adobe Illustrator (.ai); 6496x2421].

alb2267539 Computer graphics about the technical specifications of the Volkswagen Beetle Cabrio, built between 1959 and 1965. [Encapsulated Postscript File (.eps); 5196x3248].

alb3647207 The Witches. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85-1545 Strasbourg (Strassburg)). Dimensions: Sheet: 15 5/16 × 10 5/8 in. (38.9 × 27 cm). Date: 1510.A masterpiece of German chiaroscuro, this woodcut is one of Hans Baldung Grien's best known prints, produced soon after his move to Strasbourg from Nuremberg, where he had worked as a journeyman with Albrecht Dürer from about 1503 to 1507. Although Baldung was not the inventor of the chiaroscuro woodcut--the credit for this must go to Hans Burgkmair--he was among the very earliest and most effective practitioners of the medium.The tone block for this woodcut is sometimes printed in an orange-brown, casting a hellish glow onto the scene; here the use of a gray tone block creates an atmosphere of nocturnal gloom from which the three witches emerge, gathered around the steaming cauldron of "flying unguent." The flickering highlights, where the white of the paper is exposed, give three-dimensional presence to forms that would otherwise be engulfed by the dark setting and, by continuing the modeling of the dark hatching strokes, powerfully define the volumes of the monumental nudes, the blasted tree, and the solid coils of steam that support the witches as they ascend in the night air.The interest in witchcraft in the German-speaking countries was especially strong at the beginning of the sixteenth century, heralded by the publication in 1487 of the Malleus Maleficarum (The Witches' Hammer) by Heinrich Kramer and Jacob Sprenger, which was reprinted fourteen times before 1520. Museum: Metropolitan Museum of Art, New York, USA.

akg5253491 Indien, Indus-Kultur, Mitte des 3. Jahrtausend v. Chr. - Vogel mit Kopf eines Ziegenbocks auf zwei Rädern. - Ton, gebrannt. Fundort: Mohenjo-Daro (Pakistan). New Delhi, National Museum of India. Author: ANONYMOUS.

akg5676651 Figur von F. Tietz, Tanzende Dame mit Ziegenbock.

dpa7348966 (dpa) - German car producer BMW presents the CS 1 at the Geneva International Motor Show, 5 March 2002. The convertible study CS 1 represents the future 'small' BMW line 1.

alb4137084 A Witches' Sabbath. Cornelis Saftleven; Dutch, 1607-1681. Date: 1640-1660. Dimensions: 21 3/8 × 30 3/4 in. (54.3 × 78.2 cm). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

akg1108344 Buchmalerei, Frankreich, 1. Drittel 14. Jahrhundert.-Der Prophet Maleachi und ein Engel. Auf der linken Bildseite eine Person, die ein Opferlamm für die Ewigkeit opfert.-/ Aus der "Historia Scholastica" des sogenannten Pierre le Mangeur (Petrus Comestor). Auf Pergament, 443 x 330 mm. Ms. 21, fol. 120. Museum: Bibliothèque Sainte-Geneviève., Paris.

alb1789036 India. Wine cup for the Emperor Shan Jahan. 1657. White nephrite jade. South Asia. Court workshops which at this time would have been in Agra. Victoria and Albert Museum. London. England. United Kingdom.

akg2437209 Neuassyrisch, 8. Jahrhundert v. Chr. Ziegenbock. Wandmalerei aus Tell Ahmar (Til Barsip, Syrien). Fresko. 51,6 × 63,5 cm. Inv. Nr. AO 23010, Dép. des Antiquités Orientales, Paris, Musée du Louvre. Museum: Paris, Musée Du Louvre.

akg3000895 Römische Skulptur, gallo-römisch. Statuette eines Ziegenbocks. Bronze, Höhe 18,4 cm, Länge 13,2 cm. Fundort: Ursins (Kanton Waadt/Vaud, Schweiz). Inv.Nr. 117. Lausanne, Musée d'Archéologie et d'Histoire.. Museum: Lausanne, Musée d'Archéologie et d'Histoire. Author: ANONYMOUS.

akg1087372 Rome-Roma (Italy), Domitilla-Catacombs-Catacombe di Domitilla, Grave by a staircase.-Orpheus enchants the wild animals with his music.-Early Christian mural, 3rd Century. 50 x 90 cm.

akg1032131 Römisch, 2.Jahrhundert.-Zug der Kentauren (Ausschnitt).-Relieffries. Marmor. Von der Bühnenwand des römischen Theaters in Arausio/Orange (Dép. Vaucluse, Frankreich). Museum: Museum., ATAQ.

akg8254717 Anonymous. "Missionary Map", late 19th century. Painting, metallic paint and pencil on muslin. Inv. Nr. 1986.65.150. Washington, Smithsonian American Art Museum.

akg4802287 Velde, Adriaen van de; 1636-1672. "An der Flussmündung", 1658. Öl auf Holz, 24,3 x 32,6 cm. Inv.Nr. 1068; Leipzig, Museum der Bildenden Künste. Museum: Amsterdam, Rijksmuseum.

dpa12001778 Jaguar, AVD Oldtimer Grand Prix 1990, Rheinlandpfalz, Deutschland.

alb2105983 PLACA GRABADA DE VILLALBA, DEL YACIMIENTO DE BARRANDO HONDO. DECORACION CON MOTIVOS ZOOMORFOS (CABALLOS, MACHOS CABRIOS...) SOBRE PIZARRA NEGRA. ARTE MUEBLE PALEOLITICO (DEPOSITO: MUSEO NUMANTINO DE SORIA).

alb2104760 PLACA GRABADA DE VILLALBA, DEL YACIMIENTO DE BARRANDO HONDO. DECORACION CON MOTIVOS ZOOMORFOS (CABALLOS, MACHOS CABRIOS...) SOBRE PIZARRA NEGRA. ARTE MUEBLE PALEOLITICO (DEPOSITO: MUSEO NUMANTINO DE SORIA).

akg9123635 A statue of the Greek god Pan attributed to Michelangelo. (Michel-Ange) in the garden of Villa Aurora ( also called Villa Ludovisi or Casino Boncompagni Ludovisi ) in Rome, Italy on January 2022. Pan, god of the wild, shepherds and flocks, has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. - The Villa Aurora was put up for sale in 2021 after an inheritance dispute following the death of its last owner, Prince Nicolo Boncompagni Ludovisi, in 2018. The property was put up for auction by a notary on January 18, 2022 for a minimum bid of 471 million euros. There were no offers. - Villa Aurora (or Casino dell'Aurora or Villa Ludovisi) was built in 1570 by Cardinal Francesco Maria Del Monte and sold in 1621 to the Ludovisi family. - The palace contains the only painting ever executed by Caravaggio on a ceiling (Jupiter, Neptune and Pluto) and important works of art by Guercino, Pomarancio, Michelangelo, Domenichino.

akg9123658 A statue of the Greek god Pan attributed to Michelangelo. (Michel-Ange) in the garden of Villa Aurora ( also called Villa Ludovisi or Casino Boncompagni Ludovisi ) in Rome, Italy on January 2022. Pan, god of the wild, shepherds and flocks, has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. - The Villa Aurora was put up for sale in 2021 after an inheritance dispute following the death of its last owner, Prince Nicolo Boncompagni Ludovisi, in 2018. The property was put up for auction by a notary on January 18, 2022 for a minimum bid of 471 million euros. There were no offers. - Villa Aurora (or Casino dell'Aurora or Villa Ludovisi) was built in 1570 by Cardinal Francesco Maria Del Monte and sold in 1621 to the Ludovisi family. - The palace contains the only painting ever executed by Caravaggio on a ceiling (Jupiter, Neptune and Pluto) and important works of art by Guercino, Pomarancio, Michelangelo, Domenichino.

alb4172368 The Buck, plate nine from Day and Dream. Max Beckmann; German, 1884-1950. Date: 1946. Dimensions: 400 x 300 mm. Lithograph on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

akg8680718 Statue of Goat (Caprone, bouc, Ziegenbock). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini (Le Bernin)(1598-1680). Its legs outstretched, neck and head slightly inclined to the left and the soft moulding of the locks are the result of an admirable seventeenth-century intervention, which modern restorations have made it possible to trace back to the hand of Gian Lorenzo Bernini. White marble, MT 441. -- Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8680714 LEFT: Statue of a Warrior. (Guerrier, Krieger). From the Giustiniani collection, imperial era for the antique body fragment; mid 2nd century AD for the antique unrelated head. White marble. RIGHT: Statue of Goat. (Bouc, Ziege). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini.(1598-1680). White marble. MT 309. - Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8680719 Statue of Goat (Caprone, bouc, Ziegenbock). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini (Le Bernin)(1598-1680). Its legs outstretched, neck and head slightly inclined to the left and the soft moulding of the locks are the result of an admirable seventeenth-century intervention, which modern restorations have made it possible to trace back to the hand of Gian Lorenzo Bernini. White marble, MT 441. -- Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8680730 Statue of Goat (Caprone, bouc, Ziegenbock). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini (Le Bernin)(1598-1680). Its legs outstretched, neck and head slightly inclined to the left and the soft moulding of the locks are the result of an admirable seventeenth-century intervention, which modern restorations have made it possible to trace back to the hand of Gian Lorenzo Bernini. White marble, MT 441. -- Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8680729 Statue of Goat (Caprone, bouc, Ziegenbock). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini (Le Bernin)(1598-1680). Its legs outstretched, neck and head slightly inclined to the left and the soft moulding of the locks are the result of an admirable seventeenth-century intervention, which modern restorations have made it possible to trace back to the hand of Gian Lorenzo Bernini. White marble, MT 441. -- Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8680704 Statue of Goat (Caprone, bouc, Ziegenbock). From the Giustiniani collection, body from the end of the. 1st century AD with head attributed to Gian Lorenzo Bernini (Le Bernin)(1598-1680). Its legs outstretched, neck and head slightly inclined to the left and the soft moulding of the locks are the result of an admirable seventeenth-century intervention, which modern restorations have made it possible to trace back to the hand of Gian Lorenzo Bernini. White marble, MT 441. -- Torlonia Collection of ancient sculptures. From the Museo Torlonia (Torlonia Museum) founded in Rome by Prince Alessandro Torlonia in 1875 and dissolved in 1976. The collection of marble and alabaster sculptures dating to the Roman Empire period has been described as the 'most important private museum of sculpture in the world'. Rome, Italy. 2021.

akg8637668 Duncanson, Robert S. 1821-1872. "A Dream of Italy", 1865. Oil on canvas, 52.4 x 88.9 cm. Inv. AFI.10.2009. Birmingham (Alabama), Museum of Art.

akg225537 Islamic, Fatimid style, 10th century. Antilope or he-goat. Picture on the inside of a bowl. Diameter 27cm. From Kairouan (Tunesia). Tunis, Musée national du Bardo.

akg008162 Martin Luther; Reformer; 1483-1546. Works: "On the over-Christian: over-the-top from the over-the-counter book of Bocks Emsers to Leipzig Antwurt".- (Struggle against Hieronymus Emser).- Strasbourg (Johann Schott), 1521. Title woodcut with Emsers coat of arms and the signature "Lieber Bock stoß mich nit".