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Total de Resultados: 452

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412-44251 Portrait confident man biting tip of eyeglasses at car
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hx04522 Boy eating snack and watching TV on sofa
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412-42299 Senior woman and chef tasting cheese in pizza cooking class
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412-42058 Portrait eager boy eating candy apple in backyard
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412-37964 Preschool girl eating messy cheeseburger on patio
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412-39987 Boyfriend feeding toast to girlfriend in kitchen
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hx03293 Portrait Chinese woman with sweet tooth craving biting into large chocolate bar
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hx03285 Portrait woman with sweet tooth craving biting into large chocolate bar
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hx03270 Close up portrait smiling woman eating white chocolate truffle
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hx03211 Affectionate couple biting heart-shape chocolate cookie
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hx03197 Woman with sweet tooth craving biting into large chocolate bar
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902_05_12290509HighRes Cherry Kearton, 1871?1940. Pioneer English wildlife photographer and writer. Seen here holding a legging which a lion had bitten through during one of his African expeditions. From Heroes of Modern Adventure, published 1927
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412-36165 Father feeding carrots to baby son
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hx02208 Portrait smiling woman eating carrot
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00346884 "medicine, disease, gout, ""The Gout"", drawing by James Gillray (1757 - 1815), 14.5.1799,"
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alb2068647 Sandro Botticelli / 'The Story of Nastagio degli Onesti (III)', ca. 1483, Italian School, Panel, 84 cm x 142 cm, P02840. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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alb2070966 Sandro Botticelli / 'The Story of Nastagio degli Onesti (I)', ca. 1483, Italian School, Panel, 83 cm x 138 cm, P02838. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
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ibxuzg10177075 Whole and bitten green macarons or macaroons cakes on pastel pink background. side view, close up, macro, selective focus
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ibxuzg10145728 Decorated cake with milk and coconut cream with cup of coffee on a gray wooden background and linen textile. Side view, close up, selective focus
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ibxrob08357382 European beaver (Castor fiber), tree felled by a beaver, Thuringia, Germany, Europe
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alb10599570 Four Seasons, The Spring: Eurydice Bitten by a Serpent while Picking Flowers (Eurydice's Death). Museum: Museu de Arte de São Paulo. Author: EUGENE DELACROIX.
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alb3620095 Group of Seven Horses. Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85-1545 Strasbourg (Strassburg)). Dimensions: sheet: 8-5/8 x 12-7/8 in. (21.8 x 32.6 cm). Date: 1534.In 1534 Baldung made three woodcuts of wild horses in a dark and dense forest, a subject unique to him that had neither precedent nor following. The prints are so idiosyncratic that they must have had strong personal meaning for him, then in about his fiftieth year. Even though the horses and their poses do not look entirely real, they are fascinating in their strangeness and intensity. This is the least overtly sexual of the three works, but it may be guessed that the stallions are fighting for possession of a mare. In the equestrian monument or portrait, in both antiquity and the Renaissance, the horse was deemed a noble creature, a fitting mount for the ruler or leader being glorified, and both Leonardo da Vinci and Dürer made plans for treatises on the ideal proportions of the horse. Also since antiquity, however, horses--both stallions and mares--were equally reputed to be extraordinarily lustful. Further, in Germanic folklore the horse was associated with evil forces often having to do with witchcraft. The larger subject of these woodcuts, with their violence and pent-up energy, is the power of forces beyond man's understanding or control, specifically the overwhelming strength of the carnal instinct. Museum: Metropolitan Museum of Art, New York, USA.
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akg2162328 Tizian, eigentl. Tiziano Vecelli (o). um 1487/90 - 1576. /. "Orpheus und Eurydike", um 1508 (um 1511(?)). Öl auf Leinwand, 39 × 53 cm. Bergamo, Galleria dell'Accademia Carrara. Museum: Bergamo, Galleria dell'Accademia Carrara.
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akg6379930 after: Flinck, Govert (also Govaert); 1615-1660. "The death of Actaeon". (The hunter Actaeon, transformed into a deer by Diana, is killed by his own dogs; - Ovid, Metamorphoses III, 131-253). Printmaking, 1667, by Abraham Bloteling (1634-1690). Copper engraving, 14.4 × 18.3 cm. Inv.no. RP-P-1911-386; Amsterdam, Rijksmuseum. Museum: Amsterdam, Rijksmuseum. Author: Govaert Flinck. Abraham Blooteling.
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ibxcva10027810 European beaver, Eurasian beaver (Castor fibre), habitat, feeding marks on the trunk of a willow (Salix), gnawed tree bark, gnawed trunk, Allerpark, Wolfsburg, Lower Saxony, Germany, Europe
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akg1002649 Bronzino, Agnolo; 1503-1572. "Die Anbetung der ehernen Schlange", 1542. Ausschnitt aus der linken Gruppe der von Schlangen Gebissenen. Fresko, 320 x 385 cm. Florenz-Firenze (Toskana, Italien), Palazzo Vecchio, 2.Geschoß, Quartiere di Eleonora da Toledo, Kapelle-Capella di Eleonora, Eingangswand.
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alb9907749 Giuseppe Diotti (1779-1846). Italian painter. Moses and the Bronze Serpent. Oil on canvas. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy.
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akg901311 Wien (Österreich), Kirche am Steinhof (erbaut 1904-1907; Arch.: Otto Wagner), Glasfenster (Entwurf: Koloman Moser; 1869-1918; Ausführung: Leopold Forstner). - Seitenfenster Ost. - (Von links Johannes der Täufer: Die Sünder zurechtweisen. Franz von Sales: Die Unwissenden belehren. Klemens Maria Hofbauer: Den Zweifelnden recht raten. Hl. Theresia: Die Betrübten trösten. Joseph von Ägypten: Das Unrecht mit Geduld leiden. Stephan: Denen die uns beleidigt haben gern verzeihen. Abraham: Für Lebende und Tote bei Gott bitten). Foto, undatiert.
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alb3604672 A Peasant Woman Picking Fleas off a Dog. Artist: Adriaen Brouwer (Flemish, Oudenaarde 1605/6-1638 Antwerp). Dimensions: Oval 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm). Date: ca. 1626-27. Museum: Metropolitan Museum of Art, New York, USA.
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akg1566155 Völkerkunde / Indien. /-Werbung für ein Medikament zur Behandlung von Skorpionbissen.-/ Foto, Tirumala ( Andhra Pradesh), undatiert.
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akg1061900 Druckgrafik, Frankreich, um 1900.-"La prière au nom de Jésus".-(Das Gebet im Namen Jesu;-Johannes 14,14: "Was ihr bitten werdet in meinem Namen, das will ich tun").-Farblithographie. Sammelbildchen aus einer Serie: "La vie de Jésus", Paris (Imp. Fournier) o.J. Museum: Private Collection., Privatsammlung.
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dpa15146647 Diese Tafeln werden bei Schreinen aufgehangen, um fuer verschiedene Dinge zu bitten. Der Kasuga-Taisha, ein Shinto-Schrein in der Stadt Nara am Fuss der beiden heiligen Berge Kasugayama und Mikasayama.
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akg319328 Tiepolo, Giovanni Battista 1696-1770. "The raising of the bronze snake", c. 1735. (Detail). Oil on canvas, 1.64 × 13.56m From the church SS.Cosma e Damiano on the Giudecca in Venice. Inv. no. 739. Venice, Galleria dell'Accademia. Museum: Venice, Galleria dell'Accademia.
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akg340039 Greek, early classical, c. 470/60 BC. Artemis has Actaeon killed by his dogs. Limestone, height 162cm. Metope of Temple E in Selinunt. (Sicily). Palermo, National Archaeological Museum. Museum: Palermo, National Archaeological Museum.
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dpa10398389 A poster by Chaos Computer Club (CCC) with the images of several politicians and the words reading 'Datenschuetzer bitten um Mithilfe Belohnung' ('Private Data Protection Advocates Ask For Your Support, Reward') is depicted during the 'Chaos Communication Camp 2007' on the compounds of the Aviation Museum ('Luftfahrtmuseum') Finowfurt, Germany, 9 August 2007. Around 1,200 computer enthusiasts from Germany and elsewhere have gathered for the five day summer camp, which sees itself as 'open air festival for hackers and similar lifeforms'. It takes place for the third time since 1999 and offers more than 70 lectures and a rich cultural programme. Photo: Arno Burgi.
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ibxole09810614 Hand holding phone with facebook copy space
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ibxole09821602 Laptop near smartphone digital devices
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ibxole09821884 Open laptop with blank white screen display table coffee shop
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iblole09808984 Team people working media field with devices
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alb9879190 Modern impression from a worn-out stippled plate (strengthened with the graver). Showing deeper tones but coarseness. The Falling Out, 1791. Three children in straw hats and ribboned smocks arguing. Printed in red ink. Copperplate stipple engraving Francesco Bartolozzi from Andrew W. Tuer's Bartolozzi and his Works, Field and Tuer, London, 1881.
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alb9874032 Rattlesnake charming a squirrel down from a tree. The squirrel then jumps into the rattlers open mouth. Kalm believes the snake has previously bitten the rodent with its venomous bite. Based on an account by Pehr Kalm in Thomas Pennants Arctic Zoology, 1785. American rattlesnake, Crotalus or Sistrurus species. Handcoloured copperplate engraving from Reverend Thomas Smiths The Naturalists Cabinet, or Interesting Sketches of Animal History, Albion Press, James Cundee, London, 1806. Smith, fl. 1803-1818, was a writer and editor of books on natural history, religion, philosophy, ancient history and astronomy.
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alb9880059 Modern impression from a worn-out stippled plate (one half re-bitten). Showing loss of detail and sharpness in the untouched left side, darker constrast on the re-bitten right side. Printed in red ink. Copperplate stipple engraving Francesco Bartolozzi from Andrew W. Tuer's Bartolozzi and his Works, Field and Tuer, London, 1881.
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alb9881855 Wary mice above a cat pretending to sleep in a barn. Cat and the mice. Illustration of a fable by Greek author Aesop. Copperplate etching drawn and engraved from life by Samuel Howitt from his own A New Work of Animals, Principally Designed from the Fables of Aesop, Gay and Phaedrus, Edward Orme, London, 1811.
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alb3719486 L'homme et la puce (The Man with Fleas). Dated: published 1756. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Benoît-Louis Prévost after Jean-Baptiste Oudry.
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alb3602725 Orpheus and Eurydice. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After? Francesco Francia (Italian, Bologna ca. 1447-1517 Bologna). Dimensions: 5 1/16 x 3 7/8in. (12.9 x 9.8cm). Date: ca. 1500-1506.Marcantonio depicts the famed musician Orpheus (son of Apollo and the Muse Calliope) and his beloved Eurydice, who on their wedding day had been fatally bitten by a snake. The inconsolable groom descended to Hades, land of the dead, where his singing and lyre so charmed Pluto and Proserpina that he was allowed to lead Eurydice out of the Underworld. The moment shown may be when Eurydice, 'limping a little, from her late wound', as related by Ovid in his narrative poem 'Metamorphoses', was returned to Orpheus (Metamorphoses10.49). Museum: Metropolitan Museum of Art, New York, USA.
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alb3904172 The Sense of Touch. Date/Period: 1744 to 1747. Painting. Oil on canvas. Height: 1,321 mm (52 in); Width: 1,537 mm (60.51 in). Author: Philippe Mercier.
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akg137291 Wyon, Everard worked in Cologne 1721-67. "Wir bitten dich o Maria Rein (...) speise Uns mit der H. Milch Rein". (St. Anne with Mary suckling Jesus). Copperplate engraving. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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ibxmmv09603006 Deadwood, secondary habitat, willow felled by beaver (Castor fiber), beaver feeding, Peene Valley River Landscape nature park Park, Mecklenburg-Western Pomerania, Germany, Europe
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akg8222662 Chinese art, early Qing Dynasty, Painter Chen Yixi, 1648-1709. - Episode from the Journey to the West. - Illustration to the novel Xiyou Ji (Journey to the West) by Wu Cheng'en. Painting. Private collection.
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akg5005141 Ferdinand I, Prince (1887-1908) and King (1908-18) of Bulgaria; (Son of Prince August v. Sachsen-Coburg and Gotha and Princess Clementine of Orleans); Vienna, 26.2.1861 - Coburg 10.9.1948. - "Ferdinand, - Au secours, Au secours, from Guillaume et François-Joseph," Si nous te secourons, c'est nous squ le serons!" - (Caricature to Ferdinand I of Bulgaria as a coalition partner of the Central Powers in the First World War 1914-1918: Ferdinand, of Serbia, Romania and Russia, behind the fence the monarchs of the Central Powers Sultan Mehmed V, Emperor Franz Joseph of Austria, Kaiser Wilhelm II, and Crown Prince William). Color print after drawing, 1916, by E. Muller. From: L'Illustré National, Histoire anecdotique de la guerre européenne, Paris (Jules Tallandier) (1916), no. 104, backside. Private collection.
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akg2099631 Gnaeus Marcius Coriolanus, Coriolan, vor 505 v. Chr., - ermordet) um 488 v. Chr. in Antium, der Sage nach ein römischer Held und Feldherr, dessen Stolz, Unverstand und Starrsinn zu Auseinandersetzungen mit den Plebejern führte, wurde aus Rom verbannt, führte darauf Krieg gegen seine Heimatstadt, den er erst auf Bitten seiner Mutter abbrach.
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akg177971 Genelli, Bonaventura. 1798-1868. Odysseus begnadigt den Sänger Femios auf Bitten des Telemachos. (Odyssee XXII, 330-356). Umrißstich. Aus: B.Genelli's Umrisse zum Homer mit Erläuterungen von Dr. Ernst Förster, Stuttgart und Tübingen (J.G. Cotta'scher Verlag) 1844, Tafel XXI. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg579866 Füssli, Johann Heinrich; 1741-1825. The thieves' punishment. (Dante and Vergil watch the sufferings of the thieves through snakes; Dante, Inferno XXIV-XXV) 1772. Pencil and quill, washed with ink, partially heightened, 460 × 612 mm. Inv. No. 1938/766. Zurich, Kunsthaus. Museum: Zürich, Kunsthaus. Author: THE YOUNGER JOHANN HEINRICH FUESSLI.
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akg1063270 Märchen / Dornröschen.-"Arrivée du Roi et mort de l'Ogresse". (Ankunft des Königs und Tod der Menschenfresserin).-Federlithographie mit Schablonenkolorit, anonym, 20 x 13,5 cm. Aus: Belle au bois Dormant, Série écossaise, Épinal (Imagerie d'Épinal) o.J. (1860er Jahre). Museum: Private Collection., Paris.
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akg8240184 Caravaggio (born Michelangelo Merisi da Caravaggio). 1571 - 1610. "Boy bitten by a Lizard", c. 1596. Oil on canvas, 66 × 49.5 cm. NG6504. London, National Gallery.
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akg8240185 Caravaggio, real nm. Michelangelo Merisi; 1573-1610. "Boy bitten by a lizard", 1593/94. Oil on canvas, 65 × 52 cm. Florence, Fondazione Roberto Longhi.
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akg331059 Caravaggio, real nm. Michelangelo Merisi; 1573-1610. "Boy bitten by a Lizard", c. 1595. Section: head. Oil on canvas, 65 × 52cm. Florence, Fondazione Longhi.
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akg331058 Caravaggio, real nm. Michelangelo Merisi; 1573-1610. "Boy bitten by a lizard", c. 1595. Oil on canvas, 65 × 52cm. Florence, Fondazione Roberto Longhi. Museum: Florenz, Fondazione Roberto Longhi.
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akg1559129 Caravaggio (born Michelangelo Merisi da Caravaggio). 1571 - 1610, Italian painter. "Boy bitten by a Lizard", 1595-1600. Oil on canvas, 66 × 49.5 cm. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.
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ibxole09587526 Smart young student online courses
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akg135706 Schnorr von Carolsfeld, Julius. 1794-1874. "The Israelites, having been bitten by poisonous snakes, recover at the sight of the Bronze Snake". (Numbers 21,9). Wood engraving, later colouring. From: The Bible in Pictures, Leipzig, (Georg Wigand) 1860, p. 61. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.
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akg3702383 Kalenderfeste / Neujahr (1. Januar). - "Glückliches Neujahr!". - (Kleines Mädchen mit Mistelzweig im Schnee wird von einem Glücksschwein am Unterrockzipfel gebissen). Bildpostkarte (Farbdruck nach Aquarell, monogrammiert "HK"), o. O., undatiert (um 1910). Privatsammlung. Museum: PRIVATE COLLECTION.
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akg6042854 Giovanni David, 1743 - 1790. Adoration of the Magi, 1776. Etching with bitten tone on laid paper, after original by Battista Dossi, 30.8 × 23.2 cm. Inv. Nr. 2017.176.1, Washington, National Gallery of Art.
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alb4157696 The Little Cavaliers. Édouard Manet (French, 1832-1883); after Diego Velázquez (Spanish, 1599-1660); printed by Auguste Delâtre (French, 1822-1907); published by Cadart et Chevalier Editeurs (French, 19th century). Date: 1860. Dimensions: 240 × 380 mm (image); 248 × 391 mm (plate); 242 × 383 mm (primary support) 319 × 448 mm (secondary support). Etching, drypoint, roulette, and bitten tone in black on gray chine, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
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alb3892311 Cleopatra. Date/Period: Between 1674 and 1675. Painting. Oil on canvas. Height: 1,245 mm (49.01 in); Width: 1,054 mm (41.49 in). Author: BENEDETTO GENNARI.
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alb3652137 Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66). Artist and publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm)sheet: 8 5/16 x 11 1/2 in. (21.1 x 29.2 cm). Date: January 1, 1819.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. In a few instances he also developed the tone, here adding mezzotint to evoke a wooded landscape centered on the water nymph Hesperia, watched drying herself on a river bank by Aesacus, a prince of Troy. The Ovidian theme ties the imag to poetry, and Turner weaves arborial layers, slanted rays of sun, and dappled shadows into a kind of magic naturalism. The letter "H" in the upper margin indicates the artist's category of Historical landscape. Museum: Metropolitan Museum of Art, New York, USA.
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ibxole09460260 High angle key laptop
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ibxmmv08882315 Beaver (Castor fiber), tree felled by beaver, beaver cut, Peene Valley River Landscape nature park Park, Mecklenburg-Western Pomerania, Germany, Europe
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ibxmmv08882314 Beaver (Castor fiber), tree felled by beaver, beaver cut, Peene Valley River Landscape nature park Park, Mecklenburg-Western Pomerania, Germany, Europe
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iblkas09243981 Procession of Princes, detail, figures of Frederick the Bitten, the Serious, the Austere, 14th century, mural on tiles of the Meissen Porcelain Manufactory, Dresden Residence Palace, Dresden, Saxony, Germany, Europe
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ibxsuc09261560 The Man with the Fleas, naked man in bed is bitten by fleas and scratches his body, painting by Jean-Baptiste Oudry, Historical, digitally restored reproduction from a 19th century original
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iblvhf09148722 Bitten apple on the beach
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ibxjwt09172742 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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ibxjwt09172739 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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ibxjwt09172740 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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ibxjwt09172744 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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iblhin09168839 Elbe beaver, beaver damage, gnawed tree trunk, tree felling, Elbe valley floodplain, hardwood, river landscape, beaver sanctuary, endangered species, rodent, Master Bockert, Central Elbe Biosphere Reserve, Saxony-Anhalt, Germany, Europe
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ibxjwt09172741 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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ibxjwt09172743 Beaver (Castor fiber) bite, fallen tree, Titisee, Titisee-Neustadt, Black Forest, Baden-Wüettemberg, Germany, Europe
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iblhin09168838 Elbe beaver, beaver damage, gnawed tree trunk, tree felling, Elbe valley floodplain, hardwood, river landscape, beaver sanctuary, endangered species, rodent, Master Bockert, Central Elbe Biosphere Reserve, Saxony-Anhalt, Germany, Europe
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alb9603678 Bitten donut on blue background.
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alb9594946 Bitten donut on blue background.
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alb9598789 Bitten donut on blue background.
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alb3525991 PAULINO NUNES in BITTEN (2014), directed by GRANT HARVEY. English title: BITTEN.
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alb9402970 Figure of a woman being bitten by a leopard, 15 x 18 x 12 in. (38.1 x 45.72 x 30.48 cm), Terra cotta, Mali.
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alb4136476 The Holy Family in a Room (Virgin, Child, and Saint Anne). Daniel Hopfer, I; German, 1470-1536. Date: 1490-1536. Dimensions: 230 x 155 mm. Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Daniel Hopfer, I.
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alb5200850 Willem van Ingen Attributed to, late 17th or early 18th century, panel, oil paint, painted, Overall dimensions according to catalog 1983: 203 × 96cm 2030 × 960mm, landscape, woman, angel, biblical representation, man, lead, Painting with a biblical representation : the expulsion from Paradise. In the center, Eva is standing with folded hands and dressed in a rough robe. She looks up at an angle to the left from heaven with a flaming sword descending angel Gabriel. In the left foreground, Adam is sitting with his arms outstretched, seen almost entirely from behind. He wears a rough robe around the loins. On the right the tree with the snake that winds around it. At the feet of Eve lies the bitten apple, while more fruits, tendrils, two white rabbits and a peacock are visible more to the front. In the background with colorful birds and trees on the right, including an elephant. Not signed. The painting is applied to a door. It is the door of the left side portal 3847.2 of the interior from the old Catholic church at the Hooigracht in Leiden 3847, 1926.
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alb5190685 Willem van Ingen Attributed to, late 17th or early 18th century, panel, oil paint, painted, Overall dimensions according to catalog 1983: 203 × 96cm 2030 × 960mm, landscape, woman, angel, biblical representation, man, lead, Painting with a biblical representation : the expulsion from Paradise. In the center, Eva is standing with folded hands and dressed in a rough robe. She looks up at an angle to the left from heaven with a flaming sword descending angel Gabriel. In the left foreground, Adam is sitting with his arms outstretched, seen almost entirely from behind. He wears a rough robe around the loins. On the right the tree with the snake that winds around it. At the feet of Eve lies the bitten apple, while more fruits, tendrils, two white rabbits and a peacock are visible more to the front. In the background with colorful birds and trees on the right, including an elephant. Not signed. The painting is applied to a door. It is the door of the left side portal 3847.2 of the interior from the old Catholic church at the Hooigracht in Leiden 3847, 1926.
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alb4448238 Moses and the copper snake, In the center the copper snake mounted on a stake. To the left is Moses. Around the copper snake men, women and children, who have been bitten by poisonous snakes and look up at the copper snake to stay alive. Right behind the tent camp of the Israelites. With a reference to Num. 21: 6-9 and the title of the print in Hebrew, English, German, Latin, French and Dutch, anyone who is bit by a snake is cured by looking at the brazen serpent, the serpent (or dragon) is usually depicted on a tau-shaped cross or on a pillar, Cornelis Huyberts (mentioned on object), Amsterdam, 1720 - 1728, paper, etching, h 354 mm × w 219 mm.
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alb1972063 Miracle of a child bitten by a wolf, detail from the altarpiece entitled Blessed Agostino Novello and stories of his life, ca 1330, by Simone Martini (1283-1344), oil on canvas, 200x256 cm. Location: Siena, Pinacoteca Nazionale (Picture Gallery), Buonsignori Palace.
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akg5164270 Burroughs, Bryson; 1869-1934. Eurydice Bitten by the Snake. Painting, 1930. Oil on canvas, 129.5 × 106.5 cm. Inv. No. 32.27. New York, Metropolitan Museum of Art.
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alb3204996 Greek mythology. The nymph Eurydice, wife of Orpheus, dies by a viper's bite when she steps it. Engraving.
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alb3198567 Touch, Francis Cleyn, Anonymous, Robert Walton, c. 1655.
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akg1716776 Geschichte / 1. Weltkrieg / Propaganda.-"Wir bitten Gott um / Sieg".-( Deutscher Soldat beim Abschied von seiner Liebsten). Fotopostkarte, undatiert.
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akg1035297 Köln, Kirche St.Maria im Kapitol (erbaut 11.-13.Jh.), Türflügel, Detail: links: drei weise Männer bitten Herodes um Auskunft über den >neugeborenen König der Juden
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les40121439 Femme pique par un serpent-a woman bitten by a snake. Marble, 1847 RF 2055. Author: AUGUSTE CLESINGER. Location: Musee d'Orsay, Paris, France.
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alb4108063 Paul is bitten by an adder. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 205 mm × w 160 mm. Museum: Rijksmuseum, Amsterdam.
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alb3678985 Speculum Romanae Magnificentiae: Lion Attacking a Horse. Artist: Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530-1587 Rome). Dimensions: mount: 8 7/16 x 10 7/16 in. (21.5 x 26.5 cm)sheet: 5 1/8 x 7 1/16 in. (13 x 18 cm) Oval. Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1540-80.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 2, plate 175 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
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alb3674452 The Rooster Accuses Renard of Murdering his Chicken from Hendrick van Alcmar's Renard The Fox. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.4 cm)Sheet: 3 15/16 × 4 13/16 in. (10 × 12.2 cm). Date: 1650-75. Museum: Metropolitan Museum of Art, New York, USA.
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alb3679948 The Spanish Singer (Le Guitarrero). Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 11 5/8 x 9 9/16in. (29.5 x 24.3cm)sheet: 18 3/16 x 13 1/4in. (46.2 x 33.7cm). Series/Portfolio: Strolin Edition of 1905. Date: 1861-62. Museum: Metropolitan Museum of Art, New York, USA.
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