Busque também em nossas outras coleções:

Data da imagem:
Pauta
ver mais opções...
Agência
Fotógrafo
ver mais opções...
Estado
Cidade
ver mais opções...
Local
ver mais opções...
Editorias
Tipo de licença
Orientação
Coleção

Total de Resultados: 43

Página 1 de 1

les39191746 Christ at the pillory, ca.1476-1478. The crown of thorns is a symbol of the outrages, the column recalls the flagellation and the rope symbolizes the carrying of the cross. Detail of 40-08-02/4. Oil on wood, 29 x 21cm. R.F. 1992-10. Author: ANTONELLO DA MESSINA. Location: Louvre, Dpt. des Peintures, Paris, France.
DC
orz167916 EXTERIOR - EDIFICIO TAMBIEN CONOCIDO COMO LA CORONA DE ESPINAS - 1968. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. MADRID. SPAIN.
DC
orz167918 EXTERIOR - ESCALINATA DE LA ENTRADA - 1968. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. MADRID. SPAIN.
DC
orz167917 EXTERIOR - VENTANAS DEL EDIFICIO TAMBIEN CONOCIDO COMO LA CORONA DE ESPINAS - 1968. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. MADRID. SPAIN.
DC
orz176089 INTERIOR-1961/70. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. SPAIN.
DC
orz176090 INTERIOR-1961/70. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. SPAIN.
DC
orz176091 INTERIOR-1961/70. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. SPAIN.
DC
orz176092 INTERIOR-1961/70. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. SPAIN.
DC
alb2539848 Aleluya de la Procesión de Semana Santa. Editorial Antonio Bosch de Barcelona, hoja nº 21. Años 1920.
DC
orz167894 EXTERIOR - EDIFICIO TAMBIEN CONOCIDO COMO LA CORONA DE ESPINAS - 1968. Author: HIGUERAS FERNANDO / MIRO ANTONIO. Location: CENTRO RESTAURACIONES ARTISTIC. MADRID. SPAIN.
DC
orz192887 ANTONIO ESPINA GARCIA (1894-1972) ESCRITOR Y POLITICO ESPAÑOL.
DC
alb4261428 Miquel Ramoneda, a young man of twenty-two, was the owner of a factory in the village of Sant Quintí de Mediona (province of Barcelona, Catalonia, Spain). On 17 July 1842, he was kidnapped by a group of criminals led by "en Jaume" and "en Salat", known as "Nas". Antoni Sabater, one of the people who accompanied Ramoneda, was in collusion with the assailants, mediating with the family to ask for a ransom. The authorities arrested all the relatives and friends of the bandits and Sabater confessed. They were finally found in Mas Pagès. The "mosso" Pere Vidal was killed in the action during a fight. Rescue of Ramoneda. Engraving. Historia de las Escuadras de Cataluña, 1876.
DC
akg338528 Sodoma, real nm. Giovanni Antonio Bazzi. 1477-1549. "Christ Bound to the Column", c. 1511/14. Fresco (removed), 140 × 101cm. Inv. No. 352. Siena, Pinacoteca Nazionale. Museum: Siena, Pinacoteca Nazionale.
DC
akg3553525 Correggio, eigentl. Antonio Allegri; 1589 - 1535. "Haupt Christi". Öl auf Holz, 40 x 34 cm. London, Privatbesitz. Privatsammlung. Museum: PRIVATE COLLECTION.
DC
akg3335128 Sodoma, real nm. Giovanni Antonio Bazzi. 1477-1549. "Christ Bound to the Column", c. 1511/14. Fresco (removed), 140 × 101cm. Inv. No. 352. Siena, Pinacoteca Nazionale. Museum: Siena, Pinacoteca Nazionale.
DC
orz033971 CRISTO, VARON DE DOLORES - 1641 - OLEO/LIENZO - 97x78 cm - BARROCO ESPAÑOL - NP 1047. Author: ANTONIO DE PEREDA (1600-1678). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. ECCE HOMO. CRISTO DE LOS DOLORES.
DC
alb3680094 Venus removing a thorn from her left foot while seated beside trees and foliage, a hare eating grass before her. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: Sheet (Trimmed): 10 1/16 × 6 11/16 in. (25.5 × 17 cm). Date: ca. 1515-27. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb5191710 Study for an Overdoor Painting, Cupid Removes a Thorn from the Foot of Venus, Marc Antonio Franceschini, Italian, 1648 1729, Pen and brown ink, brush and brown wash, graphite on paper, lined, Figure of a woman (Venus), shown in profile, sits on the ground, turned toward left and leaning with her back against an elevation of rock. Her expression is full of pain--she gestures with her right hand to express further suffering. Her left arm holds her left leg, and Cupid tries to remove a thorn from the sole of her foot. Framing line in pen and brown ink. Squared in graphite., Bologna, Italy, 1707, figures, Drawing, Drawing.
DC
alb3639396 Ecco Homo, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm). Date: ca. 1509. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb9512660 Portrait of Carlos Coloma, Marquis de la Espinar, Icones Principum Vivorum Doctorum Pictorum Chalcographorum Statuariorum nec non Amatorum Pictoriae Artis Numero Centum ab Antonio van Dyck Pictore ad Vivum Expressae Eiusq: Sumptibus aeri incisae (series title), Iconographie (series title), This print is part of an album., print maker: Paulus Pontius, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), publisher: Gilles Hendricx, (mentioned on object), Antwerp, 1630 - 1641 and/or 1645 - 1646, paper, engraving, height 235 mm × width 167 mm.
DC
alb3894901 Head of Christ. Date/Period: Ca. 1525 - 1530. Painting. Oil on panel. Height: 286 mm (11.25 in); Width: 235 mm (9.25 in). Author: ANTONIO DA CORREGGIO.
DC
orz057024 DON MATIAS DE ESPINOSA - HACIA 1839 - O/L - 248X170 CM. Author: ANTONIO CABRAL BEJARANO (1788-1861). Location: IGLESIA DE SAN ILDEFONSO. Sevilla. Seville. SPAIN.
DC
orz122700 AVERSE SUR GRENADE, CHUBASCOS EN GRANADA (O RECUERDOS DE GRANADA) - OLEO/LIENZO - 95x144. Author: ANTONIO MUÑOZ DEGRAIN (1840-1924). Location: CASON DEL BUEN RETIRO-PINTURA. MADRID. SPAIN.
DC
ado00085487 Antonio Castejn Espinosa (1896-1979), Spanish officer engaged in the coup d'etat of July 17, 1936. Ca. 1938. Author: Unknown photographer.
DC
alb3283042 Ciclo del Vía crucis de la Capilla del Dolors , 1725. Óleo sobre tela. Basílica de Santa María de Mataró. Author: ANTONI VILADOMAT.
DC
orz153196 DIPUTADOS PINTADOS POR SUS HECHOS - A APARICI Y GUIJARRO- M BOBADILLA- P ISASI ISASMENDI Y F MONTERO DE ESPINOSA- CORTES CONSTITUYENTES. Author: SANTIAGO LLANTA Y GUERIN-LITOGRAFO-. Location: CONGRESO DE LOS DIPUTADOS-ARCHIVO. MADRID. SPAIN. APARISI GUIJARRO ANTONIO. APARICI GUIJARRO ANTONIO. BOBADILLA M. ISASI ISASMENDI P. MONTERO DE ESPINOSA FERNANDO.
DC
alb1993255 General Narino's troops, a companion of Bolivar, during the Battle of Calibio, painting by Jose Maria Espinosa (1796-1883). Colombia, 19th century. Location: Bogota', Museo 20 De Julio.
DC
alb4022867 Thorny bushes in a desert area, in the background Pico Santo Antonio, Boa Vista Island, Cape Verde.
DC
alb214338 Duccio di Buoninsegna / 'Maestà - Passion: Crown of Thorns', 1308-1311, Tempera and gold on wood, 50 x 53.,5 cm. Museum: Museo dell'Opera Metropolitana del Duomo, Siena. JESUS. PONTIUS PILATE.
DC
alb3609229 Speculum Romanae Magnificentiae: Man Removing a Thorn from his Foot. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome). Dimensions: sheet: 9 1/2 x 6 1/2 in. (24.1 x 16.5 cm)mount: 14 3/4 x 11 7/16 in. (37.5 x 29 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum's copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 2, plate 89 in the scrapbook. Museum: Metropolitan Museum of Art, New York, USA.
DC
alb1785681 España. Guerra civil (1936-1939). Militar del ejército nacional. Antonio Castejón Espinosa (1896-1969). Comandante del II Tabor de Ceuta y también de la V Bandera de la Legión.
DC
alb2069055 Antonio van Dyck / 'Piet', 1618-1620, Flemish School, Oil on canvas, 203 cm x 170 cm, P01642. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2069653 Antonio van Dyck / 'The Crown of Thorns', 1618-1620, Flemish School, Oil on canvas, 225 cm x 197 cm, P01474. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2070249 Antonio de Pereda y Salgado / 'Christ, Man of Sorrows', 1641, Spanish School, Oil on canvas, 97 cm x 78 cm, P01047. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
alb2070701 Antonio Muñoz Degrain / 'Rainstorm in Granada (Memories of Granada)', 1881, Spanish School, Oil on canvas, 97 cm x 144,5 cm, P04520. Museum: MUSEO DEL PRADO, MADRID, SPAIN.
DC
akg6014155 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas. Inv. Nr. M. 2008.30.2, Los Angeles, County Museum of Art.
DC
akg6014164 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas. Inv. Nr. M. 2008.30.4, Los Angeles, County Museum of Art.
DC
akg6014163 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas. Inv. Nr. M. 2008.30.3, Los Angeles, County Museum of Art.
DC
akg6014165 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas. Inv. Nr. M. 2008.30.5, Los Angeles, County Museum of Art.
DC
akg6014166 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas. Inv. Nr. M. 2008.30.6, Los Angeles, County Museum of Art.
DC
akg6014148 Antonio de Espinosa (active second half of 17th century). The Twelve Months of the Year (Los doce meses del año), Mexico, second half of 17th century. Painting, oil on canvas, 118.11 × 7.62 cm. Inv. Nr. M. 2008.30.1, Los Angeles, County Museum of Art.
DC
orz171377 PABLO DE CESPEDES - 1538/1608 - PINTOR ESPAÑOL. Author: ESPINOSA ANTONIO. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
DC
akg3553520 Correggio, eigentl. Antonio Allegri; 1589 - 1535. "Haupt Christi", um 1525/30. Öl auf Holz, 28,6 x 23,5 cm. Los Angeles, J Paul Getty Museum. . Museum: Los Angeles, J Paul Getty Museum.
DC

Total de Resultados: 43

Página 1 de 1