Pesquisando por: ""editorias:Cultura"" - Fotoarena - Agência de fotojornalismo

ny020524163107 Petrit Halilaj on the Metropolitan Museum of Art Roof Garden with his sculptural installation ?Abetare? in New York, on April 29, 2024. After a childhood marked by war and exile, Halilaj has become one of his generation?s great talents. (Hiroko Masuike/The New York Times/Fotoarena)

ny020524162607 Petrit Halilaj?s ?Abetare (Spider)? at the Metropolitan Museum of Art Roof Garden in New York, April 25, 2024. After a childhood marked by war and exile, Halilaj has become one of his generation?s great talents. (Hiroko Masuike/The New York Times/Fotoarena)

ny020524162407 A tiny bird perched on Petrit Halilaj?s ?Abetare (Spider)? at the Metropolitan Museum of Art Roof Garden in New York, April 25, 2024. After a childhood marked by war and exile, Halilaj has become one of his generation?s great talents. (Hiroko Masuike/The New York Times/Fotoarena)

ny020524162206 A star atop the Petrit Halilaj?s "Abetare (House),? at the Metropolitan Museum of Art Roof Garden in New York, April 25, 2024. After a childhood marked by war and exile, Halilaj has become one of his generation?s great talents. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424162507 Installation views of Petrit Halilaj's "Abetare? at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. The installation has the hide-and-seek tease of a treasure hunt. (Hiroko Masuike/The New York Times/Fotoarena)

ny290424105107 An installation view of Petrit Halilaj's "AbetareÓ, a stainless steel sculpture, at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Petrit Halilaj of Kosovo began drawing as a refugee child in the Balkans during a violent decade and invented a calligraphic world of memory. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424161708 Installation views of Petrit Halilaj's "Abetare?, a stainless steel sculpture, at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Petrit Halilaj of Kosovo began drawing as a refugee child in the Balkans during a violent decade and invented a calligraphic world of memory. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424161807 Installation views of Petrit Halilaj's "Abetare? at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Petrit Halilaj of Kosovo began drawing as a refugee child in the Balkans during a violent decade and invented a calligraphic world of memory. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424162307 Installation views of Petrit Halilaj's "Abetare?, a stainless steel sculpture, at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Halilaj found the image on a desk in his primary school and personalized it with smaller graffiti-derived images and a star. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424163106 Installation views of Petrit Halilaj's "Abetare?, a stainless steel sculpture, at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Born in a village in Kosovo, Petrit Halilaj escaped to an Albanian refugee camp called Kukes II, in 1998, when Serbian forces burned down his family home. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424162106 Installation views of Petrit Halilaj's ?Abetare (Wall of Symbols),? and at right, ?Abetare (Flower, Toshe, Messi)? at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. The images and words were found, doodled on the surface of classroom desktops by elementary schoolchildren during the Balkan wars of the 1990s. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424162907 Installation views of Petrit Halilaj's "Abetare? at The Metropolitan Museum of Art Roof Garden in New York, Thursday, April 25, 2024. Petrit Halilaj of Kosovo began drawing as a refugee child in the Balkans during a violent decade and invented a calligraphic world of memory. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424154306 Students from Ballet Hispánico?s school in ?Con Brazos Abiertos,? a dance by Michelle Manzanales, the school?s director, at New York City Center in New York on Thursday, April 25, 2024. Eduardo Vilaro celebrates his 15th year as artistic director of Ballet Hispánico with a premiere exploring the life of the Afro-Hispanic artist. (Rachel Papo/The New York Times/Fotoarena)

ny020524162807 The letters ?KFOR,? a reference to the NATO peacekeeping force in Kosovo at the Metropolitan Museum of Art Roof Garden in New York, on April 25, 2024. After a childhood marked by war and exile, Halilaj has become one of his generation?s great talents. (Hiroko Masuike/The New York Times/Fotoarena)

ny280424154107 Leonardo Brito, right, with members of Ballet Hispánico in ?Buscando a Juan,? a world premiere at New York City Center in New York on Thursday, April 25, 2024. Eduardo Vilaro celebrates his 15th year as artistic director of Ballet Hispánico with a premiere exploring the life of the Afro-Hispanic artist. (Rachel Papo/The New York Times/Fotoarena)

ny250424154607 The stars of ÒChallengers,Ó from left, Zendaya, Mike Faist and Josh O'Connor, in Los Angeles in April 2024. Ambition, jealousy and Òerotic amusementÓ are entangled in director Luca GuadagninoÕs new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424152507 The stars of ÒChallengers,Ó from left, Mike Faist, Zendaya and Josh O'Connor, in Los Angeles in April 2024. Ambition, jealousy and Òerotic amusementÓ are entangled in director Luca GuadagninoÕs new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424154007 The stars of ÒChallengers,Ó from left, Mike Faist, Zendaya and Josh O'Connor, in Los Angeles in April 2024. Ambition, jealousy and Òerotic amusementÓ are entangled in director Luca GuadagninoÕs new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424154307 The stars of ÒChallengers,Ó from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and Òerotic amusementÓ are entangled in director Luca GuadagninoÕs new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424152207 The stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and ?erotic amusement? are entangled in director Luca Guadagnino?s new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424152807 Director Luca Guadagnino, second right, with the stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in 2024. ?The triangle is not just two people after one,? Guadagnino said, ?but the corners touch together all the time.?(Chantal Anderson/The New York Times/Fotoarena)

ny250424151206 Director Luca Guadagnino, second right, with the stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. ?The triangle is not just two people after one,? Guadagnino said, ?but the corners touch together all the time.?(Chantal Anderson/The New York Times/Fotoarena)

ny250424153307 The stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and ?erotic amusement? are entangled in director Luca Guadagnino?s new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424155008 The stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and ?erotic amusement? are entangled in director Luca Guadagnino?s new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424153707 The stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and ?erotic amusement? are entangled in director Luca Guadagnino?s new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny250424151808 The stars of ?Challengers,? from left, Josh O'Connor, Zendaya and Mike Faist, in Los Angeles in April 2024. Ambition, jealousy and ?erotic amusement? are entangled in director Luca Guadagnino?s new movie about three tennis pros at different stages of their careers and lives. (Chantal Anderson/The New York Times/Fotoarena)

ny200424183207 Stacks of redacted government documents relating to the deaths of Indigenous Australians in police custody, part of the installation, Òkith and kin,Ó by Archie Moore at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424193007 Stacks of redacted government documents relating to the deaths of Indigenous Australians in police custody, part of the installation, Òkith and kin,Ó by Archie Moore at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424183707 Stacks of redacted government documents relating to the deaths of Indigenous Australians in police custody, part of the installation, Òkith and kin,Ó by Archie Moore at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424200207 A family tree encompassing 3,484 names created by the Indigenous Australian artist Archie Moore for the installation Òkith and kinÓ at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424182407 A family tree encompassing 3,484 names created by the Indigenous Australian artist Archie Moore for the installation Òkith and kinÓ at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424184307 Stacks of redacted government documents relating to the deaths of Indigenous Australians in police custody, part of the installation, Òkith and kin,Ó by Archie Moore at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424182807 Stacks of redacted government documents relating to the deaths of Indigenous Australians in police custody, part of the installation, Òkith and kin,Ó by Archie Moore at the 2024 Venice Biennale on April 18, 2024. Òkith and kinÓ won the Golden Lion, the top prize at the Venice Biennale, on Saturday. (Matteo de Mayda/The New York Times/Fotoarena)

ny200424192307 Moisture from rotting fruit is converted into electric signals, which generate sounds or turn on suspended lightbulbs at Yuko MohriÕs installation ÒCompose,Ó part of the Japan Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424190608 Yuko MohriÕs installation ÒCompose,Ó part of the Japan Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424185307 Yuko MohriÕs installation ÒCompose,Ó part of the Japan Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424185507 A 10-panel polyptych on thickly smeared gold by the Chinese artist Yu Hong, exhibiting in the Chiesetta della Misericordia at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424184607 A 10-panel polyptych on thickly smeared gold by the Chinese artist Yu Hong, exhibiting in the Chiesetta della Misericordia at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424192506 The Jean Cocteau exhibition at the Peggy Guggenheim Collection, at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424184806 The Pierre Huyghe exhibition at the Pinault Collection in Punta della Dogana at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424181706 Visitors with work by the Mataaho Collective, titled "Takapau" (2022) at the Venice Biennale on April 17, 2024. The group of four Maori women from New Zealand won the Golden Lion for best participant at the Biennale. (Gus Powell/The New York Times/Fotoarena)

ny260424182707 ÒDawn,Ó one of Arlene ShechetÕs massive welded sculptures from ÒGirl Group,Ó her exhibition at Storm King Art Center in New Windsor, N.Y. on April 17, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Hudson Valley sculpture park with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424181706 Workers position components of Arlene ShechetÕs 20-foot-tall ÒAs April,Ó one of six massive welded sculptures from ÒGirl Group,Ó her exhibition at Storm King Art Center in New Windsor, N.Y. on April 17, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Hudson Valley sculpture park with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424182407 Arlene Shechet with the 20-foot-tall ÒAs April,Ó one of six massive welded sculptures from ÒGirl Group,Ó her exhibition being installed at Storm King Art Center in New Windsor, N.Y. on April 17, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Hudson Valley sculpture park with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny240424160506 A group of demonstrators gathered outside the Israel and U.S. Pavilions at the 2024 Venice Biennale to protest IsraelÕs war on Gaza, in Venice, Italy on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424191707 A work from ÒThresholds,Ó the massive exhibition at the German Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424190807 The French Pavilion, where the art-world darling Julien Creuzet presented sinewy sculptures made of thread, beads and netting, at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424184506 The French Pavilion, where the art-world darling Julien Creuzet presented sinewy sculptures made of thread, beads and netting, at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424191006 The French Pavilion, where the art-world darling Julien Creuzet presented sinewy sculptures made of thread, beads and netting, at the Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424190107 A work from ÒThresholds,Ó the massive exhibition at the German Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424160307 Paintings by 20th-century artists hang cheek by jowl in the Central Pavilion of the 2024 Venice Biennale in Venice, Italy on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424161408 A view of the Òhistorical coreÓ of the 60th Venice Biennale in Venice, Italy, on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424200707 A work by Ersan Mondtag paying homage to his father, who died prematurely from the toxic effects of asbestos, at ÒThresholds,Ó the massive exhibition at the German Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424161107 A densely hung central pavilion of Adriano PedrosaÕs ÒForeigners Everywhere,Ó at the Venice Biennale in Venice, Italy, on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424195007 A work by Yael Bartana at ÒThresholds,Ó the massive exhibition at the German Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424160907 Yuko Mohri constructs wry and precarious assemblages from living and industrial materials in the Japanese pavilion of the 2024 Venice Biennale in Venice, Italy, on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424160707 Ruth Patir, the artist representing Israel, declined to open her exhibition until a cease-fire was established in Gaza, in Venice, Italy on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424161907 A view of the Arsenale, VeniceÕs historic shipyard, during opening week of the 2024 Venice Biennale in Venice, Italy on Thursday, April 18, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Casey Kelbaugh/The New York Times/Fotoarena)

ny240424161707 An installation by Precious Okoyomon, integrating living plants with sensors and speakers, in an outdoor space of the Nigerian pavilion of the 2024 Venice Biennale in Venice, Italy, on April 12, 2024. Every art institution now speaks of progress, justice, transformation. What if all those words hide a more old-fashioned aim? (Matteo de Mayda/The New York Times/Fotoarena)

ny280424155406 Toby Onwumere, Kate Walsh, and Naomi Lorrain in the play ?Jordans? at the Public Theater in New York on April 10, 2024. Alternating between funny and bleak, the Public Theater?s latest production tackles race and the modern workplace. (Sara Krulwich/The New York Times/Fotoarena)

ny280424155207 Matt Russell, Brontë England-Nelson, Kate Walsh, and Naomi Lorrain in the play ?Jordans? at the Public Theater in New York on April 10, 2024. Alternating between funny and bleak, the Public Theater?s latest production tackles race and the modern workplace. (Sara Krulwich/The New York Times/Fotoarena)

ny130424195607 Ada Nicolle, a crossword creator whose grids often include things relevant to Gen-Z solvers, in Burlington, Vt., on April 10, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Kelly Burgess/The New York Times/Fotoarena)

ny130424200006 A copy of ÒA to Gen Z CrosswordsÓ by Ada Nicolle, a creator whose grids often include things relevant to younger solvers, in Burlington, Vt., on April 10, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Kelly Burgess/The New York Times/Fotoarena)

ny120424152006 Members of Dance Theatre of Harlem in Robert GarlandÕs 2019 work ÒNyman String Quartet No. 2" at New York City Center, on April 11, 2024. Garland is now the companyÕs artistic director. (Rachel Papo/The New York Times/Fotoarena)

ny120424152507 Amanda Smith and Elias Re in Robert BondaraÕs "Take Me With You" at New York City Center, on April 11, 2024. Garland is now the companyÕs artistic director. The company performed its first New York City Center season under the direction of Robert Garland. (Rachel Papo/The New York Times/Fotoarena)

ny120424152307 From left, Ariana Dickerson, Sanford Placide, Kamala Saara and Kouadio Davis in George BalanchineÕs ÒPas de Dix,Ó at New York City Center, on April 11, 2024. The company performed its first New York City Center season under the direction of Robert Garland. (Rachel Papo/The New York Times/Fotoarena)

ny130424201107 Paolo Pasco, winner of the 2024 American Crossword Puzzle Tournament, in Brooklyn on April 9, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Frankie Alduino/The New York Times/Fotoarena)

ny130424200207 Paolo Pasco holds his first place trophy from the 2024 American Crossword Puzzle Tournament, in Brooklyn on April 9, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Frankie Alduino/The New York Times/Fotoarena)

ny130424195807 Paolo Pasco, winner of the 2024 American Crossword Puzzle Tournament, in Brooklyn on April 9, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Frankie Alduino/The New York Times/Fotoarena)

ny130424200407 Paolo Pasco, winner of the 2024 American Crossword Puzzle Tournament, in Brooklyn on April 9, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Frankie Alduino/The New York Times/Fotoarena)

ny130424200707 Paolo Pasco, winner of the 2024 American Crossword Puzzle Tournament, in Brooklyn on April 9, 2024. A younger generation of constructors is using an old form to reflect their identities, language and world. (Frankie Alduino/The New York Times/Fotoarena)

ny260424183007 Arlene Shechet supervises ongoing work at Fine Art Finishes in Peekskill, N.Y., where several sculptures were fabricated for her upcoming exhibition, ÒGirl Group,Ó on April 9, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Storm King Art Center with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424182107 A worker sands part of a sculpture by Arlene Shechet at Fine Art Finishes in Peekskill, N.Y., ahead of her upcoming exhibition, ÒGirl Group,Ó on April 9, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Storm King Art Center with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424183207 ÒRapunzelÓ by Arlene Shechet at Fine Art Finishes in Peekskill, N.Y., where several sculptures of hers were being fabricated for her upcoming exhibition, ÒGirl Group,Ó on April 9, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Storm King Art Center with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424181907 Arlene Shechet supervises ongoing work at Fine Art Finishes in Peekskill, N.Y., where several sculptures were fabricated for her upcoming exhibition, ÒGirl Group,Ó on April 9, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Storm King Art Center with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny260424181307 Arlene Shechet supervises ongoing work at Fine Art Finishes in Peekskill, N.Y., where several sculptures were fabricated for her upcoming exhibition, ÒGirl Group,Ó on April 9, 2024. Once known for ceramics, Shechet now commands the rolling hills at the prestigious Storm King Art Center with a chorus of six giant welded works. (Cole Wilson/The New York Times/Fotoarena)

ny120424132106 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424132807 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424132607 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424131907 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424132406 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424131707 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny120424133107 Hoa Xuande, star of HBOÕs upcoming ÒThe Sympathizer,Ó in Los Angeles on April 8, 2024. The Vietnamese Australian had only one Hollywood credit when he was chosen to lead this starry HBO adaptation of a prize-winning novel. He needed all the encouragement he could get. (Ricardo Nagaoka/The New York Times/Fotoarena)

ny130424154308 Tui Seton and Lola-Rosa Seton collect feijoa in their garden in Nelson, New Zealand on April 6, 2024. For fans, nothing can match the autumnal experience of eating an entire bucket of the freshly fallen fruit. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424152907 From left, Xavier Dickson-Paterson, Lola-Rosa Seton, Tui Seton, and Jesse Dickson-Paterson collect feijoa fruits in their garden in Nelson, New Zealand on April 6, 2024. Feijoa fruit is so abundant in the fall that people only buy it in cases of extreme desperation. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424150807 Feijoa skins soaking in sugar water in Nelson, New Zealand on April 6, 2024. Like the kiwi fruit, which originated in China, and the kiwi, a native bird, the feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny230424202207 Megumi Shauna Arai, standing, leads a program called ÒStitching Our ExperienceÓ at the Brower Park Library in Brooklyn, April 6, 2024. A series of workshops hosted by the artist collective Field Meridians aims to get New Yorkers to open their eyes to the nature all around them. (Ahmed Gaber/The New York Times/Fotoarena)

ny130424144608 Inez Crawford, left, prepares feijoa daiquiris to share with her neighbors, Sarah Sharp and Murray McClintock, in Nelson, New Zealand on April 6, 2024. The arrival of fall in New Zealand is marked by the distinctive flavor of feijoas, or pineapple guavas, which have become something of a national obsession. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny230424202406 LinYee Yuan, the founder of Field Meridians, at Brower Park in Brooklyn, April 6, 2024. A series of workshops hosted by the artist collective Field Meridians aims to get New Yorkers to open their eyes to the nature all around them. ÒI wanted to remind people that nature is in our cities and that we are nature ourselves,Ó she said. (Ahmed Gaber/The New York Times/Fotoarena)

ny230424202407 Rita Troyer, a graphic designer, participates in a group meditation during a class called ÒStitching Our ExperienceÓ at the Brower Park Library in Brooklyn, April 6, 2024. A series of workshops hosted by the artist collective Field Meridians aims to get New Yorkers to open their eyes to the nature all around them. (Ahmed Gaber/The New York Times/Fotoarena)

ny130424142307 Inez Crawford scoops out the gritty, jellylike, cream-colored flesh of a feijoa fruit in Nelson, New Zealand, April 6, 2024. The arrival of fall in New Zealand is marked by the distinctive flavor of feijoas, or pineapple guavas, which have a tangy taste that is hard to describe, even for die-hard fans. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424143708 Inez Crawford collects feijoa fruits in her garden in Nelson, New Zealand, April 6, 2024. The arrival of fall in New Zealand is marked by the distinctive flavor of feijoas, or pineapple guavas, which have become something of a national obsession. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424140508 Feijoa and apple juice at a market in Nelson, New Zealand on April 6, 2024. Like the kiwi fruit, which originated in China, and the kiwi, a native bird, the feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424135108 Japanese fermented drinks flavored with feijoa at a market in Nelson, New Zealand on April 6, 2024. Like the kiwi fruit, which originated in China, and the kiwi, a native bird, the feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424135807 Rob Simcic, director of the freeze-dried fruit company Little Beaties, fills a sample jar with dried feijoa fruit slices in Nelson, New Zealand on April 6, 2024. Like the kiwi fruit, which originated in China, and the kiwi, a native bird, the feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424150008 A sign encourages passersby to collect feijoa fruit from a residence in Nelson, New Zealand on April 6, 2024. The feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424141408 Joile Degaia collects feijoa fruits under her tree in Nelson, New Zealand on April 5, 2024. The feijoa has become for many here a quintessential symbol of New Zealand, or Aotearoa, as the country is known in the Indigenous Maori language. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny130424151907 Feijoa fruits in Nelson, New Zealand, April 6, 2024. The arrival of fall in New Zealand is marked by the distinctive flavor of feijoas, or pineapple guavas, which are used in muffins, cakes, jams and smoothies, and begin appearing on high-end menus each March. (Tatsiana Chypsanava/The New York Times/Fotoarena)

ny200424195508 ÒCelestial Gathering,Ó by Tunji Adeniyi-Jones, part of the Nigeria Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)

ny200424193707 ÒMonument to the Restitution of the Mind and SoulÓ (2023), by Yinka Shonibare, part of the Nigeria Pavilion at the 2024 Venice Biennale on April 18, 2024. The worldÕs longest-running and most extravagant festival of contemporary art opens to the public on Saturday after a preview biathlon of fine art and financial profligacy that has grown more hectic than ever. (Casey Kelbaugh/The New York Times/Fotoarena)