Pesquisando por: ""cidade_pt:Paris"" - Fotoarena - Agência de fotojornalismo

ny270424170006 The Seine River in Paris, on April 4, 2024. The opening ceremony for this summerÕs Paris Games will be held outside a stadium Ñ an Olympics first. Making it safe is complicated.(Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424164907 The Seine River in Paris, on April 4, 2024. Soldiers will check the boats that bring athletes down the Seine River during the opening ceremony. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424164706 Place de la Concorde in Paris, one of the sites where construction work for the Olympics is taking place, April 4, 2024. The opening ceremony for this summerÕs Paris Games will be held outside a stadium Ñ an Olympics first. Making it safe is complicated.(Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424165207 The National Assembly, FranceÕs Parliament in Paris, on April 4, 2024. Some 45,000 police and military police officers will flood Paris and its suburbs during the spectacle Ñ about 10 times their typical presence. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424165407 A commuter exits the subway station in Paris, on April 4, 2024. The Paris police will secure sewers and tunnels during the ceremony. Subway stations within the perimeter will be closed, as will businesses and restaurants. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424165807 A police unit takes to the air for practice during a drill in a Paris suburb on April 4, 2024. The opening ceremony for this summerÕs Paris Games will be held outside a stadium Ñ an Olympics first. Making it safe is complicated.(Dmitry Kostyukov/The New York Times/Fotoarena)

ny270424165606 An elite tactical unit of the national police takes part in a drill in a Paris suburb on April 4, 2024. The opening ceremony for this summerÕs Paris Games will be held outside a stadium Ñ an Olympics first. Making it safe is complicated.(Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424183006 Stade Charl?ty stadium on the eve of a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424110506 Stade Charl?ty stadium on the eve of a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424182807 Paris FC players sign autographs at Stade Charl?ty, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424110306 Paris FC players sign autographs at Stade Charl?ty, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424182207 Soccer fans at Stade Charl?ty stadium for a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424105507 Soccer fans at Stade Charl?ty stadium for a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424182406 A Paris FC home game at Stade Charl?ty stadium against Grenoble, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424105906 A Paris FC home game at Stade Charl?ty stadium against Grenoble, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424182007 Soccer fans enter Stade Charl?ty stadium for a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424105707 Soccer fans enter Stade Charl?ty stadium for a Paris FC home game against Grenoble in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny110424182607 A boisterous group of Paris FC fans on their way to Stade Charl?ty, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny100424110107 A boisterous group of Paris FC fans on their way to Stade Charl?ty, in Paris, April 6, 2024. Last November, Paris FC became home to an unlikely revolution by announcing that it was doing away with ticket prices for the rest of the season. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny120424011207 The offices of Mistral, a French artificial-intelligence startup, in Paris, March 26, 2024. Mistral, considered a promising challenger to OpenAI and Google, is getting support from European leaders who want to protect the region?s culture and politics. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny120424011107 Arthur Mensch, the chief executive and one of the founders of Mistral, a French artificial-intelligence startup, at the company?s offices in Paris, March 26, 2024. Mistral, considered a promising challenger to OpenAI and Google, is getting support from European leaders who want to protect the region?s culture and politics. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny120424011006 A member of the audience codes while Arthur Mensch, the chief executive and a founder of Mistral, a French artificial-intelligence startup, speaks during his open lecture at Station F, in Paris, March 25, 2024. Mistral, considered a promising challenger to OpenAI and Google, is getting support from European leaders who want to protect the region?s culture and politics. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny120424011407 Arthur Mensch, the chief executive and a found of Mistral, a French artificial-intelligence startup, speaks during his open lecture at Station F, in Paris, March 25, 2024. Mistral, considered a promising challenger to OpenAI and Google, is getting support from European leaders who want to protect the region?s culture and politics. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny030424180507 Judith Godrche in Paris, March 25, 2024. ÒI donÕt see myself as the messiah. I didnÕt invent #MeToo. There were women who talked here before me,Ó Godrche said. (Andrea Mantovani/The New York Times/Fotoarena)

ny030424180807 Judith Godrche in Paris, March 25, 2024. Godrche says the abuse of children and women is stitched into the fabric of the French movie industry Ñ this time, the country seems to be listening more closely. (Andrea Mantovani/The New York Times/Fotoarena)

ny260324152307 Orsay exhibition co-curators, Sylvie Patry, left, and Anne Robbins, who have put the works in the context of 1870s, at the Musée d?Orsay in Paris on March 22, 2024. The Musée d?Orsay is remembering the moment with ?Paris 1874: Inventing Impressionism.? Organized with the National Gallery of Art in Washington, where it travels in the fall, the show is a blockbuster featuring many of the most-beloved paintings associated with the Impressionist movement. (James Hill/The New York Times/Fotoarena)

ny260324152107 A visitor view paintings part of the exhibition ?Paris 1874: Inventing Impressionism? at the Musée d?Orsay in Paris on March 22, 2024. The Musée d?Orsay is remembering the moment with ?Paris 1874: Inventing Impressionism.? Organized with the National Gallery of Art in Washington, where it travels in the fall, the show is a blockbuster featuring many of the most-beloved paintings associated with the Impressionist movement. (James Hill/The New York Times/Fotoarena)

ny260324151907 Visitors during the ?Tonight With the Impressionists,? a virtual reality experience that takes up some of the exhibition?s themes, at the Musée d?Orsay in Paris on March 22, 2024. The Musée d?Orsay is remembering the moment with ?Paris 1874: Inventing Impressionism.? Organized with the National Gallery of Art in Washington, where it travels in the fall, the show is a blockbuster featuring many of the most-beloved paintings associated with the Impressionist movement. (James Hill/The New York Times/Fotoarena)

ny260324152007 Pierre-Auguste Renoir's "Dance at Le Moulin de la Galette" and Claude Monet's "The Turkeys" in the distance, at the Musée d?Orsay in Paris on March 22, 2024. The Musée d?Orsay is remembering the moment with ?Paris 1874: Inventing Impressionism.? Organized with the National Gallery of Art in Washington, where it travels in the fall, the show is a blockbuster featuring many of the most-beloved paintings associated with the Impressionist movement. (James Hill/The New York Times/Fotoarena)

ny260324152407 ?The Theater Box? by Auguste Renoir, left, and ?The Ballet Rehearsal? by Edgar Degas, on view in the exhibition ?Paris 1874: Inventing Impressionism? at the Musée d?Orsay in Paris on March 22, 2024. The Musée d?Orsay is remembering the moment with ?Paris 1874: Inventing Impressionism.? Organized with the National Gallery of Art in Washington, where it travels in the fall, the show is a blockbuster featuring many of the most-beloved paintings associated with the Impressionist movement. (James Hill/The New York Times/Fotoarena)

ny240324154608 American philosopher and author Judith Butler in Paris, on March 17, 2024. American philosopher and author Judith Butler in Paris, on March 17, 2024. How did gender become a scary word? The theorist who got us talking about the subject has answers. (Elliott Verdier/The New York Times/Fotoarena)

ny240324154307 American philosopher and author Judith Butler in Paris, on March 17, 2024. ?There is a set of strange fantasies about what gender is ? how destructive it is, and how frightening it is,? said Butler, whose new book takes on the topic. (Elliott Verdier/The New York Times/Fotoarena)

ny240324153907 American philosopher and author Judith Butler in Paris, on March 17, 2024. How did gender become a scary word? The theorist who got us talking about the subject has answers. (Elliott Verdier/The New York Times/Fotoarena)

ny240324153707 American philosopher and author Judith Butler in Paris, on March 17, 2024. ?There is a set of strange fantasies about what gender is ? how destructive it is, and how frightening it is,? said Butler, whose new book takes on the topic. (Elliott Verdier/The New York Times/Fotoarena)

ny240324154107 American philosopher and author Judith Butler in Paris, on March 17, 2024. How did gender become a scary word? The theorist who got us talking about the subject has answers. (Elliott Verdier/The New York Times/Fotoarena)

ny290324115707 Scaffolding covers the under-restoration Notre-Dame Cathedral in Paris on March 15, 2024. The burning of Notre-DameÕs roof has given the tight-knit international community of traditional carpenters a chance to show the world that their manual tools and techniques have stood the test of time. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny290324114907 Tourists read infographics about the restoration work underway at Notre-Dame Cathedral in Paris on March 15, 2024. The burning of Notre-DameÕs roof has given the tight-knit international community of traditional carpenters a chance to show the world that their manual tools and techniques have stood the test of time. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny290324115207 Hank Silver, a timber framer based in rural New England, out for a walk in Paris, where he is one of the few foreigners helping to rebuild Notre-Dame Cathedral, on March 13, 2024. The burning of Notre-DameÕs roof has given the tight-knit international community of traditional carpenters a chance to show the world that their manual tools and techniques have stood the test of time. ÒHow many kids staring at their iPads are even aware that they can grow up to be a stonecutter, a traditional carpenter, a mason?Ó Silver asked. (Dmitry Kostyukov/The New York Times/Fotoarena)

ny010424182307 People alone the Seine at lunchtime in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny250324224607 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 a.m. ET Tuesday, March 26, 2024. No exceptions for any reasons. EMBARGO set by source.** People alone the Seine at lunchtime in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny010424181107 A delivery cyclist leaves the Fludis boat near Les Invalides to begin his round of deliveries in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny250324223808 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 a.m. ET Tuesday, March 26, 2024. No exceptions for any reasons. EMBARGO set by source.** A delivery cyclist leaves the Fludis boat near Les Invalides to begin his round of deliveries in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny010424174606 Pedestrians cross the Pont des Arts over the Seine early in the morning in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny250324220307 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 a.m. ET Tuesday, March 26, 2024. No exceptions for any reasons. EMBARGO set by source.** Pedestrians cross the Pont des Arts over the Seine early in the morning in Paris, March 11, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny160324183507 The new Centre Aquatique Olympique, with its wooden inward-curving roof that saves on heating by reducing enclosed space, in the northern Paris suburb of Saint-Denis, March 5, 2024. Organizers of the 2024 Summer Olympics in Paris say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny010424183006 Products from Ikea, brought to central Paris by boat, are delivered by an electric truck, March 4, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny250324214407 **EMBARGO: No electronic distribution, Web posting or street sales before 12:01 a.m. ET Tuesday, March 26, 2024. No exceptions for any reasons. EMBARGO set by source.** Products from Ikea, brought to central Paris by boat, are delivered by an electric truck, March 4, 2024. The Seine is becoming a test case for a European plan to cut carbon emissions by turning rivers into new highways. (James Hill/The New York Times/Fotoarena)

ny270324212007 A loose curls and tie-neck shirt, seen during Paris Fashion Week, Feb. 28, 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny040324220306 A model presents a look at the Noir Kei Ninomiya fall 2024 fashion show in Paris in March 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny040324220106 A model presents a look at the Junya Watanabe fall 2024 fashion show in Paris in March 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny040324220506 A model presents a look at the Junya Watanabe fall 2024 fashion show in Paris in March 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny110424212607 Germano Cecere, a lab director at the Pasteur Institute, plays the drums with his band Billie and the What?! at the institute?s music event, in Paris, March 1, 2024. The Pasteur Institute, known for its world-altering scientific research, has been making advancements in another field: the musical arts. (Cedrine Scheidig/The New York Times/Fotoarena)

ny110424212307 Some members of the a cappella group Les Papillons, or ?the butterflies? in English, perform in outfits accessorized with wings, at the Pasteur Institute in Paris, March 1, 2024. The Pasteur Institute, known for its world-altering scientific research, has been making advancements in another field: the musical arts. (Cedrine Scheidig/The New York Times/Fotoarena)

ny220324194007 HEADLINE: In Paris, the Olympics Clean Up Their ActCAPTION: A pool from the 1924 Paris Olympics that is getting a makeover ahead of the city?s 2024 Summer Games, in Paris, March 1, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. CREDIT: (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324185207 A pool from the 1924 Paris Olympics that is getting a makeover ahead of the city?s 2024 Summer Games, in Paris, March 1, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324184107 A pool from the 1924 Paris Olympics that is getting a makeover ahead of the city?s 2024 Summer Games, in Paris, March 1, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324183107 A station on the Metro, which has two lines with new extensions that workers are rushing to complete before the Summer Olympics, in Paris, Feb. 29, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324182907 New bicycle lanes under construction along a boulevard ahead of the 2024 Summer Olympics in Paris, Feb. 29, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324183706 A bicycle lane along Boulevard Saint-Michel in Paris, which has added hundreds of kilometers of such paths in recent years, Feb. 29, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324183307 A new electrical box, to replace the use of diesel generators, ahead of the 2024 Summer Olympics, near the Grand Palais in Paris, Feb. 29, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny160324183907 Construction equipment at Place de la Concorde ahead of the 2024 Summer Olympics in Paris, Feb. 29, 2024. Organizers say that with measures like more space for bicycling and less for cars, solar panels on the Seine, more plant-based foods ? and perhaps most significantly, less construction of new facilities ? the Games will generate no more than half the greenhouse gas emissions of other recent Olympics. (Yulia Grigoryants/The New York Times/Fotoarena)

ny270324211306 A breezy bob seen during Paris Fashion Week, Feb. 28, 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny060324195507 A model walks the runway at the Undercover fall 2024 fashion show in Paris in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny040324215506 A model walks the runway at the Undercover fall 2024 fashion show in Paris in February 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny270324212607 Sweet finishing touches to this honey-blond hair included bows and pearls, seen during Paris Fashion Week, Feb. 28, 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny070324213706 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE 5:01 A.M. ET ON FRIDAY, MARCH 8, 2021 -- The actress Dominique Blanc in the yard next to the Comedie-Francaise, FranceÕs most illustrious theater company, in Paris, Feb. 13, 2024. Blanc, who has fought for her career by performing ÒLa DouleurÓ in school gymnasiums and prisons in France, brings her one-woman play to New York. (Elliott Verdier/The New York Times/Fotoarena)

ny070324213506 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE 5:01 A.M. ET ON FRIDAY, MARCH 8, 2021 -- The actress Dominique Blanc at the Comedie-Francaise, France?s most illustrious theater company, in Paris, Feb. 13, 2024. Blanc, who has fought for her career by performing ?La Douleur? in school gymnasiums and prisons in France, brings her one-woman play to New York. (Elliott Verdier/The New York Times/Fotoarena)

ny070324213406 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE 5:01 A.M. ET ON FRIDAY, MARCH 8, 2021 -- The actress Dominique Blanc in her loge at the Comedie-Francaise, France?s most illustrious theater company, in Paris, Feb. 13, 2024. Blanc, who has fought for her career by performing ?La Douleur? in school gymnasiums and prisons in France, brings her one-woman play to New York. (Elliott Verdier/The New York Times/Fotoarena)

ny070324213807 -- PHOTO MOVED IN ADVANCE AND NOT FOR USE - ONLINE OR IN PRINT - BEFORE 5:01 A.M. ET ON FRIDAY, MARCH 8, 2021 -- The actress Dominique Blanc in her loge at the Comedie-Francaise, France?s most illustrious theater company, in Paris, Feb. 13, 2024. Blanc, who has fought for her career by performing ?La Douleur? in school gymnasiums and prisons in France, brings her one-woman play to New York. (Elliott Verdier/The New York Times/Fotoarena)

ny170324132507 Desirée Fleurs, a business that sells coffee and flowers grown locally, in a storefront rented by the city of Paris, on Feb. 13, 2024. One quarter of residents in the French capital now live in government-owned housing, part of an aggressive effort to keep lower-income Parisians ? and their businesses ? in the city. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324133107 Desirée Fleurs, a business that sells coffee and flowers grown locally, in a storefront rented by the city of Paris, on Feb. 13, 2024. One quarter of residents in the French capital now live in government-owned housing, part of an aggressive effort to keep lower-income Parisians ? and their businesses ? in the city. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324132307 Librairie Violette and Co, a feminist and lesbian bookshop, in Paris, on Feb. 9, 2024. The bookstore rents a city-owned storefront and attracts a clientele from across France. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324131607 A man locks his bike in front of La Caserne des Minimes, a public housing development in Paris, on Feb. 9, 2024. The city converted a police barracks built during the French Revolution into 70 public housing units. The building is steps away from the Place des Vosges in the Marais. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324132007 Emmanuelle Fayat, a luthier, at her shop in Caserne des Minimes, a public housing development in Paris, on Feb. 9, 2024. Fayat rents her shop near the Place de la Bastille from a city-owned real estate management company for a modest rate. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324131807 From left, Chef Alain Fontaine, owner of le Mesturet Bistro, and Nicolas Bonnet-Oulaldj, the city counselor who oversees Paris?s commercial landholdings, in Paris, on Feb. 9, 2024. Bonnet-Oulaldj refuses to rent city-owned retail space to chain restaurants. Instead, he is promoting bistros like Le Mesturet, owned by Fontaine, who called traditional bistros ?a social necessity.? (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324132807 Îlot Saint-Germain public housing development in Paris, on Feb. 8, 2024. The Îlot Saint-Germain public housing complex includes a below-ground gymnasium and a day care center. The complex was built in the former offices of the French Defense Ministry. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324131107 A view of the Eiffel Tower from an apartment in the Îlot Saint-Germain public housing development in Paris, on Feb. 8, 2024. Even on a gray winter?s day, the Eiffel Tower stands out from the balcony of the new Îlot Saint-Germain public housing development in the Seventh arrondissement. The apartment?s resident, Marine Vallery-Radot, is among hundreds of thousands of Parisians living in public housing. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny170324131407 Ian Brossat, a communist senator who served for a decade as Paris City Hall?s head of housing, at his office in Paris City Hall on Feb. 8, 2024. ?Our guiding philosophy is that those who produce the riches of the city must have the right to live in it,? said Brossat. (Alex Cretey-Systermans/The New York Times/Fotoarena)

ny130324183306 Priscila Alexandre Spring, who was appointed the creative director of leather goods at Herms in 2020, at her office in Paris, Feb. 1, 2024. A bag designer at Herms has the fun and formidable challenge of creating a new icon. (Maxime La/The New York Times/Fotoarena)

ny130324183107 Priscila Alexandre Spring, who was appointed the creative director of leather goods at Herms in 2020, works on a sketch at her office in Paris, Feb. 1, 2024. She first does a sketch, which she then takes to the prototype makers, who discuss size, functionality, even the sound of the hardware. (Maxime La/The New York Times/Fotoarena)

ny130324183006 The Herms Aron bag in the office of Priscila Alexandre Spring, who was appointed the creative director of leather goods at Herms in 2020, in Paris, Feb. 1, 2024. When she designed the Herms Aron bag, Alexandre Spring was inspired by the flap of a saddle. (Maxime La/The New York Times/Fotoarena)

ny130324182906 Assorted Herms bags share space alongside stacks of art books in the office of Priscila Alexandre Spring, who was appointed the creative director of leather goods at Herms in 2020, in Paris, Feb. 1, 2024. A bag designer at Herms has the fun and formidable challenge of creating a new icon. (Maxime La/The New York Times/Fotoarena)

ny130324182807 The Petite Course in the office of Priscila Alexandre Spring, who was appointed the creative director of leather goods at Herms in 2020, in Paris, Feb. 1, 2024. The Petite Course is Òfor a sports car,Ó Alexandre Spring said. ÒYou put your wallet and your keys in it and you go.Ó (Maxime La/The New York Times/Fotoarena)

ny160224201807 Ñ EMBARGO: NO ELECTRONIC DISTRIBUTION, WEB POSTING OR STREET SALES BEFORE 5:01 A.M. ET ON SATURDAY, FEB. 17, 2024. NO EXCEPTIONS FOR ANY REASONS Ñ Gary and Donna Jacobs on a visit to Paris on Feb. 7, 2024. They refinanced their mortgage in late 2021, cutting their interest rate in half and saving hundreds a month. (James Hill/The New York Times/Fotoarena)

ny080224191307 Ra?l Pags, winner of the Louis Vuitton Watch Prize, poses for a photo with the award with Michael Tay, left, the head judge, and Jean Arnault, the director of watches for Louis Vuitton, at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Five finalists were vying for a 150,000-euro prize and a yearlong mentorship from the luxury house. (Violette Franchi/The New York Times/Fotoarena)

ny080224191106 John-Mika?l FlauxÕs mechanical bee on display during a celebration to announce the winner of the first edition of the Louis Vuitton Watch Prize for Independent Creatives at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. FlauxÕs mechanical bee has a manual wind caliber that fits inside the beeÕs body, and the bee rotates on its base with the stinger serving as the hour indicator. (Violette Franchi/The New York Times/Fotoarena)

ny080224191507 Guests take their seats before the Louis Vuitton Watch Prize for Independent Creatives is awarded at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. At the Fondation Louis Vuitton, 250 guests gathered for the watch prize ceremony and a glitzy after-party. (Violette Franchi/The New York Times/Fotoarena)

ny080224191006 Guests inspect one of the finalistÕs pieces before the Louis Vuitton Watch Prize for Independent Creatives is awarded at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Louis Vuitton gathered up-and-coming watchmakers in Paris this week with its first watch prize and a party hosted by the youngest Arnault scion. (Violette Franchi/The New York Times/Fotoarena)

ny080224192606 Simon BretteÕs timepiece on display during a celebration to announce the winner of the first edition of the Louis Vuitton Watch Prize for Independent Creatives at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Brette presented a series of timepieces with complex mechanisms that sold out as soon as it was released. (Violette Franchi/The New York Times/Fotoarena)

ny080224192306 Ra?l PagsÕs prize-winning RP1 on display during a celebration to announce the winner of the first edition of the Louis Vuitton Watch Prize for Independent Creatives at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Pags creates about four timepieces a year, crafting them entirely by hand. (Violette Franchi/The New York Times/Fotoarena)

ny080224192207 Ra?l PagsÕs prize-winning RP1 on display during a celebration to announce the winner of the first edition of the Louis Vuitton Watch Prize for Independent Creatives at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Pags spent three years working on the watch before it was ready to be revealed and the price tag is close to $100,000. (Violette Franchi/The New York Times/Fotoarena)

ny080224191606 Guests view the finalistsÕ timepieces before the Louis Vuitton Watch Prize for Independent Creatives is awarded at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. Louis Vuitton gathered up-and-coming watchmakers in Paris this week with its first watch prize and a party hosted by the youngest Arnault scion. (Violette Franchi/The New York Times/Fotoarena)

ny080224192006 Andreas StrehlerÕs gilded brass table clock with a detachable pocket watch on display during a celebration to announce the winner of the first edition of the Louis Vuitton Watch Prize for Independent Creatives at the Fondation Louis Vuitton in Paris, Feb. 6, 2024. StrehlerÕs clock is equipped with a perpetual calendar that displays the date, day, month and year. (Violette Franchi/The New York Times/Fotoarena)

ny160224202107 Ñ EMBARGO: NO ELECTRONIC DISTRIBUTION, WEB POSTING OR STREET SALES BEFORE 5:01 A.M. ET ON SATURDAY, FEB. 17, 2024. NO EXCEPTIONS FOR ANY REASONS Ñ Gary and Donna Jacobs in their rental apartment during a visit to Paris on Feb. 7, 2024. By refinancing their mortgage, the Jacobses were able to lower their monthly payment by around $300. (James Hill/The New York Times/Fotoarena)

ny180224163607 The author Marguerite Abouet at home in Paris, Feb. 2, 2024. AbouetÕs ÒAyaÓ series explores the pains and pleasures of everyday life in a working-class neighborhood in West Africa. (Violette Franchi/The New York Times/Fotoarena)

ny230224140806 HEADLINE: Telling Tales of West AfricaCAPTION: Marguerite Abouet at her home in Paris on Feb. 2, 2024. ÒAya,Ó the graphic novel series by Abouet that is based in Ivory Coast, mixes humor and biting takes on society, with a feminist twist. CREDIT: (Violette Franchi/The New York Times/Fotoarena)

ny190224001406 The author Marguerite Abouet at home in Paris, Feb. 2, 2024. AbouetÕs ÒAyaÓ series explores the pains and pleasures of everyday life in a working-class neighborhood in West Africa. (Violette Franchi/The New York Times/Fotoarena)

ny310124215106 The actress Gwendoline Christie closes the Maison Margiela haute couture 2024 fashion show in Paris, Jan. 25, 2024. (Simbarashe Cha/The New York Times/Fotoarena)

ny260124220207 A look from the Maison Margiela haute couture show in Paris on Jan. 25, 2024. A fashion fantasy built on extreme corsetry in which bodies became hourglasses; flesh became a fabric unto itself (and no actual fabric was quite as it seemed); and historical allusions ran in and out like time, Vanessa Friedman writes. (Simbarashe Cha/The New York Times/Fotoarena)

ny020224120106 HEADLINE: A Fashion Show Gone ViralCAPTION: A model presents a look at the Maison Margiela Artisinal fashion show in Paris on Jan. 25, 2024. During couture week, the Maison Margiela Artisinal show by John Galliano was the sort of immersive experience that hasnÕt been seen in more than a decade. CREDIT: (Simbarashe Cha/The New York Times/Fotoarena)