Pesquisando por: "SIR DAVID WILKIE" - Fotoarena - Agência de fotojornalismo

2WY7572 Queen Victoria as a young woman. Portrait by Sir David Wilkie (1785-1841), 1838-40

2WP18M0 Queen Adelaide of Saxe-Meiningen (1792-1849) Queen Consort of the United Kingdom and Hanover (1830-1837), equestrian portrait in oil on canvas by Sir David Wilkie, circa 1833

2WR8W0M Portrait of Abraham Jacob Messi, Drawings by David Wilkie made in Turkey, Syria and Egypt (series title), Sir David Wilkie's Sketches in Turkey, Syria & Egypt. (series title), print maker: Joseph Nash, after drawing by: David Wilkie, printer: Charles Joseph Hullmandel, print maker: England, after drawing by: Smyrna, publisher: London, 1843, paper, brush, height 430 mm × width 307 mm, print

2WBD5KD William IV (1765-1837), King of the United Kingdom and Hanover (1830-1837), portrait painting in oil on canvas by Sir David Wilkie, 1837

2WE4M62 Sir David Wilkie 1785 to 1841 englischer genre und Porträt Maler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

2TBTBM7 England, London, Portrait of Frederick Duke of York and Albany (1763-1827) by Sir David Wilkie dated about 1823

2RX2XXG England, London, Portrait of Frederick Duke of York and Albany (1763-1827) by Sir David Wilkie dated about 1823

R867B6 Digital improved reproduction, Sir David Wilkie, 1785-1841, a British painter, especially known for his genre scenes, England, britischer Maler, from an original print from the year 1855

2T91HR3 Letter from David Wilkie to William Newton, May 22, 1829, 1829 or 1839, Sir David Wilkie; Miniaturist: Sir William John Newton, Scottish, 1785–1841, 5 7/8 x 3 1/16 in. (14.92 x 7.78 cm) (image)12 1/2 x 9 in. (31.75 x 22.86 cm) (sheet), Pen and brown ink on cream paper, England, 19th century

2T90RAM The Hamilton Children, 1835, Sir David Wilkie, Scottish, 1785–1841, 23 1/4 x 18 5/8 in. (59.06 x 47.31 cm), Watercolor, graphite, charcoal and chalk, white wove, Scotland, 19th century

2T90M9Y Head of a Woman and Study of Hands, 1837, Sir David Wilkie, Scottish, 1785–1841, 15 3/16 x 18 9/16in. (38.6 x 47.2cm), Black and white chalk, with touches of red chalk, and pen and brown ink with wash on light brown paper, Scotland, 19th century, Among this series of hand studies, the Scottish artist David Wilkie included a carefully described portrait drawing of an older woman. With rather spare chalk and pen lines, Wilkie achieved an impressive lifelike quality in the figure

2M1W4X7 The Highland Family by Sir David Wilkie (1785-1841), oil on wood, 1824

2M0AWR3 Portrait of King William The Fourth (1765-1837) in 1838 By Sir David Wilkie

2K68PHB Sir David Wilkie, 1785-1841, a British painter, especially known for his genre scenes, England / Sir David Wilkie, britischer Maler, Großbritannien, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,

2K5T1W3 A old portrait of Sir David Wilkie, Scottish Painter 1785-1841. Sir David Wilkie RA ( 1785 – 1841) was a Scottish painter, known for his portraits and depictions of domestic scenes from everyday life. He was referred to as 'people's painter'.

2HWHGRA Medal of Sir David Wilkie. Artist: Leonard Charles Wyon, British, 1826–1891

2HJ2R09 Portrait of Abram Jacob Messir 1841 Sir David Wilkie British, Scottish Wilkie reenergized British genre painting before travelling to Turkey and the Holy Land in 1840 to seek new subjects. His death on shipboard on the return journey was a blow to artist contemporaries. This vivid portrait of a Turkish official belongs to a series of Middle Eastern subjects that are considered Wilkie’s culminating achievement as a draftsman. To convey the sitter’s authority, the artist adopted a low viewpoint, and combined chalks and watercolors to create a glowing effect. A journal entry made in Smyrna (moder

2HHDRYJ Studies for 'The Bride at Her Toilet on the Day of Her Wedding' ca. 1838 Sir David Wilkie British, Scottish This is one of a group of sketches where Wilkie developed compositional ideas for a painting he would show at the Royal Academy, London in 1838 (now National Gallery of Scotland, Edinburgh). Pen lines suggest movement, and wash is used to indicate shadow as the artist conveys the movements of a young woman dressing for her wedding assisted by a companion. The figure's nudity and elevated placement echo classical models, even though the subject was one of Scottish genre, and Wilkie's tech

2HHAHX0 Studies for 'The Bride at Her Toilet on the Day of Her Wedding' ca. 1838 Sir David Wilkie British, Scottish This is one of a group of sketches where Wilkie developed compositional ideas for a painting he would show at the Royal Academy, London in 1838 (now National Gallery of Scotland, Edinburgh). Pen lines suggest movement, and wash is used to indicate shadow as the artist conveys the movements of a young woman dressing for her wedding watched by companions. The figure's nudity and elevated placement echo classical models, even though the subject was one of Scottish genre, and Wilkie's techni

2HH7WG2 Studies of Two Groups of Turkish Figures before 1841 Sir David Wilkie British, Scottish. Studies of Two Groups of Turkish Figures 361958

2HH6WT0 Study for 'The Bride at Her Toilet on the Day of Her Wedding' ca. 1838 Sir David Wilkie British, Scottish This is one of a group of sketches where Wilkie developed compositional ideas for a painting he would show at the Royal Academy, London in 1838 (now National Gallery of Scotland, Edinburgh). Pen lines suggest movement, and wash is used to indicate shadow as the artist conveys the movements of a young woman dressing for her wedding assisted by a companion and watched by an older woman. The figure's nudity and elevated placement echo classical models, even though the subject was one of Scott

2HH3N3K The Highland Family 1824 Sir David Wilkie British, Scottish Wilkie, a genre painter, served as a court artist under George IV and his successors. This painting, commissioned by the Earl of Essex in 1824, was exhibited by Wilkie at the Royal Academy in 1825. The scene’s rustic detail, as in the vignette of collie dogs lolling next to the open hearth, and its patriotic sentiment, which stems from the novels of Sir Walter Scott, explain the contemporary opinion that this work was not a costume piece but a 'portrait painted from life.'. The Highland Family. Sir David Wilkie (British, Cults, Scotla

2HH3DPP Studies for 'Frederick, Duke of York and Albany' 1822 Sir David Wilkie British, Scottish. Studies for 'Frederick, Duke of York and Albany'. Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar). 1822. Pen and black ink on white paper. Drawings

2HGR456 After the Victory, from 'Illustrated London News' August 2, 1873 Richard Principal Leitch Faed made his name painting Scottish subjects. Trained in Edinburgh, he moved to London and was elected a Royal Academician in 1864. This image conveys the devastating impact on a humble Scots family of the loss of their soldier-breadwinner father. David Wilkie had helped to revive the popularity of genre painting, and Faed's imagery combined history, portraiture and genre during a period of rising interest in the Scottish past encouraged by Sir Walter Scott’s novels, and Queen Victoria’s annual visits to

2HC2AXJ Schools as they used to be - Paintings by Thomas Webster, and Sir David Wilkie.

2H84FND A Young Woman kneeling at a Prayer Desk by Sir David Wilkie (1785-1841), oil on mahogany, 1813

2GYTHXE The Duke of Wellington Writing Dispatches on the eve of the Battle of Waterloo by Sir David Wilkie, oil on panel, 1836

2E37EYA the newly refurbished Ayr Grammar Primary School, Ayr,South Ayrshire,Scotland,

2E37EY6 the newly refurbished Ayr Grammar Primary School, Ayr,South Ayrshire,Scotland,

2DJ7HMM Sir David Wilkie, John Jackson, 1778–1831, British, ca. 1810, Oil on panel, Support (PTG): 19 1/8 × 14 3/4 inches (48.6 × 37.5 cm), dark, man, portrait

2DJ6EBK Study for Nelson Sealing the Copenhagen Letter, Sir David Wilkie, 1785–1841, British, ca. 1835, Pen and brown ink on medium, smooth, cream wove paper, Sheet: 2 3/4 × 5 1/4 inches (7 × 13.3 cm) and Frame: 8 1/2 × 10 1/4 × 1 1/2 inches (21.6 × 26 × 3.8 cm), figure study, marine art

2DJ5DAW Studies of Heads, attributed to Sir David Wilkie, 1785–1841, British, undated, Pen and brown ink on medium, smooth, beige wove paper, Sheet: 7 1/8 × 4 1/2 inches (18.1 × 11.4 cm), figure study, heads, men, sketches, studies, women

2DJ4FET King Charles Spaniel, Sir David Wilkie, 1785–1841, British, 1835, Graphite, pen and brown ink, brown wash, white gouache and red gouache on medium, slightly textured, beige wove paper, Sheet: 9 1/8 × 7 13/16 inches (23.2 × 19.8 cm) and Frame: 12 5/8 × 11 × 7/8 inches (32 × 28 × 2.3 cm), animal art, dog (animal), scratching, Spaniel

2DJ4EWB The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall, Sir David Wilkie, 1785–1841, British, undated, Oil on canvas on panel, Support (PTG): 10 5/8 × 13 9/16 inches (27 × 34.4 cm), frames (furnishings), paintings, still life

2DJ3R03 Two Riders Seen from Behind, Oct. 10, 1822, Sir David Wilkie, 1785–1841, British, 1822, Pen, in brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm), coat, dress, equestrians, genre subject, hats, horses (animals), man, riders, horseback, riding habits, woman

2DJ3MJ7 The Dragoman of Mr. Moore, English Consul at Beyrout, Sir David Wilkie, 1785–1841, British, 1841, Graphite, black chalk and watercolor with gouache on moderately thick, slightly textured, gray wove paper, Sheet: 17 3/4 x 11 3/4 inches (45.1 x 29.8 cm), braiding, consul, costume, dragoman, figure study, slippers, sword, turban, uniform, Asia, Bayrut, Beirut, Lebanon

2DJ3M2X Johnny and His Pony, Sir David Wilkie, 1785–1841, British, 1836, Brown wash and gray wash, with black chalk, and gouache over graphite on moderately thick, moderately textured, beige wove paper, Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm), boy, child, equestrian, genre subject, hat, horse (animal), portrait, trousers

2DJ34P3 The Village Politicians, Abraham Raimbach, 1784–1868, British, after Sir David Wilkie, 1785–1841, British, 1814, Engraving and etching, Plate: 20 x 24 1/2in. (50.8 x 62.2cm), bones, chairs, cups, dog (animal), door, drinking, fire, ladder, pans, politicians, tables (support furniture

2DJ34P2 Village Recruits, Charles Fox, 1749–1809, British, after Sir David Wilkie, 1785–1841, British, 1838, Engraving, Sheet: 20 3/8 x 25in. (51.8 x 63.5cm

2DJ34P1 The Penny Wedding, James Stewart, 1791–1863, British, after Sir David Wilkie, 1785–1841, British, 1832, Engraving, Sheet: 19 x 25 1/2in. (48.3 x 64.8cm

2DJ34P9 Sir David Baird discovering the body of Tipu Sultan, John Burnet, 1784–1868, British, after Sir David Wilkie, 1785–1841, British, 1843, Mezzotint, published state, Sheet: 32 x 21in. (81.3 x 53.3cm

2DJ34ND Rat Hunters, James Mitchell, 1791–1852, British, after Sir David Wilkie, 1785–1841, British, 1830, Engraving on medium, smooth, cream, laid paper, mounted on, thick, slightly textured, gray, laid paper, Mount: 21 13/16 × 15 5/16 inches (55.4 × 38.9 cm), Sheet: 16 1/4 × 13 5/16 inches (41.3 × 33.8 cm), Plate: 16 × 12 15/16 inches (40.6 × 32.9 cm), and Image: 9 5/8 × 7 15/16 inches (24.4 × 20.2 cm

2DJ34NB The Parliament Close and Public Characters of Edinburgh fifty years Since, John Le Conte, active 1850–1886, British, And unknown artist, ( Thomas Dobbie ), after Sir David Wilkie, 1785–1841, British, 1844, Colored aquatint and etching, Sheet: 17 1/8 x 23 3/4in. (43.5 x 60.3cm

2DJ34NC Chelsea Pensioners, John Burnet, 1784–1868, British, after Sir David Wilkie, 1785–1841, British, 1831, Engraving, Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm

2DJ34N9 Chelsea Pensioners, John Burnet, 1784–1868, British, after Sir David Wilkie, 1785–1841, British, 1831, Engraving, Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm

2DJ32B1 Hymn of the Calabrian Shepherds to the Virgin, Charles Rolls, 1800–active 1830, British, after Sir David Wilkie, 1785–1841, British, 1829, Engraving, Sheet: 7 15/16 x 4 15/16in. (20.2 x 12.6cm

2DJ26JN Sir David Wilkie, R.A., Richard James Lane, 1800–1872, British, after Maria Munier-Romilly, 1788–1875, Swiss, 1836

2DJ26JR Sir David Wilkie, Print made by James Charles Armytage, 1802–1897, British, after Thomas Phillips, 1770–1845, British, after 1829, Line engraving, stipple engraving, and etching on thick, slightly textured, beige wove paper, Sheet: 17 1/16 x 11 3/4 inches (43.4 x 29.8 cm), Plate: 14 3/8 x 10 15/16 inches (36.5 x 27.8 cm), and Image: 9 3/16 x 6 5/8 inches (23.4 x 16.8 cm), artist, cloak, collar, costume, cravat, curtain, drapery, embroidery, man, painting (visual work), pen, portrait, scroll (information artifact

2DHWH0G Captain Leigh and His Dragoman, Sir David Wilkie, 1785–1841, British, 1840 or 1841, Watercolor with brown ink, gouache, black crayon, and gum arabic over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 16 1/2 × 12 5/8 inches (41.9 × 32.1 cm), captain, costume, dragoman, fezes, figure study, finger rings, fur, hookah, military uniforms, pipes, smoking, swords, tassel

2DHWFBB The Interior of Pitlessie Mill with a Man Sieving Corn, Sir David Wilkie, 1785–1841, British, 1818, Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm), agricultural equipment, boys, caps, children, corn, dresses, genre subject, hats, interior, labor, laborers, ladder, machinery, mill, peasants, pulley, rural, sieve, stools, tam-o'-shanter, tools, women, workers, working, Europe, Fife, Pitlessie, Scotland, United Kingdom

2DHWDBR A Scene from 'The Abbot', Sir David Wilkie, 1785–1841, British, 1833, Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm), gown, literary theme, man, novel, performance, queen (person), royalty, tableau vivant, The Abbot by Sir Walter Scott, 1820, theater (discipline), throne, veil, women, England, Hatfield, Hatfield House, Hertfordshire, United Kingdom

2DHWDC4 A Group of Women at Mass, Sir David Wilkie, 1785–1841, British, undated, Watercolor with black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm), Catholicism, church, dresses, genre subject, headpieces, kneeling, mass, prayer, praying, religious and mythological subject, stained glass, women

2DHWC18 Study for 'The First Ear-Ring', Sir David Wilkie, 1785–1841, British, before 1834, Watercolor with graphite and black chalk on moderately thick, slightly textured, beige wove paper, Sheet: 21 1/2 x 14 3/8 inches (54.6 x 36.5 cm), child, dress, earrings, genre subject, hands, study (visual work

2DHWBEE Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo, Sir David Wilkie, 1785–1841, British, ca. 1819, Oil on panel, Support (PTG): 10 1/2 x 17 inches (26.7 x 43.2 cm), babies, battle, celebrating, children, cityscape, costume, gazette, genre subject, historical subject, horse (animal), people, politics, signs, soldier, street, surprise, tankards, tavern, Chelsea, England, Europe, Greater London, United Kingdom

2DHTWRM La Mancha, Sir David Wilkie, 1785–1841, British, 1828, Watercolor and gouache over graphite and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card, Sheet: 7 3/16 x 6 11/16 inches (18.3 x 17 cm), child, dance, dress, family, genre subject, gesture, man, nude, top hat, woman, Castilla-La Mancha, Europe, La Mancha, Spain

2DHTW5N Kitchen Scene: Dunkerrin, September 1835, Sir David Wilkie, 1785–1841, British, 1835, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm), bowls (vessels), broom, cups, genre subject, hutch, interior, jugs, kitchen, peasants, plates, rural, table, women, Dunkerrin, Europe, Ireland, Leinster, Offaly

2DHTW3H Children with Pig at a Doorway in Ballynahinch, Ireland, Sir David Wilkie, 1785–1841, British, 1835, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm), agriculture, animals, baby, children, doorway, farm, genre subject, livestock, peasants, pigs, rural, Ballynahinch, Connacht, Europe, Galway, Ireland

2DHTW39 A Child Resting His Cheek on His Hand, Head and Shoulders, Sir David Wilkie, 1785–1841, British, undated, Graphite on moderately thick, moderately textured, beige laid paper, Sheet: 4 3/4 x 2 7/8 inches (12.1 x 7.3 cm), child, figure study, genre subject, hands, hat, head, study (visual work

2DHTW1R Study of a Gentleman in 17th Century Costume, Richard Parkes Bonington, 1802–1828, British, formerly attributed to Sir David Wilkie, 1785–1841, British, after Sir Anthony Van Dyck, 1599–1641, Flemish, active in Britain (1620–21; 1632–34; 1635–41), between 1827 and 1828, Pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 4 5/8 × 4 1/2 inches (11.7 × 11.5 cm), costume, doublet, fancy dress, figures (representations), livery collar, man, mustache, pendant, ruffs, woman

2DHTR6C Scene from Quentin Durward, Sir David Wilkie, 1785–1841, British, 1833, Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper, Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm) and Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.3 cm), capes, caps, daggers (weapons), hats, literary theme, men, novel, Quentin Durward by Sir Walter Scott, 1823, swords, tableau vivant, theater (discipline), woman, England, Hatfield, Hatfield House, Hertfordshire, United Kingdom

2DHTR6E Shopping in the Rows, Chester, Sir David Wilkie, 1785–1841, British, 1837, Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card, Mount: 7 1/2 x 9 3/8 inches (19.1 x 23.8 cm) and Sheet: 7 × 8 3/4 inches (17.8 × 22.3 cm), figures, genre subject, market (event), men, merchants, shopping, shops, tables, vendors, violin, walkways, women, Cheshire, Chester, Chester Rows, England, United Kingdom

2DHTNRE Garden of Gethsemane, Sir David Wilkie, 1785–1841, British, 1841, Black chalk, white chalk, and red chalk over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 13 x 19 5/16 inches (33 x 49 cm), architectural subject, bridge (built work), buildings, garden, groves, landscape, temple, trees, walls, Gethsemane, Israel, Jerusalem, Mount of Olives, Palestine, Yerushalayim, Mehoz

2DHTNKC Grace Before Meat, Sir David Wilkie, 1785–1841, British, 1839, Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm), children, dinner, dog (animal), eating, family, father, food, genre subject, infant, interior, men, mother, prayer, shawl, tablecloth, women

2DHTNK9 A Priest with Two Children, Sir David Wilkie, 1785–1841, British, between 1825 and 1828, Watercolor and red chalk over graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 x 7 13/16 inches (25.1 x 19.9 cm), arch, children, genre subject, hat, man, moustache, priest, staff, vestments

2DHTNE0 Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him, Sir David Wilkie, 1785–1841, British, undated, Pen and brown ink on medium, slightly textured, blue wove paper, Sheet: 7 1/4 x 7 5/8 inches (18.4 x 19.4 cm), bonnet, captain, chairs, drinking glass, footstool, genre subject, hat, leisure, pipe (smoking equipment), servant, smoking, table

2DHTNDW The Chelsea Pensioners Reading the Waterloo Dispatch, Sir David Wilkie, 1785–1841, British, before 1822, Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper, Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm), Contemporary drawn border: 6 5/8 x 8 15/16 inches (16.9 x 22.7 cm), and Sheet: 4 3/8 × 6 5/8 inches (11.1 × 16.8 cm), buildings, Chelsea pensioners, crowd, figures, flags, genre subject, horse (animal), men, retirement community, street, study (visual work), tables, women, Chelsea, England, Europe, Greater London, London

2DHTJ26 The Manse, Cults, Fife: The Artist's Old Home, Sir David Wilkie, 1785–1841, British, undated, Pen and brown ink on medium, slightly textured, cream wove paper, Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm) and Sheet: 4 3/16 x 5 15/16 inches (10.6 x 15.1 cm), architectural subject, chimneys (architectural elements), church, figures, genre subject, houses, trees, Cults, Europe, Fife, Scotland, United Kingdom

2DHTJ1Y The Manse, Cults, Fife: The Artist's Old Home, Sir David Wilkie, 1785–1841, British, undated, Pen and brown ink on medium, slightly textured, cream wove paper, Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm) and Sheet: 2 1/8 x 6 7/8 inches (5.4 x 17.5 cm), architectural subject, chimneys (architectural elements), fences, houses, trees, Cults, Europe, Fife, Scotland, United Kingdom

2DHTJ21 The Manse, Cults, Fife: The Artist's Old Home, Sir David Wilkie, 1785–1841, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm) and Sheet: 1 5/16 x 4 7/16 inches (3.4 x 11.3 cm), architectural subject, church, house, trees, Cults, Europe, Fife, Scotland, United Kingdom

2DHTHHK Head of Girl Standing in the Center, Sir David Wilkie, 1785–1841, British, 1806, Graphite on moderately thick, moderately textured, beige wove paper, Sheet: 4 x 3 3/4 inches (10.2 x 9.5 cm), child, figure study, girl, head, study (visual work

2DHTHH2 Child's Broken Cart and Fiddler's Wife's Arm, Sir David Wilkie, 1785–1841, British, 1806, Graphite with red and white chalk on moderately thick, moderately textured, beige wove paper, Sheet: 4 1/2 x 5 inches (11.4 x 12.7 cm), arm, cart, figure study, hand, toy (recreational artifact), wheels, woman

2DHTHH0 On the Pier, Calais, Attributed to Sir David Wilkie, 1785–1841, British, ca. 1810, Graphite with white chalk on moderately thick, moderately textured, beige wove paper, Mount: 8 1/2 x 12 1/16 inches (21.6 x 30.7 cm) and Sheet: 7 1/16 x 10 3/8 inches (18 x 26.4 cm), bicycle, boats, channel (water body component), children, genre subject, harbor, landscape, leisure, men, pier, port, sailboats, sea, ships, top hat, women, Calais, English Channel, France, Nord-Pas-de-Calais, Pas-de-Calais

2DHTHGR Sleeping Infant's Arm, Sir David Wilkie, 1785–1841, British, 1806, Graphite on moderately thick, moderately textured, beige wove paper, Sheet: 2 x 3 1/8 inches (5.1 x 7.9 cm), arm, child, figure study, hand, infant, sleeping

2DHTHH5 Arms of the Girl Standing in the Center, Sir David Wilkie, 1785–1841, British, 1806, Graphite on moderately thick, moderately textured, beige wove paper, Sheet: 2 x 4 5/8 inches (5.1 x 11.7 cm), arms, child, figure study, girl

2DHTHC8 Study of a Girl for 'Mary, Queen of Scots, Escaping from Loch Leven Castle', Sir David Wilkie, 1785–1841, British, 1833, Black chalk with brown wash on thick, slightly textured, beige card, Sheet: 18 1/8 × 11 3/8 inches (46 × 28.9 cm), figure study, girl, hand, headband, profile (figure), study (visual work

2DHTH7K The Pedlar, Sir David Wilkie, 1785–1841, British, 1814, Oil on panel, Support (PTG): 23 1/2 x 19 1/2 inches (59.7 x 49.5 cm), bag, bonnet, breeches, child, clock, coat, dress, dwelling, fabric, family, father, fichu, genre subject, hat, house, inspection, jacket, mother, peddler, pipe, purchases, rural, selling, sisters, smoking, stockings, vendor, window

2DHTH1N Denial and Disappointment, William Mulready, 1786–1863, Irish, Formerly attributed to Sir David Wilkie, 1785–1841, British, undated, Black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 7/8 x 3 3/8 inches (9.8 x 8.6 cm), desk, fireplace, genre subject, interior, man, woman

2DHTGE2 Tree Study, Sir David Wilkie, 1785–1841, British, 1810, Graphite on medium, slightly textured, beige wove paper, Sheet: 7 1/4 x 5 1/2 inches (18.4 x 14 cm), landscape, study (visual work), trees

2DHTGE6 Fife, Sir David Wilkie, 1785–1841, British, undated, Watercolor over graphite on medium, slightly textured, beige wove paper mounted on card, Sheet: 5 1/8 x 7 1/8 inches (13 x 18.1 cm), clouds, hills, landscape, mountains, trees, Europe, Europe, Fife, Scotland, United Kingdom

2DHTGDX Study for 'The Penny Wedding', Sir David Wilkie, 1785–1841, British, ca. 1818, Watercolor over graphite on medium, slightly textured, light blue wove paper, Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm), chairs, genre subject, girls, stripes, study (visual work), wedding, women

2DHTGE7 Sketch for 'Reading the Will', Sir David Wilkie, 1785–1841, British, before 1820, Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper, Mount: 8 1/4 × 10 inches (21 × 25.4 cm) and Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.4 cm), armchairs, children, dresses, family, genre subject, men, reading, solicitor, stripes, study (visual work), widow, will, women

2DHTFPP Self-Portrait, Sir David Wilkie, 1785–1841, British, ca. 1840, Oil on canvas, Support (PTG): 30 x 24 3/4 inches (76.2 x 62.9 cm), artist, brown, coat, collar, man, painter, portrait, self-portrait, waistcoat

2DHTCJF Sketch for 'The Reading of a Will', Sir David Wilkie, 1785–1841, British, 1820, Oil on board, Support (PTG): 7 1/2 x 10 inches (19.1 x 25.4 cm), armchair, attorneys, bonnet, children, death, family, fireplace, grief, hat, lawyer, men, mirror, mourners, mourning, notary, reading, study (visual work), will, women

2DCFMR0 John Henry Robinson, (artist), British, 1796 - 1871, Sir William Beechey, (artist after), British, 1753 - 1839, Sir David Wilkie, R.A., published 1846, etching with stipple

2CGKEA9 Wilkie Sir David - Washington Irving in the Archives of Seville - British School - 19th Century

2CGKEA5 Wilkie Sir David - the Refusal from Burns's Song of Duncan Gray - British School - 19th Century

2CGKEA8 Wilkie Sir David - the Veteran Highlander - British School - 19th Century

2CGKE6K Wilkie Sir David - the Guerilla's Return - British School - 19th Century

2CGKE63 Wilkie Sir David - the Guerilla's Departure - British School - 19th Century

2CGKE6C Wilkie Sir David - the Pedlar - British School - 19th Century

2CGKE77 Wilkie Sir David - the Penny Wedding 1 1 (Study) - British School - 19th Century

2CGKE7G Wilkie Sir David - the Penny Wedding 1 2 - British School - 19th Century

2CGKE14 Wilkie Sir David - the First Ear-Ring 2 - British School - 19th Century

2CGKDYN Wilkie Sir David - the Confessional - British School - 19th Century

2CGKDYF Wilkie Sir David - Sir William Knighton Royal Physician - British School - 19th Century

2CGKE01 Wilkie Sir David - Self Portrait 1 - British School - 19th Century

2CGKDYX Wilkie Sir David - Self Portrait 3 - British School - 19th Century

2CGKE00 Wilkie Sir David - the First Ear-Ring 1 (Study) - British School - 19th Century

2CGKE05 Wilkie Sir David - the Dragoman of Mr Moore English Consul at Beyrout - British School - 19th Century

2CGKDYT Wilkie Sir David - Self Portrait 2 - British School - 19th Century