Pesquisando por: "GIUSEPPE MARIA MITELLI" - Fotoarena - Agência de fotojornalismo

2WR8TPH The gambling man, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A gambling young man (Giuocatore) standing next to a table on which are playing cards, dice and coins. On the floor more cards and a tennis racket and two balls. The other tennis racket on the wall. With two four-line verses in Italian. Numbered top right: 9. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving

2WR8TPC The envious woman, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), An envious or angry old woman (Donna Invidiosa), half-naked with sagging breasts and wild hair. In the foreground an eagle. With two four-line verses in Italian. Numbered top right: 6. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TPM The fashionable young man, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A coquettish young man (Zerbino) fashionably dressed in ribbons, bows and feathers, to young women to seduce. In the hands a fan, flower and love letter. In the background two pheasants. With two four-line verses in Italian. Numbered top right: 3. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving

2WR8TPA The Buffoon, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A buffoon (Buffone di Corte), dressed in a grotesque costume with a feathered hat and bows pointing to a chained monkey. With two four-line verses in Italian. Numbered top right: 10. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TNR The astrologer, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), An astrologer (Astrologo) standing next to an armillary, compass in hand, surrounded by books and papers . With two four-line verses in Italian. Numbered top right: 20. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TPN The glutton, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A greedy man or glutton (Goloso) sitting at a table overloaded with food drinks from a glass. Sausages and poultry hang on the wall. A pig is gnawing on a piece of meat under the table. With two four-line verses in Italian. Numbered top right: 5. Title print for the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving

2WR8TPW The twenty-four hours of human happiness, Le Ventiquattr'Hore dell'humana felicità (series title on object), Album with 25 prints depicting people of different types, professions and classes in relation to Death., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, Bologna, 1675, paper, height 400 mm × width 285 mm × thickness 13 mm, decorated paper

2WR8TPK The angry man, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), An angry man (Iracondo) with drawn sword and long hair points with one hand upwards. A bear on the right. With two four-line verses in Italian. Numbered top right: 4. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TP9 The Courtier, Le Ventiquattr'Hore dell'humana felicità (series title on object), The Twenty-Four Hours of Human Happiness (series title), The Courtier (Cortigiano). Standing man, hat in hand, bows slightly. With two four-line verses in Italian. Numbered top right: 16. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm, print

2WR8TP6 The comedian, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A comedian or jester (Comico) dancing like a harlequin. With two four-line verses in Italian. Numbered top right: 12. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm, print

2WR8TNP The engineer and mathematician, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), The engineer and mathematician (Ingegniero e Aritmetico). Man with compass and architectural design in hand. On the ground a book about mathematics and a document about fortification. With two four-line verses in Italian. Numbered top right: 17. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving

2WR8TNM The soldier, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A soldier (Guerriero). Standing military commander, command staff in hand, an army camp on the right. With two four-line verses in Italian. Numbered top right: 21. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TP0 The musician, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A young musician (Musico e Suonatore) plays and sings while sitting behind a harpsichord. Other musical instruments hang on the wall: guitar, cello, lute and violin. With two four-line verses in Italian. Numbered top right: 13. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm

2WR8TNH The physician, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A physician or physician (Medico). Standing man with glasses in study room with bookcase, writing in a book, a sheet of paper in the other hand. With two four-line verses in Italian. Numbered top right: 18. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TP5 The know-it-all, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A scientist who knows everything (Dottore Versato). Man sitting in a study room surrounded by bookcases with books. With two four-line verses in Italian. Numbered top right: 22. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TNX The Priest and Idol Worshiper, Le Ventiquattr'Hore dell'humana felicità (series title on object), The Twenty-Four Hours of Human Happiness (series title), The Priest and Idol Worshiper (Sacerdote di gli'idoli). A priest kneels before an idol. With two four-line verses in Italian. Numbered top right: 23. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TNW A brutal man, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A brutal young man (Villano), a farm worker, has his sickle and spade on the ground laid and climbs a pear tree. With two four-line verses in Italian. Numbered top right: 11. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm

2WR8TPR The villain, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A vagabond or beggar (Birbante) in torn clothes, with a crutch and begging with his hat in the hand. With two four-line verses in Italian. Numbered top right: 8. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm, print

2WR8TP3 The King, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), Standing king (Re) with scepter in hand. With two four-line verses in Italian. Numbered top right: 24. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving, height c. 275 mm × width c. 200 mm, height 394 mm × width 280 mm, print

2WR8TNJ The stingy man, Le Ventiquattr'Hore dell'humana felicità (series title on object), The twenty-four hours of human happiness (series title), A stingy man (Avaro) with glasses weighs coins in his office, with one foot on a stew. in the foreground a toad or frog. Strings of garlic on the wall. A safe in front of the wall. With two four-line verses in Italian. Numbered top right: 2. Part of the series 'The twenty-four hours of human happiness'., print maker: Giuseppe Maria Mitelli, after own design by: Giuseppe Maria Mitelli, 1675, paper, etching, engraving

2WR8R06 Construction of Noah's Ark, print maker: anonymous, print maker: Agostino Mitelli, (possibly), print maker: Giuseppe Maria Mitelli, (possibly), Italy, 1600 - 1699, paper, etching, height 314 mm × width 487 mm, print

2TANF0T The Virgin Enthroned with Three Saints. Giuseppe Maria Mitelli (Italian, Bologna 1634-1718 Bologna) After Annibale Carracci (Italian, Bologna 1560

2HH9FRJ Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from 'Six grotesques' (Six pièces de figures grotesques) 1684 Agostino Mitelli II Italian Agostino Mitelli, the son of the well-known printmaker Giuseppe Maria Mitelli, had a brief career as a printmaker in Bologna. This prints is part of set of six etchings after Stefano della Bella that represent a type of caricature that was very popular in the seventeenth century. Here, several dwarf-like figures play musical

2HH4K0R Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right,'Six grotesques' (Six pièces de figures grotesques) 1684 Agostino Mitelli II Italian Agostino Mitelli, the son of the well-known printmaker Giuseppe Maria Mitelli, had a brief career as a printmaker in Bologna. This print is part of set of six etchings after Stefano della Bella that represent a type of caricature that was very popular in the seventeenth century. Here, several dwarf-like figures play musical instruments while striking exaggerated poses. Captions running along the bottom of the p

2HH0FGH Plate 11: Saint William of Aquitaine 1678 Giuseppe Maria Mitelli Italian. Plate 11: Saint William of Aquitaine. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints

2HH0FEC Plate 2: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 2: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints

2HH0FD0 Plate 3: the Assumption of the Virgin 1678 Giuseppe Maria Mitelli Italian. Plate 3: the Assumption of the Virgin. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints

2HH0FB9 Plate 8: the Baptism of Christ 1678 Giuseppe Maria Mitelli Italian. Plate 8: the Baptism of Christ. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints

2HH0F8P Pope Leo repulses Atilla from the gates of Rome and points to Saints Peter and Paul overhead 1670–1718 Giuseppe Maria Mitelli Italian This print is after a bas-relief by Alessandro Algardi in St. Peter's in the Vatican (Bartsch).. Pope Leo repulses Atilla from the gates of Rome and points to Saints Peter and Paul overhead. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1670–1718. Etching; second state of two (Bertarelli). Arnold van Westerhout (Flemish, Antwerp 1651–1725 Rome). Prints

2HH0F7C The Virgin Enthroned with Three Saints 1668 Giuseppe Maria Mitelli Italian. The Virgin Enthroned with Three Saints. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1668. Etching. Prints

2HH0F7A Plate 1: the Calling of Saint Matthew 1678 Giuseppe Maria Mitelli Italian. Plate 1: the Calling of Saint Matthew. Bononiensium Pictorum Celebrioris Gloria Quaedam Sacrae Icones Delineatae Incisae et Tantae Artis Amatoribus Dicatae A Josepho M.a Mitello Pictore Bononiense MDCLXXVIII. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1678. Etching. Gioseffo Longhi (Italian, 1620-1691). Prints

2HH0F7P Gioco Delle Donne, E Sue Facende (Game of Wives, And Their Chores) 1654–1718 Giuseppe Maria Mitelli Italian. Gioco Delle Donne, E Sue Facende (Game of Wives, And Their Chores). Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1654–1718. Etching. Prints

2HGWM1J An allegory relating to the fortunes of the Turks, a winged figure probably representing Time stands on a fallen Turk while sharpening a blade on a wheel inscribed with the continents that is being turned by a semi-dressed figure, at right the city of Vardino (northwest Romania near the Hungarian border) that was held by the Turks from 1660 to 1692. ca. 1692 Giuseppe Maria Mitelli. An allegory relating to the fortunes of the Turks, a winged figure probably representing Time stands on a fallen Turk while sharpening a blade on a wheel inscribed with the continents that is being turned by a semi-

2HGPXHE 'Anno 1690' (the Year 1690), with numerous warring figures clambering on and hanging from the numbers, allusions to the Allegories of the Four Elements and the Four Continents ca. 1690 Giuseppe Maria Mitelli. 'Anno 1690' (the Year 1690), with numerous warring figures clambering on and hanging from the numbers, allusions to the Allegories of the Four Elements and the Four Continents. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). ca. 1690. Etching. Prints

2HGP0G3 Buda conquered by the Austrians 1686 Giuseppe Maria Mitelli The Hungarian city of Buda was occupied by the Turks for almost 150 years before it was liberated by the combined forces of the Austrians and Hungarians in 1686. The print is on two joined sheets. The word BUDA (as in Budapest) is constructed from contorted figures and different forms. It is framed by an etched border and in the upper section is the symbol of the Imperial Eagle.. Buda conquered by the Austrians 703034

2HGN7KT Adoration of the Shepherds 1654–1718 Giuseppe Maria Mitelli Italian. Adoration of the Shepherds. Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna). 1654–1718. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627–1691 Rome). Prints

2HJ0212 Di Bologna l'Arti per via D'An.ibal' Ca.rac printed 1740 Giuseppe Maria Mitelli Italian This album contains a series of 41 plates depicting Bolognese professions. These prints are from the unnumbered third state, first published by Giovanni Giacomo De Rossi and was re-printed by the Calcografia Camerale (Bertarelli).. Di Bologna l'Arti per via D'An.ibal' Ca.rac 348682

2HHTA8T Allegorical Figures of Experience and Time 1677 Giuseppe Maria Mitelli Italian. Allegorical Figures of Experience and Time 340797

2DN0YAC Proscenium and Stage Design: Scene 1, Ballet celebrating the marriage of Leopoldo Cesare, Duke of Mantua, and Claudia Felice, Archduchess of Austria, 1674, Giuseppe Maria Mitelli, 1634 – 1718, Leopold I, Austrian, 1640 - 1705, Claudia Felicitas, Italian, 1653 - 1676, Pen and brown ink, black and red chalk on white laid paper, A view of a stage and elaborate proscenium arch, through which a scene featuring a deep perspectival view populated by classical dieties. The red chalk is restricted to the figures and setting on stage, creating a strong contrast between the drama

2DMT574 Proofs of four plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter K, Giuseppe Maria Mitelli, 1634 – 1718, White laid paper with red brayon, Central image of a man fettered to a tree trunk forming the letter K with additional drawings of six feet and a shell., Italy, 1683, ephemera, Print

2DHX1HX Mssier Lilon, Print made by Giuseppe Maria Mitelli, 1634–1718, Italian, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 15 3/4 × 10 13/16 inches (40 × 27.5 cm) and Image: 15 1/16 × 10 5/8 inches (38.3 × 27 cm

2DMEYXW Proofs for four plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter G, Giuseppe Maria Mitelli, 1634 – 1718, White laid paper with red crayon, Central image of a mermaid blowing a horn forms a G. Additional drawings of four cherubim and a cork., Italy, 1683, ornament, Print

2DME9C1 Proofs for Four Plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter E, Giuseppe Maria Mitelli, 1634 – 1718, Engraving, brush and watercolor, red crayon on white laid paper, Central image of a page holding a plate with a fish that forms the letter E with smaller drawings of two women's heads, four details of women's heads, and an elephant., Bologna, Italy, 1683, ornament, Print

2DMFAPT Proofs for four plates of 'Alfabeto in Sogno' [Dream Alphabet]: Letter I, Giuseppe Maria Mitelli, 1634 – 1718, Red crayon on white laid paper, Central image of a girl carrying a flower basket that forms the letter 'I' with additional drawings of eight profiles of men and boys; a hedgehog. Reverse: an eye; a subdivided square; graphite., Bologna, Italy, 1683, ephemera, Print

2AJGDA6 Allegory of avarice, devil's flour is all in bran, 1688, by Giuseppe Maria Mitelli, 1634 - 1718

2J8R4HY S. Agata - olio su tela - Giuseppe Maria Mitelli - seconda metà del XVII secolo - Bologna, Italia,chiesa di S. Maria dei Servi

2J8R4HP S. Lucia - olio su tela - Giuseppe Maria Mitelli - seconda metà del XVII secolo - Bologna, Italia, chiesa di S. Maria dei Servi

2B6J2YH De luiwammes is aan de bedelstaf geraakt. Onderdeel van een serie van zes voorstellingen uit het leven van een luiaard. Manufacturer : prentmaker: Giuseppe Maria Mitelli (vermeld op object)naar eigen ontwerp van: Giuseppe Maria Mitelli (vermeld op object)Plaats manufacture: Bologna Dating: ca. 1683 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: h 274 mm × b 194 mm Subject: Sluggishness, Inertia; 'Dapocaggine', 'Pigritia' (Ripa) (+ situation or event (especially in genre-painting) with symbolical connotation)sluggard

2T3R6YN Portret van arts Camillo Gessi, Lorenzo Tinti, after Giuseppe Maria Mitelli, c. 1636 - 1672

2B6XYF9 Kaartspel met beroepen Gioco de mestieri a chi va bene e a chi va male (titel op object) Blad met twintig speelkaarten met voorstellingen van verschillende beroepen, vergezeld van een korte beschrij van hun lot. Te zien zijn onder anderen: muzikanten, een handelaar in tabak, een verkoper van likeur, een goudsmid, een hoedenmaker, een boekhandelaar, een lantaarnmaker, een drukker, een lijstenmaker, een wever, een schilder en een beeldhouwer. Manufacturer : prentmaker: Giuseppe Maria Mitelli (vermeld op object)naar eigen ontwerp van: Giuseppe Maria Mitelli (vermeld op object)Plaats manufacture:

2HW7BR1 Art inspired by Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right,'Six grotesques' (Six pièces de figures grotesques), 1684, Etching, plate: 5 3/8 x 7 11/16 in. (13.6 x 19.6 cm), Prints, Agostino Mitelli II (Italian, 1671–1696), After, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW7BPD Art inspired by Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from 'Six grotesques' (Six pièces de figures grotesques), 1684, Etching, plate: 5 5/16, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCBGM0 Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right,'Six grotesques

KCBGKX Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing

2HW5AA8 Art inspired by Allegorical Figures of Experience and Time, 1677, Red chalk, 10-1/4 x 7-3/16 in. (26.1 x 18.3 cm), Drawings, Giuseppe Maria Mitelli (Italian, Bologna (?) 1634–1718 Bologna, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC3K88 Allegorical Figures of Experience and Time, Giuseppe Maria Mitelli, 1677

2HW9Y1K Art inspired by Drawings and Prints, Print, Buda conquered by the Austrians, Artist, Giuseppe Maria Mitelli, Italian, Bologna (?) 1634–1718, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KC8MBT Drawings and Prints, Print, Buda conquered by the Austrians, Artist, Giuseppe Maria Mitelli, Italian, Bologna (?) 1634–1718

2PMMH5J Drawing, Proscenium and Stage Design: Scene 1, Ballet celebrating the marriage of Leopoldo Cesare, Duke of Mantua, and Claudia Felice, Archduchess of Austria, 1674; Giuseppe Maria Mitelli (1634 – 1718); Client: Lepold Cesare, Claudia Felice; Italy; pen and brown ink, black and red chalk on white laid paper; 33.1 x 45.5 cm (13 1/16 x 17 15/16 in.) Mat: 55.9 x 71.1 cm (22 x 28 in.)

EDPF46 Giuseppe Maria Mitelli (Italian, 1634 - 1718) after Paolo Veronese (Italian, 1528 - 1588). St. Magdalen

H4KTTM Giuseppe Maria Mitelli, Italian (1634-1718), A Boy with Flowing Hair, red chalk on laid paper

H4KTJK Giuseppe Maria Mitelli, Italian (1634-1718), A Caricature with Ball Players, iron gall ink on laid paper, with black ink borders

EDYMG2 Giuseppe Maria Mitelli, Italian (1634-1718), A Boy with Flowing Hair, red chalk on laid paper

EDYM10 Giuseppe Maria Mitelli, Italian (1634-1718), A Caricature with Ball Players, iron gall ink on laid paper, with black ink borders

2WPC1TK Triumph of Jan III Sobieski and Emperor Leopold I as the defects of Christian and Liberators of Vienna (Vivano Li DiFensori della Christianita Nella Liberatione di Vienna); Mitelli, Giuseppe Maria (Ca 1634-1718); 1683 (1601-00-00-1700-00-00);Habsburg (family), Jan III Sobieski (Polish King-1629-1696), Leopold I (Roman-German emperor-1640-1705), Leopold I (Roman-German emperor-1640-1705)-iconography, Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, Turkey, apotheosis (iconogr.), Battle of Vienna (1683), Emperors, Triumphs

2JWGANA Triumph of Jan III Sobieski and Emperor Leopold I as protectors of Christianity and liberators of Vienna (Vivano li Difensori della Christianita nella liberatione di Vienna). Mitelli, Giuseppe Maria (ca 1634-1718), graphic artist

2E42DEM Print made by Giuseppe Maria Mitelli, 1634â€“1718, Italian, Mssier Lilon, undated. Mezzotint on medium, moderately textured, cream laid paper.

B2J6JD death, allegory, 'One's shaving the other and I shave them all', copper engraving by Giuseppe Maria Mitelli, Italy, circa 1700, private collection, , Artist's Copyright has not to be cleared

2X6XXWP Tripe seller, Street vendors in Bologna (series title), L'Arti Per Via (series title), A tripe seller, walking to the right, with a bucket in his right hand and a stick over his left shoulder. Italian verse in bottom margin., print, print maker: Giuseppe Maria Mitelli, (mentioned on object), after own design by: Giuseppe Maria Mitelli, after design by: Annibale Carracci, print maker: Italy, after own design by: Bologna, after design by: Italy, 1660, paper, etching, height, 277 mm × width, 192 mm

2WGXW4B Study for an Atlant, Giuseppe Maria Mitelli (Attributed To), 1644 - 1718 drawing paper. chalk atlantes architecture

2WGXDJA Study for an Atlant, Giuseppe Maria Mitelli (Attributed To), 1644 - 1718 drawing paper. chalk atlantes architecture

2WFT6WD Worship by De Herders, Giuseppe Maria Mitelli, After Nicolò Dell'abate, 1644 - 1718 print Maria shows the Christ child to a group of shepherds. Joseph is behind Maria. Above God floats the Father. Italy paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

2WFRWNT Atilla for the city of Rome, Giuseppe Maria Mitelli, After Alessandro Algardi, 1644 - 1718 print Pope Leo the Great and his entourage meet Attila theirs and his soldiers outside the walls of Rome. The pope points atilla on the two apostles Peter and Paul in the air, which protect Rome. Fresh in Latin in STANDMARE. Print Maker: ItalyaFter Sculpture by: Vatican City paper etching pope Leo the Great meets Attila outside the walls of Rome, and points out to him the two apostles St. Peter and St. Paul, appearing in the sky as protectors of Rome

2WFPRMB Christ at the meal in the house of Simon de Fizee (left leaf), Giuseppe Maria Mitelli, After Paolo Veronese, 1644 - 1718 print A crowd dinner around a table in the house of Simon de Fariazeer. Italy paper etching meal at the house of Simon the Pharisee (Luke 7:36-50)

2WFPR7N Adoration by De Herders, Giuseppe Maria Mitelli, After Correggio, 1644 - 1718 print Face in a stable with Maria kneeling next to a manger with the Christ child. She shows the child to a group of shepherds on the right. In the background Joseph with the OS and the donkey. At the top right, angels float. Title in the end margin. print maker: Italyafter drawing by: Italyafter design by: Italyprinter: Rome paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

2WFPPR8 Adoration by De Herders, Giuseppe Maria Mitelli, After Correggio, 1644 - 1718 print Face in a stable with Maria kneeling next to a manger with the Christ child. She shows the child to a group of shepherds on the right. In the background Joseph with the OS and the donkey. At the top right, angels float. Title in the end margin. print maker: Italyafter drawing by: Italyafter painting by: Italyprinter: Rome paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

2WFPM7G Christ at the meal in the house of Simon de Fizee (right leaf), Giuseppe Maria Mitelli, After Paolo Veronese, 1644 - 1718 print A crowd of two tables in the house of Simon de Fariumëer. On the right Maria Magdalena who washes the feet of Christ. Two dogs and a cat on the left. Italy paper etching meal at the house of Simon the Pharisee (Luke 7:36-50)

2WFPCJ6 Aeneas flees with his family from Troje, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print Aeneas and his family flee from the burning Troy. Aeneas wears his father Anchises on his shoulders. Creüsa and Ascanius walk behind them. On the right a group of soldiers. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with

2WFPAAP Anchises pours wine in the sea as a thank you for his arrival in Italy, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print Aeneas and his soldiers on a ship. Anchises, the father of Aeneas, pours wine in the sea as a thank you for his arrival in Italy. Numbered XI. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching on arrival in Sicily, Anchises, standing on the quarter-deck, offers unwatered wine and invokes the gods

2WFP5C2 Polyphemus pursues the fleet of Aeneas, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print The one -eyed giant Polyphemus pursues the fleet of Aeneas. Numbered: XII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching the Trojans escape from Polyphemus and the Cyclopes

2WFP3H0 Greeks drag Cassandra from the temple, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print A group of Greek soldiers takes Cassandra the temple of Minerva. Numbered III. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Cassandra. Cassandra, sheltering in Minerva's temple (sometimes with Andromache), is dragged away by Ajax the Lesser, while she holds the image of the goddess

2WFP0HX Spirit of Creüsa appears to Aeneas, Giuseppe Maria Mitelli, After Agostino Carraci, After Annibale Carracci, After Ludovico Carracci, 1663 print During the flight from Troy, Creüsa, the wife of Aeneas, disappears and dies. When Aeneas starts looking for her, her mind appears to him. Numbered: VII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching Aeneas searching for Creusa; her spirit appears to him

2WFNYXK Trojanen Offeren Dieren Aan Neptunus, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print A group of Trojans sacrifices oxen and sheep to the God Neptunus on the coast. Numbered VIIII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Neptune (Poseidon). the Trojan war (94C - 94H). animal sacrifice non-Christian religions

2WFNYA4 Aeneas Offert Aan Apollo, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print Aeneas sacrifices Apollo. Aeneas is kneeling in front of an image of the God Apollo for a temple. Behind him a crowd in a landscape and two priests. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Apollo (Phoebus)

2WFNY06 Aeneas and his companions fight with the harpijen, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carraci, After Ludovico Carracci, 1663 print Aeneas and his companions are disturbed during a meal by harpijen. A fight arises between the soldiers and the harpijen. Numbered: X. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching stay of Aeneas on the Strophades Islands: fight with the Harpies that befoul the crew's food

2WFNW60 Aeneas leaves for the fight, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print Aeneas leaves with sword and shield before battle. His wife and son, Creüsa and Ascanius, try to stop him. Numbered: V. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Aeneas

2WFNCX3 Venus Voert Aeneas Uit de Vlamen, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print Venus safely carries Aeneas through the flames of the burning Troy. Numbered: IIII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Aeneas. (story of) Venus (Aphrodite)

2WFNCEG Paard van Troje is brought in, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print A group of Trojan soldiers brings Troje's horse into the city. Other figures along the entry play musical instruments. Numbered: II. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching the Trojan horse. the wooden horse is brought into the city of Troy

2WFN92X Trojanen NEMEN SINON GEVANGEN, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print A Trojan soldier, seen on the back, pulls the trapped sinon to his hair. Behind Sinon a group of Trojan soldiers. In the background the horse of Troy. Left King Priamus who points to Aeneas with his scepter. Numbered: I. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Aeneas. Sinon, a Greek pretending to be a deserter, is brought in

2WFMT05 Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFMPMK Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. The man pulls the hair of the harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFMGGH Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFMGAT Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFMFYH Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFME6Y Queen Vashti is banned, Giuseppe Maria Mitelli, After Paolo Veronese, 1669 print Queen Vashti, the wife of King Ahasveros (Xerxes), is sent away. In the foreground are a man and a dog. print maker: Italyafter drawing by: Italyafter painting by: Venice paper etching Queen Vashti is deposed

2WFMB0J Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFMA8F Offer from Isaak, Giuseppe Maria Mitelli, After Titian, 1668 print An angel stops Abraham who is about to sacrifice his son Isaac. Italy paper etching the sacrifice of Isaac (Genesis 22)

2WFM8DK Man Onderwerpt Een Harpij, Giuseppe Maria Mitelli, After Annibale Carracci, After Agostino Carracci, After Ludovico Carracci, 1663 print Console with a naked man, one of the soldiers of Aeneas, sitting on a harpij. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching other architectural details (CONSOLE). Harpies (classical mythology). the (nude) human figure; 'Corpo humano' (Ripa)

2WFM6HX Cain kills Abel, Giuseppe Maria Mitelli, After Titian, 1669 print Cain is about to kill Abel with a club. A plume of smoke in the background. Italy paper etching the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. weapons for striking a blow. fighting

2WFM16K Title print with coat of arms, flanked on either side by a putto, on a wall with text, Giuseppe Maria Mitelli, After Agostino Carraci, After Annibale Carracci, After Ludovico Carracci, 1663 print print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching coat of arms (symbol of sovereignty). cupids: 'amores', 'amoretti', 'putti'