Pesquisando por: "Drapery studies" - Fotoarena - Agência de fotojornalismo

2T8HPEP MORITZ VON SCHWIND, upper body of a woman leaning forward, repetition of her head and clothing studies, sheet, 170 x 233 mm, brown pen on yellowed paper, upper body of a woman bending forward, repetition of her head and clothing studies, MORITZ VON SCHWIND, 19TH CENTURY, DRAWING, brown pen on yellowed paper, INK?, INK?, PAPER, PEN DRAWING, AUSTRIAN, FIGURE STUDY, MOVEMENT STUDY, GARMENT STUDY, DRAPERY STUDY

2T8JKJ3 Various drapery studies, drawing, pencil on brown paper, 26.2 x 23.3 cm, verso: '267 KH 652 IN 3718', cahier quote

2T8J71X Studies of a leopard head; Sketch of a lyre; Drapery, sketchbook Swoboda Emerich Alexius; 81 paginated pages, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, around 1871?, drawing, pencil, sheet: 10.6 x 17.7 cm, l.l., Pencil, Austria

2T8J6Y6 Drapery studies, sketchbook Swoboda Emerich Alexius; 81 paginated pages, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, around 1871?, drawing, pencil, sheet: 10.6 x 17.7 cm, Austria

2T8J6RR Drapery studies, sketchbook Swoboda Emerich Alexius; 81 paginated pages, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, around 1871?, drawing, pencil, sheet: 17.7 x 10.6 cm, Austria

2T8J6T4 Drapery studies, sketchbook Swoboda Emerich Alexius; 81 paginated pages, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, around 1871?, drawing, pencil, sheet: 17.7 x 10.6 cm, Austria

2T8J6PF drapery studies; Nude sketch from behind, sketchbook Swoboda Emerich Alexius; 81 paginated pages, Emerich Alexius Swoboda, Enzenreith-Wörth 1849 - 1920 Vienna, around 1871?, drawing, pencil, sheet: 17.7 x 10.6 cm, Austria

2T8MPE8 Two Drapery Studies, Federico Barocci (Urbino 1535 - 1612 Urbino), c. 1600-10, drawing, black chalk, brown pen, brown wash, heightened with white, on blue paper, squaring in black chalk, 50.6 x 35.1 cm, in the hands of Carlo Bianconi 'del Bianconi' and 'D C Bianconi

2T8MA9E Drapery studies, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, red chalk, heightened with white on blue-green paper, according to Cahier: 22.6 x 8.8 cm, l.l. '28529

2T8M8HG Robe and Drapery Studies, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1673, drawing, red chalk, gray wash; Laid down on blue backing paper, 21.5 x 15.2 cm

2T8M0G1 Leg studies of a man stepping to the right and drapery study, anonymous, around 1530, drawing, brown pen, 32 x 24.9 cm, recto: l.l. Pierre Jean Mariette, l.b. Duke Albert of Saxe-Teschen, in the left half of the sheet under the drawing written crosswise in pencil 'Andrea del Sarto'; including 'Schiavone ou Parmegiano

2WP9KXP Male character studies and a fragment of drapery, sketches to the picture 'Princess' (1894); Gerson, Wojciech (1831-1901); around 1894 (1831-00-00-1901-00-00);

2T91A82 Drapery Studies (recto); Two Sketches of Doric Capitals (verso), c. 1530-1535, Attributed to Daniele da Volterra, Italian, (Tuscany), 1509 - 1566, 10 5/8 x 7 7/8 in. (26.99 x 20 cm) (sheet)19 3/4 x 15 3/4 in. (50.17 x 40.01 cm) (outer frame), Black chalk and gray wash on laid paper, Italy, 16th century

2T913FP Study for a Figure of Balaam (recto) and Study for a Right Arm (verso), 1682-1683, Carlo Maratti, Italian, (Roman), 1625 - 1713, 16 3/4 x 10 3/4 in. (42.55 x 27.31 cm) (image)19 7/8 x 14 1/4 in. (50.48 x 36.2 cm) (set into border), Red chalk on blue laid paper, Italy, 17th century, Carlo Maratti, arguably the preeminent painter in Rome in the late 17th century, executed this sheet of studies while designing mosaics for the Chapel of the Presentation of the Holy Virgin in St. Peter's. This boldly drawn male figure seated on clouds is the Old Testament prophet Balaam

2T90PJM Studies of Hands, 1770s-1780s, Attributed to Louis Roland Trinquesse, French, 1745 - c. 1800, 14 3/4 x 10 3/8 in. (37.47 x 26.35 cm) (image), Red chalk on white laid paper, France, 18th century, This previously unidentified drawing has recently been attributed to Louis Roland Trinquesse, a French genre and portrait painter whose accomplished red chalk studies were avidly collected in his lifetime. The depiction of hands proved difficult for Trinquesse, who often painted them as clumsy and misshapen. This shortcoming may have prompted the artist to execute some hand studies from life.

2J04JTR Studies of the Virgin, Drapery, and the Hand of Saint John the Baptist Holding a Shell. Antonio d'Enrico, called Tanzio da Varallo (Italy, Alagna Valsesia, about 1575/80 - 1633). Italy, circa 1628. Drawings. Red chalk, heightened with white, on pink prepared paper

2HWC0F7 Figure Studies (recto); Drapery Study (verso). Artist: Elihu Vedder, American, 1836–1923

2HWBGH1 Studies of Faces (recto); Drapery, from a sketchbook (verso). Artist, possibly by: Lorenzo Lotto, Italian, Venice, ca. 1480–1556

2HJ4F9B Monk (lower register); verso: Drapery Study for a Bishop (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Monk (lower register); verso: Drapery Study for a Bishop (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339626

2HJ4687 Two Studies of a Seated Male Nude mid-16th century Follower of Jacopo da Pontormo (Jacopo Carucci) Italian Softly modeled in black chalk, this monumental and sculpturesque figure of a nude man with a hypnotic gaze bears a musical instrument known as a syrinx, which may suggest his identification as a mythological figure, such as Apollo. Below is a smaller and sketchier study of the same figure, clothed in heavy drapery. The drawing has been associated with the Mannerist masters Pontormo and Bronzino and can be ascribed to an artist in their circle.. Two Studies of a Seated Male Nude. Follower

2HJ3KPD Studies of Fairies with a Pair of Hands (possibly representing the Opening of Pandora's Box) 1784 William Lock the Younger British The son of a prominent art collector, Lock studied with William Gilpin and became a favorite of Henry Fuseli who described the youth's drawings as 'unrivaled by any man of this day...for invention, taste and spirit.' Despite such encouragement, Lock largely gave up artistic practice while still in his twenties. This sheet of sketches centers on an open casket containing female figures and winged creatures whose classical drapery and idealized bodies recall Fuseli’s

2HJ372D Studies of a woman, her hands and arms and drapery late 18th–19th century Wolfgang Adam Töpffer Swiss. Studies of a woman, her hands and arms and drapery 382347 Artist: Wolfgang Adam T?pffer, Swiss, Geneva 1766?1847 Morillon, Studies of a woman, her hands and arms and drapery, late 18th?19th century, Graphite, some red chalk, heightened with white chalk, sheet: ca. 8 11/16 x 11 5/8 in. (22.1 x 29.5 cm) (irregular edges). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2008 (2008.52)

2HJ2EDG Drapery Study for 'Castor and Pollux Freeing Helen' 1817 Joseph-Ferdinand Lancrenon French This sheet is a study for Castor and Pollux Freeing Helen, the assigned subject for the 1817 Prix de Rome competition, in which Lancrenon placed third. While the final painting’s location is unknown, this preparatory drawing focuses on the drapery of Helen. The nude male figure escorting her is outlined to her right. Lancrenon’s study echoes a practice promulgated in Jacques Louis David’s (French, 1748–1825) studio that encouraged studies of figures, nude and clothed, followed by sketches of heads. Here,

2HJ25MF Drapery Study for a Cleric (lower register); verso: Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Drapery Study for a Cleric (lower register); verso: Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339629

2HJ1DB3 Standing Soldier: Study for the Chapel of Saints Peter and Paul in the Church of Saint-Séverin, Paris 1851–52 Victor-François-Eloi Biennourry French The flowing drapery worn by the model enhances the sense of movement in his pose as he twists his torso and leans weight on his back leg with spear in hand. Biennourry possibly used the grid to reposition his model and produce studies of the same scale (see 2009.521.2) as he worked to determine the final costume and posture for this Roman soldier who features in the artist's mural decorations in the Church of Saint-Séverin.. Standing Soldier: Stud

2HJ17H3 The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso). 1592 Gregorio Pagani Italian. The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso). 365748

2HJ13D1 Figure and Drapery studies (recto); Three Studies of a Male Torso for the 'Coronation of Marcantonio Pasqualini' (verso) 1641 Andrea Sacchi Italian In this sheet of studies of a male torso Sacchi worked out the pose of the god Apollo for his painting Marcantonio Pasqualini Crowned by Apollo (on view in the Museum's European Paintings galleries). A masterpiece of Italian Baroque art, the painting is a portrait of a celebrated singer at the papal court as well as an allegory of music. The figure of Apollo is loosely based on the famous Apollo Belvedere, an exceedingly influential ancient Roman s

2HJ11EH Drapery Study for a Bishop (lower register); verso: Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Drapery Study for a Bishop (lower register); verso: Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339619

2HHFX22 Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso) 1609–85 Sassoferrato (Giovanni Battista Salvi) Italian. Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso) 341174

2HHEWWY Drapery Studies; verso: Drapery Studies 1829–80 Anselm Feuerbach German. Drapery Studies; verso: Drapery Studies 383410 Artist: Anselm Feuerbach, German, Speyer 1829?1880 Venice, Drapery Studies; verso: Drapery Studies, 1829?80, Black and white chalk, sheet: 17 3/8 x 11 3/8 in. (44.2 x 28.9 cm). The Metropolitan Museum of Art, New York. Purchase, C. G. Boerner Gift and Bequest of W. Gedney Beatty, by exchange, 2008 (2008.265)

2HHBN63 [Female Nude in Studio] 1856–59 Franck-François-Genès Chauvassaignes French This corner of a painter’s atelier somewhere in France in the middle of the nineteenth century is scarcely tethered to time or place; it could as easily be a loft in New York today or, had photography existed four centuries earlier, a studio in the Italian Renaissance. What is surprising here is the absence of even the thinnest disguise—no swags of drapery, elaborate coiffure, or skeins of beads as are commonly found in the work of other purveyors of 'studies for artists.' Here, the model is utterly naked. With her int

2HHA675 Studies of Drapery in Sleeve and Collars 1828–81 Romain Cazes This drawing of jackets worn by lightly sketched male forms comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influent

2HH8JXX a. Hand of Saint Remi; b. Hand of Saint Remi; c. Drapery Study for Acolyte Holding Book (middle register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. a. Hand of Saint Remi; b. Hand of Saint Remi; c. Drapery Study for Acolyte Holding Book (middle register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339605

2HH8HRW Drapery Study for Sainte-Clotilde (upper register); verso: Standing Soldier; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Drapery Study for Sainte-Clotilde (upper register); verso: Standing Soldier; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339638

2HH45Y1 Madonna and Child with the Infant Saint John the Baptist; upper left, Study for the Right Arm of the Infant Saint John; upper right, Study for Drapery (recto); Study of a Nude Male Figure (verso) ca. 1506–7 Raphael (Raffaello Sanzio or Santi) Italian This delicately rendered sheet focuses on a composition study for the Madonna in the Meadow, a painting in the Kunsthistorisches Museum in Vienna that is dated either 1505 or 1506. Along the top, the sheet also includes two fragmentary studies for related details of the composition. This is one of the artist's earliest drawings in red chalk. When

2HH390C Drapery Study for 'A Venus' ca. 1868 Albert Joseph Moore This sensitive study of semi-translucent drapery falling over the back of a chair relates to Moore's painting 'A Venus' (1869; York Art Gallery). In the latter, a similar arrangement appears at left placed next to an idealized nude woman who stands before flowering branches and next to two vases. The artist was a leader of the Aesthetic Movement whose proponents believed subject matter to be less important than beautifully arranged forms and harmonious colors. When preparing a composition, Moore made studies of figures, draperies and det

2HGYPP0 The Holy Kinship ca. 1480 Master of the Drapery Studies This drawing, long recorded in the literature with various attributions to Alsatian or Rhenish masters, was attributed to the Master of the Drapery Studies by Friedrich Winkler in 1930 and confirmed by Michael Roth in his dissertation on the master in 1988. Typical for the Master of the Drapery Studies’ work at the beginning of his career, this delicate but vigorously executed drawing echoes the composition of an engraved Holy Family made in ca. 1450/75 by the Master of the Banderoles (Netherlandish, active ca. 1450-ca. 1475). This drawin

2HHT5J6 Figure Studies: The Holy Family, a Running or Dancing Child, Drapery Studies 1565–1608 Francesco Curia Italian Francesco Curia can be rightly considered the most relevant artist active in Southern Italy during the Sixteenth century. The present sheet is one of eight pen sketches (Metropolitan Museum of Art, inv. nos.1970.101.4-11) figured in an album containing '97 pezzi di Francesco Curia' (97 pieces by Francesco Curia:) once in the collection of Nicodemus Tessin the Younger (1654-1728), and then inherited by his son Carl Gustav Tessin (1695-1770), the greatest Swedish collector of drawings o

2G22W21 Two drapery studies of a running man, right.

2G11004 Four studies of a woman's arm, with drapery.

2G017CR Drapery study; Sketch sheets with figure studies.

2G01782 Studies or two arms. Study magazine: left arm with a hand of a woman, a drapery holding and right arm and a hand of a woman, a drapery holding.

2G004R3 Studies of two arms. Study magazine: Left arm with a hand of a woman, a drapery holding and the right arm and hand of a woman, a drapery holding.

2DN757A Two Partial Anatomical Studies, Daniel Huntington, American, 1816–1906, Graphite on green wove paper, At top, legs of a man walking, from the rear. Drapery sketched about his hips. Below, oriented differently, back and right arm of a man holding a scimitar., USA, ca. 1850, figures, Drawing

2DN747G Studies of Peace for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Woman's head in left profile, at left. At right, drapery study for a seated female figure, turned towards the left, with head and feet not shown.. Verso: Three studies of a left foot, one study of a right foot., USA, 1886, figures, Drawing

2DN7260 Nude Angel, Angel's Arm, and Drapery Studies, Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, pen and black ink, white chalk on blue wove paper, Study of a nude figure with left arm raised. Additional study of left arm, at right. Drapery studies of sleeves, lower left and right., London, United Kingdom, 1857–58, figures, Drawing

2DN6J72 Studies (a) Three kneeling shepherds. (b) Two arms, Black chalk with white crayon on rough brown paper, A) Turned toward right. At left: sketch of the upper part of the body which is shown in front, with the head shown nearly in profile. At the centre, the man looks downward with the arms cross in front of his breast. At right: with raised hands and head shown in profile. B) On the reverse, two raised right arms with handles of swords separated by a sketch of a drapery. Possibly by same artist as -2059, Italy, 1725–1775, figures, Drawing

2DN5GCJ Studies of Hands, Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Study of a right hand and the lower part of an arm, resting on drapery. Additional study of right hand, upper left., USA, 1850–60, figures, Drawing

2DN0EX5 Mrs. B as Peace, Study for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on beige-gray laid paper, Bust portrait of a female figure in left profile. Verso: Two studies of drapery, over legs., USA, 1878, figures, Drawing

2DMXGK0 Archbishop's Throne and Canopy; Six Separate Studies for a Throne, Prie-Dieu, and Canopy, Hippolyte-François Joseph Equennez, 1772 – 1854, Pen and black ink, brush and watercolor, white gouache, traces of black chalk, ruled border in pen and black ink on heavy white paper, Elevation of an elaborate throne and canopy at the center, rendered in full color; side elevation of canopy, in line, right. Side elevation of throne and other details, in line, left. The canopy is composed of a flat dome, supported at rear by Ionic pilasters, unsupported at front. Dome surmounted by cross and plumes

2DMX3D7 Studies for Angel in 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, pen and black ink, white chalk on blue wove paper, Study of the head and left shoulder of the angel, above. Study of right arm, below. Verso: Drapery study for Mercy's dress., London, United Kingdom, 1857–58, figures, Drawing

2DMWJF8 Mrs. Rutherford B. Hayes, Separate Arm and Drapery Studies, Daniel Huntington, American, 1816–1906, Graphite, white chalk on buff wove paper, Standing female figure turned to left, gaze directed to right. Studies of left and right hands with drapery, either side., USA, USA, 1880, portraits, Drawing

2DMTBKR Studies for a Kneeling Monk, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on blue paper, Recto: a monk or priest is shown turned toward the right, in profile. In the upper left corner, a study for a part of the head, and two more head studies beside, at right. Below are two studies for a left hand shown from the palm with thumb and forefinger touching each other. Verso: twice, the right arm of a woman in profile, her hand holding drapery. A study for the hand. Below, at left, a left hand holding a stem., Italy, 1775–1800, figures, Drawing

2DMRB1R Studies of a Kneeling Figure, Carlo Maratti, Italian, 1625 - 1713, Chalk on paper, A kneeling woman shown from behind, lifting a cloth with her right hand. Detailed studies for the drapery and hand., Italy, 1775–1800, figures, Drawing

2DM9CFR Studies of Peace for 'Justice and Peace', Daniel Huntington, American, 1816–1906, Charcoal and white chalk on gray-brown laid paper, Above, two studies of drapery. Below, at left, study of a woman's face in left profile. Below, at right, studies of a right foot and a right hand., USA, 1878, figures, Drawing

2DMH0J6 Studies of Mourners' Arms, Hands, and Drapery, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough gray paper, Recto: Vertical rectangle. A young man, shown from the chest up, looking upwards with raised hands, shown with heavy drapery. Further study of his gesturing hand at the lower right corner. Verso: Horizontal rectangle. At left is probably the right arm of the fainting Virgin. Twice the legs of a lying man and a woman's left hand with drapery., Italy, late 18th century, figures, Drawing

2DMGT6T Studies of a male nude, Black and white crayon, on rough gray paper, (A) Profile of a man walking towards right, his left arm raised, right arm lowered, a nimbus glowing above his head., (B) Reverse: right leg of a seated man, part of a left arm, front view of left foot, profile view of right foot, part of drapery., Italy, 1650–75, figures, Drawing

2DMNMF6 Studies for a Young Man, Drapery, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper, Horizontal rectangle. Drapery study of a seated male figure, possibly book at left. One detail is sketched above at right. Verso: the naked torso of a young man turned toward right, looking upward. Below, a study of the head., Italy, early 18th century, figures, Drawing

2DMJXPK Study of Drapery, Giovani Gioseffo dal Sole, Italian, 1654 - 1719, Chalk on paper, Drapery study with white heightening., Italy, ca. 1675, nature studies, Drawing

2DHWRX0 The Magdalen, Print made by Prince Rupert, 1619–1682, British, after Matthew Merian, 1621–1687, Swiss, 1659, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 9 1/8 × 6 3/4 inches (23.2 × 17.1 cm), Plate: 9 × 6 9/16 inches (22.9 × 16.7 cm), and Image: 8 1/8 × 6 3/16 inches (20.6 × 15.7 cm), awe, Christianity, cloth, drapery studies, gazing, hands, New Testament, portrait, prayer, religious and mythological subject, saint, woman

2DHWRX2 The Magdalen, Print made by Prince Rupert, 1619–1682, British, after Matthew Merian, 1621–1687, Swiss, 1659, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 9 1/16 × 6 3/4 inches (23 × 17.1 cm) and Image: 8 1/8 × 6 3/16 inches (20.6 × 15.7 cm), awe, Christianity, cloth, drapery studies, gazing, genre, New Testament, praying, saint, woman

2DMGAXY Study of Drapery, Giovani Gioseffo dal Sole, Italian, 1654 - 1719, Chalk on paper, Drapery study with many folds., Italy, 1675, nature studies, Drawing

2DMG88G Two Studies of a Man, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper., Vertical rectangle. Recto: a young man who is stooping over to grasp a cloth, and who is turned toward right. Details of the head and the drapery on the lower half of the page. Verso: a male nude shown from the left back, turned toward left. Below at right is a repitition of the right foot., Italy, late 18th century, Drawing

2DMG5P6 Studies of Drapery of 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon, graphite on paper, Sketch of a small narrow section of drapery., USA, ca. 1899, figures, Drawing

2DMG43Y Mercy's Hand and Arm, Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite on blue wove paper, Studies of hands for the figure of Mercy. Right hand pressing down on a surface, at right. At left, the back of the left hand. Verso: Study of drapery, falling mainly to the right., USA, 1857, figures, Drawing

2DMG3XE Studies of Standing Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Studies of a standing woman facing away, slightly towards the left. Full study with drapery, left center. Upper right, nude study of head and torso. Additional sketch of figure, lower right., USA, 1860, figures, Drawing

2DME57G Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Charcoal and white heightening on rough grey paper, A woman's head, with a right had to her forehead, is depicted in the top right corner. Below, a male figure, depicted from the torso upward, with ample drapery, has his right hand in a similar position; verso: a right hand, depicted with part of a forearm, leans upon something but points of index and third fingers are not shown., Italy, late 17th century, figures, Drawing

2DMDA8X Architectural Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Top row: the head of an animal. Upper left part of a window or door frame. Center row: decoration of a pilaster, two upper part s of window or door frames. Center one shows a putto with a drapery festoon and a mask over the frame of the opening. Beside is a pilaster supporting the main entablature. A crouching animal is shown in profile turned toward left above that. Bottom row: a console with a pediment; a variation of the design., Italy, 1750–75, architecture

2CWBGF8 Study of a woman seen from the back by Jean-Antoine Watteau, 1716-1718. This study is drawn from a live model. Watteau has used his favourite combination of black, red and white chalks. This technique 'a trois crayons' became widely used by French artists of the eighteenth century. The costume is the main focus of Watteau's studies. The woman is seated on the ground so that her elaborate dress spreads out around her. This provides the artist with an excuse to study the movement of the drapery according to the different positions of her body. From the collection of the British Museum, London, U

2CWBGE9 Studies of a flute-player and two women by Jean-Antoine Watteau, 1717. From the collection of the British Museum, London, United Kingdom.

2WCR218 LEONARDO DA VINCI.DRAPERY STUDIES ON LINEN

2HW6XWK LEONARDO DA VINCI. DRAPERY STUDIES ON LINEN

2M93WN3 Study for the Painting 'Sybil' Lord Frederick Leighton (British, 1830-1896). Study for the Painting 'Sybil.'. Charcoal and chalk on wove paper, Sheet: 14 9/16 x 10 7/8 in. (37 x 27.6 cm). Frederic Leighton’s academic training taught him to prepare numerous figure and drapery studies for his paintings. This drawing of a classically robed woman is a study for a large oil painting, Sybil, which he exhibited in 1889. Her pose is reminiscent of Albrecht Dürer’s figure in Melencolia, while her sculptural presence reflects Leighton’s debt to the monumental female figures of Michelangelo. By the 1880

RY8P60 Study of a Female Nude (possibly for an unrealized allegorical painting) (Recto); Studies of Drapery and Study of a Landscape (verso), 1800s. Pierre Puvis de Chavannes (French, 1824-1898). Black chalk stumped with heightening of white chalk on brown paper; overall: 23.5 x 30.8 cm (9 1/4 x 12 1/8 in

RY8P5R Studies of Drapery and Study of a Landscape (Verso), 1800s. Pierre Puvis de Chavannes (French, 1824-1898). Black and brown chalk/pastel; sheet: 24 x 31.6 cm (9 7/16 x 12 7/16 in

RY35WC Verona Sketchbook: Drapery studies (page 17), 1760. Francesco Lorenzi (Italian, 1723-1787). Black and red chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in

RY35W7 Verona Sketchbook: Drapery studies (page 69), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in

RY35RY Verona Sketchbook: Drapery studies (page 90), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in

RY35W1 Verona Sketchbook: Figure with upraised right arm and drapery studies (page 68), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in

PPXNC2 Studies of a Male Nude, a Drapery, and a Hand; Giorgio Vasari, Italian, 1511 - 1574, about 1555 - 1565; Red chalk; 36 × 24.3 cm

2E46RE6 Print made by Prince Rupert, 1619–1682, British, The Magdalen, 1659. Mezzotint on medium, slightly textured, cream, laid paper. awe , Christianity , cloth , drapery studies , gazing , hands , New Testament , portrait , prayer , religious and mythological subject , saint , woman. Mary Magdalene, Saint (early 1st c. AD – mid-late 1st c. AD)

2E46RCC Print made by Prince Rupert, 1619–1682, British, The Magdalen, 1659. Mezzotint on moderately thick, moderately textured, cream, laid paper. awe , Christianity , cloth , drapery studies , gazing , genre , New Testament , praying , saint , woman. Mary Magdalene, Saint (early 1st c. AD – mid-late 1st c. AD)

K4P2CF Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P2C7 Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P26T Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1MA Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1AD Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1EG Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1H3 Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1EK Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1J2 Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P1EM Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P0R0 Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P78N Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P73T Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P68M Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P7KF Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P73N Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P6XY Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,

K4P6YM Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furniture trimmings, wall papers,