Pesquisando por: "DESIGNED AND ETCHED BY THOMAS ROWLANDSON" - Fotoarena - Agência de fotojornalismo

2KRK3X1 Royal Circus May 1, 1809 - Designed and etched by Thomas Rowlandson

2HJ1ANM Horse Armoury, Tower of London November 1, 1809 Designed and etched by Thomas Rowlandson British. Horse Armoury, Tower of London 395492

2HHB42E Surrey Institution September 1, 1809 Designed and etched by Thomas Rowlandson British Intended to encourage a knowledge of science, music and literature, the Surrey Instituion was founded by private subscription in 1807, modeled on the Royal Institution which had been in existence since 1799. Suitable premises were found in the Rotunda Building, south of the Thames, close to the Surrey side of Blackfriars Bridge. Joseph T. Parkinson was employed to renovate the decayed structure, and the results were a lecture hall that seated 500 (seen here), lending library and reading room, chemical lab, co

2HH7P8B St. Stephen's Walbrook November 1, 1809 Designed and etched by Thomas Rowlandson British St. Stephen's Walbrook stands near Mansion House in the City of London, was designed by Sir Christopher Wren and opened in 1679, after the 15th century church on the site was destroyed in the Great Fire of 1666. Within a rectangular plan, twelve corinthian columns support a high dome based onthat in St. Paul's Cathedral. Rowlandson and Pugin show a service in progress with figures in box pews listening to a minister in a pulpit to the right of the altar.. St. Stephen's Walbrook 398721

2HH0YM1 The Hall Carlton House April 1, 1808 Designed and etched by Thomas Rowlandson George, Prince of Wales was granted Carlton House in 1783, and employed the architect Henry Holland to rebuild it. By 1796, the rambling structure had been transformed into a palatial residence that functioned as an alternate court to that centered on the prince's parents, George III and Queen Charlotte, at St. James's Palace. This print describes the impressive entrance hall, adorned with classical elements reminsicent of the Pantheon in Rome, adpated to a rectangular space instead of a circular one.. The Hall Carlt

2HH0YG5 Connoisseurs–or Portrait Collectors !!! 1807 Thomas Rowlandson Two collectors look through offerings in a shop. The dealer at right, bald except for a queue praises the portrait held by a tall thin man wearing a long coat and spectacles. The other customer, near the window looks at works in a second stand. Prints hung against the window panes are backlit. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-5) and title page 59.533.1022(1).. Connoisseurs–or Portrait Collectors !!!. The Pleasures of Human Life. Thomas Rowlandson (British, London 1757–1827 London). 180

2HH0YFN Christopher Crabtree in the Suds: 'Dear, dear what can the matter be' 1807 Thomas Rowlandson In a washerwoman's parlor, hung with drying laundry, Christopher Crabtree steps into an over flowing tub, causing a woman and figures seated around a table to react with alarm. In a room at the top of a stair, another woman looks in and laughs as a washerwoman talks to a couple by a window. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-3, 5-6) and title page 59.533.1022(1).. Christopher Crabtree in the Suds: 'Dear, dear what can the matter be'. The Pleasures of Human L

2HH0YFT Mr. Ego's Marvellous Story February 1, 1807 Thomas Rowlandson In an elegant drawing room, a plump man, Mr. Ego, gesticulates as he talks and holds a cup. His story has caused a footman to turn to listen and drop his tray, overbalancing another servant's plate of food. Other figures are seated in a semi-circle and a woman serves coffee or hot chocolate by a table at left next to a fireplace. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2, 4-6) and title page 59.533.1022(1).. Mr. Ego's Marvellous Story. The Pleasures of Human Life. Thomas Rowlandson (British, Lon

2HH0YE9 A Brace of Full-grown Puppies: or My Dog and Me 1807 Thomas Rowlandson A young couple in a richly furnished library. The foppish young man at right leans back in an armchair and pets a large dog. At left a pretty young woman holds a book and looks wistfully across at her husband. At right ar four classical busts, a fireplace, a cat, and a gothic revival desk over which hangs a caged bird. Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(2-4, 6) and title page 59.533.1022(1).. A Brace of Full-grown Puppies: or My Dog and Me. The Pleasures of Human Life. Thomas Rowla

2HH0YG0 The Pleasures of Bond Street: or Fashionable Driving 1807 Thomas Rowlandson Bond Street in London is shown crowded with carriages and pedestrians. One of the shops fronts has a sign lettered 'Peter Pigtail Wigmaker to the Margravin.' Mounted with four other scenes designed and etched by Rowlandson: 59.533.1022(3-6) and title page 59.533.1022(1).. The Pleasures of Bond Street: or Fashionable Driving. The Pleasures of Human Life. Thomas Rowlandson (British, London 1757–1827 London). 1807. Hand-colored etching. Longman, Hurst, Rees and Orme (London). Prints

2HH0YG2 The Pleasures of Human Life: Title Page 1807 Thomas Rowlandson The Pleasures of Human Life: Investigated Cheefully, Elucudated Satirically, Promulgated Explicitly, and Discussed Philosophically...by Hilaris Benevolus & Co. (pseudonym of John Britton). Mounted with five small scenes designed and etched by Rowlandson: 59.533.1022(2-6).. The Pleasures of Human Life: Title Page. The Pleasures of Human Life. Thomas Rowlandson (British, London 1757–1827 London). 1807. Letterpress. Longman, Hurst, Rees and Orme (London). Prints

2HH01J0 Covent Garden Market, Westminster Election July 1, 1808 Designed and etched by Thomas Rowlandson This print records temporary wooden stands erected outside St.Paul's Church in Covent Garden Market to allow politicians running for Parliament in the Westminster election to address voters. On this occasion a large crowd has gathered, carrying banners and spilling out into the square, with some figures perched on a roof at right to listen to a speaker.. Covent Garden Market, Westminster Election. Microcosm of London, pl. 26. Designed and etched by Thomas Rowlandson (British, London 1757–1827 Londo

2HGYYJ9 Astley's Amphitheatre January 1, 1808 Designed and etched by Thomas Rowlandson. Astley's Amphitheatre. Microcosm of London, pl. 4. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYYK7 Bartholomew Fair February 1, 1808 Designed and etched by Thomas Rowlandson. Bartholomew Fair. Microcosm of London, pl. 8. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYYJW The Roman Catholic Chapel, Lincoln's Inn Fields April 1, 1808 Designed and etched by Thomas Rowlandson From the late 18th century, restrictions against Roman Catholic worship in England gradually loosened, encouraged by the arrival of refugees fleeing the French Revolution, and by the Act of Union in 1801 which united Great Britain and Ireland. In London, a chapel at 53-54 Lincoln's Inn Fields intially served the Portugese embassy, then the Sardinian. Rebuilt after a fire in 1759, the structure was repaired after the anti-Catholic Gordon Riots of 1780. When the embassy proper moved in 1799, th

2HGYYHX Bartholomew Fair February 1, 1808 Designed and etched by Thomas Rowlandson. Bartholomew Fair. Microcosm of London, pl. 8. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYYJK Drawing from Life at the Royal Academy, Somerset House January 1, 1808 Designed and etched by Thomas Rowlandson Drawing the human figure was central to artistic training from the Italian Renaissance forward and, once London's Royal Academy was founded in 1768, regular life classes were established for the benefit of academicians and students. Both male and female models posed nude, but only men over the age of twenty were permitted to attend as draftsmen until 1898. Casts of sculptures offered another means to explore human anatomy and examples of the latter are displayed around the back of th

2HGYYHN Christie's Auction Rooms February 1, 1808 Designed and etched by Thomas Rowlandson. Christie's Auction Rooms. Microcosm of London, pl. 6. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNXB Lloyd's Subscription Room 1809 Designed and etched by Thomas Rowlandson. Lloyd's Subscription Room. Microcosm of London, pl. 49. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNWR Magdalen Chapel February 1, 1809 Designed and etched by Thomas Rowlandson. Magdalen Chapel. Microcosm of London, pl. 54. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNRT Egyptian Hall, Mansion House January 1, 1809 Designed and etched by Thomas Rowlandson. Egyptian Hall, Mansion House. Microcosm of London, pl. 51. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNRN Corn Exchange, Mark Lane September 1, 1808 Designed and etched by Thomas Rowlandson. Corn Exchange, Mark Lane. Microcosm of London, pl. 33. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNRR Mounting Guard, St. James's Park February 1, 1809 Designed and etched by Thomas Rowlandson. Mounting Guard, St. James's Park. Microcosm of London, pl. 56. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNP8 Freemasons' Hall, Great Queen Street October 1, 1808 Designed and etched by Thomas Rowlandson. Freemasons' Hall, Great Queen Street. Microcosm of London, pl. 38. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNKG Fleet Prison September 1, 1808 Designed and etched by Thomas Rowlandson. Fleet Prison. Microcosm of London, pl. 36. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNJR Doctors' Commons 1808 Designed and etched by Thomas Rowlandson Rowlandson and Pugin here describe the hall of a self-governing, teaching body known as the College of Civilians (or Society of Doctors' Commons) on Paternoster Row. Its members specialized in ecclesiastical and civil law (as opposed to English common law), earned doctorates at Oxford or Cambridge, then were admitted as advocates by the Dean of Arches who served the archbishop of Canterbury. The fellows worked with proctors whose duties paralleled those of solicitors and, in court, concerned themselves with cases of church and Admi

2HGYNK8 Opera House March 1, 1809 Designed and etched by Thomas Rowlandson. Opera House. Microcosm of London, pl. 59. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). March 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNKF Freemasons' Hall, Great Queen Street October 1, 1808 Designed and etched by Thomas Rowlandson. Freemasons' Hall, Great Queen Street. Microcosm of London, pl. 38. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1808. Hand-colored etching and aquatint. Prints

2HGYNKH Debating Society, Piccadilly August 1, 1808 Designed and etched by Thomas Rowlandson. Debating Society, Piccadilly. Microcosm of London, pl. 30. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK1 Philanthropic Society, The Chapel April 1, 1809 Designed and etched by Thomas Rowlandson. Philanthropic Society, The Chapel. Microcosm of London, pl. 61. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). April 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK0 Pillory, Charing Cross April 1, 1809 Designed and etched by Thomas Rowlandson. Pillory, Charing Cross. Microcosm of London, pl. 62. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). April 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNJX Fire in London September 1, 1808 Designed and etched by Thomas Rowlandson. Fire in London. Microcosm of London, pl. 35. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK6 Quakers Meeting April 1, 1809 Designed and etched by Thomas Rowlandson. Quakers Meeting. Microcosm of London, pl. 64. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). April 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNKC The Post Office April 1, 1809 Designed and etched by Thomas Rowlandson England had the world's fastest postal system in the nineteenth century. In 1809 mail coaches averaged eight miles an hour, including five minutes allowed to change horses. This office, housed in a seventeenth-century mansion, handled 170,000 to 200,000 letters weekly, sorting them between 4:30 and 8 pm and delivering them between 6 and 11 the next morning. The recipient paid the delivery man from 4 pence for 15 miles to 1 shilling and 1 pence for 500 miles. In 1840 the British postal system saved itself such complicated bo

2HGYNK2 Hospital, Middlesex April 1, 1809 Designed and etched by Thomas Rowlandson. Hospital, Middlesex. Microcosm of London, pl. 44. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). April 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNKE Leaden Hall Market January 1, 1809 Designed and etched by Thomas Rowlandson. Leaden Hall Market. Microcosm of London, pl. 50. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNKK Lottery Drawing, Coopers Hall February 1, 1809 Designed and etched by Thomas Rowlandson. Lottery Drawing, Coopers Hall. Microcosm of London, pl. 53. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK4 King's Mews, Charing Cross December 1, 1808 Designed and etched by Thomas Rowlandson. King's Mews, Charing Cross. Microcosm of London, pl. 47. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). December 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNJP Guildhall, Examination of a Bankrupt before his Creditors November 1, 1808 Designed and etched by Thomas Rowlandson. Guildhall, Examination of a Bankrupt before his Creditors. Microcosm of London, pl. 41. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). November 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK9 Drury Lane Theatre 1808 Designed and etched by Thomas Rowlandson The first theater on this site opened in 1663, burned in 1672 and was replaced by one probably designed by Sir Christopher Wren. The latter was demolished in 1791 and replaced by Henry Holland's expanded and improved design, seen here. This opened in 1794 but survived only briefly. It was believed to be fireproof, but burned in 1809, a shortly after this print was published, and replaced by a building designed by Benjamin Wyatt.. Drury Lane Theatre. Microcosm of London, pl. 32. Designed and etched by Thomas Rowlandson (British, L

2HGYNK5 Herald's College, The Hall November 1, 1808 Designed and etched by Thomas Rowlandson. Herald's College, The Hall. Microcosm of London, pl. 43. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). November 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNK7 Common Council Chamber, Guildhall November 1, 1808 Designed and etched by Thomas Rowlandson. Common Council Chamber, Guildhall. Microcosm of London, pl. 42. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). November 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNJN House of Lords 1808 Designed and etched by Thomas Rowlandson The Lords are shown here in session, surrounded by tapestries that record key moments in the Spanish Armada's 1588 failed attempt to invade England. Parliament's hereditary upper house moved into this space, just south of Westminster Hall, in 1801 to accomodate new members added by the Act of Union with Ireland--known as the 'Lesser Hall,' the building had previously been used for banquets. In 1834, when a disastrous fire destroyed most of the Palace of Westminster, the Lords would move again.. House of Lords. Microcosm of London, pl

2HGYNGG Exhibition of Water Coloured Drawings, Old Bond Street September 1, 1808 Designed and etched by Thomas Rowlandson. Exhibition of Water Coloured Drawings, Old Bond Street. Microcosm of London, pl. 34. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNGP Newgate Chapel 1809 Designed and etched by Thomas Rowlandson Operating under the jurisdiction of the City of London, Newgate Prison stood next to the Old Bailey courthouse and was built just outside the former city wall. Designed by George Dance, the forbidding prison opened in 1778 and was demolished in 1902. In addition to housing debtors, it served as a holding pen for those awaiting trial, and for condemned prisoners. This view of the chapel records how, on the Sunday before a hanging, condemned prisoners would sit around a coffin to listen to their last sermon. They did not need the tipst

2HGYND1 Foundling Hospital, The Chapel October 1, 1808 Designed and etched by Thomas Rowlandson. Foundling Hospital, The Chapel. Microcosm of London, pl. 37. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYNDB Newgate Chapel 1809 Designed and etched by Thomas Rowlandson Operating under the jurisdiction of the City of London, Newgate Prison stood next to the Old Bailey courthouse, just outside the former city wall. Designed by George Dance, the forbidding prison opened in 1778 and was demolished in 1902. In addition to housing debtors, it served as a holding pen for those awaiting trial, and for condemned prisoners. This view of the prison chapel records how, on the Sunday before a hanging, condemned prisoners would sit around a coffin to listen to their last sermon. They did not need the tipstaffs,

2HGYNH6 The Mint February 1, 1809 Designed and etched by Thomas Rowlandson In the late thirteenth century the Royal Mint moved into the Tower of London and produced, from there, most of Britain's coinage. Pugin and Rowlandson here show workers feeding metal blanks into presses that hold dies able to stamp beyween sixty and eighty coins a minute. In 1810, shortly after this print was made, a new Mint, equiped with steam-powered machinery, opened on Little Tower Hill just outside the fortress's walls.. The Mint. Microcosm of London, pl. 55. Designed and etched by Thomas Rowlandson (British, London 1757–

2HGYND6 The Mint 1809 Designed and etched by Thomas Rowlandson In the late 13th century the Royal Mint moved into the Tower of London and from this home produced most of Britain's coinage. Pugin and Rowlandson here show workers feeding metal blanks into presses that hold dies able to stamp beyween sixty and eighty coins a minute. In 1810, shortly after this print was made, a new Mint, equiped with steam-powered machinery, opened on Little Tower Hill just outside the fortress's walls.. The Mint. Microcosm of London, pl. 55. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). 18

2HGYMJ3 The Head of the Family in Good Humour January 15, 1809 Designed and etched by Thomas Rowlandson. The Head of the Family in Good Humour. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 15, 1809. Hand-colored etching and aquatint. Thomas Tegg (British, 1776–1846). Prints

2HGYM7G Workhouse, St. James's Parish December 1, 1809 Designed and etched by Thomas Rowlandson. Workhouse, St. James's Parish. Microcosm of London, pl. 96. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). December 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM7H St. Martin's in the Fields August 1, 1809 Designed and etched by Thomas Rowlandson. St. Martin's in the Fields. Microcosm of London, pl. 79. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM7F Military College, Chelsea January 1, 1810 Designed and etched by Thomas Rowlandson. Military College, Chelsea. Microcosm of London, pl. 99. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM7T St. Margaret's Westminster August 1, 1809 Designed and etched by Thomas Rowlandson. St. Margaret's Westminster. Microcosm of London, pl. 78. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM66 Whitehall December 1, 1809 Designed and etched by Thomas Rowlandson. Whitehall. Microcosm of London, pl. 95. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). December 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM71 Greenwich Hospital, The Painted Hall January 1, 1810 Designed and etched by Thomas Rowlandson. Greenwich Hospital, The Painted Hall. Microcosm of London, pl. 97. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM6G West India Docks January 1, 1810 Designed and etched by Thomas Rowlandson. West India Docks. Microcosm of London, pl. 92. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM67 St. Paul's Cathedral August 1, 1809 Designed and etched by Thomas Rowlandson. St. Paul's Cathedral. Microcosm of London, pl. 80. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM68 A View of London from the Thames November 1, 1809 Designed and etched by Thomas Rowlandson. A View of London from the Thames. Microcosm of London, pl. 89. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). November 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM63 Tattersall's, Horse Repository, Hyde Park Corner September 1, 1809 Designed and etched by Thomas Rowlandson. Tattersall's, Horse Repository, Hyde Park Corner. Microcosm of London, pl. 83. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1R Trinity House October 1, 1809 Designed and etched by Thomas Rowlandson. Trinity House. Microcosm of London, pl. 87. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM29 View of the Tower October 1, 1809 Designed and etched by Thomas Rowlandson. View of the Tower. Microcosm of London, pl. 85. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2J South Sea House, Dividend Hall February 1, 1810 Designed and etched by Thomas Rowlandson. South Sea House, Dividend Hall. Microcosm of London, pl. 102. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM23 St. Stephen's Walbrook November 1, 1809 Designed and etched by Thomas Rowlandson British St. Stephen's Walbrook stands near Mansion House in the City of London, was designed by Sir Christopher Wren and opened in 1679, after the 15th century church on the site was destroyed in the Great Fire of 1666. Within a rectangular plan, twelve corinthian columns support a high dome based onthat in St. Paul's Cathedral. Rowlandson and Pugin show a service in progress with figures in box pews listening to a minister in a pulpit to the right of the altar.. St. Stephen's Walbrook. Microcosm of London, pl. 90

2HGYM2M Drawing Room St James's July 1, 1809 Designed and etched by Thomas Rowlandson. Drawing Room St James's. Microcosm of London, pl. 76. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). July 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1J Royal Circus May 1, 1809 Designed and etched by Thomas Rowlandson. Royal Circus. Microcosm of London, pl. 66. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). May 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1X Society of Agriculture June 1, 1809 Designed and etched by Thomas Rowlandson. Society of Agriculture. Microcosm of London, pl. 72. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). June 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1F Stamp Office, Sommerset House July 1, 1809 Designed and etched by Thomas Rowlandson. Stamp Office, Sommerset House. Microcosm of London, pl. 74. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). July 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2N Synagogue September 1, 1809 Designed and etched by Thomas Rowlandson. Synagogue. Microcosm of London, pl. 82. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1N Surrey Institution September 1, 1809 Designed and etched by Thomas Rowlandson Intended to encourage a knowledge of science, music and literature, the Surrey Instituion was founded by private subscription in 1807, modeled on the Royal Institution which had been in existence since 1799. Suitable premises were found in the Rotunda Building, south of the Thames, close to the Surrey side of Blackfriars Bridge. Joseph T. Parkinson was employed to renovate the decayed structure, and the results were a lecture hall that seated 500 (seen here), lending library and reading room, chemical lab, collection

2HGYM1Y Society for the Encouragement of Arts etc., Adelphi July 1, 1809 Designed and etched by Thomas Rowlandson. Society for the Encouragement of Arts etc., Adelphi. Microcosm of London, pl. 71. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). July 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1M Board of Trade October 1, 1809 Designed and etched by Thomas Rowlandson. Board of Trade. Microcosm of London, pl. 86. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). October 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2F Royal Institution, Albemarle Street May 1, 1809 Designed and etched by Thomas Rowlandson. Royal Institution, Albemarle Street. Microcosm of London, pl. 68. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). May 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2P Session House, Clerkenwell June 1, 1809 Designed and etched by Thomas Rowlandson. Session House, Clerkenwell. Microcosm of London, pl. 70. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). June 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2D St Luke's Hospital July 1, 1809 Designed and etched by Thomas Rowlandson. St Luke's Hospital. Microcosm of London, pl. 77. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). July 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM1G New Stock Exchange July 1, 1809 Designed and etched by Thomas Rowlandson. New Stock Exchange. Microcosm of London, pl. 75. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). July 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM19 Vauxhall Garden October 2, 1809 Designed and etched by Thomas Rowlandson In 1785 an established pleasure complex south of the Thames River in London was renovated and renamed Vauxhall Gardens. Tree-lined walks were adorned with statues and architectural elements and pavilions offered refreshment and entertainment. Most of the buildings were brilliantly lit and nightly attractions included concerts and fireworks. Here, a military band plays on the balcony of a decorated pavilion, as people dine below and couples dance outside--by the early 19th century it cost 3 shillings and six pence to enter

2HGYM24 Vauxhall Garden 1809 Designed and etched by Thomas Rowlandson In 1785 an established pleasure complex south of the Thames River in London was renovated and renamed Vauxhall Gardens. Tree-lined walks were adorned with statues and architectural elements and pavilions offered refreshment and entertainment. Most of the buildings were brilliantly lit and nightly attractions included concerts and fireworks. Here, a military band plays on the balcony of a decorated pavilion, as people dine below and couples dance outside–by the early nineteenth century it cost 3 shillings and six pence to enter Vauxh

2HGYM25 Excise Office, Broad Street February 1, 1810 Designed and etched by Thomas Rowlandson. Excise Office, Broad Street. Microcosm of London, pl. 103. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1810. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM2H Tattersall's, Horse Repository, Hyde Park Corner September 1, 1809 Designed and etched by Thomas Rowlandson. Tattersall's, Horse Repository, Hyde Park Corner. Microcosm of London, pl. 83. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGYM18 Temple Church September 1, 1809 Designed and etched by Thomas Rowlandson. Temple Church. Microcosm of London, pl. 84. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). September 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRJ6 The Roman Catholic Chapel, Lincoln's Inn Fields April 1, 1808 Designed and etched by Thomas Rowlandson From the late eighteenth century, restrictions against Roman Catholic worship in England gradually loosened, encouraged by the arrival of persecuted French Catholics during the Revolution, and by the Act of Union in 1801 which united the kingdoms of Great Britain and Ireland. In London, a substantial chapel at 53-54 Lincoln's Inn Fields first served the Portugese embassy, then that of Sardinia. This structure was rebuilt after a fire in 1759, and repaired after damage sustained during the Gor

2HGWRJP Astley's Amphitheatre January 1, 1808 Designed and etched by Thomas Rowlandson. Astley's Amphitheatre. Microcosm of London, pl. 4. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRK7 Bartholomew Fair February 1, 1808 Designed and etched by Thomas Rowlandson. Bartholomew Fair. Microcosm of London, pl. 8. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRKP Exhibition Room, Somerset House January 1, 1808 Designed and etched by Thomas Rowlandson British Founded in 1768, London's Royal Academy mounted exhibitions every summer from 1769. Recent works by the academicians were given pride of place and supplemented by submissions by non-members. In 1780, the institution moved from cramped quarters on Piccadilly into custom built galleries in Somerset House on the Strand. The Great Room of these new galleries is shown here densely hung from floor to ceiling. Visitors were admitted for a shilling and flocked to inspect the art and enjoy the views of Lond

2HGWRMD Exhibition Room, Somerset House April 1, 1808 Designed and etched by Thomas Rowlandson Founded in 1768, London's Royal Academy mounted exhibitions every summer from 1769. Recent works by the academicians were given pride of place and supplemented by submissions by non-members. In 1780, the institution moved from cramped quarters on Piccadilly into custom built galleries in Somerset House on the Strand. The Great Room of these new galleries is shown here densely hung from floor to ceiling. Visitors were admitted for a shilling and flocked to inspect the art and enjoy the views of London society

2HGWRJ3 Bow Street Office March 1, 1808 Designed and etched by Thomas Rowlandson Londoners crowd a courtroom in Bow Street, waiting to appear before a Westminster magistrate who sits on a podium in the left background. This court had been established in the 1740s to address minor crimes such as drunkenness, fighting and prostitution, and relieve pressure on higher courts such as the Old Bailey. By focussing on the waiting crowd, instead of those who adminstration of justice, the print conveys the capital's popular energy.. Bow Street Office. Microcosm of London, pl. 11. Designed and etched by Thomas R

2HGWRHK Drawing from Life at the Royal Academy, Somerset House January 1, 1808 Designed and etched by Thomas Rowlandson Drawing from the human figure had been central to artistic training from the Italian Renaissance and, after London's Royal Academy was founded in 1768, regular life sessions were held for academicians and students. Both male and female models posed nude, but only men over the age of twenty were permitted to attend these sessions until 1898. Casts of sculptures offered another means to explore human anatomy and examples are seen here displayed on shelves around the back of the room..

2HGWRK6 Exhibition Room, Somerset House January 1, 1808 Designed and etched by Thomas Rowlandson British Founded in 1768, London's Royal Academy mounted exhibitions every summer from 1769. Recent works by the academicians were given pride of place and supplemented by submissions by non-members. In 1780, the institution moved from cramped quarters on Piccadilly into custom built galleries in Somerset House on the Strand. The Great Room of these new galleries is shown here densely hung from floor to ceiling. Visitors were admitted for a shilling and flocked to inspect the art and enjoy a glimpse of Lond

2HGWRHG The Hall Carlton House April 1, 1808 Designed and etched by Thomas Rowlandson George, Prince of Wales was granted Carlton House in 1783, and employed the architect Henry Holland to rebuild it. By 1796, the rambling structure had been transformed into a palatial residence that functioned as an alternate court to that centered on the prince's parents, George III and Queen Charlotte, at St. James's Palace. This print describes the impressive entrance hall, adorned with classical elements reminsicent of the Pantheon in Rome, adpated to a rectangular space instead of a circular one.. The Hall Carlt

2HGWRJ7 The Great Hall, Bank of England February 1, 1808 Designed and etched by Thomas Rowlandson British. The Great Hall, Bank of England. Microcosm of London, pl. 7. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRMF The British Institution, Pall Mall April 1, 1808 Designed and etched by Thomas Rowlandson British. The British Institution, Pall Mall. Microcosm of London, pl. 13. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). April 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRK1 Covent Garden Market, Westminster Election July 1, 1808 Designed and etched by Thomas Rowlandson This print records temporary wooden stands erected outside St.Paul's Church in Covent Garden Market to allow politicians running for Parliament in the Westminster election to address voters. On this occasion a large crowd has gathered, carrying banners and spilling out into the square, with some figures perched on a roof at right to listen to a speaker.. Covent Garden Market, Westminster Election. Microcosm of London, pl. 26. Designed and etched by Thomas Rowlandson (British, London 1757–1827 Londo

2HGWRH7 Christie's Auction Rooms February 1, 1808 Designed and etched by Thomas Rowlandson. Christie's Auction Rooms. Microcosm of London, pl. 6. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). February 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRJW Astley's Amphitheatre January 1, 1808 Designed and etched by Thomas Rowlandson. Astley's Amphitheatre. Microcosm of London, pl. 4. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). January 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRJN Bow Street Office March 1, 1808 Designed and etched by Thomas Rowlandson Londoners crowd the Bow Street courtroom, waiting to appear before a Westminster magistrate who sits on a podium in the left background. Established in the 1740s, the court addressed minor crimes such as drunkenness, fighting and prostitution, and helped relieve pressure on higher courts such as the Old Bailey. By focussing on the waiting crowd, instead of those who adminster justice, the print conveys the city's popular energy.. Bow Street Office. Microcosm of London, pl. 11. Designed and etched by Thomas Rowlandson (Bri

2HGWRE0 Royal Cockpit May 1, 1808 Designed and etched by Thomas Rowlandson. Royal Cockpit. Microcosm of London, pl. 18. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). May 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRDC Custom House August 1, 1808 Designed and etched by Thomas Rowlandson. Custom House. Microcosm of London, pl. 29. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). August 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints

2HGWRD1 The Hall and Stair Case, British Museum April 1, 1808 Designed and etched by Thomas Rowlandson The British Museum was founded in 1753 and occupied, as its first home, the late seventeenth-century former private residence Montagu House. Here Rowlandson depicts the main staircase and entrance hall, with a painted ceiling by Charles de La Fosse (1636–1716) depicting 'Phaeton Demanding the Chariot of the Sun.' The French artist was employed to work at the property from 1690–92. The rapidly growing collection meant that Montagu House had to be gradually demolished early in the nineteenth century to

2HGWRE1 Water Engine, Cold-Bath Field's Prison 1808 Designed and etched by Thomas Rowlandson. Water Engine, Cold-Bath Field's Prison. Microcosm of London, pl. 19. Designed and etched by Thomas Rowlandson (British, London 1757–1827 London). 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794–1829). Prints