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2WYN7MD The Meeting of Orestes and Hermione, c. 1800 Anne-Louis Girodet de Roucy-Trioson
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2WYN7M4 BWM227006 Portrait of Napoleon Bonaparte (1769-1821) (oil on canvas) by Girodet de Roucy-Trioson, Anne Louis (1767-1824); © The Bowes Museum, Barnard Castle, County Durham, UK; French, out of copyright
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2WYN7JD Révolte du Caire, 21 octobre 1798, 1810 Anne-Louis Girodet-Trioson (1767-1824)
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2WYN7JB Mlle Lange as Venus, 1798, Museum der bildenden Künste, Leipzig Anne-Louis Girodet de Roussy-Trioson
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2WYN7J9 The Death of Tatius (La mort de Tatius), 1788, Musée des Beaux-Arts d'Angers Anne-Louis Girodet de Roussy-Trioson
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2WYN7H3 Portrait de Chateaubriand méditant sur les ruines de Rome, 1808, Musée d'Histoire de la Ville et du Pays Malouin, Saint-Malo Anne-Louis Girodet de Roussy-Trioson
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2WYN7GR Sketch for The Revolt at Cairo, c. 1809, Cleveland Museum of Art Anne-Louis Girodet de Roussy-Trioson
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2WYN7GM trait of Jean-Baptiste Belley, Deputy for Saint-Domingue, 1797, Palace of Versailles Anne-Louis Girodet de Roussy-Trioson
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2WYN7GK Anne-Louis Girodet De Roucy Trioson Benot-Agnes Trioson
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2WYN7GJ XIR158635 Portrait of Napoleon I (1769-1821) (oil on canvas) by Girodet de Roucy-Trioson, Anne Louis (1767-1824) (attr.to); Château de Versailles, France; Giraudon; French, out of copyright
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2WYN1AN The Sleep of Endymion (Le Sommeil d'Endymion or Effet de lune), 1791, Louvre Anne-Louis Girodet de Roussy-Trioson -
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2WYN1AD The Funeral of Atala (Funérailles d'Atala or Atala au tombeau), 1808, Louvre Anne-Louis Girodet de Roussy-Trioson
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2WW3KTN Francois Rene, vicomte de Chateaubriand (1768-1848) meditating on the ruins of Rome in front of a view of the Colisee. 1811 Painting by Anne Louis Girodet de Roucy-Trioson (Anne-Louis Girodet de Roucy-Trioson, 1767-1824), Chateaux de Versailles
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2WRKPN1 Anne-Louis Girodet de Roucy-Trioson -- Pygmalion and Galatea 1813-19, 253х202
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2WR7YYX Portrait of Constance de Théis, Mme. la princesse Constance de Salm (title on object), print maker: Nicolas Maurin, after painting by: Anne-Louis Girodet-Trioson, printer: François Jean Villain, Paris, c. 1826 - 1852, paper, height 474 mm × width 310 mm, print
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2WR7RWC Portrait of François-René de Chateaubriand, M.r le V.te de Chateaubriant (title on object), print maker: anonymous, after painting by: Anne-Louis Girodet-Trioson, printer: Mademoiselle Formentin (Joséphine Clémence), Paris, 1826 - 1829, paper, height 354 mm × width 282 mm, print
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2WR7ED6 Portrait of Anne-Louis Girodet-Trioson, Girodet-Trioson (title on object), print maker: Pierre Roch Vigneron, printer: Gottfried Engelmann, Paris, 1825, paper, height 474 mm × width 306 mm, print
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2X1T6C6 François-René, vicomte de Chateaubriand, French writer, politician, diplomat and historian, 1768-1848. Woodcut by Huyot after a portrait by Anne-Louis Girodet-Trioson from Paul Lacroix's Directoire, Consulat et Empire, (Directory, Consulate and Empire), Paris, 1884.
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2RFC5P0 Portrait of Mlle. Lange as Danae by the French Romantic artist, Anne-Louis Girodet de Roussy-Trioson or de Roucy), also known as Anne-Louis Girodet-Trioson or simply Girodet (1767-1824), oil on canvas, 1799
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2R6RX00 Anne-Louis Girodet de Roussy-Trioson, The Flood (Deluge Scene), painting in oil on wood, 1806
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2RE4B5T Portrait of Giuseppe Fravega by Anne Louis Girodet Trioson in the Musée des Beaux Arts in Marseille France
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2N4C7KF Portrait de Francois Rene, Vicomte de Chateaubriand (1768-1848) meditant sur les ruines de Rome devant une vue du Colisee' d'apres la Peinture de Anne Louis Girodet de Roucy-Trioson
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2M6KBNP Anne-Louis Girodet-Trioson - Portrait of actress Anne Françoise Elisabeth Lange as Danae - c1799
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2T91AK3 Head of a Mustachioed Man, Three-Quarter View, 1817, Anne-Louis Girodet de Roussy-Trioson, French, 1767–1824, 7 5/8 x 7 1/4 in. (19.4 x 18.4 cm) (image, irregular)14 5/8 x 13 15/16 x 1 1/2 in. (37.15 x 35.4 x 3.81 cm) (outer frame), Charcoal, black and white chalk, with stumping on beige paper, France, 19th century, While this head study was likely drawn from life, the figure’s mustache distances him from the everyday world of Anne-Louis Girodet’s Paris. The drawing can be associated with the artist’s so-called Oriental heads or portraits—a group of late works picturing men from the Near East
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2T90RPW Portrait of Mlle. Lange as Danae, 1799, Anne-Louis Girodet de Roussy-Trioson, French, 1767–1824, 23 3/4 x 19 1/8 in. (60.33 x 48.58 cm) (sight, oval)30 3/8 x 25 3/4 x 3 1/8 in. (77.15 x 65.41 x 7.94 cm) (outer frame), Oil on canvas, France, 18th century, Miss Lange was a talented actress known for her beauty and wealthy lovers. Girodet had painted an earlier portrait of her that she found unflattering. When she refused to pay the agreed-upon price and insisted that the painting be removed from public view at the Paris Salon, the enraged Girodet sought revenge
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2T90EEK Psyche Carried Off by the Zephrys, 1824, Jean-Baptiste Aubry-Lecomte; Artist: after Pierre-Paul Prud'hon, French, 1758–1823, 11 1/2 × 9 1/4 in. (29.21 × 23.5 cm) (image)15 5/8 × 11 1/2 in. (39.69 × 29.21 cm) (sheet)16 5/16 × 11 13/16 in. (41.43 × 30 cm) (mount), Lithograph, France, 19th century, Called the 'prince of lithographers,' Hyacinthe Aubry-Lecomte was one of the leading practitioners of the new medium of lithography in Restoration Paris. He produced skillful prints after admired paintings by contemporary artists, including works by Anne-Louis Girodet (his teacher), François Gérard
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2K6FY1M Anne-Louis Girodet-Trioson (* 5. Januar 1767, † 9. Dezember 1824), eigentlich Anne-Louis Girodet de Roussy-Trioson oder Roucy-Trioson, war ein französischer Historien- und Porträtmaler an der Schwelle vom Klassizismus zur Romantik, hier das Gemälde Die Sintflut, Historisch, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, genaues Originaldatum nicht bekannt / Anne-Louis Girodet-Trioson (b. January 5, 1767, † December 9, 1824), actually Anne-Louis Girodet de Roussy-Trioson or Roucy-Trioson, was a French history and portrait painter on the cusp of Classicism and
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2WNNDE3 Pygmalion and Galatea is an oil-on-canvas painting by the French painter Anne-Louis Girodet. It represents the myth of Pygmalion and Galatea as told by Ovid in the Metamorphoses.
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2WNFFX8 The Burial of Atala or The Funeral of Atala (French: Atala au tombeau) is an 1808 oil-on-canvas painting by the French painter Anne-Louis Girodet de Roussy-Trioson
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2WGXFW5 Atala au tombeau - Anne-Louis Girodet
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2J0095N Portrait of a Young Man. Anne-Louis Girodet de Roucy-Trioson (France, Montargis, 1767-1824). France, 18th century. Drawings. Charcoal heightened with white
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2HWE1PD Révolte du Caire (Cairo Revolt). Engraver: Achille Désiré Lefèvre, French, 1798–1864After: Anne-Louis Girodet de Roucy-Trioson, French, 1767–1824
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2HWBFT5 Scene from the Last Act of Corneille’s Rodogune(Derniere scene de Rodogune de Corneille). Artist: Anne-Louis Girodet de Roucy-Trioson, French, 1767–1824
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2HJ2XMH A French Dragoon, Study for 'The Revolt of Cairo' ca. 1809 Anne Louis Girodet-Trioson French This pastel study of a French dragoon (a military officer) is a study for one of Girodet's most famous paintings, The Revolt of Cairo commissioned by Napoleon in 1809 for the Galerie de Diane in the Tuileries Palace (today the Musée du Louvre), the canvas is today at the Château de Versailles. The painting commemorates the Napoleonic army’s suppression of an uprising in Cairo following the French invasion and occupation of the city in 1798. Although accounts of the rebellion differ, we know that severa
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2HJ1Y5Y Study for 'Portrait of an Indian' ca. 1807 Anne Louis Girodet-Trioson French This highly finished oil sketch served as the modello for a portrait now in the Musée Girodet at Montargis. When that lifesize canvas was sold at the posthumous auction of Girodet’s studio, it was catalogued as Portrait of an Indian and dated 1807. The costume, however, is Ottoman, not Indian. Girodet was one of the most gifted painters to emerge from the studio of Jacques-Louis David. Returning to Paris in 1795 after his stay at the French Academy in Rome, Girodet developed a style marked by literary preciosity, imag
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2HHB4Y6 The Mourning of Pallas ca1790–93 Anne Louis Girodet-Trioson French Pierre Didot l'ainé's project to revive the art of fine book publishing in the years following the Revolution provided welcome income for a number of David's students. Some of the greatest examples of French Neoclassical book illustration were the result of these ambitious undertakings, most notably the designs for the 1798 edition of Virgil, based on drawings supplied by Girodet and François Gérard.This drawing for Book Eleven of The Aeneid features Aeneas and Iulus mourning Pallas, who was killed by the Trojans in battle. The
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2HHAWGW Portrait of Louis-Francois Bertin, l'ainé n.d. Anne Louis Girodet-Trioson French. Portrait of Louis-Francois Bertin, l'ainé 359615
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2HHAW3H Oeuvres de Jean Racine 1801 Written by Jean Racine French. Oeuvres de Jean Racine 381621 Author: Written by Jean Racine, French, baptized 1639?1699 Paris, Illustrator: Illustrated by Pierre Paul Prud'hon, French, Cluny 1758?1823 Paris, Illustrator: Illustrated by Jean Guillaume Moitte, French, Paris 1746?1810 Paris, Illustrator: Illustrated by Anne Louis Girodet-Trioson, French, Montargis 1767?1824 Paris, Illustrator: Illustrated by Taunai, French, active early 19th century, Illustrator: Illustrated by Antoine Denis Chaudet, French, Paris 1763?1810 Paris, Engraver: Engraved by Jean-Baptiste-M
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2HHAGFF Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850) 1823 Anne Louis Girodet-Trioson French This work, one of Girodet’s last, betrays the meticulous technique characteristic of the neoclassicism of his teacher, Jacques-Louis David, as well as the perfected forms of the Florentine Renaissance. Letters exchanged between Girodet and the sitter indicate that they knew each other well, and that every detail of the portrait was worked out beforehand. Madame Reizet’s husband was a prominent government official; her son, Marie-Frédéric de Reiset, was a curator at the Louvr
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2HH9RKM Standing Gentleman, three-quarter length profile facing right n.d. Attributed to Anne Louis Girodet-Trioson French. Standing Gentleman, three-quarter length profile facing right 337203
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2HH9DT3 Male Nude Reclining on a Divan ca. 1793 Anne Louis Girodet-Trioson French. Male Nude Reclining on a Divan 337205
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2HH4FJC Comedy and Tragedy 1814 Anne Louis Girodet-Trioson French. Comedy and Tragedy 354035
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2HH31BA Firmin Didot (1764-1836) ca. 1835 Jean-Jacques Barre Firmin-Didot is a Parisian printing firm run by a dynasty of publishers, the most famous of whom was Firmin (1764-1836), who inherited the family business in 1789 and ran it together with his brother Pierre (1760-1853). Around the turn of the nineteenth century, the brothers began to publish lavishly bound and illustrated editions of texts by Racine, Virgil and Horace, known as the Louvre editions. The French painter Anne-Louis Girodet-Trioson was among the artists from Jacques-Louis David’s studio commissioned to produce illustrations for t
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2HGYDXC Girodet and His Students ca. 1817 Alexandre-Marie Colin. Girodet and His Students. Alexandre-Marie Colin (French, Paris 1798–1875 Paris). ca. 1817. Lithograph on chine collé. Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris). Prints
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2HGX36F Danaë 1824 After Anne Louis Girodet-Trioson French. Danaë. After Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris). 1824. Lithograph. Prints
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2HGX31M Head of Young Man 1826 After Anne Louis Girodet-Trioson French. Head of Young Man. Cahiers de Principes, Imitation libre de l'Antique et d'après nature. After Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris). 1826. Crayon-manner engraving. Prints
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2HGPWAM Marie Joséphine Charlotte du Val d'Ognes (1786–1868) 1801 Marie Denise Villers French Many paintings by women artists have become mistakenly attributed to men, including this engaging image, which was once ascribed to Jacques Louis David. It is now thought to be by the portraitist Marie Denise Villers, sister of the artist Marie Victorine Lemoine, whose work hangs nearby. Although little known today, Villers was a gifted pupil of Anne Louis Girodet Trioson (1767–1824); if the attribution to Villers is correct, this painting was exhibited at the Salon of 1801. Apart from demonstrating the artis
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2HGH8CP Der schlaf des Endymion, Gemälde von Anne-Louis Girodet de Roussy-Trioson, Endymion ist in der griechischen Mythologie der schöne und ewig jugendliche Liebhaber der Mondgöttin Selene / The Sleep of Endymion, painting by Anne-Louis Girodet de Roussy-Trioson, Endymion is in Greek mythology the beautiful and eternally youthful lover of the moon goddess Selene, Historisch, historical, digital improved reproduction of an original artwork from the time / digital restaurierte Reproduktion einer Originalvorlage aus der damaligen Zeit, genaues Originaldatum nicht bekannt
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2GRGC0H France, Loiret, Montargis, the Girodet Museum
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2GRGC0Y France, Loiret, Montargis, the Girodet Museum
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2GRGC07 France, Loiret, Montargis, the Girodet Museum
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2GRGC1H France, Loiret, Montargis, the Girodet Museum
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2GRGC05 France, Loiret, Montargis, the Girodet Museum
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2GRGC0K France, Loiret, Montargis, the Girodet Museum
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2GRGBXD France, Loiret, Montargis, the Girodet Museum
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2GRGBXX France, Loiret, Montargis, the Girodet Museum
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2GF39AE Hortense de Beauharnais, Queen of Holland, Anne-Louis Girodet-Trioson, 1805 - 1809 Dutch, The Netherlands. oil on canvas, 60 × 49. Hortense was the stepdaughter of Emperor Napoleon. Through her marriage to Napoleon's brother, Lodewijk Napoleon, she became Queen of Holland in 1806. The marriage was unsuccessful and Hortense thought Holland was a cold and gloomy country. She preferred to live with her sons in Paris, at court.
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2G481YF Paris, France - 21 05 2021: Louvre Museum. Denon wing. The flood painting by Anne-Louis Girodet-Trioson
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2G481YD Paris, France - 21 05 2021: Louvre Museum. Denon wing. The flood painting by Anne-Louis Girodet-Trioson
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2F2YBPD Portrait of Hortense de Beauharnais, Queen of Holland, wife of Louis Napoleon, King of Holland. Bust to the right with a crown in the hair, to the rig
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2DT03HY Engraver: Achille Désiré Lefèvre, French, 1798–1864, After: Anne-Louis Girodet de Roucy-Trioson, French, 1767–1824, Révolte du Caire (Cairo Revolt), Engraving, sheet: 21 × 29 cm (8 1/4 × 11 7/16 in.), French, 19th century, Works on Paper - Prints
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2DRMGYY Artist: Anne-Louis Girodet de Roucy-Trioson, French, 1767–1824, Scene from the Last Act of Corneille’s Rodogune(Derniere scene de Rodogune de Corneille), Graphite, sheet: 11.4 × 14.5 cm (4 1/2 × 5 11/16 in.), Made in France, French, 19th century, Works on Paper - Drawings and Watercolors
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2DM7END Pygmalion and Galatea, Jean N. Langier, French, 1785 - 1875, Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824, Engraving on china paper, pasted down, France, 1824, Print
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2CWAW8W Hortense de Beauharnais (1783-1837), Queen Consort of Holland, portrait painting by Anne-Louis Girodet-Trioson, 1805-1809
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2BKKNEA Young Francois-Rene de Chateaubriand, by Anne-Louis Girodet (circa 1790)
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2BJHE14 Chateaubriand Meditating on the Ruins of Rome - Anne-Louis Girodet de Roussy-Trioson, circa 1808
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2BMYBNR Hippocrate refusant les présents d'Artaxerxès - Hippocrates refusing the gifts of Artaxerxes 1792 Anne Louis Girodet Trioson 1767–1824 France, French. (Hippocrates refusing the presents of the Achaemenid Emperor Artaxerxes, who was asking for his services.)
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2BMYBK8 Hippocrate refusant les présents d'Artaxerxès - Hippocrates refusing the gifts of Artaxerxes 1792 Anne Louis Girodet Trioson 1767–1824 France, French. (Hippocrates refusing the presents of the Achaemenid Emperor Artaxerxes, who was asking for his services.)
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2BMYBJY Hippocrate refusant les présents d'Artaxerxès - Hippocrates refusing the gifts of Artaxerxes 1792 Anne Louis Girodet Trioson 1767–1824 France, French. (Hippocrates refusing the presents of the Achaemenid Emperor Artaxerxes, who was asking for his services.)
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2BMYBJF Hippocrate refusant les présents d'Artaxerxès - Hippocrates refusing the gifts of Artaxerxes 1792 Anne Louis Girodet Trioson 1767–1824 France, French. (Hippocrates refusing the presents of the Achaemenid Emperor Artaxerxes, who was asking for his services.)
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2BMYBJ2 Hippocrate refusant les présents d'Artaxerxès - Hippocrates refusing the gifts of Artaxerxes 1792 Anne Louis Girodet Trioson 1767–1824 France, French. (Hippocrates refusing the presents of the Achaemenid Emperor Artaxerxes, who was asking for his services.)
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2AMD297 Portrait of J. B. Belley, Deputy for Saint-Domingue - Anne-Louis Girodet de Roussy-Trioson, 1797
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2WF05W4 Anne-Louis Girodet de Roussy-Trioson - Portrait d'une jeunesse.
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2B8EYJ6 Anne-Louis Girodet de Roucy-Trioson - Tête d'une femme dans un turbanFXD.
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2WYRXDT 'Portrait of Benoit Agnès Trioson (1790-1804), nicknamed Ruehaus', Anne-Louis Girodet de Roucy-Trioson, 1767-1824, Musée du Louvre, Paris, France, Eu
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TCBM54 Anne-Louis Girodet de Roussy-Trioson, Jacques Louis David, Oath of the Horatii, painting, 1786
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2M94A6X Amazone Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (French, 1787-1858). , 1826. Chalk lithograph with chine colle Hyacinthe Aubry-Lecomte learned how to make lithographs from his teacher, the French painter Anne-Louis Girodet, who embraced the technique’s ability to create soft tonal gradations. Lithography allowed Aubry-Lecomte to make finely modulated reproductive images of his master’s paintings, including this one of an Amazon warrior. This lithograph was made using the chine collé technique, in which the image is printed on very thin, absorbent paper that enhances its luminosity,
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T0WAJY Portrait of Hortense de Beauharnais, Queen of Holland - Anne-Louis Girodet de Roussy-Trioson, circa 1805
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RY6KET Aurora and Cephalus, c.1810. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Oil on canvas; framed: 34.9 x 29.9 x 7 cm (13 3/4 x 11 3/4 x 2 3/4 in.); unframed: 22.8 x 16.8 cm (9 x 6 5/8 in
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RY6ET6 The Meeting of Orestes and Hermione, c. 1800. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache on cream wove paper; sheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.); image: 26.2 x 20 cm (10 5/16 x 7 7/8 in
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RY57H2 Receuil d'essais lithographiques, 1816. Darmet (French), Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824), Antoine Pierre Mongin (French, 1761-1827), Horace Vernet (French, 1789-1863). Lithograph; image: 22.5 x 18.4 cm (8 7/8 x 7 1/4 in.); overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in
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RY57GF Receuil d'essais lithographiques: Portrait of M. Coupin de La Couperie, 1816. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Lithograph; image: 22.5 x 18.4 cm (8 7/8 x 7 1/4 in.); overall: 31 x 24.2 cm (12 3/16 x 9 1/2 in
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RY7933 Study for The Revolt of Cairo, 1810. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Pen and brown ink, with framing lines in brown ink; sheet: 28.1 x 43 cm (11 1/16 x 16 15/16 in.); secondary support: 29.8 x 44.4 cm (11 3/4 x 17 1/2 in
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RY6K80 The Oath of the Seven Chiefs against Thebes, c. 1800. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Black chalks and white chalk with stumping and erasing on light brown wove paper; overall: 41.8 x 62 cm (16 7/16 x 24 7/16 in
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RY70N3 Two Arabs, for The Revolt of Cairo, c. 1810. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Black chalk heightened with white chalk, with traces of blue chalk; sheet: 45.4 x 41.2 cm (17 7/8 x 16 1/4 in.); secondary support: 50.4 x 45.2 cm (19 13/16 x 17 13/16 in.); tertiary support: 50.4 x 45.2 cm (19 13/16 x 17 13/16 in
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RY5DB2 Self-Portrait in a Hat, c. 1790. Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824). Black chalk, with stumping, heightened with traces of white gouache; sheet: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in.); secondary support: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in
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TYF3T9 Portrait of a young man as a Hunter 1811 by Anne Louis GIRODET DE ROUSSY TRIOSON , 1767 - 1824 France, French,
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TYF3PC Portrait of Benoît Agnès Trioson (1790 - 1804), nicknamed 'Ruhehaus' Anne Louis GIRODET DE ROUSSY TRIOSON , 1767 - 1824 France, French,
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T866GC France, Paris, the Louvre Museum, painting by Anne louis Girodet of Roussy Triosson, the sleep of Endymion
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R062FG François-René de Chateaubriand by Anne-Louis Girodet de Roucy Trioson
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PR0J26 Mort d'Adonis, quatrieme composition, Sappho, Bion, Moschus, Chatillon, Henri Guillaume, ca. 1780-1856, Girodet-Trioson
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PR0J2C Offrande à Vénus, Sappho, Bion, Moschus, Chatillon, Henri Guillaume, ca. 1780-1856, Girodet-Trioson, Anne-Louis, 1767-1824
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PR0J2B Désespoir de Sapho, Sappho, Bion, Moschus, Chatillon, Henri Guillaume, ca. 1780-1856, Girodet-Trioson, Anne-Louis, 1767-1824
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PR0J25 L'amour s'empare de Sapho, Sappho, Bion, Moschus, Chatillon, Henri Guillaume, ca. 1780-1856, Girodet-Trioson, Anne-Louis, 1767
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PR1GW7 Orpheus and Eurydice, Works, Girodet-Trioson, Anne-Louis, 1767-1824, Gérard, François-Pascal-Simon, 1770-1837, Virgil, Engraving
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PPXPB3 Burial of Atala; After Anne-Louis Girodet de Roucy-Trioson, French, 1767 - 1824, after 1808; Oil on canvas; 50.5 × 61.9 cm
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PBTNEP Head of a Woman in a Turban - Anne-Louis Girodet de Roussy-Trioson, circa 1820
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PBTNDY Napoleon I in Coronation Robes - Anne Louis Girodet de Roucy-Trioson, circa 1812
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Total de Resultados: 633

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