Pesquisando por: "A blindfolded cupid." - Fotoarena - Agência de fotojornalismo

2T8MGT3 study sheet. (Cupid blindfolded, giving a heart to a girl; studies of hands, arms, head and body), Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), drawing, red chalk, 18.3 x 29, 8 cm, lower right in old brown ink 'polidoro

2KA0804 Chastity's chariot (Pudicitia), a veiled woman, is pulled by unicorns, legendary chaste animals. Cupid sits blindfolded and tied to her feet.

2HH2Y7J Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti ca. 1770–90 Giovanni Domenico Tiepolo Italian. Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti. Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice). ca. 1770–90. Pen and two shades of brown ink, brownish gray wash. Drawings

2HGX4DX Rock formation with a blindfolded figure of cupid at top, two soldiers bound at the bottom, and a man with a horse to the right 16th century Anonymous, German, 16th century. Rock formation with a blindfolded figure of cupid at top, two soldiers bound at the bottom, and a man with a horse to the right. Anonymous, German, 16th century. 16th century. Etching

2HJ04AW Cupid being led blindfolded on a donkey 1540–56 Léon Davent French. Cupid being led blindfolded on a donkey 336955

2HHYR2F La Vera Perfettione del Disegno di varie sorti di recami, page 5 (verso) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers that are printed upon a grid. Each register begins with a different floral and foliage pattern, which then terminates in a different image. Top register ends with a bird, middle register ends with a blindfolded cupid figure holding a bo

2G4G021 . Man is attacked by personifications of desire, lust and sin. Cupid is blindfolded and gets on the man with his sword. A landscape in the background. At the bottom of the margin a fresh in Latin. Variant on the parable of the merciful Samaritan.

2G3E935 Old lady looks at a kissing couple. A bushed older woman knighed behind a bush looks shooked to a kissing young couple. The young man is wearing his lover on the back. In the background a statue of a blindfolded Cupid.

2G3D320 Man climbs a rock with blindfolded Cupid; Allegories on the abuse of earthy possession. A man climbs a rock, pulling up by the blindfolded Cupid. There are different valuables behind Cupid. The performance is a two-person, Latin text and a two-person, Dutch poem in which the performance and its meaning are explained.

2G25AG5 Triumph of the chastity; Triumphs of Petrarca. The car of chastity (pudicitia), a veiled woman, is drawn by unicorns, legendary clean animals. Cupid is blindfolded and tied to her feet. In the procession, Kuise figures from the history, the Bible and classical mythology, for example the Roman general scipio, Joseph, Suzanna and the honorable Judit, with the Head of Holofernes in her hand. The virtues of self-control (continents) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. The print has a Latin caption and is part of the series

2G007YG A blindfolded Cupid with a torch for a couple in festive clothing; The masquerades. A blindfolded Cupid keeps a burning torch for a man and a woman in festive clothing that stands hand in hand next to him. This print is part of a series of nine numbered prints, on which two or three masked and / or declared figures are fed up.

2FYYHMY A blindfolded Cupid with a torch for a couple in festive clothing; The masquerades. A blindfolded Cupid keeps a burning torch for a man and a woman in festive clothing that stands hand in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and / or declared figures are displayed for feet.

2FYYA1P A blindfolded Cupid with a torch for a couple in festive clothing; The masquerades. A blindfolded Cupid keeps a burning torch for a man and a woman in festive clothing that stands hand in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and / or declared figures are displayed for feet.

2FYXYTG Man is dragged through blind desire and hope for wealth; Utility of hope of money. The blindfolded Cupid (blind desire) is on top of a rock. In his hands a rope to which man has been chained. This tries to climb the rock wall to reach Cupid and two bags of money. In a cartouche at the bottom of the print a Dutch caption on rhyme. The print is part of a four-part series about the uselessness of hope of money and other secular matters.

2DN3AYH Waistcoat front, Technique: Embroidery using satin, stem and knot stitches in twelve colors of floss silk and metal-wrapped silk; coils of metal wire, sequins (paillettes) and paste jewels sewn on silk plain weave foundation. Trimmed with four color woven silk fringe., Waistcoat right front panel with a design of blindfolded Cupid being driven by a bird. Trimmed with polychrome fringe., France, late 18th century, embroidery & stitching, Waistcoat front

2DN3AYR Waistcoat front, Medium: silk, metal-wrapped silk, metal wire, paillettes, paste jewels Technique: embroidery using satin, stem and knot stitches on plain weave, Waistcoat right front panel with standing collar, straight hem edge, and pocket welts in ivory silk. Embroidered in twelve colors of silk floss, with metal-wrapped silk threads, coils of metal wire, sequins, and paste jewels. Overall tiny floral sprig, small-scale floral border at center front, and a design of a blindfolded Cupid being driven by a bird. Trimmed with four color woven silk fringe., France, 1780–95, embroidery

2DMM4AA Band, Medium: silk, metallic yarn on linen Technique: back stitch embroidery and couched metallic-wrapped silk on plain weave, Design shows a stiffly curving stylized vine through which move a lion pursuing a youth, a cupid (?) blindfolded with bow and arrow, a dragon, and birds. The gold thread is couched on, to produce the main body of the design, and is outlined in red silk, in part of the piece, then pale pink silk. Metal-wrapped silk couched by silk of various colors, padded couching, couched loops of metal-wrapped silk, attached coils of flat metal strips.

2DMFMHH A Chariot Procession, Graphite, pen and black ink on paper, Horizontal rectangle showing a procession of a chariot with four horses, all with raised hoofs. In the chariot is the blindfolded Cupid. Beside it walks and old man and an eagle., Italy, ca. 1800, transportation, Drawing

2BGEN9R At Least Be Discreet / You May Count on Me a set of two engravings by Augustin de Saint-Aubin (French, 1736-1807) from 1789. Together these pendant prints depict a couple saying farewell after a romantic rendezvous. Still partially undressed, the woman cautions her lover to keep their tryst a secret. Both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Meanwhile, below the woman, a blindfolded cupid steps toward a precipice, a sign that this lady is about to fall dangerously in love with a rogue. Amusingly, the prints actually depict the artist

2BFK85K At Least Be Discreet / You May Count on Me a set of two engravings by Augustin de Saint-Aubin (French, 1736-1807) from 1789. Together these pendant prints depict a couple saying farewell after a romantic rendezvous. Still partially undressed, the woman cautions her lover to keep their tryst a secret. Both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Meanwhile, below the woman, a blindfolded cupid steps toward a precipice, a sign that this lady is about to fall dangerously in love with a rogue. Amusingly, the prints actually depict the artist

2BFK7W2 At Least Be Discreet / You May Count on Me a set of two engravings by Augustin de Saint-Aubin (French, 1736-1807) from 1789. Together these pendant prints depict a couple saying farewell after a romantic rendezvous. Still partially undressed, the woman cautions her lover to keep their tryst a secret. Both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Meanwhile, below the woman, a blindfolded cupid steps toward a precipice, a sign that this lady is about to fall dangerously in love with a rogue. Amusingly, the prints actually depict the artist

K4X7J2 Eros Cooling - A boy with scarlet wings cools his heart in a gush of spring water.

2HW8TWD Art inspired by Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti, ca. 1770–90, Pen and two shades of brown ink, brownish gray wash, 7 5/16 x 9 5/8 in. (18.5 x 24.5 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

KCD40X Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti, Giovanni Domenico Tiepolo, ca. 1770–90

2HW8TXT Art inspired by Cupid Blindfolded in the Clouds, with Five Attendant Putti, ca. 1770–90, Pen and brown ink, grayish brown wash, 6 7/16 x 9 7/16 in. (16.3 x 24 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2HW8TWK Art inspired by Cupid Blindfolded, Carried Through the Sky by Seven Winged Putti, ca. 1770–90, Pen and brown ink, brown wash, 6 3/4 x 9 9/16 in. (17.2 x 24.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

2JYTXAE Book Illustration depicting a blindfolded cupid figure in art deco style. Dated 19th Century

2BF2FY5 Waistcoat front. Waistcoat right front panel with a design of blindfolded Cupid being driven by a bird. Trimmed with polychrome fringe.

2F264CR Jozef en de vrouw van Potifar.Joseph and Potifar's wife. Jozef is released from the hug of Potifar's wife, which is naked on the edge of her bed. Bottom left a blindfolded cupid. To an original by Carlo Cignani. Part of the miniature collection.

2X6XTWP Allegory on Wrong Belief (Opinio), Die Einbildung / Opinio (title on object), Allegories (series title), Opinio sits blindfolded and crowned on a sphere. She has a spindle in her hand. She stands with one foot on a wheel and under the sphere are crowns, helmets and a miter. Cupid has fallen backwards on the left. On the right a woman with a palm branch and wings looking at a pearl. With four lines of verse in German and two lines in Latin below the print. Numbered at the top right: u.u.u.4., print, print maker: Jeremias Wachsmuth, (mentioned on object), after own design by: Jeremias Wachsmuth,

2WFRT10 Venus Straft Amor, Agostino Carracci, c. 1590 - c. 1595 print Amor is blindfolded and is lifted by a putto. Venus is ready to hit Amor with a branch forest. On the ground on the left is a crying putto. Italy paper engraving (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). Venus punishing Cupid

2WFNA14 Cartouche for the coat of arms of a Cardinal, Francesco Villamena, After Francesco Vanni, c. 1576 - 1624 print In the middle an empty cartouche, possibly intended for interchangeable coats of arms. Left and right an allegorical figure and above the cartouche a cardinal hat carried by three putti. On the right a blindfolded amor. Italy paper engraving attributes of Cupid: blindfold. ornament cartouche

2WFMRJN Cartouche for the coat of arms of a Cardinal, Anonymous, After Francesco Villamena, After Francesco Vanni, in or after c. 1576 print In the middle an empty cartouche, possibly intended for interchangeable coats of arms. Left and right an allegorical figure and above the cartouche a cardinal hat carried by three putti. On the left a blindfolded amor. Italy paper engraving attributes of Cupid: blindfold. ornament cartouche

2WEW6N4 Emblemata with a Galei, Amor and Fortuna, Anthonie de Winter, 1697 - 1718 print Twice four emblemata with Dutch text and Latin motto on a magazine. Above: Emblemata with a Galei, a pole in the water, a man in a boat along the coast and flying birds above the coast. Below: Emblemata with a garden landscape with a man and a snake, amor blindfolded walking behind a dog, two shaking hands and Fortuna balancing on a sphere on the water. paper etching / engraving Abstract Ideas and Concepts (+ emblematical representation of concept). trireme, galley. (story of) Cupid, Amor (Eros). Fortuna as Roman

2WETX9F Hercules, 1721 - 1756 print Cupido sits on a globe in a rocaille ornament with flowers. On the left Hercules with lion sheet and club backwards for a woman on the right with a torch with fire and lightning. Left behind the Globe is a blindfolded young woman, on the right is Medusa with a torch. Two columns with a three -line German text in the lower margin. Print number 347. paper. paper etching (story of) Cupid, Amor (Eros). globe. (story of) Hercules (Heracles). Medusa (one of the Gorgons)

2WERT4J Triumph of Love, Georg Pencz, 1537 - 1541 print On a fiery triumphal wagon pulled by four horses, the blindfolded Amor is carried along. He shoots his arrows at the love couples running in the landscape. Mythological love couples walk out for the car. Latin inscription in two lines of libertvs qvomiam nvli ... siovis amare fullet paper engraving (Personifications and symbolic representation of) Love; 'Love (Second Seneca)' (Ripa). 'Trionfi d'Amore', 'Triumph of Cupid'; 'Carro d'amore' (Ripa)

2WERE7N By blind desire and the hope of wealth, man is dragged along, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print The blindfolded Cupido (blind desire) is on top of a rock. In his hands a rope that has chained man. This tries to climb the rock wall to reach Cupido and two bags of money. In a cartouche at the bottom of the print a Dutch caption in rhyme. The print is part of a four -part series about the uselessness of hope for money and other secular issues. paper etching / engraving personifications the life of man. attributes of Cupid: blindfold. purse, money-bag. tools,

2WEMJ74 Love overcomes everything, Johann Theodor de Bry, after Matthäus Greuter, 1596 print Venus stands on the clouds and looks down on people below on earth, who has surrounded itself with tools and weapons, attributes that refer to worldly things. The blindfolded Amor shoots one of his arrows. The theme of this emblem is: love overcomes everything and we admit to love. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). Cupid shooting a dart at Venus' order. 'Omnia vincit Amor', Love the conqueror, Love triumphant

2WEDK9N The Heavenly Love, Anonymous, After Hieronymus Wierix, 1581 print A crowned angel, the personification of heavenly love, tramples the blindfolded and tied amor. The angel baptized his arrow in the cross wound in Christ's silk. In the background a crowd of believers who look up at the pigeon of the Holy Spirit and the monogram of Christ in the sky. In the margin a six -line caption, in three columns, in Latin. print maker: Romeafter print by: Antwerp paper engraving heavenly love versus earthly love. punishment of Cupid. IHS ('Iesus Hominum Salvator') symbol of Christ. Holy Ghost represented

2WE79YE Man attacked by desire, lust and sin, Harmen Jansz Muller, after Maarten van Heemskerck, 1565 print Man is attacked by personifications of desire, lust and sin. Cupido is blindfolded and cuts up with his sword. A landscape in the background. At the bottom of the margin a verse in Latin. Variant of the parable of the Merciful Samaritan. Amsterdam paper engraving Human Being, Man in General. Desire; 'Desiderio' (Ripa). (story of) Cupid, Amor (Eros). Voluptas as Roman personification. Error; 'Errore' (Ripa) (+ personification)

2WE5F44 Parade with saters and a blindfolded amor on a donkey, Léon Davent, After Francesco Primaticcio, After Rosso Fiorentino, 1540 - 1556 print paper engraving satyr(s) (in general). (story of) Cupid, Amor (Eros). ass, donkey. beasts of prey, predatory animals: panther

2WE358W Two panels with Caratide and Kandelaber, Paul Androuet Ducerceau, 1650 - 1703 print Caratide that wears an oval medallion containing Amor, and next to it a candle slor with a blindfolded amor. At the bottom right numbered with the letter A. This print is part of an album. publisher: ParisFrance paper etching ornament candelabrum. attributes of Cupid: blindfold. caryatids architecture

2WE1TN5 Allegory on incorrect conviction (Opinio), Jeremias Wachsmuth, 1721 - 1771 print Opinio is blindfolded and crowned on a sphere. She has a spintol in her hand. She stands on a wheel with a foot and lying under the sphere crowns, helmets and a miter. Cupido has fallen back on the left. On the right a woman with palm branch and wings that looks at a pearl. With four -line fresh in German and two lines in Latin under the print. Nummered at the top right: U.U.U.4. Augsburg paper etching Opinion. (story of) Cupid, Amor (Eros). insignia of bishop, e.g. mitre, crozier. pearl; pearl necklace. crown (sy

2WD0EKY The Heavenly Love, Hieronymus Wierix, 1563 - Before 1581 print A crowned angel, the personification of heavenly love, tramples the blindfolded and tied amor. The angel baptized his arrow in the cross wound in Christ's silk. In the background a crowd of believers who look up at the pigeon of the Holy Spirit and the monogram of Christ in the sky. In the margin a six -line caption, in three columns, in Latin. Antwerp paper engraving heavenly love versus earthly love. punishment of Cupid. IHS ('Iesus Hominum Salvator') symbol of Christ. Holy Ghost represented as a dove (in flames)

2WCRFMM Blindfolded Amor, Jan van Vianen, 1686 print Amor is blindfolded and runs away from an elegant dressed lady with a fan in her hand. Love is blind. Ninth emblem from Emblemata amatoria. Northern Netherlands paper etching (story of) Cupid, Amor (Eros). blind, blindness - AA - metaphorically blind. attributes of Cupid: blindfold. blindfolded choice (of partner)

2TC29F5 Cupid being led blindfolded on a donkey 1949 by Francesco Primaticcio

2TBHHN5 Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti 1975 by Giovanni Domenico Tiepolo

2KFKG76 Two Putti Blindfolding a Third, n.d. Circle of Guido Reni.

2KFKG6D Two Putti Blindfolding a Third, n.d. Circle of Guido Reni.

2JE4893 Old lady looks at a kissing couple, Dirk Jurriaan Sluyter, 1826 - 1886, An elderly woman kneeling behind a bush looks shocked at a kissing young couple. The young man is carrying his lover on his back. In the background a statue of a blindfolded Cupid., print maker: Dirk Jurriaan Sluyter, (signed by artist), Amsterdam, 1826 - 1886, paper, etching, engraving, h 188 mm × w 237 mm

2JBY1D7 A blindfolded Cupid holds a burning torch for a man and a woman in festive attire standing hand in hand next to him. This print is part of a series of nine numbered prints, on which two or three masked and/or dressed figures are depicted in full, a blindfolded Cupid with a torch for a couple in festive attire The masquerades (title series)., print maker: anonymous, Jacob de Gheyn (II), publisher: Assuerus van Londerseel, (mentioned on object), Netherlands, 1596 - 1635, paper, engraving, h 237 mm × w 171 mm

2JBY1A8 A blindfolded Cupid holds a burning torch for a man and a woman in festive attire standing hand in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints depicting two or three masked and/or dressed up figures, a blindfolded Cupid with a torch for a couple in festive attire The masquerades (title series), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1595 - 1596, paper, engraving, h 225 mm

2JBXJTD The Chariot of Chastity (Pudicitia), a veiled woman, is drawn by unicorns, legendary chaste animals. Cupid is blindfolded and tied to her feet. In the procession are chaste figures from history, the Bible and classical mythology, for example, the Roman general Scipio, Joseph, Suzanna and the honorable Judit, holding in her hand the head of Holofernes. The virtues of Self-control (Continentia) and Temperance (Temperantia) are also present in the procession. The chariot is driving towards the Temple of Chastity. The print has a Latin caption and is part of the series on the triumphs of Petrarch

2J89XR1 Cupid being led blindfolded on a donkey, 1540-56.

2GPPE04 Venus and Mars with Cupid and the Three Graces in a Landscape, 1590/95.

2BF4XM1 Band. Design shows a stiffly curving stylized vine through which move a lion pursuing a youth, a cupid (?) blindfolded with bow and arrow, a dragon, and birds.

2BF4RR8 A Chariot Procession. Horizontal rectangle showing a procession of a chariot with four horses, all with raised hoofs. In the chariot is the blindfolded Cupid. Beside it walks and old man and an eagle.

2B9CH07 Joseph and the wife of Potiphar, Joseph and the wife of Potiphar. Joseph breaks free from the embrace of Potiphar's wife, who sits naked on the edge of her bed. Bottom left a blindfolded Cupid. To an original by Carlo Cignani. Part of the miniatures collection, Potiphar's wife trying to seduce Joseph, Felice Ramelli, 1726, ivory, oil paint (paint), h 19.5 cm × w 15.2 cm h 27.3 cm × w 22.1 cm × d 2.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energ

2B99EKE Goblet and Cover, Goblet, Goblet with shooting, blindfolded amor, Goblet with onyx lid, mounted with enamelled gold and precious stones. A crowning, blindfolded Amorphic figure of white enamel as a crown. Wide golden edges with a fine flower and aisles of sunken enamel with superimposed gems around the base and lid. The foot is connected by three narrow straps to the vase-shaped stem, around which at the height of the neck, three snakes wind, Cupid shooting a dart, anonymous, Germany, c. 1600 - c. 1620, onyx (mineral), gold (metal), emerald (mineral), h 12.1 cm × d 5.2 cm d 4.4 cm, Reimagined

2B6NJ15 Geblinddoekte Amor Emblemes d'Amour (titel op object) Amor is blindfolded and walks away from a an elegantly dressed lady with a fan in her hand. Love is blind. Ninth emblem of Emblemata Amatoria. Manufacturer : printmaker Jan van Vianen Place manufacture: Northern Netherlands Date: 1686 Physical features: etching material: paper Technique: etching Dimensions: sheet: H 145 mm × W 95 mmToelichtingPrent used as book illustration in: Emblemata Amatoria: emblemes d'Amour Quatre Langue, 1686. Subject: (story of) Cupid, Amor (Eros) blind, blindness - AA - metaphorically blindattributes or Cupid: bli

2B6KK13 A blindfolded Cupid with a torch for a couple in festive attire masquerades (series title) old: a blindfolded Cupid holding a burning torch for a man and a woman in festive attire holding hands beside him. This print is part of a series of ten numbered prints a title card and nine prints Where: two or three masked and / or costumed figures at the feet of his weergegeven. Manufacturer : printmaker Jacob de Gheyn (II) (studio) printmaker : Zacharias Dolendo (possible) designed by Jacob the Gheyn (II) (listed building) Publisher: Jacob de Gheyn (II) (listed building) Place manufacture: printmaker

2B6KK12 A blindfolded Cupid with a torch for a couple in festive attire masquerades (series title) a blindfolded Cupid holding a torch for a man and a woman in festive attire holding hands beside him. This print is part of a series of nine numbered prints, where: two or three masked and / or costumed figures at the feet of his weergegeven. Manufacturer : printmaker: anonymous to print by Jacob de Gheyn (II) Publisher: Assuerus of Londerseel ( listed on object) Place manufacture: Netherlands Date: 1596 - 1635 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate e

2B6KK0H A blindfolded Cupid with a torch for a couple in festive attire masquerades (series title) a blindfolded Cupid holding a torch for a man and a woman in festive attire holding hands beside him. This print is part of a series of ten numbered prints a title card and nine prints Where: two or three masked and / or costumed figures at the feet of his weergegeven. Manufacturer : printmaker Jacob de Gheyn (II) (studio) printmaker : Zacharias Dolendo (possible) designed by Jacob the Gheyn (II) (listed building) Publisher: Jacob de Gheyn (II) (listed building) Place manufacture: printmaker: Leiden prin

2B6K10G By blind desire and the hope of riches man rushed Futility lot of money (series title) The blindfolded Cupid (blind desire) sits atop a rock. In his hands a rope Where: chained to the man. These attempts the rock wall climb to Reach Cupid and two bags of money. In a cartouche a Dutch team in rhyme bottom of the picture. The print is part of a four-part series about the futility of hope in money and other worldly zaken. Manufacturer : printmaker: Dirck Volckertsz. Coornhert (indicated on object) to a design by: Maarten van Heemskerck (indicated on object) Place manufacture: Haarlem Date: 1550 P

2B6HP7E Man attacked by Desire, Lust and Sin Christ as the Good Samaritan (series title) Man attacked by personifications of Lust, Lust and Sin. Cupid is blindfolded and chops his heavy d the man. In the background a landscape. Down a verse in Latin in the margin. Variation on the parable of the good Samaritaan. Manufacturer : printmaker: Harmen Jansz Muller (listed building), designed by Maarten van Heemskerck (listed property) writer: Hadrianus Junius (listed property) Place manufacture: Amsterdam Date: 1565 Physical features: engra material: paper Technique: engra (printing process) Measurements: p

2B0M1B6 Anonymous, German, 16th century, Rock formation with a blindfolded figure of cupid at top, two soldiers bound at the bottom, and a man with a horse to the right, Anonymous, German, 16th century, 16th century, Etching, Sheet (Trimmed): 12 11/16 × 17 1/8 in. (32.2 × 43.5 cm

2AMER5H The allegory of Chastity rides atop a cart, with the still blindfolded Cupid now vanquished; the cart is drawn by unicorns Listed in De Ricci, Seymour, Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. N.Y.: H.W. Wilson, 1935; and Supplement, New York, N.Y.: Bibliographical Society of America, 1962. Ownership : Unidentified coat of arms on f. 64, Owned 1593 by Marchese Caracciolo of Sirino. Rev. Thomas Crofts sale (1783); bought 1785 by Sir John Peachey; Lord Selsey sale 1872 to Quaritch; Lenox collection. Above, and library dossier. There are two set

2AHTT95 Georg Pencz. The Triumph of Chastity, plate two from The Triumphs of Petrarch. 1534–1544. Germany. Engraving in black on ivory laid paper German engraver Georg Pencz may have initially seen Petrarch’s popular Triumphs poems interpreted in Italy as a series of prints from Francesco Rosselli’s Florentine workshop, or perhaps on a decorated cassone (marriage chest). The topic may have been seen as especially appropriate for the latter, as Chastity’s victory over Love is so absolute. In fact, in Pencz’s rendition, the blindfolded Cupid has been duly trussed and attached to the front of Chastity’s

2AE76CM A Blindfolded Cupid Holding a Torch Before a Couple; 1595/1596 Attributed to Zacharias Dolendo after Jacques de Gheyn II, A Blindfolded Cupid Holding a Torch Before a Couple, 1595-1596

2A506M4 At Least Be Discreet, 1789. Together these pendant prints depict a couple saying farewell after a romantic rendezvous. Still partially undressed, the woman cautions her lover to keep their tryst a secret. Both the man and the cherub beneath him proudly display a plucked rose as a symbol of sexual triumph. Meanwhile, below the woman, a blindfolded cupid steps toward a precipice, a sign that this lady is about to fall dangerously in love with a rogue. Amusingly, the prints actually depict the artist and his wife, whimsically portraying the mores and fashion of aristocratic society.

W58975 Joseph and the wife of Potiphar, Joseph and the wife of Potiphar. Joseph breaks free from the embrace of Potiphar's wife, who sits naked on the edge of her bed. Bottom left a blindfolded Cupid. To an original by Carlo Cignani. Part of the miniatures collection, Potiphar's wife trying to seduce Joseph, Felice Ramelli, 1726, ivory, oil paint (paint), h 19.5 cm × w 15.2 cm h 27.3 cm × w 22.1 cm × d 2.5 cm

W54K85 Goblet and Cover, Goblet, Goblet with shooting, blindfolded amor, Goblet with onyx lid, mounted with enamelled gold and precious stones. A crowning, blindfolded Amorphic figure of white enamel as a crown. Wide golden edges with a fine flower and aisles of sunken enamel with superimposed gems around the base and lid. The foot is connected by three narrow straps to the vase-shaped stem, around which at the height of the neck, three snakes wind, Cupid shooting a dart, anonymous, Germany, c. 1600 - c. 1620, onyx (mineral), gold (metal), emerald (mineral), h 12.1 cm × d 5.2 cm d 4.4 cm

MNT7FT Cupid Blindfolded between 1452 and 1466. 986 Piero della Francesca - Cupid Blindfolded - WGA17587

KN9B7N Cupid Blindfolded, on a Cloud Supported by Two Attendant Putti MET SF-1975-1-485 459719

DDP242 'Cupid leading a Blindfolded Girl', 1912. Artist: Anna Lea Merritt

P68WFC The little god of love' President Taft as a blindfolded cupid labelled 'Party Solidarity' and wearing a quiver labelled 'Harmony', against a backdrop of a large red heart; he is holding strings attached to four birds labelled 'Root, Wickersham, Knox, [and] Aldrich' and two strings attached to arrows that have been shot through hearts labelled 'Insurgent' and 'Reactionary'.

EC818E The little god of love' President Taft as a blindfolded cupid labelled 'Party Solidarity' and wearing a quiver labelled 'Harmony', against a backdrop of a large red heart; he is holding strings attached to four birds labelled 'Root, Wickersham, Knox, [and] Aldrich' and two strings attached to arrows that have been shot through hearts labelled 'Insurgent' and 'Reactionary'.

GCAX0H sport, shooting, targets, painted target, Cupid riding on a lion, 1612, Additional-Rights-Clearences-Not Available

2PCFJBY 1585 , ITALY : The Virtue , allegorical figure . Print chiaroscuro woodcut . Allegorical print shows a semi-nude female figure resisting two males, one with wings on his head and one with a blindfold over his eyes, a second female, and a blindfolded cupid . From a painting by italian artist Jacopo Ligozzi ( 1547 - 1626 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - Virtù - VIRTU' - FIGURA ALLEGORICA - ALLEGORIA - ARTS - ARTE - RINASCIMENTO - RENAISSANCE - IMMAGINE POPOLARE - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - peccato -

2D9A37T 1585 , ITALY : The Virtue , allegorical figure . Print chiaroscuro woodcut . Allegorical print shows a semi-nude female figure resisting two males, one with wings on his head and one with a blindfold over his eyes, a second female, and a blindfolded cupid . From a painting by italian artist Jacopo Ligozzi ( 1547 - 1626 ) , engraved by Andrea Andreani (ca. 1560 - 1623 ) - VIRTU' - FIGURA ALLEGORICA - ALLEGORIA - ARTS - ARTE - RINASCIMENTO - RENAISSANCE - IMMAGINE POPOLARE - RELIGIONE CATTOLICA - CATHOLIC RELIGION - portrait - ritratto - illustrazione - incisione - peccato - sin --