Pesquisando por: "MASACCIO" - Fotoarena - Agência de fotojornalismo

akg1134365 Masaccio, eigentl. Tommaso di Giovanni di Simone Guidi; 1401-1428. "SS. Trinità (Die Heilige Dreifaltigkeit), um 1426/27. Ausschnitt: Skelett im Grabe mit Inschrift (Ich war, was ihr seid. Was ich bin, werdet ihr sein). Fresko, Gesamtmaße 680 x 475 cm. Florenz, S. Maria Novella, linkes Seitenschiff, 3.Joch. (Aufnahme nach der Restaurier...

akg4029090 Florence (Toscane), fresques de Masaccio (terminées par Filippino Lippi) dans la chapelle Brancacci représentant le péché originel et la vie de saint Pierre (1427), détail de la crucifixion de saint Pierre, église de Santa Maria del Carmine (photo septembre 2015).

akg259520 Masaccio, orig. Tommaso di Giovanni di Simone Guidi; 1401-1428. "St. Peter shares out alms and the death of Ananias", c. 1425/18. Fresco, 230 × 162cm. Florence, S. Maria del Carmine, Cappella Brancacci, back wall, bottom zone, right picture area.

alb3677190 Free Copy of Giotto's Navicella (recto); Copy of Adam in Masaccio's Expulsion from the Garden of Eden, and other Figure Studies (verso). Artist: Parri Spinelli (Italian, Arezzo 1387-1453 Arezzo) (recto); Anonymous Italian Atist after Masaccio (Tommaso di Ser Giovanni di Mone Casai) (Italian, San Giovanni Val d'Arno 1401-1428 Rome) (verso). Dimensions: Overall: 10 13/16 x 15 3/8 in. (27.5 x 39 cm). Date: ca. 1420. Museum: Metropolitan Museum of Art, New York, USA.

alb2049501 The distribution of alms and the Death of Ananias, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2060975 The distribution of alms and the Death of Ananias, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb1991937 The crucifixion, panel from the Altarpiece of the Church of the Carmine in Pisa, 1426, by Tommaso Masaccio (1401-1428), tempera on panel, 83x63 cm. Location: Naples, Museo Nazionale Di Capodimonte (Art Gallery).

les40070822 Crucifixion of Saint Peter. Lower row right of the frescos in the private chapel of the Brancacci family. 1481-1483. See 40-07-08 / 1-24 Total size including the Disputation with Simon Magus: 230 x 598 cm. Author: FILIPPINO LIPPI. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

alb3332337 The Crucifixion (from the Pisa Altarpiece). Museum: Museo di Capodimonte, Naples. Author: MASACCIO.

les40070116 The Holy Trinity. Fresco. Author: MASACCIO. Location: Church Santa Maria Novella, Florence, Italy.

akg259566 Masaccio, real name Tommaso di Giovanni di Simone Guidi; 1401-1428. "The Tribute Money", 1425. (Matthew 17,24-27). Detail: Christ and the Disciples. Fresco, overall dimensions 255 × 598cm. Florence, S.Maria del Carmine, Cappella Brancacci, left wall, upper section.

akg8558069 Tuscany, abbey Badia a Passignano (Abbazia di San Michele Arcangelo a Passignano), refectory (built 15th century): lunette "Adam and Eve chased out of Paradise", realized 1472 by Bernardo di Stefano Rosselli (1450 - 1526); the lunette to the left shows the fresco "Adam and Eve are chased out of Paradise" (Adamo ed Eva cacciati dal Paradiso). Bernardo di Stefano Rosselli (1450 - 1526) was inspired by the fresco of Masaccio with identical name in Brancacci Chapel (Cappella Brancacci), Florence. A portal divides the terrestrial paradise (paradiso terrestre) from the terrestrial world (mondo terrestre). The second lunette (fresco) of Rosselli shows "Cain and Abel" (Caino ed Abele). Christ is sitting in the centre of the "Last Supper" of Ghirlandaio. In his left arm, he holds John the Apostle. In front of him, Judas Iscariot is sitting. The table is richely decorated with bottles of water and wine and glasses and bread.

akg8558094 Tuscany, abbey Badia a Passignano (Abbazia di San Michele Arcangelo a Passignano), refectory (built 15th century): lunette "Cain and Abel", realized 1472 by Bernardo di Stefano Rosselli (1450 - 1526); the lunette to the left shows the fresco "Adam and Eve are chased out of Paradise" (Adamo ed Eva cacciati dal Paradiso). Bernardo di Stefano Rosselli (1450 - 1526) was inspired by the fresco of Masaccio with identical name in Brancacci Chapel (Cappella Brancacci), Florence. A portal divides the terrestrial paradise (paradiso terrestre) from the terrestrial world (mondo terrestre). The second lunette (fresco) of Rosselli shows "Cain and Abel" (Caino ed Abele). Christ is sitting in the centre of the "Last Supper" of Ghirlandaio. In his left arm, he holds John the Apostle. In front of him, Judas Iscariot is sitting. The table is richely decorated with bottles of water and wine and glasses and bread.

akg8558055 Tuscany, abbey Badia a Passignano (Abbazia di San Michele Arcangelo a Passignano) refectory (built 15th century): Last supper (L`Ultima cena), realized 1476 by Domenico Ghirlandaio (1448 - 1494), and two lunettes, realized 1472 by Bernardo di Stefano Rosselli (1450 - 1526); the lunette to the left shows the fresco "Adam and Eve are chased out of Paradise" (Adamo ed Eva cacciati dal Paradiso). Bernardo di Stefano Rosselli (1450 - 1526) was inspired by the fresco of Masaccio with identical name in Brancacci Chapel (Cappella Brancacci), Florence. A portal divides the terrestrial paradise (paradiso terrestre) from the terrestrial world (mondo terrestre). The second lunette (fresco) of Rosselli shows "Cain and Abel" (Caino ed Abele). Christ is sitting in the centre of the "Last Supper" of Ghirlandaio. In his left arm, he holds John the Apostle. In front of him, Judas Iscariot is sitting. The table is richely decorated with bottles of water and wine and glasses and bread.

akg286284 Masaccio, (real name Tommaso di Giovanni di Simone Guidi). 1401 - 1428. "SS. Trinità" (trinity), c. 1426/27. Fresco, 680 × 475cm. Florence, S. Maria Novella.

akg321118 Masaccio, orig. Tommaso di Giovanni di Simone Guidi; 1401 - 1428. "SS.Trinità", c. 1426/27. (Holy Trinity with Mary and St. John as intercessor of the donor couple Lenzi; below: skeleton). Fresco, 680 × 475cm. Florence, S.Maria Novella, left aisle, 3rd bay.

akg321120 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401 - 1428. "SS.Trinità", c. 1426/27. (Holy Trinity with Mary and St. John as intercessor). Detail. Fresco, 680 × 475cm. Florence, S.Maria Novella, left aisle, 3rd bay.

akg245603 Masaccio, origally Tommaso di Giovanni di Simone Guidi; 1401-1428. "The Tribute Money", 1425. (Matthew 17,24-27). Fresco, 255 × 598 cm. Florence, S. Maria del Carmine, Cappella Brancacci.

akg1134361 Masaccio, real name: Tommaso di Giovanni di Simone Guidi; 1401-1428. "SS. Trinità", ca. 1426/27. (The Holy Trinity with Mary and John as intercessors for the donors Lenzi; below a skeleton). Fresco, 680 x 475cm. Florence (Italy), S. Maria Novella, left sideaisle, 3rd section (photo after the restauration in 2000).

akg1134362 Masaccio, real name: Tommaso di Giovanni di Simone Guidi; 1401-1428. "SS. Trinità", ca. 1426/27. (The Holy Trinity with Mary and John as intercessors for the donors Lenzi; below a skeleton). Fresco, 680 x 475cm. Florence (Italy), S. Maria Novella, left sideaisle, 3rd section (photo after the restauration in 2000).

orz169779 Payment of the Tribute Money (picture taken after restauration). 1424-1427. Fresco (255 x 598 cm). Florence, Santa Maria del Carmine Church, Brancacci chapel. Author: MASACCIO. Location: IGLESIA DE SANTA MARIA DEL CARMINE. Florenz. ITALIA. JESUS. APOSTLE PETER.

orz176519 Italian school. The Holy Trinity. 1427. Fresco (667 x 317 cm). Florence, Santa Maria Novella church. Author: MASACCIO. Location: BASILICA DE SANTA MARIA NOVELLA. Florenz. ITALIA. JESUS. VIRGIN MARY. CRISTO CRUCIFICADO. SAN JUAN EVANGELISTA Y APOSTOL. DIOS PADRE. Trinidad.

alb2036486 Masaccio / 'Madonna and Child', 1426, Tempera on panel, 135.5 x 75 cm. Museum: NATIONAL GALLERY, LONDRES, UK. JESUS. VIRGIN MARY.

alb2053168 The Tribute Money, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2056197 The Raising of the Son of Theophilus, fresco by Tommaso Masaccio (1401-1428) completed by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence, Italy.

alb2064078 Raising of the Son of Theophilus, fresco by Tommaso Masaccio (1401-1428) completed by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb1985124 Trinity, 1427-1428, by Tommaso Masaccio (1401-1428), fresco, 667x317 cm. Detail. Left aisle of the Church of Santa Maria Novella, Florence.

alb1967358 Nativity, by Tommaso Masaccio (1401-1428), tempera on canvas, 56 cm diameter. Location: Berlin, Gemäldegalerie (Picture Gallery).

alb2055275 The tribute money, by Tommaso Masaccio (1401-1428). The Raising of the son of Theophilus and St Peter enthroned, by Tommaso Masaccio and Filippo Lippi (1406-1469). Frescoes, Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2057023 The son of Theophilus, detail from the Raising of the son of Theophilus, fresco by Tommaso Masaccio (1401-1428) completed by Filippo Lippi (1406-1469). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th-16th century.

alb1988313 Trinity, 1427-1428, by Tommaso Masaccio (1401-1428), fresco, 667x317 cm. Detail. Left aisle of the Church of Santa Maria Novella, Florence.

alb1995707 Polyptych of the Adoration of the Magi, 1426, by Tommaso Masaccio (1401-1428). Location: Berlin, Gemäldegalerie (Picture Gallery).

alb1977435 The Trinity, by Tommaso Masaccio (1401-1428), fresco, 317x667 cm. Basilica of Santa Maria Novella, Florence.

alb5147997 Masaccio: The Resurrection of the Son of Theophilus and the Throne of Peter, Santa Maria del Carmine, Cappella Brancacci, Florence, albumin paper, black and white positive process, image size: height: 24.60 cm; width: 18.40 cm, FIRENZE - CHIESA DEL CARMINE. CAPPELLA BRANCACCI. S. PIETRO IN CATTEDRA. DETTAGLIO DELL' AFFRESCO S. PIETRO in CATTEDRA E MIRACOLO DEL FANCIULLO RESUSCITATO. (MASACCIO). Inscribed with lead on verso: Alinari Zelloidin. Round stamp on verso, life and deeds of Peter, painting, bible.

alb3284239 Masaccio, Tommaso di ser Giovanni di Mone Cassai, called (1401-1428). Italian painter. Crucifixion, 1426. National Museum of Capodimonte. Naples. Italy.

akg259573 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1428. "Roundel with head of a woman", c. 1425/27. Fresco. Florence, S.Maria del Carmine, Cappella Brancacci, right side wall of the niche behind th. altar (recent discovery during the restoration completed in 1990).

akg259572 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1428. "Roundel with head of a woman", c. 1425/27. Fresco. Florence, S.Maria del Carmine, Cappella Brancacci, left side wall of the niche behind th. altar (recent discovery during the restoration completed in 1990).

alb9415780 Magnus Enckell, 9.11.1870, Hamina, 27.11.1925, Stockholm, Expulsion of Adam and Eve, after Masaccio, 1898, 209 × 86 cm, tempera, tempera on canvas.

akg259540 Masaccio, orig. Tommaso di Giovanni di Simone Guidi. 1401-1428. "The Expulsion from Paradise", c. 1525/27. Detail: Adam and Eva in profile. Fresco, 206 × 88cm. Florence, Chiesa del Carmine, Cappella Brancacci, left pillar, top part.

alb3743402 The Madonna of Humility. Dated: c. 1423/1424. Dimensions: overall: 105.6 x 54.1 cm (41 9/16 x 21 5/16 in.). Medium: tempera (?) on panel. Museum: National Gallery of Art, Washington DC. Author: MASACCIO.

alb3607764 The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families. Artist: Giovanni di ser Giovanni Guidi (called Scheggia) (Italian, San Giovanni Valdarno 1406-1486 Florence). Dimensions: Overall, with engaged frame, diameter 36 1/2 in. (92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm). Date: ca. 1449.This commemorative birth tray (desco da parto) celebrates the birth of Lorenzo de' Medici (1449-1492), the most celebrated ruler of his day as well as an important poet and a major patron of the arts. Knights extend their hands in allegiance to an allegorical figure of Fame, who holds a sword and winged cupid (symbolizing celebrity through arms and love). Winged trumpets sound Fame's triumph. Captives are bound to the elaborate support. The three-colored ostrich feathers around the rim are a heraldic device of Lorenzo's father, Piero de' Medici. Painted by the younger brother of Masaccio, it was kept in Lorenzo's private quarters in the Medici palace in Florence. (reverse of birth tray)The armorial device is that of Lorenzo de' Medici's father, Piero de' Medici: a diamond ring with three ostrich feathers and a banderole with the motto SEMPER (forever). The device is much worn and the silver is oxidized. Piero de' Medici married Lucrezia Tornabuoni in 1444 and their first son, Lorenzo, was born in 1449; the two families' coats of arms are in the upper left and right. The tradition of commissioning circular trays or salvers to commemorate a birth derived from the custom of presenting sweetmeats to the new mother. Museum: Metropolitan Museum of Art, New York, USA.

alb3338441 The Tribute Money. Museum: Cappella Brancacci di Santa Maria del Carmine, Florence. Author: MASACCIO.

alb3903992 Saint Andrew. Date/Period: 1426. Painting. Tempera and gold leaf on panel. Height: 524 mm (20.62 in); Width: 321 mm (12.63 in). Author: MASACCIO.

alb4224494 'Death of Masaccio'. France, Circa 1817. Dimensions: 45x38 cm. Museum: State Hermitage, St. Petersburg. Author: Louis-Charles-Auguste Couder.

akg259528 Masaccio, orig. Tommaso di Giovanni di Simone Guidi 1401-1428. "The Expulsion from Paradise", c. 1525/27. Fresco, 206 × 88cm. Florence, Chiesa del Carmine, Cappella Brancacci, left pillar, top part.

les40070801 The Expulsion from Paradise (Genesis 3, 23-24). Top row left of the murals in the Brancacci Chapel, the private chapel of the Brancacci family of Florence. 1425-1428 See 40-07-8 / 1-24 214 x 90 cm. Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

akg8840633 Six photo reproductions of a publication by the Arundel Society with paintings by Masaccio. Photo, 1859-1869. Inv. Nr. RP-F-2001-7-1470-24. Amsterdam, Rijksmuseum.

akg8840635 Six photo reproductions of a publication by the Arundel Society with paintings by Masaccio. Photo, 1859-1869. Inv. Nr. RP-F-2001-7-1470-26. Amsterdam, Rijksmuseum.

akg8602807 Tuscany, abbey Badia a Passignano (Abbazia di San Michele Arcangelo a Passignano) refectory (built 15th century): Last supper (L`Ultima cena), realized 1476 by Domenico Ghirlandaio (1448 - 1494), and two lunettes, realized 1472 by Bernardo di Stefano Rosselli (1450 - 1526); the lunette to the left shows the fresco "Adam and Eve are chased out of Paradise" (Adamo ed Eva cacciati dal Paradiso). Bernardo di Stefano Rosselli (1450 - 1526) was inspired by the fresco of Masaccio with identical name in Brancacci Chapel (Cappella Brancacci), Florence. A portal divides the terrestrial paradise (paradiso terrestre) from the terrestrial world (mondo terrestre). The second lunette (fresco) of Rosselli shows "Cain and Abel" (Caino ed Abele). Christ is sitting in the centre of the "Last Supper" of Ghirlandaio. In his left arm, he holds John the Apostle. In front of him, Judas Iscariot is sitting. The table is richely decorated with bottles of water and wine and glasses and bread.

ado00047200 Tommaso di Ser Giovanni di Simone called Masaccio (1401-1428), Italian Renaissance painter born in San Giovanni Valdarno (Italy). Engraving. Author: UNKNOWN ARTIST.

ado00068268 Episode of the life of the apostle Peter. The agony of Saint Peter. From the fresco by Masaccio. Author: UNKNOWN ARTIST.

les40070816 Saint Peter's shadow heals the sick. Detail of 40-07-08 / 13: two cripples. From the lower row of murals of the private chapel of the Brancacci family. 1425-1427 See 40-07-08 / 1-24 232 x 162 (entire panel). Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

les40070815 Saint Peter's shadow falls upon the sick; they are healed. Detail of 40-07-08 / 12, Saint Peter walking in Jerusalem. Lower row of the murals of the private chapel of the Brancacci family. Legenda Aurea. 1425-1428. See 40-07-08 / 1-24. Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

les40070814 Saint Peter's shadow falls upon the sick; they are healed. (Acts, 5,12-14). From the lower row of murals of the private chapel of the Brancacci family. Legenda Aurea. 1425-1428. See 40-07-08 / 1-24 232 x 162 cm. Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

alb2049844 St Peter healing the sick with his shadow, fresco by Tommaso Masaccio (1401-1428), detail. Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb3342663 Birth Plate (Desco da Parto). Reverse: Puerperium of a noble Florentine woman. Museum: Staatliche Museen, Berlin. Author: MASACCIO.

alb1972744 Sant'Ambrogio Altarpiece: Madonna and Child with St Anne, ca 1424-1425, by Masaccio (1401-1428) and Masolino (1383-1447), oil on canvas, 175x103 cm. Location: Florence, Galleria Degli Uffizi (Uffizi Gallery).

akg1558883 MASACCIO:. This picture and 'Pope Gregory the Great (?) and Matthias' are two sides of a single panel that was divided in two. The panel had been one wing of a double-sided triptych in Santa Maria Maggiore, Rome. The other wing of the triptych, also sawn in half, showed Saints Peter and Paul on one side and Saint John the Evangelist (?) and Saint Martin on the other. One central panel was of the Assumption of the Virgin while the other showed the Miracle of the Snow, and the founding of Santa Maria Maggiore. Saint John's cross is unusual in that it is attached to a column. This may be a reference to the Colonna arms ('colonna' meaning column in Italian). Pope Martin V, who died in 1431, was a member of the Colonna family and he was probably involved in the commission of this work. Masolino completed the altarpiece after Masaccio's death in Rome in 1428. Egg tempera on poplar, 125 × 58.9 cm, about 1428-9. London, National Gallery. Museum: London, National Gallery. Copyright: Additional permissions needed for non-editorial use.

akg4449921 I fresco of the MASACCIO "the Trinità", 1426/28. Florence, Church of Saint Maria Novella. (10x12).

akg2297084 Masaccio, eigentl. Tommaso di Giovanni di Simone Guidi; italienischer Maler. San Giovanni Valdarno 21.12.1401 - Rom vor Juni 1428. Porträt. Holzschnitt. Aus: Giorgio Vasari, Le vite de' più eccelenti pittori, scultori et architetti, 2. Auflage Florenz (Giunti). 1568. L.XIII. 3 - SPC N 6923, Florenz, Villa I Tatti, Biblioteca Berenson. Museum: Florence, Villa I Tatti, Biblioteca Berenson.

alb5037494 Anonymous Artist, (sculptor), Filippo Brunelleschi, (related artist), Italian, 1377 - 1446, Masaccio, (related artist), Florentine, 1401 - 1428, Christ Healing the Possessed Boy, c. 1450/1460, bronze/Medium brown patina, overall: 5.83 x 9.35 cm (2 5/16 x 3 11/16 in.), gross weight: 91.19 gr (0.201 lb.).

alb2056267 Baptism of the Neophytes, by Tommaso Masaccio (1401-1428). Fresco, Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2059920 The Sick, detail from St Peter healing the sick with his shadow, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2065084 Expulsion from the Garden of Eden, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb1990439 The Trinity, ca 1426-1428, by Tommaso Masaccio (1401-1428), fresco, 667x317 cm. Church of Santa Maria Novella, Florence.

alb1980235 St Paul, panel from the Altarpiece of the Church of the Carmine in Pisa, 1426, by Tommaso Masaccio (1401-1428), tempera on panel, 51x30 cm. Location: Pisa, Museo Nazionale Di San Matteo (Art Museum).

akg273059 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1428. "Three scenes from the Life of Saint Julianus" (Julianus and the Demon in the shape of a youth; the parents murdered by Julianus; Julianus shows his bloody hands to his wife), c. 1426. Tempera on wood, 24 × 43cm. Florence, Museo Horne. Museum: Florence, Museo Horne.

akg259827 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1428. "St. Peter heals the sick with his shadow", 1425/27. Detail: the sick. Fresco, 230 × 162cm. From the cycle with scenes from the story of St. Peter. Florence, S.Maria del Carmine, Cappella Brancacci, back wall, lower zone, left panel.

akg259828 Masaccio, origin. Tommaso di Giovanni di Simone Guidi, 1401-1428, & Filippino Lippi, 1457-1504. / "The raising of Theophilus' son", 1425/28 and 1481/83. Detail: left group of onlookers, painted by F.Lippi, 4th head from the left by Masaccio). Fresco, 230 × 598cm. Florence, S.Maria del Carmine, Cappella Brancacci, left wall, lower zone.

akg259542 Masaccio, orig. Tommaso di Giovanni di Simone Guidi, 1401-1428, and Filippino Lippi, 1457-1504. "The Resurection of Theophilus' Son", c. 1425/28 and 1481/85. Fresco, 230 × 598cm. Florence, S. Maria del Carmine, Cappella Brancacci, left wall, lower zone, left picture area.

akg259534 Masaccio, orig. Tommaso di Giovanni di Simone Guidi; 1401-1428. "St. Peter heals the sick with his shadow", 1425/27. Detail: group around St. Peter. Fresco, 230 × 162 cm. From a cycle with scenes from the legend of St. Peter. Florence, S.Maria del Carmine, Cappella Brancacci, back wall, bottom zone, left picture area.

akg259559 Masaccio, orig. Tommaso di Giovanni di Simone Guidi, 1401-1428, and Filippino Lippi, 1457-1504. "The Resurection of Theophilus' Son and Peter in Cathedra", c. 1425/28 and. 1481/85. Fresco, 230 × 598cm. Florence, S. Maria del Carmine, Cappella Brancacci, left wall, lower zone.

akg257827 Masaccio (real name Tommaso di Giovanni di Simone Guidi). 1401-1428. "Madonna and Child", c. 1426. Painting. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.

akg248913 Masaccio, real name Tommaso di Giovanni di Simone Guidi; 1401-1428. "Peter baptises the Neophyte". c. 1426/27. Fresco, 255 × 162cm. Florence, S.Maria del Carmine, Cappella Brancacci.

akg248916 Masaccio, real name Tommaso di Giovanni di Simone Guidi; 1401-1428. "Peter baptises the Neophyte". c. 1426/27. (detail). Fresco, 255 × 162cm. Florenz, s. Maria del Carmine, Cappella Brancacci.

akg246215 Masaccio, real name Tommaso di Giovanni di Simone Guidi, 1401-1428, and Masolino, real name Tommaso di Cristofano Fini, 1383 - c. 1440. - "Saint Anne, Mary & the Child Jesus", c. 1420/25. - (Detail: Mary & Child). Tempera on wood, 175 × 103cm. From San Ambrogio in Florence. Inv. no. 8386. Florence, Galleria degli Uffizi. Museum: Florenz, Galleria degli Uffizi.

akg018846 Lippi, Filippino; Italian painter. Prato c. 1456 - Florence 18.4.1504. Portrait. Painting. Copy after the self-portrait, 1481, in the fresco "Dispute of the Apostles Peter and Paul with Simon Magus" in the Brancacci Chapel, Santa Maria del Carmine, Florence. Naples, Galleria Naz. di Capodimonte. Museum: Neapel, Galleria Naz. di Capodimonte. Author: MASACCIO.

les40070818 Saint Peter distributes the proceeds of property sales to all members of a Christian commune. Detail of 40-07-08 / 15: a woman and child receive their part. Lower row of the murals of the private chapel of the Brancacci family. 1425-1428. See 40-07-08 / 1-24. Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

alb2037668 Masaccio / 'The Distribution of Alms and Death of Ananias', 1425-1428, Fresco. Museum: SANTA MARIA DEL CARMINE, FLORENCIA, ITALIA.

alb3359980 Saints Jerome and John the Baptist. Museum: National Gallery, London. Author: MASACCIO.

alb3668325 Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 8 3/4 x 7 3/8in. (22.2 x 18.7cm). Date: 1522-23.When the plague struck Rome in 1522, Perino escaped toFlorence, where he reimmersed himself in the artistictraditions of his native city, studying the works of Masaccio,Leonardo da Vinci, Raphael, and Fra Bartolommeo. Thisdrawing of the enthroned Virgin and Child surrounded bya balanced and symmetrical arrangement of saints--acompositional type known as a sacra conversazione, or"sacred conversation"--is based closely on admired modelsby Raphael and Fra Bartolommeo. No correspondingpainting by Perino is recorded, and it may be that the youngartist executed this careful study as an exercise rather thanin response to an actual commission. The inclusion of thekneeling saints Sebastian and Roch, whose intercession wasinvoked for protection against the plague, corroborates theproposed dating of the drawing on stylistic grounds to1522-23, when outbreaks of the plague occurred in Romeand, shortly after, in Florence. Museum: Metropolitan Museum of Art, New York, USA.

akg259539 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1328. "Peter in Cathedra", c. 1425/27. Fresco, overall dimensions: 230 × 598cm. From the cycle with scenes from the story of St. Peter. Florence, S.Maria del Carmine, Cappella Brancacci, left wall, lower zone, right half of the picture.

akg7967440 Hersent, Louis (1777 - 1860). Portrait du peintre florentin Masaccio (1401-1428)., entre 1777 et 1860. Dessin, Mine de plomb. D. 1334, Paris, Musée Carnavalet.

orz083625 CAPILLA BRANCACCI - EL PAGO DEL TRIBUTO O EL TRIBUTO DE LA MONEDA (DETALLE) - 1428 - ANTES DE RESTAURAR - RENACIMIENTO ITALIANO. Author: MASACCIO. Location: IGLESIA DE SANTA MARIA DEL CARMINE. Florenz. APOSTLE PETER.

orz081741 CAPILLA BRANCACCI - SAN PEDRO CURANDO A LOS ENFERMOS - SIGLO XV - RENACIMIENTO ITALIANO. Author: MASACCIO. Location: IGLESIA DE SANTA MARIA DEL CARMINE. Florenz. APOSTLE PETER.

les40070811 Specators watch the miraculous resurrection of the son of Theophil, prefect of Antiochia. Detail 40-07-08 / 10. Lower row of murals from the private chapel of the Brancacci family. Legenda Aurea. Painted in cooperation with Filippino Lippi. 1425-1428. See 40-07-08 / 1-24. Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

akg259567 Masaccio, origin. Tommaso di Giovanni di Simone Guidi; 1401-1328. / - "Saint Peter in Cathedra", c. 1425/27. Detail:. portr. fr. l.: Masolino, Masaccio, Alberti. & Brunelleschi. Fresco, overall dimensions of th. panel 230 × 598cm. Fr. th. cycle w. scenes fr. the story of St. Peter. Florence, S.Maria del Carmine, Cappella Brancacci, left wall, lower zone.

les40070807 The neophyte, detail from the baptism-scene 40-07-08 / 8 From the top row of murals of the private chapel of the Brancacci family. See 40-07-08 / 1-24 1425-1428 247 x 172 cm (entire panel). Author: MASACCIO. Location: Cappella Brancacci, Santa Maria del Carmine, Florence, Italy.

alb3907610 Sant'Anna Metterza / Saint Anne 'Metterza'. Date/Period: From 1424 until 1425. Painting. Tempera on panel. Height: 175 cm (68.8 in); Width: 103 cm (40.5 in). Author: MASACCIO. MASOLINO DA PANICALE.

akg259571 Florence - Firenze (Tuscany, Italy), S.Maria del Carmine, Brancacci Chapel. -Cappella Brancacci (built 1320; frescos w. scenes fr. th. story of St. Peter 1425/27 and 1481/83 by Masolino, Masaccio and Filippino Lippi; ceiling fresco 1744/48 by Vincenzo Meucci and Carlo Sacconi). General view. Photo, undated.

alb4095755 A Carmelite Saint. From the Altarpiece for the Santa Maria del Carmine in Pisa. Museum: Staatliche Museen, Berlin. Author: MASACCIO.

alb4097255 Saint Paul. From the Altarpiece for the Santa Maria del Carmine in Pisa. Museum: Museo di San Matteo, Pisa. Author: MASACCIO.

alb3339124 Death of Masaccio. Museum: State Hermitage, St. Petersburg. Author: COUDER, AUGUSTE.

alb3342661 Birth Plate (Desco da Parto) Obverse: Boy playing with a dog. Museum: Staatliche Museen, Berlin. Author: MASACCIO.

alb4095685 Masaccio. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects. Museum: PRIVATE COLLECTION.

akg5434859 DONATELLO (1386 - December 13, 1466), nicknamed Donato di Niccolò by Betto Bardi, Italian sculptor, painter and goldsmith considered one of the three fathers of the Florentine Renaissance, with the painter Masaccio and the architect Brunelleschi. The portrait is enclosed in a frame decorated with caryatids holding the tools of art and an allegory of sculpture. Colored illustration on a 16th century xylographic basis, from the treaty 'Le Vite de' the most outstanding painters, sculptors and architects' by Giorgio Vasari (30 July 1511 - 27 June 1574), second enlarged and revised edition, Giunti, Florence 1568.

alb2053413 The Tribute Money, fresco by Tommaso Masaccio (1401-1428), detail. Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2059273 Peter and John, detail from The tribute money, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2049546 St Peter's face, detail from the Distribution of alms and the Death of Ananias, fresco by Tommaso Masaccio (1401-1428). Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.

alb2047470 St Peter Healing the Sick with His Shadow, fresco by Tommaso Masaccio (1401-1428), detail. Brancacci Chapel, Church of Santa Maria del Carmine, Florence. Italy, 15th century.