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Ny Street Name Haiti

A crowd cheers during the unveiling of ...
Data da imagem: 18/08/2018
Cod. da imagem: ny190818222308
Crédito: Idris Solomon/ The New York Times/ Fotoarena

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A crowd cheers during the unveiling of Jean-Jacques Dessalines Boulevard in Brooklyn.

Data da imagem: 18/08/2018

Cod. da imagem: ny190818222308

A crowd cheers during the unveiling of Jean-Jacques Dessalines Boulevard in Brooklyn.

Crédito: Idris Solomon/ The New York Times/ Fotoarena

A crowd cheers during the unveiling of Jean-Jacques Dessalines Boulevard in Brooklyn, Aug. 18, 2018. A street in Flatbush was named after Jean-Jacques Dessalines, the Haitian revolutionary leader whose history of violence concerned a City Council committee. (Idris Solomon/The New York Times/Fotoarena)

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Odissi Dance Review

Arushi Mudgal an Odissi dancer, at the ...
Data da imagem: 13/08/2018
Cod. da imagem: ny140818165912
Crédito: Andrea Mohin/ The New York Times/ Fotoarena

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Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Data da imagem: 13/08/2018

Cod. da imagem: ny140818165912

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Crédito: Andrea Mohin/ The New York Times/ Fotoarena

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York, Aug. 13, 2018. Mudgal?s 90-minute solo recital opening New York?s annual festival of Indian dance and music included an interpretation of the Gita Govinda, a12th-century Sanskrit poem. (Andrea Mohin/The New York Times/Fotoarena)

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Odissi Dance Review

Arushi Mudgal an Odissi dancer, at the ...
Data da imagem: 13/08/2018
Cod. da imagem: ny140818170011
Crédito: Andrea Mohin/ The New York Times/ Fotoarena

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Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Data da imagem: 13/08/2018

Cod. da imagem: ny140818170011

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Crédito: Andrea Mohin/ The New York Times/ Fotoarena

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York, Aug. 13, 2018. Mudgal?s 90-minute solo recital opening New York?s annual festival of Indian dance and music included an interpretation of the Gita Govinda, a12th-century Sanskrit poem. (Andrea Mohin/The New York Times/Fotoarena)

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Odissi Dance Review

Arushi Mudgal an Odissi dancer, at the ...
Data da imagem: 13/08/2018
Cod. da imagem: ny140818165910
Crédito: Andrea Mohin/ The New York Times/ Fotoarena

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Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Data da imagem: 13/08/2018

Cod. da imagem: ny140818165910

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York.

Crédito: Andrea Mohin/ The New York Times/ Fotoarena

Arushi Mudgal an Odissi dancer, at the Drive East festival in New York, Aug. 13, 2018. Mudgal?s 90-minute solo recital opening New York?s annual festival of Indian dance and music included an interpretation of the Gita Govinda, a12th-century Sanskrit poem. (Andrea Mohin/The New York Times/Fotoarena)

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Shakespeare Feast

The cast of Shake & Bake: "Love's ...
Data da imagem: 07/08/2018
Cod. da imagem: ny130818154512
Crédito: Caitlin Ochs/ The New York Times/ Fotoarena

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The cast of Shake & Bake: "Love's Labour's Lost" in Manhattan.

Data da imagem: 07/08/2018

Cod. da imagem: ny130818154512

The cast of Shake & Bake: "Love's Labour's Lost" in Manhattan.

Crédito: Caitlin Ochs/ The New York Times/ Fotoarena

The cast of Shake & Bake: "Love's Labour's Lost" in Manhattan, Aug. 7, 2018. Ticketholders will dine on an eight-course feast (wine included) during the show (Caitlin Ochs/The New York Times/Fotoarena)

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Sambal Memories

Rosni Pattillo uses a mortar and ...
Data da imagem: 01/08/2018
Cod. da imagem: ny140818164611
Crédito: Jessica Lutz/ The New York Times/ Fotoarena

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Rosni Pattillo uses a mortar and pestle to grind peppers for sambal, a spicy chile paste, in Alpine, Texas.

Data da imagem: 01/08/2018

Cod. da imagem: ny140818164611

Rosni Pattillo uses a mortar and pestle to grind peppers for sambal, a spicy chile paste, in Alpine, Texas.

Crédito: Jessica Lutz/ The New York Times/ Fotoarena

Rosni Pattillo uses a mortar and pestle to grind peppers for sambal, a spicy chile paste, in Alpine, Texas, Aug. 1, 2018. Pattillo learned to grind peppers while growing up in a Malay kampong, or village, in Singapore. (Jessica Lutz/The New York Times/Fotoarena)

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Ny Fireboat Painting

The John J. Harvey, a former New York ...
Data da imagem: 01/08/2018
Cod. da imagem: ny050818195511
Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

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The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Data da imagem: 01/08/2018

Cod. da imagem: ny050818195511

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New York, Aug. 1, 2018. The fireboat has been repainted with a nod to dazzle painting, a technique developed during World War I to help allied ships fool German U-boats. (Hiroko Masuike/The New York Times/Fotoarena)

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Ny Fireboat Painting

The John J. Harvey, a former New York ...
Data da imagem: 01/08/2018
Cod. da imagem: ny050818192211
Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

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The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Data da imagem: 01/08/2018

Cod. da imagem: ny050818192211

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New York, Aug. 1, 2018. The fireboat has been repainted with a nod to dazzle painting, a technique developed during World War I to help allied ships fool German U-boats. (Hiroko Masuike/The New York Times/Fotoarena)

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Ny Fireboat Painting

The John J. Harvey, a former New York ...
Data da imagem: 01/08/2018
Cod. da imagem: ny050818192311
Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

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The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Data da imagem: 01/08/2018

Cod. da imagem: ny050818192311

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New York, Aug. 1, 2018. The fireboat has been repainted with a nod to dazzle painting, a technique developed during World War I to help allied ships fool German U-boats. (Hiroko Masuike/The New York Times/Fotoarena)

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Ny Fireboat Painting

Tauba Auerbach with the John J. ...
Data da imagem: 01/08/2018
Cod. da imagem: ny050818192412
Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

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Tauba Auerbach with the John J. Harvey, a former New York Fire Department boat, that she painted in New York.

Data da imagem: 01/08/2018

Cod. da imagem: ny050818192412

Tauba Auerbach with the John J. Harvey, a former New York Fire Department boat, that she painted in New York.

Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

Tauba Auerbach with the John J. Harvey, a former New York Fire Department boat, that she painted in New York, Aug. 1, 2018. The fireboat has been repainted with a nod to dazzle painting, a technique developed during World War I to help allied ships fool German U-boats. (Hiroko Masuike/The New York Times/Fotoarena)

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Ny Fireboat Painting

The John J. Harvey, a former New York ...
Data da imagem: 01/08/2018
Cod. da imagem: ny050818192111
Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

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The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Data da imagem: 01/08/2018

Cod. da imagem: ny050818192111

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New Yorkk.

Crédito: Hiroko Masuike/ The New York Times/ Fotoarena

The John J. Harvey, a former New York Fire Department boat, painted by Tauba Auerbach, in New York, Aug. 1, 2018. The fireboat has been repainted with a nod to dazzle painting, a technique developed during World War I to help allied ships fool German U-boats. (Hiroko Masuike/The New York Times/Fotoarena)

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Museums Diversity

Akili Tommasino, a curatorial ...
Data da imagem: 01/08/2018
Cod. da imagem: ny090818125412
Crédito: Bryan Derballa/ The New York Times/ Fotoarena

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Akili Tommasino, a curatorial assistant at the Museum of Modern Art, is pictured outside the museum in New York on Aug. 1, 2018.

Data da imagem: 01/08/2018

Cod. da imagem: ny090818125412

Akili Tommasino, a curatorial assistant at the Museum of Modern Art, is pictured outside the museum in New York on Aug. 1, 2018.

Crédito: Bryan Derballa/ The New York Times/ Fotoarena

Akili Tommasino, a curatorial assistant at the Museum of Modern Art, is pictured outside the museum in New York on Aug. 1, 2018. He is one of a rising number of minorities in New York's curatorial world. (Bryan Derballa/The New York Times/Fotoarena)

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Museums Diversity

Akili Tommasino, curatorial assistant ...
Data da imagem: 01/08/2018
Cod. da imagem: ny080818163511
Crédito: Bryan Derballa/ The New York Times/ Fotoarena

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Akili Tommasino, curatorial assistant at the Museum of Modern Art, gives a lecture on the work of David Hammons to a group of students in the Prep for Prep/Sotheby’s Art Academy, at the MoMA in ...

Data da imagem: 01/08/2018

Cod. da imagem: ny080818163511

Akili Tommasino, curatorial assistant at the Museum of Modern Art, gives a lecture on the work of David Hammons to a group of students in the Prep for Prep/Sotheby’s Art Academy, at the MoMA in New York.

Crédito: Bryan Derballa/ The New York Times/ Fotoarena

Akili Tommasino, curatorial assistant at the Museum of Modern Art, gives a lecture on the work of David Hammons to a group of students in the Prep for Prep/Sotheby?s Art Academy, at the MoMA in New York, Aug. 1, 2018. Museums, which are often barriers for marginalized groups hoping to enter into the art world, are diversifying their ranks to attract a wider audience. (Bryan Derballa/The New York Times/Fotoarena)

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Museums Diversity

Naomi Beckwith, senior curator at the ...
Data da imagem: 30/07/2018
Cod. da imagem: ny090818125910
Crédito: Whitten Sabbatini/ The New York Times/ Fotoarena

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Naomi Beckwith, senior curator at the Museum of Contemporary Art in Chicago.

Data da imagem: 30/07/2018

Cod. da imagem: ny090818125910

Naomi Beckwith, senior curator at the Museum of Contemporary Art in Chicago.

Crédito: Whitten Sabbatini/ The New York Times/ Fotoarena

Naomi Beckwith, senior curator at the Museum of Contemporary Art, is pictured at the museum in Chicago on July 30, 2018. Museums, which are often barriers for marginalized groups hoping to enter into the art world, are diversifying their ranks to attract a wider audience. (Whitten Sabbatini/The New York Times/Fotoarena)

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Museums Diversity

Naomi Beckwith, senior curator at the ...
Data da imagem: 30/07/2018
Cod. da imagem: ny080818163811
Crédito: Whitten Sabbatini/ The New York Times/ Fotoarena

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Naomi Beckwith, senior curator at the Museum of Contemporary Art Chicago, in Chicago

Data da imagem: 30/07/2018

Cod. da imagem: ny080818163811

Naomi Beckwith, senior curator at the Museum of Contemporary Art Chicago, in Chicago

Crédito: Whitten Sabbatini/ The New York Times/ Fotoarena

Naomi Beckwith, senior curator at the Museum of Contemporary Art Chicago, in Chicago, July 30, 2018. Museums, which are often barriers for marginalized groups hoping to enter into the art world, are diversifying their ranks to attract a wider audience. (Whitten Sabbatini/The New York Times/Fotoarena)

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Ny Harlem Muslim History

A longtime member of the Five-Percent ...
Data da imagem: 29/07/2018
Cod. da imagem: ny120818171412
Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

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A longtime member of the Five-Percent Nation points to a portrait of its founder, Allah, in the Allah School in Mecca Street Academy during Katie Merriman's walking tour of Muslim heritage sites ...

Data da imagem: 29/07/2018

Cod. da imagem: ny120818171412

A longtime member of the Five-Percent Nation points to a portrait of its founder, Allah, in the Allah School in Mecca Street Academy during Katie Merriman's walking tour of Muslim heritage sites throughout Harlem.

Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

A longtime member of the Five-Percent Nation points to a portrait of its founder, Allah, in the Allah School in Mecca Street Academy during Katie Merriman's walking tour of Muslim heritage sites throughout Harlem, July 29, 2018. Merriman, a Ph.D. student from the University of North Carolina at Chapel Hill, gives free tours in order to preserve Harlem's Muslim legacy. (Marian Carrasquero/The New York Times/Fotoarena)

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Ny Harlem Muslim History

Katie Merriman gives a walking tour of ...
Data da imagem: 29/07/2018
Cod. da imagem: ny120818171710
Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

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Katie Merriman gives a walking tour of Muslim heritage sites throughout Harlem.

Data da imagem: 29/07/2018

Cod. da imagem: ny120818171710

Katie Merriman gives a walking tour of Muslim heritage sites throughout Harlem.

Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

Katie Merriman's tour passes the Allah School in Mecca Street Academy, which is home of the Five-Percent Nation, in Harlem, July 29, 2018. Merriman, a Ph.D. student from the University of North Carolina at Chapel Hill, gives free tours in order to preserve Harlem's Muslim legacy. (Marian Carrasquero/The New York Times/Fotoarena)

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Ny Harlem Muslim History

Katie Merriman gives a walking tour of ...
Data da imagem: 29/07/2018
Cod. da imagem: ny120818172113
Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

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Katie Merriman gives a walking tour of Muslim heritage sites throughout Harlem.

Data da imagem: 29/07/2018

Cod. da imagem: ny120818172113

Katie Merriman gives a walking tour of Muslim heritage sites throughout Harlem.

Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

Katie Merriman gives a walking tour of Muslim heritage sites throughout Harlem, July 29, 2018. Merriman, a Ph.D. student from the University of North Carolina at Chapel Hill, gives free tours in order to preserve Harlem's Muslim legacy. (Marian Carrasquero/The New York Times/Fotoarena)

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Ny Harlem Muslim History

Muhammad Mosque No. Seven, which ...
Data da imagem: 29/07/2018
Cod. da imagem: ny120818171311
Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

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Muhammad Mosque No. Seven, which belongs to the Nation of Islam, once led by Malcolm X, is one of the stops on Katie Merriman's walking tour in Harlem.

Data da imagem: 29/07/2018

Cod. da imagem: ny120818171311

Muhammad Mosque No. Seven, which belongs to the Nation of Islam, once led by Malcolm X, is one of the stops on Katie Merriman's walking tour in Harlem.

Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

Muhammad Mosque No. Seven, which belongs to the Nation of Islam, once led by Malcolm X, is one of the stops on Katie Merriman's walking tour in Harlem, July 29, 2018. Merriman, a Ph.D. student from the University of North Carolina at Chapel Hill, gives free tours in order to preserve Harlem's Muslim legacy. (Marian Carrasquero/The New York Times/Fotoarena)

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Ny Harlem Muslim History

People participating in Katie ...
Data da imagem: 29/07/2018
Cod. da imagem: ny120818171611
Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

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People participating in Katie Merriman's tour look at books and pamphlets that the Nation of Islam sold outside Muhammad Mosque No. Seven.

Data da imagem: 29/07/2018

Cod. da imagem: ny120818171611

People participating in Katie Merriman's tour look at books and pamphlets that the Nation of Islam sold outside Muhammad Mosque No. Seven.

Crédito: Marian Carrasquero/ The New York Times/ Fotoarena

People participating in Katie Merriman's tour look at books and pamphlets that the Nation of Islam sold outside Muhammad Mosque No. Seven, in Harlem, July 29, 2018. Merriman, a Ph.D. student from the University of North Carolina at Chapel Hill, gives free tours in order to preserve Harlem's Muslim legacy. (Marian Carrasquero/The New York Times/Fotoarena)

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