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The Dead Child, 1896-1902 (oil on canvas)

Cod. da imagem: XIR3090822
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: XIR3090822

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The Dead Child, 1896-1902 (oil on canvas), Pellizza da Volpedo, Giuseppe (1868-1907) / Musee d'Orsay, Paris, France / Bridgeman Images

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Cod. da imagem: FLP3090933

Crédito: Bridgeman/ Fotoarena

2nd to 20th and 29th and 31st Wards, 1875: Volume 6, Atlas of the City of Philadelphia, 1875 (colour litho), American School, (19th century) / Free Library of Philadelphia / Bridgeman Images

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Cod. da imagem: CH3091085

Crédito: Bridgeman/ Fotoarena

Of Kokoshnik design, composed of a series of graduated translucent royal blue plique-à-jour enamel curved panels, each overlaid with old-cut diamond trailing forget-me-not floral motifs, interspersed with collet-set diamond lines, to the cushion-shaped diamond openwork cartouche centre and similarly-set upper border, circa 1910, mounted in platinum and gold, with a later fitted case created in Paris in 1911 by Joseph Chaumet for the wife of the English nobleman, the 2nd Duke of Westminster (1879-1953), Duchess Constance, known as Shelagh (1876-1953), Chaumet, Joseph (1852-1928), Private Collection, enamel, diamonds, platinum and gold, 1911, Belle Epoque tiara, 1911 (enamel, diamonds, platinum & gold), Chaumet, Joseph (1852-1928) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3091092

Crédito: Bridgeman/ Fotoarena

Aquatilium animalium historiae liber primus cum eorundem formis aere excusis. Rome: Ippolito Salviani (1514-1572), 1554 classic work on ichthyology and one of the earliest examples of the use of engravings for scientific illustration., Lafreri, Antonio (1512-77), Private Collection, engraving, 1554, 40.5x27.9, Illustration from 'Aquatilium animalium historiae, liber primus' by Ippolito Salviani, 1554 (engraving), Lafreri, Antonio (1512-77) / Private Collection / Photo © Christie's Images / Bridgeman Images

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A street in Lahore, c.1908-19 (b/w photo)

Cod. da imagem: BAL3090815
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: BAL3090815

Crédito: Bridgeman/ Fotoarena

A street in Lahore, c.1908-19 (b/w photo) / Private Collection / Bridgeman Images

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Chinoiserie eperge, 1759 (silver)

Cod. da imagem: LMG3090940
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: LMG3090940

Crédito: Bridgeman/ Fotoarena

Table centrepiece in the form of a Chinese pagoda or garden pavilion with upturned eaves, hanging bells, pierced baskets and dishes. This would have contained fruits and delicacies for the dessert course at dinner and the table might have had additional ornaments such as porcelain figures and sugared scuptures. In the mid 20th century this example was owned by the legendary fashion writer and hostess the Hon Mrs Daisy Fellowes., Pitts, Thomas (fl.1737-93), © Leeds Museums and Art Galleries (Temple Newsam House) UK, silver, 1759, 56x74, Chinoiserie eperge, 1759 (silver), Pitts, Thomas (fl.1737-93) / © Leeds Museums and Art Galleries (Temple Newsam House) UK / Bridgeman Images

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Cod. da imagem: DGC3090950

Crédito: Bridgeman/ Fotoarena

A Barrel of Fun in Fargo souvenir Arcade photograph, c.1905 (photo) / Private Collection / Prismatic Pictures / Bridgeman Images

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Cod. da imagem: AMO3091044

Crédito: Bridgeman/ Fotoarena

earliest extant example of a Greek chronological table; records the history of Greece from c.1581 to 254 BC; Parian Chronicle; Marmor Parium; Oxford Fragment;, Greek, (3rd century BC), Ashmolean Museum, University of Oxford, UK, marble, Fragment from the Parian Marble, c.264 BC (marble), Greek, (3rd century BC) / Ashmolean Museum, University of Oxford, UK / Bridgeman Images

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A Day at the Beach, 1923 (pochoir)

Cod. da imagem: DGC3091105
Crédito: Bridgeman/ Fotoarena

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Cod. da imagem: DGC3091105

Crédito: Bridgeman/ Fotoarena

A Day at the Beach, 1923 (pochoir), Barbier, Georges (1882-1932) / Private Collection / Prismatic Pictures / Bridgeman Images

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Cod. da imagem: XOS3247855

Crédito: Bridgeman/ Fotoarena

Hudson-Fulton naval parade, 1909., Detroit Publishing Co. (1880-1920), Private Collection, black and white photograph, 1909, Sandy Hook steamer Asbury Park, 1909 (b/w photo), Detroit Publishing Co. (1880-1920) / Private Collection / Bridgeman Images

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Cod. da imagem: XOS3247874

Crédito: Bridgeman/ Fotoarena

In 1872 President Grant signed the bill creating America's first National Park at Yellowstone, American Photographer, (19th century), Private Collection, photochrom, 1898, 'Old Faithful' Geyser, Yellowstone National Park, c.1898 (photochrom), American Photographer, (19th century) / Private Collection / Bridgeman Images

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Cod. da imagem: FIT3084225

Crédito: Bridgeman/ Fotoarena

Flower study: assorted flowers in a basket, with insects and a lizard in a window setting, 1634 , Marrel, Jacob (1614-81) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

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Cod. da imagem: CH3084295

Crédito: Bridgeman/ Fotoarena

Emma, Lady Hamilton (1765-1815), Reynolds, Joshua (1723-92), Private Collection, oil on canvas, 76.8x63.5, Portrait of Emma, Lady Hamilton, as a Bacchante, half-length, in a yellow dress and white shawl, in a landscape (oil on canvas), Reynolds, Joshua (1723-92) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: LMG3084593

Crédito: Bridgeman/ Fotoarena

Detail of the reverse of an Adam and Eve slipware dish, North Staffordshire, 1674 (ceramic), Toft, Thomas (d.1689) / © Leeds Museums and Art Galleries (Temple Newsam House) UK / Bridgeman Images

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Cod. da imagem: CH3084896

Crédito: Bridgeman/ Fotoarena

Enamelled with painterly skill around the exterior with two pointedly contrasting scenes, one after William Hogarth's painting Midnight Modern Conversation, showing a group of English gentlemen gathered around a table in St. John's Coffeehouse after a long night of dissipation, some still alert and offering toasts ladled from a large blue and white punchbowl, others dozing or in drunken stupors, one at the right with a lit candle setting his sleeve afire, one with a flask slipping from his hand, spilling its contents, on the floor in the foreground a leaking blue and white chamberpot and the tallcase clock at the other side reading 4 o'clock, while on the other side of the bowl is the scene of an elegant Chinese gentlemen's supper, the dishes arranged carefully on the table before them and a maidservant pouring tea, four of the diners conversing while the fifth dozes in his chair, perhaps from the effects of the pipe falling from his hand, to one side a girlservant brings a tray of fruit and behind her the gentlemens' hats and cloaks are carefully placed on a table, in the room beyond an altar table holds an arrangement of scholar's articles with a painting hung behind and on the other side a garden courtyard is visible, in between these scenes gilt scrollwork suspends floral festoons and encloses loose bouquets with butterflies hovering above, a similar flower cluster in the center of the bowl beneath a border of further floral festoons, Chinese School, (18th century), Private Collection, ceramic, 1775, diam: 53.5, Rare and massive punchbowl, c.1775 (ceramic) (see also 3084896), Chinese School, (18th century) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3084923

Crédito: Bridgeman/ Fotoarena

'GRANDE GIRAFE TÊTE BASSE' signed, dated 1911 and numbered (1) with the foundry mark A.A. HEBRARD LOST WAX on the terrace; with a label (traces) printed ESPOSIZIONE PRIMA INTERNAZIONALE D'ARTE DELLA "SECESSIONE" ROMA 1 (...) the reverse, Bugatti, Rembrandt (1884-1916), Private Collection, bronze, 1909, 65x70x20, Large Giraffe with Lowered Head, modeled 1909-10, cast before 1913 (bronze) (see also 3084917-43), Bugatti, Rembrandt (1884-1916) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3084928

Crédito: Bridgeman/ Fotoarena

'GRANDE GIRAFE TÊTE BASSE' signed, dated 1911 and numbered (1) with the foundry mark A.A. HEBRARD LOST WAX on the terrace; with a label (traces) printed ESPOSIZIONE PRIMA INTERNAZIONALE D'ARTE DELLA "SECESSIONE" ROMA 1 (...) the reverse, Bugatti, Rembrandt (1884-1916), Private Collection, bronze, 1909, 65x70x20, Large Giraffe with Lowered Head, modeled 1909-10, cast before 1913 (bronze) (see also 3084917-43), Bugatti, Rembrandt (1884-1916) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3084930

Crédito: Bridgeman/ Fotoarena

'GRANDE GIRAFE TÊTE BASSE' signed, dated 1911 and numbered (1) with the foundry mark A.A. HEBRARD LOST WAX on the terrace; with a label (traces) printed ESPOSIZIONE PRIMA INTERNAZIONALE D'ARTE DELLA "SECESSIONE" ROMA 1 (...) the reverse, Bugatti, Rembrandt (1884-1916), Private Collection, bronze, 1909, 65x70x20, Large Giraffe with Lowered Head, modeled 1909-10, cast before 1913 (bronze) (see also 3084917-43), Bugatti, Rembrandt (1884-1916) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3084935

Crédito: Bridgeman/ Fotoarena

'GRANDE GIRAFE TÊTE BASSE' signed, dated 1911 and numbered (1) with the foundry mark A.A. HEBRARD LOST WAX on the terrace; with a label (traces) printed ESPOSIZIONE PRIMA INTERNAZIONALE D'ARTE DELLA "SECESSIONE" ROMA 1 (...) the reverse, Bugatti, Rembrandt (1884-1916), Private Collection, bronze, 1909, 65x70x20, Large Giraffe with Lowered Head, modeled 1909-10, cast before 1913 (bronze) (see also 3084917-43), Bugatti, Rembrandt (1884-1916) / Private Collection / Photo © Christie's Images / Bridgeman Images

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Cod. da imagem: CH3084942

Crédito: Bridgeman/ Fotoarena

'GRANDE GIRAFE TÊTE BASSE' signed, dated 1911 and numbered (1) with the foundry mark A.A. HEBRARD LOST WAX on the terrace; with a label (traces) printed ESPOSIZIONE PRIMA INTERNAZIONALE D'ARTE DELLA "SECESSIONE" ROMA 1 (...) the reverse, Bugatti, Rembrandt (1884-1916), Private Collection, bronze, 1909, 65x70x20, Large Giraffe with Lowered Head, modeled 1909-10, cast before 1913 (bronze) (see also 3084917-43), Bugatti, Rembrandt (1884-1916) / Private Collection / Photo © Christie's Images / Bridgeman Images

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